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58 articles
Short Notice
Paul Sandby and Sir Watkin Williams-Wynn revisited
03/2025 | 1464 | 167
Pages: 258–61
related names
Author:
Fairclough, Oliver (Fairclough, Oliver)
Subjects
artists:
buildings:
dates:
Illustrations
Attributed works:
1. Bala in the county of Merioneth: A rejoicing scene when Sir W.W. Wynn visited that place August 22 1771, by Paul Sandby. Bodycolour over pencil on linen, 18 by 26 cm. (Amgueddfa Cymru – Museum Wales, Cardiff).
Attributed works:
2. The iron forge (incorrectly titled Aber Glaslyn in the county of Merioneth), by Paul Sandby. 1771. Bodycolour over pencil on paper, 18 by 26 cm. (Amgueddfa Cymru – Museum Wales, Cardiff).
Attributed works:
3. The iron forge between Dolgelli and Barmouth in Merioneth Shire, from XII Views in North Wales, by Paul Sandby. 1776. Aquatint on paper, 29 by 38 cm. (Amgueddfa Cymru – Museum Wales, Cardiff).
Attributed works:
4. Waterfall at Tanberis North Wales, by Paul Sandby. 1771. Bodycolour over pencil on paper, 18 by 26 cm. (Amgueddfa Cymru – Museum Wales, Cardiff).
Attributed works:
5. Detail of Fig.1, showing Sir William- Wynn and his party arriving in Bala.
Article
Trading in art: Antonio Cesare di Poggi (1744–1836)
06/2021 | 1419 | 163
Pages: 513-523
related names
Author:
Barnard, Tony (Barnard, Tony)
Subjects
places:
Illustrations
Attributed works:
1. Fan portraying George III and his family at the Royal Academy of Arts exhibition in 1788, made by A.C. Poggi incorporating a print by Pietro Antonio Martini after J.H. Ramberg. c.1790. Engraved and hand-coloured paper with carved and pierced ivory sticks and guards, width when open 38.4 cm. (Victoria and Albert Museum, London).
Attributed works:
10. Christ disputing with the doctors in the Temple, by Ludovico Mazzolino. 1524. Pen and brown ink and wash with white opaque watercolour on light brown washed paper over black chalk, partially incised with stylus, 42.3 by 39.4 cm. (Morgan Library and Museum, New York).
Attributed works:
11. Mars, by Guercino. 1628. Red chalk on paper, 22.9 by 16.5 cm. (Museum of Fine Arts, Budapest).
Attributed works:
2. Design for a fan handle, by Francesco Salviati. c.1525–63. Pen and brown ink with brown wash over black chalk on paper, 20.3 by 11.7 cm. (British Museum, London).
Attributed works:
3. George Augustus Eliott, 1st Lord Heathfield, by A.C. Poggi. c.1783. Oil on canvas, 45.1 by 36.2 cm. (National Army Museum, London; Bridgeman Images).
Attributed works:
4. George Augustus Eliott, 1st Lord Heathfield, by A.C. Poggi. c.1783. Chalk on paper, 15.8 by 12.9 cm. (Scottish National Portrait Gallery, Edinburgh).
Attributed works:
5. General Sir Robert Boyd, by John Hall after A.C. Poggi. 1786. Engraving, 40.5 by 30.2 cm. (British Museum, London).
Attributed works:
6. George Augustus Eliott, 1st Lord Heathfield, by Richard Earlom after Joshua Reynolds. 1788. Stipple with etching, 45.5 by 38 cm. (British Museum, London).
Attributed works:
7. George Augustus Eliott, 1st Lord Heathfield, by Francesco Bartolozzi after A.C. Poggi. 1788. Stipple with etching, 53.1 by 40.2 cm. (British Museum, London).
Attributed works:
8. The north face of the Rock of Gibraltar, by A.C. Poggi. 1792. Etching with hand colouring, 37.6 by 52.2 cm. (British Museum, London).
Attributed works:
9. Landscape, by Paul Sandby. 1796. Etching and aquatint, 7.3 by 6.6 cm (image). (British Museum, London).
Book Review
The Prints of Paul Sandby (1731–1809): A Catalogue Raisonné. By Ann V. Gunn
06/2018 | 1383 | 160
Pages: 521-523
related names
Reviewer:
Wilcox, Timothy (Wilcox, Timothy; Wilcox, Tim)
Subjects
dates:
media:
places:
Illustrations
Attributed works:
6. The Fair Stationer in Hyde Park 1780, by Paul Sandby. 1780. Outline etching handcoloured with grey wash, 22.4 by 29.1 cm. (The British Museum, London).
Article
Paul Sandby’s young pupil identified
05/2012 | 1310 | 154
Pages: 312-315
related names
Author:
Green, Richard (Green, Richard)
Subjects
artists:
dates:
museums and institutions:
print:
subjects:
Illustrations
Attributed works:
1. A lady copying at a drawing table, here identified as Rhoda Delaval, by Paul Sandby. c.1763–64. Red and black chalk and stump on wove paper, 19.4 by 15.2 cm. (Yale Center for British Art, New Haven).
Attributed works:
2. A lady painting, here identified as Rhoda Delaval (1751–70), by Paul Sandby. c.1763–64. Watercolour over graphite, 19.5 by 15.2 cm. (Royal Collection, London).
Attributed works:
4. Detail of Fig.2.
Attributed works:
5. Lambeth Palace from Millbank, by Daniel Turner. c.1808. Canvas, 41.3 by 60 cm. (Museum of London).
Attributed works:
6. Peterborough House, later Grosvenor House, Millbank, by George Shepherd. 1809. Watercolour over graphite with pen and black ink, 18.6 by 28 cm. (City of London, London Metropolitan Archives).
Western art unattributed:
3. Photograph of Lambeth Palace and the former church of St Mary’s. (Photograph by the author).
Article
Paul Sandby, William Pars and the Society of Dilettanti
04/2010 | 1285 | 152
Pages: 219-227
related names
Author:
Gunn, Ann (Gunn, Ann)
Subjects
dates:
museums and institutions:
museums and institutions:
print:
print:
Illustrations
Attributed works:
10. Ruin near the Port of Aegina, by William Pars. c.1764–66. Watercolour, 28.2 by 48.4 cm. (British Museum, London).
Attributed works:
11. The Port of Aegina, by Paul Sandby after William Pars. Published 1780. Aquatint and etching, 28.5 by 48.2 cm. (image); 32.7 by 50.5 cm. (plate). (British Museum, London).
Attributed works:
12. Ruin at Troas, by Paul Sandby after William Pars. Published 1779. Aquatint and etching, 29.1 by 47.8 cm. (image); 32.7 by 50.5 cm. (plate). (British Museum, London).
Attributed works:
13. Gymnasium at Ephesus, by Paul Sandby after William Pars. Published 1779. Aquatint and etching, 27.9 by 47.6 cm. (image); 32.7 by 51.3 cm. (plate). (British Museum, London).
Attributed works:
14. Temple of Apollo Didymaeus near Miletus, by Paul Sandby after William Pars. Published 1779. Aquatint and etching, 28.7 by 47.5 cm. (image); 37.5 by 51 cm. (plate). (British Museum, London).
Attributed works:
15. Temple near Melasso, by Paul Sandby after William Pars. Published 1779. Aquatint and etching, 28.1 by 49.4 cm. (image); 32.6 by 51.3 cm. (plate). (British Museum, London).
Attributed works:
16. Miletus, by Paul Sandby after William Pars. Published 1780. Aquatint and etching, 28.7 by 47.4 cm. (image); 32.7 by 51.3 cm. (plate). (British Museum, London).
Attributed works:
17. An Arch at Melasso, by Paul Sandby after William Pars. Published 1780. Aquatint and etching, 29.1 by 47.5 cm. (image); 32.7 by 51 cm. (plate). (British Museum, London).
Attributed works:
18. Inside of the Ruin at Troas, by Paul Sandby after William Pars. Published 1780. Aquatint and etching, 30 by 50 cm. (image); 34.2 by 51.7 cm. (plate). (British Museum, London).
Attributed works:
19. Temple at Sunium, by Paul Sandby after William Pars. Published 1780. Aquatint and etching, 28.3 by 47.3 cm. (image); 32.5 by 50.5 cm. (plate). (British Museum, London).
Attributed works:
20. Entrance of the Acropolis at Athens, by Paul Sandby after William Pars. Published 1780. Aquatint and etching, 26.3 by 47 cm. (image); 33 by 51 cm. (plate). (British Museum, London).
Attributed works:
21. Cave of Archidamus, by Paul Sandby after William Pars. Published 1780. Aquatint and etching, 30.1 by 51.1 cm. (image); 34.3 by 54 cm. (plate). (British Mus­eum, London).
Attributed works:
7. A Sepulchral Monument at Mylasa, by William Pars. c.1764–66. Watercolour, 29.7 by 47.1 cm. (British Museum, London).
Attributed works:
8. Sepulchre at Melasso, by Paul Sandby after William Pars. Published 1780. Aquatint and etching, 28.4 by 49.1 cm. (image); 32.6 by 51 cm. (plate). (British Museum, London).
Attributed works:
9. Sepulchre at Melasso, by William Byrne after William Pars. Published 1769. Etching and engraving, 26.2 by 45.3 cm. (image); 30.3 by 49 cm. (plate). (National Library of Scotland, Edinburgh).
Advertisements
Advertisements April 2010 (front)
04/2010 | 1285 | 152
Pages: s.p.
Subjects
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[Advanced Graphic, London. Thistle still life, by Craigie Aitchison. 2007. Screenprint, 30.5 by 25.5 cm.]
Attributed works:
[Alan Cristea Gallery, London. Star spangled, by Gilian Ayres. 2009-20. Sugarlift aquatint and carborundum, 78 by 104.5 cm]
Attributed works:
[Elizabeth Harvey-Lee, Oxford. Mars, Venus and Cupid, by Lucas van Leyden. 1530. Engraving, 19 by 24.5 cm.]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Giulio Cesare Procaccini. Bologna, 1574 - Milan, 1625. The Holy Family with the Young Saint John the Baptist. Oil on walnut wood panel, 97 x 64,5 cm (38 3/16 x 25 3/8 in)]
Attributed works:
[Galerie d’Art Saint-Honoré. 69, rue du Faubourg Saint-Honoré. Paris. Lucas van Valckenborch the Elder. Leuven ca. 1533 - 1597 Frankfurt. The Babel Tower. Oil on copper, diameter: 27 cm (16. inches). Monogrammed and dated : L.V.V. 1584.]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. Robert Bevan. 1865-1925. Houses in Sunlight, 1915. Oil on canvas. 20 x 24 inches; 51 x 61 cm. Signed.]
Attributed works:
[Hill-Stone, New York. Salisbury cathedral: the large plate, David Lucas (1802-81) after John Constable (1776-1837). Mezzotint. Shirley 39. A progress proof close to Shirley, progress proof 'e', with the artists' names scratched below the framing line.]
Attributed works:
[Hill-Stone, New York. URS GRAF (Solothurn c.1485 - 1527/28 Basel). Two Mercenaries and a Woman with Death in a Tree. Woodcut, with extensive hand colouring of the period: 1524. Hollstein 28, only state; Major & Grandmann, Urs Graf, 151. A very fine impression in very good condition, trimmed to the border, and in places just shaved into the border. Of the greatest rarity; Hollstein cities only fourteen impressions in public collection.]
Attributed works:
[Lempertz, 3 Neumarkt. Cologne. Meister der Wenzel-Scheibe (active in Austria in the 1st third of the 15th C.). Flagellation of Christ. Tempera on wood, 55.5 x 51.5 cm]
Attributed works:
[Markus Nass, Berlin. The goldsmith, by Rembrandt van Rijn. 1655. Etching, 9 by 6.7 cm.]
Attributed works:
[Mary Ryan Gallery, New York. Afternoon swimming, by David Hockney. 1980. Lithograph, 80 by 100 cm.]
Attributed works:
[Musée National de la Renaissance. Chateau D'Ecouen. The portrait of the Trojan Prince Paris acquired at the Yves Saint Laurent / Pierre Bergé sale 2009 is now on display at the Chateu of Ecouen, along with other heroes from the set designed by Leonard Limosin after Ovid's 'Heroes'.]
Attributed works:
[Royal Academy of Arts. London. Paul Sandby. The North Terrace, Windsor Castle. Looking West (detail), c.1765. Bodycolour over graphite. 379 x 545 mm.]
Attributed works:
[Simms Reed, London. Just what was it that made yesterday's homes so different, so appealing? by Richard Hamilton. 1992. Laser print in colours, 42 by 29.7 cm]
Attributed works:
[Sims Reed. Turing 6, by Eduardo Paolozzi. 2000. Screenprint in colours, 76 by 56 cm.]
Attributed works:
[The 45th London Original Print Fair. Royal Academy of Arts. Burlington House. London.. Howard Hodgkin. Night Palm, 1990 (detail). Hand-coloured etching with carborundum.]
Attributed works:
[The Fine Art Society, London. Speed, by Claude Flight. c.1922. Linocut, 22.5 by 28.5 cm]
Attributed works:
[The Old Print Shop, New York. Little penthouse, by Martin Lewis. 1931. Drypoint, recorded impression, 25.2 by 17.3 cm.]
Exhibition Review
Paul Sandby. Nottingham, Edinburgh and London
11/2009 | 1280 | 151
Pages: 789-790
related names
Reviewer:
Green, Richard (Green, Richard)
Subjects
artists:
dates:
print:
subjects:
Reviewed Items
subjects:
Paul Sandby: Picturing Britain | institution: Castle Museum and Art Gallery , institution: National Gallery of Scotland , institution: Royal Academy of Arts
Illustrations
Attributed works:
51. View in Luton Park, by Paul Sandby. 1765. Pen, bodycolour and watercolour over graphite, 51 by 74 cm. (Private collection, Mount Stuart; exh. National Gallery of Scotland, Edinburgh).
Attributed works:
52. The North Terrace, Windsor Castle, looking west, by Paul Sandby. c.1765. Bodycolour over graphite, 37.9 by 54.5 cm. (Yale Center for British Art, New Haven; exh. National Gallery of Scotland, Edinburgh).
Attributed works:
53. A lady painting, by Paul Sandby. c.1760s. Watercolour over graphite, 19.5 by 15.2 cm. (Royal Collection, London; exh. National Gallery of Scotland, Edinburgh).
Advertisements
Advertisements June 2007 (front)
06/2007 | 1251 | 149
Pages: s.p.
Subjects
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[Agnew’s, LTD, 43 Old Bond Street, London, W.1. Architectural capriccio, by Giovanni Migliara (1785-1837). Signed 'Gio. Migliara' and with inscription 'ingresso d'un Palazzo Comunale, Novembre 1829 (par Migliara peinture Milanais)' on the mount. Pencil, watercolour.]
Attributed works:
[Agnew’s, LTD, 43 Old Bond Street, London, W.1. Dante Gabriel Rossetti (1828-1882) The Annunciation. Pencil, watercolour and gum arabic heightened with bodycolour and scratching out, 14 1/2 x 9 1/2 in]
Attributed works:
[Agnew’s, LTD, 43 Old Bond Street, London, W.1. Rural dance (recto), study of a man's legs (verso), by Claude Gallée, called Claude Lorrain (600-1682). Black chalk, red chalk, brown and grey wash, 16.4 by 22.2 cm]
Attributed works:
[Artemis Fine Arts. C. G. Boerner, Dusseldorf. 13 Kasernenstr 13. USA 23 East 73rd Street, New York. Théo van Rysselberghe. 1862 Gent (Belgium) - Saint-Claire (France) 1926. Vue de La Roche sur Guyon 1898. Watercolour over pencil on wove paper; 175 x 250 mm. Annotated, dated, dedicated and signed with monogram in red pencil at lower left: en souvenir de La Roche-Guyon - juin 1898 | à mon amie M. Closset.]
Attributed works:
[Bonhams. 101 New Bond Street. London. Illustrated: Attributed to Caius Gabriel Cibber (1630-1700): An important late 17th century English sculptured stone figural group of Dementia, modelled as a distraught mother and child, circa 1680, 104cm high (41in high).]
Attributed works:
[C.G. Boerner, at Trinity Fine Art. 26 Bruton Street, W.1. Two elegant ladies in the studio or The cigarette, by Jacques Villon (1875-1963). Signed and dated. Watercolour, 42 by 38 cm]
Attributed works:
[Charles Ratton & Guy Ladrière. 14 rue de Marignan, 75008, Paris. Jacques Gamelin (1738 - Carcassonne - 1803). Mort d'un heros antique (Death of an ancient hero). Oil on paper, laid on cardboard (tondo), 20.5 x 22.5 cm. Diameter of central tondo: 16cm. Inscription on verso: 'Gamelin, Jacques born 3rd october 1738, died 1803 / study for the death of Abradate / Musée Montpellier'.]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. A carved oval marble portrait profile relief of Louis XV. By Louis-Claude Vassé (1717-1772), circa 1761.]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Domenico Zampieri, il Domenichino (Bologna 1581 - 1461 Naples). The Pietà. Dated 'M.DCIII' (lower left), the reverse with inscription 'NANN[?]'. Oil on copper. 20 5/8 x 15 3/8 in. (52.4 x 39.1 cm)]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Jean-Honoré Fragonard (Grasse 1732-1806 Paris). L'Ile d'amour [La Fete à Rambuillet] Black chalk, pastel, watercolour and bodycolour. 10 1/2 x 14 in. (267 x 356 mm)]
Attributed works:
[Colnaghi. 15 Old Bond Street. London. Julius Schnorr von Carolsfeld. Leipzig 1794 - 1872 Dresden. Portrait of a Woman. Pen and brown ink, brown wash, 227 x 198 mm]
Attributed works:
[Conchita Romero. Salustiano Olozaga 5. Madrid. Luis de Paret y Alcazar (1746-1799). Smugglers on shore in an imaginary coastal view. Graphite, ink and coloured wash on paper, 302x400 mm. Signed, dated and inscribed: A Dn Jseph Pais por su amigo Paret - ano de 1785 and N P O, in the artist's original mount.]
Attributed works:
[Connaught Brown. 2 Albermarle Street. London. Sur le coq, by Marc Chagall (1887-1985). Signed. Watercolour, ink and gouache on paper, 24.6 by 19 cm]
Attributed works:
[Day & Faber. 173 New Bond Street. London. Sweet chestnut (Castanea Sativa), by Jean-Victor Bertin (1767-1842). Executed c.1820. Signed and inscribed in brown in 'Etude de Chataigne / Bertin fecit'. Black chalk, 55.8 by 48.3 cm]
Attributed works:
[E & R Cyzer. London. Les acrobates, by Marc Chagall. Circa 1981. Signed lower right, 'Chagall'; signed on the reverse, 'Marc Chagall'. Oil on canvas, 116 by 81 cm]
Attributed works:
[Flavia Ormond Fine Arts. At Arndean Gallery. 23 Cork Street. London. Augustus John. Tenby 1878 - Fordingbridge, Hampshire 1961. Lady Ottoline Morrell. c. 1908-10. Pencil and watercolour. 20x14 inches.]
Attributed works:
[Flavia Ormond Fine Arts. At Arndean Gallery. 23 Cork Street. London. Set for the Ballet Giselle, by Alexandre Benois (1870-1960) Watercolour, ink and ink wash, 49 by 63 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Mattia Preti. Taverna, 1613 - La Valette, 1699. David and Goliath. Oil on canvas, 75 x 48.5 cm (29 1/2 x 19 in)]
Attributed works:
[Galerie Neuse, Kunsthandel GmbH. Contrescarpe 14. D-28203, Bremen, Germany. Jules (1788-1874), Gustave (1790-1867) and Alphonse (1791-1870) du Buisseret, by Heinrich Christoph Kolbe (1771-1836). Oil on canvas, 108 by 130.5 cm. Signed and dated: 'Kolbe f./1820']
Attributed works:
[Galerie Neuse, Kunsthandel GmbH. Contrescarpe 14. D-28203, Bremen, Germany. Matthaus Merian d.J. (Basel 1621-1687 Frankfurt). Selfportrait of the artist. Oil on canvas, 111x94.7 cm]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. 17 East 76th Street, New York. Ben Nicholson. 1894-1982. 1945 (still life). Oil and pencil on canvas. 14 x 23 1/2 inches; 35.6 x 61 cm. Signed and dated verso.]
Attributed works:
[Hotspur. London. A George I walnut chair back settee in the manner of Giles Grendey. c.1725]
Attributed works:
[Johnny van Haeften. London. A still life of a Wanli Kraak porcelain bowl of citrus fruit and pomegranates on a wooden table, surrounded by more of the same fruit, and a knife with a chequered handle next to it, by Jacob van Hulsdonck (1582-1647). Oil on panel, 41.5 by 56 cm]
Attributed works:
[Katrin Bellinger. 15 Old Bond Street. London. Four Commedia dell'Arte figures: three gentlemen and Pierrot, by Claude Gillot (1673-1772). Pen and black ink, grey and red wash, 11.7 by 19 cm]
Attributed works:
[Katrin Bellinger. 15 Old Bond Street. London. The Nativity, by François Boucher (1703-1770). Red chalk, pen and brown ink, brown wash, 33.2 by 25 cm]
Attributed works:
[Keshishian, London and New York. America, a tapestry from the series The four continents, designed by Lodewijk van Schoor. Flemish, late 17th century. 235 by 424cm.]
Attributed works:
[Lowell Libson. 3 Clifford Street, New Bond Street, London, W1S 2LF. Miss Elliot as 'Circe', by Daniel Gardner (1750-1805). Pastel and bodycolour, 35 by 25.4 cm]
Attributed works:
[MacConnal-Mason. London. The football match, by L.S. Lowry (1887-1976). Signed and dated 1934. Oil on canvas, 40.6 by 66 cm]
Attributed works:
[Mallett, 141 New Bond St., London. Common red poppy from a collection of botanical watercolours by Emily Stackhouse (1811-1870). Watercolour on paper, 27 by 21 cm]
Attributed works:
[Mallett. London and New York. A gentleman in red riding a dappled grey horse, ond its companion piece, a lady in green habit riding side-saddle on a bay cob, by J.B. Colmart. The former signed: J B Colmart, and dated 1775]
Attributed works:
[Marks. London. A Fabergé silver-gilt mounted cut glass claret jug. Signed 'Carl Fabergé'. Moscow, c. 1895. 84 zolotniks. Height: 21.5cm]
Attributed works:
[Moretti, Florence, London, New York. Santo Vescovo, by Paolo Veneziano, Venezia (documented from 1333 to 1358). Tempera on panel, 18.4 by 13.4 cm]
Attributed works:
[Moretti. Piazza Ottaviani 17/r, 50123 Florence. 43 New Bond Street. London. Giovanni di Paolo. Siena, c. 1400-1482. Madonna and Child enthroned between Saints Bartholomew, James Major and two female saints. Panel, 37.5 x 26.7 cm]
Attributed works:
[Osborne Samuel. London. Phemius and Telemachus, by Henry Moore (1898-1986). 1944. Pencil, wax crayon, watercolour and pen and ink, 20.3 by 15.3 cm]
Attributed works:
[Rob Smeets. Via Camperio 9. Milano. Domenico di Bartolomeo Ubaldini, called Puligo. 1492-Florence-1527. The Virgin and Child with the infant ST. John. Oil on panel - 73x51 cm]
Attributed works:
[Rossi & Rossi. London. Crowned Vairocana. Brass, with silver and copper inlay. North-western India, Swat Valley. 7th-8th century. Height: 19.2 cm]
Attributed works:
[Sam Fogg Ltd. London. Thierry of Alsace, Count of Flanders, receiving the Relic of the Holy Blood from the Patriarch of Jerusalem (detail). A standard or processional staff. Bruges, c.1480-1500. Polychromed wood, height: 62.5 cm]
Attributed works:
[Sam Fogg, Ltd. 15d Clifford Street, London. Hans Thoman (fl. 1510 - 1525). God the Father. South Germany. Memmingen. 1520-1525.]
Attributed works:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. Amleto Cataldi (Italian, 1882-1930). Medusa. White marble, on octagonal varnished wood plinth with carved inset rosettes. Marble: 195 cm. 77 in. Base: 70 by 70 by 70 cm. 27 1/2 by 27 1/2 by 27 1/2 in.]
Attributed works:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. Jean-Etienne Liotard (Geneva 1702-1789). Portrait of the philosopher and naturalist Charles Bonnet. Black and red chalk over white chalk in the section of the wig. 246 by 195mm]
Attributed works:
[Stephen Ongpin Fine Art. At 22 Bury Street, St. James’s, S.W.1. Design for a monument or frontispiece, with a male and female figure flanking a cartouche, three putti holding a garland above, by Ubaldo Gandolfi (1728-1781). Pen and brown ink and brown wash, over and extensive underdrawing in red chalk, 23.6 by 20.5 cm]
Attributed works:
[Stoppenbach & Delestre. 25 Cork Street. London. Bords de Seine au Pont du Carrousel, by Henri-Joseph Harpignies (1819-1916). Signed and dated lower left 'H Harpignies 88'. Inscribed lower right 'Paris'. Watercolour, 54 by 37 cm]
Attributed works:
[Theobald Jennings. 37 Albermarle Street. W.1. Der Strand von Fehmam, by Ernst Ludwig Kirchner. 1912. Signed lower right in pencil. Pencil and watercolour.]
Attributed works:
[Thomas Katz Fine Art. London. Relief sculpture for Appicella, by Edoardo Paolozzi (1924-05). 1981. Wood and resin. 125-7 by 156.2 cm]
Attributed works:
[Thomas Williams Fine Art. 22 Old Bond Street, W.1. Head of a boy (recto), a male caricature in profile to the right, and part of a head (verso). Florentine school. c. 1520. Black and white chalk (recto), black and red chalk (verso), 11.5 by 8.6 cm.]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Bartholomeus Spranger Antwerp 1546 - Prague 1611. Satyrs Family. Dimensions 87 x 69 cm]
Attributed works:
[Trinity Fine Art. 29 Bruton Street. London W1J 6QP. Rest on the flight to Egypt, by Michelle Corneille (1642-1708). Black chalk, pen and brown ink, blue-grey was heightened with white on brown paper, 37.8 by 27.5 cm]
Attributed works:
[W/S Fine Art / Andrew Wyld. 160 New Bond Street, London W1S 2UE. On the road to Tunbridge, by Paul Sandby R.A. (1730-1890). Inscribed by the artist 'on the Road to Tunbridge'. Watercolour over pencil with pen and ink, 21.7 by 27.4 cm]
Attributed works:
[Winterberg Kunst. The Drawing Gallery. 37 Duke Street, St. James’s. London. Daniel Nikolaus Chodowiecki. Angel with two putti. Red and colour chalk, laid paper, 1788. Signed, dated. about 38 x 25,5 cm]
Attributed works:
[Winterberg Kunst. The Drawing Gallery. 37 Duke Street, St. James’s. London. Edward Jakob von Steinle. Maria Magdalena anoiting the feet of Jesus. Pencil, white hightening, wove paper, 1832. Dated ,,Rom 8tbr. 1832''. 33 x 31,7 cm]
Attributed works:
[Winterberg Kunst. The Drawing Gallery. 37 Duke Street, St. James’s. London. Friedrich Nerly. Venice, Torre dell'Orologio. Watercolour, wove paper, 1838. Signed, dated. 69.3 x 47.5 cm]
Non-western art unattributed:
[Harris Lindsay. London. A Chinese tripod table in the English manner. Hua-li wood inlaid with engraved brass and mother-of-pearl. Canton, c.1745. Height: 71cm. Diameter: 58.5cm]
Non-western art unattributed:
[Robert Kleiner & Co Ltd. London. A group of glass snuff bottles made for the Chinese court. c. 1720-1800. Height: 3.5 - 5.8 cm]
Western art unattributed:
[Daniel Katz. London. Male nude (Adam). Florentine, circle of Michelangelo. Mid-16th century. Bronze statuette, on integral naturalistic base set on a Venetian bronze inkwell; secured by a later bronze fitment marked in red underneath inkwell with 20th-century inventory number: 217. 18.5 cm. Overall height: 25 cm]
Western art unattributed:
[Patricia Wengraf, Ltd. PO Box 31067, London SW1W 9FJ. Northern Italy, probably Mantua, circa 1540-1560. Portrait of a man known as Marius. Bronze bust, after the Antique. Height: 47cm.]
Western art unattributed:
[Richard Philp. 7 Ravenscourt Square, London. Catalonian, Sedes Sapientiae, c.1200, polychromed wood, height: 87 cm (detail)]
Western art unattributed:
[Richard Philp. 7 Ravenscourt Square, London. Head of a man with laurel wreath. 15th century. Stone. Height: 20.3 cm]
Western art unattributed:
[Rupert Wace. London. Marble figure of Asclepius. Roman. Circa 2nd century AD. Height: 68.6cm]
Exhibition Review
Papermaking and watercolour. New Haven
06/2006 | 1239 | 148
Pages: 444-445
related names
Reviewer:
Feather, Jessica (Feather, Jessica)
Subjects
artists:
print:
print:
Reviewed Items
subjects:
Papermaking and the Art of Watercolours in Eighteenth-Century Britain: Paul Sandby and the Whatman Paper Mill | institution: Yale Center for British Art
Illustrations
Attributed works:
85. Approach to Belle Grange Park, by John ‘Warwick’ Smith. 1789. Watercolour over graphite on wove paper, 34.3 by 51.3 cm. (Yale Center for British Art, New Haven).
Attributed works:
86. A view of Vinters at Boxley, Kent, with Mr Whatman’s Turkey Paper Mills, by Paul Sandby. 1794. Gouache, watercolour and pencil on wove paper, laid down on canvas, 67.3 by 101.6 cm. (Yale Center for British Art, New Haven).
Attributed works:
87. Ullswater, looking towards Patterdale, by John ‘Warwick’ Smith. 1792. Watercolour over graphite on laid paper, 34.6 by 51.1 cm. (Yale Center for British Art, New Haven).
Book Review
Views of Windsor: Watercolours by Thomas and Paul Sandby from the Collection of Her Majesty Queen Elizabeth II
02/1998 | 1139 | 140
Pages: 128
related names
Reviewer:
Sloan, Kim (Sloan, Kim)
Subjects
artists:
artists:
dates:
museums and institutions:
museums and institutions:
places:
Reviewed Items
subjects:
Views of Windsor: Watercolours by Thomas and Paul Sandby from the Collection of Her Majesty Queen Elizabeth II | author: Donnithorne, Alan , author: Everett, Oliver , author: Roberts, Jane , author: Sandby, Paul , author: Sandby, Thomas
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