32. John Cuff and his assistant, by Johan Zoffany. 1772. Canvas, 89.5 by 69.2 cm. (Royal Collection; exh. Royal Academy of Arts, London).
Attributed works:
33. David with the head of Goliath, by Johan Zoffany. 1756. Canvas, 92.2 by 74.7 cm. (National Gallery of Victoria, Melbourne; exh. Royal Academy of Arts, London).
Attributed works:
34. Thomas King as Touchstone in ‘As You Like It’, by Johan Zoffany. 1780. Canvas, 91 by 55.5 cm. (Garrick Club, London; exh. Royal Academy of Arts, London).
53. The arrival of spring in Woldgate, East Yorkshire in 2011 (twenty-eleven), 25th March, by David Hockney. 2011. iPad drawing printed on paper, 144.1 by 108 cm. (Collection of the artist; exh. Royal Academy of Arts, London).
Attributed works:
54. Hawthorn blossom near Rudstone, by David Hockney. 2008. Two canvases, each 152.4 by 121.9 cm. (Private collection; exh. Royal Academy of Arts, London).
Exhibition Review
Russian architecture. Barcelona, Madrid and London
65. Spatial force construction, by Liubov Popova. 1921. Oil and marble dust on plywood, 71 by 63.9 cm. (State Museum of Contemporary Art, Thessaloniki; exh. Royal Academy of Arts, London).
Attributed works:
67. Gosprom building, Karkhov, detail with covered skywalk, by Richard Pare. 1999. Photograph, 121.9 by 120.1 cm. (Courtesy of the photographer; exh. Royal Academy of Arts, London).
Western art unattributed:
66. MoGES under construction, by an unknown photographer. c.1924? Photograph, 22.8 by 16.4 cm. (Shchusev State Museum of Architecture, Moscow; exh. Royal Academy of Arts, London).
62. The dance lesson, by Edgar Degas. c.1879. Canvas, 38 by 88 cm. (National Gallery of Art, Washington; exh. Royal Academy of Arts, London).
Attributed works:
63. Little dancer aged fourteen, by Edgas Degas. 1880–81, cast 1922. Painted bronze with muslin and silk, 98.4 by 41.9 by 36.5 cm. (Tate, London; exh. Royal Academy of Arts, London).
Attributed works:
64. Dancer (arm outstretched), by Edgar Degas. Modern print from gelatin dry plate negative, 18 by 13 cm. (Bibliothèque nationale de France, Paris; exh. Royal Academy of Arts, London).
54. Persian servant carrying a plate seen in profile, by Jean-Antoine Watteau. 1715. Red and black chalk on paper, 25.1 by 15.8 cm. (Teylers Museum, Haarlem; exh. Royal Academy of Arts, London).
Attributed works:
55. Three studies of a young girl wearing a hat, by Jean-Antoine Watteau. c.1716. Red and black chalk and graphite on paper, 13.8 by 24.6 cm. (Collection of Ann and Gordon Getty; exh. Royal Academy of Arts, London).
Attributed works:
56. Detail of Study of a young man seen from the back, and another study of a right arm, by Jean-Antoine Watteau. 1716–17. Trois crayons, 20.8 by 22.7 cm. (Pierpont Morgan Library, New York).
Attributed works:
57. Detail of La Gamme d’amour, by Jean-Antoine Watteau. 1715–18. Canvas, 50.8 by 59.7 cm. (National Gallery, London)
60. Belgian peasants assisting British wounded, by Charles Sargeant Jagger. 1921–23. Cast of one of two reliefs for the Anglo-Belgian War Memorial, Brussels, unveiled 28th April 1923. Plaster and fibreglass resin, 86.3 by 269.2 cm. (Imperial War Museum, London; exh. Royal Academy of Arts, London).
Attributed works:
61. an Exhibit, by Victor Pasmore with Richard Hamilton. 1957 (recreated 2011). Perspex panels and steel wire, dimensions variable. (Copyright of the Pasmore Estate; exh. Royal Academy of Arts, London).
Attributed works:
62. Stack, by Tony Cragg. 1975. Mixed media, 200 by 200 by 200 cm. (Tate, London; exh. Royal Academy of Arts, London).
55. Net and boat, by John Singer Sargent. c.1879. Watercolour and graphite on paper, 25.3 by 35 cm. (Private collection; exh. Royal Academy of Arts, London).
Attributed works:
56. Two octopi, by John Singer Sargent. c.1875. Canvas, 40.6 by 32.1 cm. (Private collection).
Attributed works:
57. Atlantic storm, by John Singer Sargent. 1876. Canvas, 58.5 by 81.5 cm. (Curtis Galleries, Minneapolis; exh. Royal Academy of Arts, London).
Attributed works:
58. Setting out to fish, by John Singer Sargent. 1878. Canvas, 78.8 by 122.8 cm. (Corcoran Gallery of Art, Washington; exh. Royal Academy of Arts, London).
57. Letter from Vincent van Gogh to Theo van Gogh with sketch of the Pollard willow. 31st July 1882. Ink and watercolour on paper, 14 by 13.4 cm. (Van Gogh Museum, Amsterdam; exh. Royal Academy of Arts, London).
Attributed works:
58. Self-portrait as an artist, by Vincent van Gogh. 1888. Canvas, 65.5 by 50.5 cm. (Van Gogh Museum, Amsterdam; exh. Royal Academy of Arts, London).
Attributed works:
59. The Zouave, by Vincent van Gogh. 1888. Ink, crayon and watercolour on paper, 31.5 by 23.6 cm. (Metropolitan Museum of Art, New York; exh. Royal Academy of Arts, London).
61. Ecstasy, by Eric Gill. 1910–11. Portland stone, 137.2 by 45.7 by 22.8 cm. (Tate, London; exh. Royal Academy of Arts, London).
Attributed works:
62. Birds erect, by Henri Gaudier-Brzeska. 1914. Limestone, 67.6 by 26 by 31.4 cm. (Museum of Modern Art, New York; exh. Royal Academy of Arts, London).
Attributed works:
63. Venus – second version, by Jacob Epstein. c.1914–16. Marble, 235.6 by 43.2 by 82.6 cm. (Yale University Art Gallery, New Haven; exh. Royal Academy of Arts, London).
39. Shooting into the corner, by Anish Kapoor. 2008–09. Mixed media, dimensions variable. (MAK, Vienna, Austrian Museum of Applied Arts/Contemporary Art; exh. Royal Academy of Arts, London).
Attributed works:
40. As if to celebrate I discovered a mountain blooming with red flowers, by Anish Kapoor. 1981. Wood, cement, polystyrene and pigment, 97 by 76.2 by 160 cm. (Tate, London; exh. Royal Academy of Arts, London).
Attributed works:
41. Hive, by Anish Kapoor. 2009. Corten steel, 5.6 by 10.07 by 7.55 m. (Courtesy of the artist, Lisson Gallery, London, and Gladstone Gallery, New York; exh. Royal Academy of Arts, London).