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9 articles
Exhibition Review
Anish Kapoor at Houghton Hall
09/2020 | 1410 | 162
Pages: 809-811
related names
Reviewer:
Vaizey, Marina (Vaizey, Marina)
Subjects
artists:
dates:
Reviewed Items
subjects:
Anish Kapoor at Houghton Hall Houghton Hall, Norfolk 12th July–1st November | :
Illustrations
Attributed works:
22. Sky mirror, by Anish Kapoor. 2018. Stainless steel, diameter 500 cm. (Courtesy the artist and Lisson Gallery; © Anish Kapoor. All rights reserved, DACS 2020; exh. Houghton Hall, Norfolk).
Attributed works:
23. Eight eight, by Anish Kapoor. 2004. Onyx, height 281 cm. (Courtesy the artist and Lisson Gallery, © Anish Kapoor. All rights reserved DACS, 2020; exh. Houghton Hall, Norfolk).
Attributed works:
24. Installation view of Anish Kapoor at Houghton Hall at Houghton Hall, Norfolk, 2020.
Editorial
Hilliard in Europe
02/2019 | 1391 | 161
Pages: 99
Exhibition Review
Space Shifters. Hayward Gallery, London
12/2018 | 1389 | 160
Pages: 1060-1063
related names
Reviewer:
Campbell, Anna (Campbell, Anna)
Subjects
dates:
museums and institutions:
places:
Illustrations
Attributed works:
27. Installation view of Shape Shifters at the Hayward Gallery, London. (Photograph Mark Blower).
Attributed works:
28. Installation view of WeltenLinie (2017), by Alicja Kwade, at the Hayward Gallery, London. (Photograph Mark Blower; copyright the artist).
Attributed works:
29. Installation view of 20:50 (1987), by Richard Wilson, at the Hayward Gallery, London. (Photograph Mark Blower; copyright the artist).
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Advertisements October 2016 (front)
10/2016 | 1363 | 158
Pages: s.p.
Subjects
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Illustrations
Attributed works:
[Agnews, London. Lamia, by John William Waterhouse (1849-1917). Oil on canvas, 91.5 by 57 cm]
Attributed works:
[August Laube Buch, Zurich. St. George on horseback slaying the dragon, by Lucas Cranach the Elder (1472-1553). Woodcut, 16.1 by 12.8 cm]
Attributed works:
[Bazaart. Justin Raccanello & Camille Leprince. 7-10 Chandos Street, London. A documented charger depicting a battle between mystical sea creatures. Inscribed 'cremona fecit fare a di 29 agosto 1540 a de Mo Steveno bocaler'. 40.3 cm. Attributed to Giulio da Urbino, working in a workshop in the Veneto]
Attributed works:
[Bottegantica XIX century paintings. Via A. Manzoni 45. Milano. Antonio Mancini. Genio Ribelle]
Attributed works:
[C. G. Boerner, New York and Dusseldorf. The execution of Maximilian, by Edouard Manet. 1832-82. Lithograph on buff-coloured paper, 33.5 by 43.3 cm]
Attributed works:
[Carlo Orsi - Trinity Fine Art, Milan - London. Allegory of Patience, by Carlo Dolci (1616-87). Oil on canvas, 71 by 54 cm]
Attributed works:
[Daniel Katz Ltd, London. St. Michael overcoming the devil. Cast from a model by Alessandro Algardi (1598-1654). Bronze. Height: 53.5 cm]
Attributed works:
[Daniela Laube Fine Art, Jackson Wyoming. Jacques Villon (Gaston Duchamp-Villon). Portrait d'acteur (Félix Barré), Dry-point etching. 1913. Numbered and signed. 48.2 x 35.6 cm. Edition of 32]
Attributed works:
[Daniela Laube, Jackson, Wyoming. Salome presenting Herod with the head of St. John the Baptist, by Lucas van Leyden (1494-1533). Woodcut, 40.6 by 28.9 cm]
Attributed works:
[Daxer & Marschall, Munich. Planegg I - Landscape near Munich, by Wassily Kandinsky (1866-1944). c. 1901. Oil on canvas, laid down on cardboard, 23.5 by 32.8 cm]
Attributed works:
[Daxer & Marschall, Munich. The Bay of Naples with Mount Vesuvius, by Johan Christian Clausen Dahl (1788-1857). 1520. Oil on canvas, 44.5 by 67 cm]
Attributed works:
[De Jonckheere, 7 rue de L’Hôtel-de-Ville, Geneve Marten van Cleve. Antwerp circa 1527 - before 24 November 1581. An Outdoor Wedding Dance. Circa 1570. Panel: 94.3 x 122.3 cm]
Attributed works:
[De Jonckheere, Paris and Geneva. The Holy Family with St. Elizabeth and St. John the Baptist, by The Master of the Half-Leghts, (Antwerp c. 1490 - c.1540). Oil on panel, 87 by 63.5 cm]
Attributed works:
[Dickinson. London. Volliers sur le Seine à Argenteuil, by Gustave Caillebotte (1848-94). Oil on canvas, 65 by 54 cm]
Attributed works:
[Didier Aaron, Inc., New York, Paris, London. Allegory of eternity (Study for the main fresco at Montoliveto, Naples), by Giorgio Vasari (1511-1574). Pen and brown ink and wash over black chalk, heightened with white, on blue paper, squared for transfer in red chalk. 28.5 by 22.3 cm]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Nicolas de Largilliere (1656-1746), Portrait of Prince James Francis Edward Stuart, Prince of Wales, with a courtier. Oil on canvas, 180 x 137.5 cm.]
Attributed works:
[Dulwich Picture Gallery. Dulwich, London. The Beach at Scheveningen, 1658, (detail). Oil on canvas]
Attributed works:
[Emanuel von Baeyer, London. Adoration of the Magi, by Wolf Huber (1485-1553). Woodcut, sheet: 12.2 by 9.7 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Gregorio Lazzarini, attributed to. Venice, 1655 - Villabona di ROoigo, 1730. The Mocking of Christ. Oil on canvas, 107 x 97 cm (42 1/8 x 38 1/4 in)]
Attributed works:
[Galerie Eric Coatalem, Paris. Peach tray with jar, by Jean-Baptiste-Siméon Chardin (1699-1779). Oil on canvas, 68 by 57.5 cm]
Attributed works:
[Galerie Eric Coatalem. 136, Fbg St. Honoré. Paris. Hubert Robert (1733-1808). Figures walking up a monumental stair case (detail). Oil on canvas. Height: 66 1/4 in. (173.4 cm); Width: 63 1/2 in. (161.3 cm)]
Attributed works:
[Galerie Neuse, Kunsthandel GmbH. Contrescarpe 14. D-28203, Bremen, Germany. Bacchus with Venus and Ceres. Tapestry from a series "Inclinations of Man" after a design by Lancelot Lefebure (active ca. 1585-1650). Brussels, ca. 1670-80. Weavers mark IFVH for Jan Frans van der Hecke (active 1662-1710)]
Attributed works:
[Galleria Stanza del Borgo, Milan. Samuki no in Kenzoku o shite Tametomo o sukuu zu (Retired emperor Samuki sends to rescue Tametomo), by Utagawa Kuniyoshi (1797-1861). 1851. Woodblock prints. Each sheet: 36 by 25 cm]
Attributed works:
[Haboldt Pictura, New York, Paris, Amsterdam. A vanitas still with a skull, candleholder and coins, by Johann Stumm (active 1640-50). Oil on panel, 22.3 by 31 cm]
Attributed works:
[Hazlitt Holland-Hibbert, London. Eyeli, by Anthony Caro (1924-2013). 1965. Steel painted blue. Height: 286 cm]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. Bridget Riley. Born 1931. Sweet Summer. 1983. Oil on canvas. 92 1/2 x 77 1/2 inches, 234.9 x 196.8 cm]
Attributed works:
[im Kinsky Kunst Auktionen Gmbh. Palais Kinsky, Freyung 4. Vienna. Otto Marseus van Schrieck. Bouquet of Flowers and Butterflies in front of a stone niche. 1670es. Oil on canvas. 70 x 54 cm]
Attributed works:
[Irish Arts. Richard Gorman at Castletown]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Théodore Géricault (1791-1824). Portrait of Eugène Delacroix, from the collection of the Duke de Trévise. Oil on canvas 54 x 45cm]
Attributed works:
[Karl & Faber. Amiraplatz 3. Munich. Franz von Stuck. Portrait Mary Stuck, Oil on panel, 30x30 cm]
Attributed works:
[Lampronti Gallery, London and Milan. Study of the head of Bearded old man, by Annibale Carracci (1560-1609). Oil on paper laid down on canvas, 41 by 28.5 cm]
Attributed works:
[National Gallery. London. Michelangelo Merisi da Caravaggio, The Tacking of Christ (detail). 1602.]
Attributed works:
[Osborne Samuel Gallery, London. The Eight, by Cyril Edward Power (1872-1951). Linocut, 32.3 by 3.4 cm]
Attributed works:
[Osborne Samuel. 23a Bruton Street. London. CRW Nevinson, Returning to the Trenches, 1916. Drypoint, 6 x 8 inches]
Attributed works:
[Otto Naumann Ltd, New York. Portrait of boy, probably a self-portrait, by Edmond Dehodencq (1860-87). Oil on canvas, 47 by 34 cm]
Attributed works:
[Paragon Contemporary Editions Ltd, London. Red shadow, by Anish Kapoor. Colour etching, 72.5 by 96.5 cm]
Attributed works:
[Paul Prouté, Paris. The Virgin and Child with candle, by Jacques Bellange (1575-1616). Drypoint and engraving, 14.6 by 21.8 cm]
Attributed works:
[Paul Prouté. 74 Rue de Seine, 75006. Paris. Mary Cassatt. The picture Book (No. 2) ca. 1910. Drypoint, signed]
Attributed works:
[Peter Finer. 38&39 Duke Street. St. James’s. London. A gif of King George III: a pair of Spanish bronze cannon cast by Matthias Solano. The Royal Gunfoundry, Seville, to Major-General John Graves Sincoe in 1798, in recognition of his services in French San Domingo. Hispaniola (Haiti), dated 1747]
Attributed works:
[Pratt Contemporary, Sevenoaks, Kent. Comedia 1, by Ana Maria Pacheco. Chiaroscuro woodcut, 29.4 by 38.5 cm]
Attributed works:
[Print Fair. Park Avenue Armory. New York. Francisco De Goya Y Lucientes (Fuendetodos 1746 - Bordeaux 1828). Volaverunt (The Have Flown). Etching, aquatint and drypoint; Harris 96 III.1/III.12; 214 x 150 mm; sheet 315 x 225 mm]
Attributed works:
[Raccanello Leprice, London. The battle of Korakesion. Tondo. Fontana workshop, Urbino. c.1560-70. Tin-glazed earthenware. Diameter: 26.4 cm]
Attributed works:
[Redfern Gallery. 20 Cork Street. London. Cyril Edward Power (1872 - 1951). The Concerto. c. 1935. Linocut 32 x 30 cm]
Attributed works:
[Rob Smeets Old Master Paintings, Geneva. Portrait of a mathematician, by Luca Giordano (1632-1705). Oil on canvas, 127 by 100 cm]
Attributed works:
[Robilant + Voena, London. Crucifix, by Lucio Fontana (1899-1968). Ceramic. Height: 81.5 cm]
Attributed works:
[Royal Academy of Arts. London. Cornelia Parker RA. Beautiful Glass (broken), 2015. Polymeric Photogravure etching. 265 x 29 cm. Edition of 70]
Attributed works:
[Royal Academy of Arts. London. Gary Hume RA. Bikini Print, 2010. Screenprint. Image size: 61 x 39 cm, paper size:76 x 56 cm. RA Edition of 30.]
Attributed works:
[Simon Theobald, London. Standing child, by Erich Heckel (1883-1970). 1910. Woodcut, 37 by 27.6 cm]
Attributed works:
[Sphinx Fine Art. 125 Kensington Church St. London. David Taniers II. A Cobbler in the Workshop (detail)]
Attributed works:
[Stephen Ongpin Fine Art, London. A standing lion, by Giovanni Domenico Tiepolo (1727-1804). Pen and grey ink and wash over black chalk, 21.7 by 15.2 cm]
Attributed works:
[The Redfern Gallery, London. The concerto, by Cyril Edward Power (1872-1951). c. 1935. Linocut, 32 by 30 cm]
Attributed works:
[Trinity Fine Art with Carlo Orsi. 29 Bruton Street. London W1J 6QP. Via Bagutta 14. Milano. Ludovico Corracci (Bologna 1555 - 1619) St. Sebastian at the Column. Oil on canvas. 151.5 x 112.7 cm (59 5/8 x 44 3/8 in.)]
Attributed works:
[Van der Meij Fine Arts. Herengracht 372. Amsterdam. Abraham Teerlink (1776-1857). Waterfall near Tivoli. Painted around 1824. Signed. Oil on canvas, 61.5 x 76.5 cm]
Western art unattributed:
[Hansord. Antique Furniture and Works of Art. 6 & 7 Castle Hill, Lincoln Lincolnshire. Great Britain. A fine 17th century Italian ebony and ivory inlaid table cabinet the two doors open to reveal an architectural interior with hard stones and lapis lazuli columns mounted with ormolu. Circa 1650. Provenance a titled European family. Height 56 cm. Width 60 cm. Depth 36 cm]
Western art unattributed:
[Kallos Gallery, London. Early Archaic Cretan Helmet. c.660 - 625 BC. Bronze. Height: 43.1 cm]
Western art unattributed:
[Rupert Wace Ancient Art, London. Flint dagger found in Denmark. Neolithic. c.2000-1800 BC. Length: 21,3 cm]
Western art unattributed:
[Sam Fogg, London. Angel of the Annunciation (detail). 12th century. Softwood. Height: 80 cm]
Western art unattributed:
[Sam Fogg, Ltd. 15d Clifford Street, London. The Adoration of the Kings, Upper Rhine, Strasbourg. Last quarter 15th century]
Western art unattributed:
[Tomasso Brothers Fine Art, London and Leeds. Profile head of Alexander the Great. Florentine, c.1530. White marble, 57 by 42 cm]
Western art unattributed:
[Tomasso Brothers FIne Art. Exhibiting at: TEFAF New York. Fall 2016. German, 18th century. A son of Laocoon (1730-1806). After the antique. Limewood. 53.5 cm (21 in.) high. 18.5 cm (7 1/4 in.) wide]
Exhibition Review
Anish Kapoor. London
12/2009 | 1281 | 151
Pages: 855-857
related names
Reviewer:
Vaizey, Marina (Vaizey, Marina)
Subjects
artists:
dates:
places:
print:
subjects:
Reviewed Items
subjects:
Anish Kapoor | institution: Royal Academy of Arts
Illustrations
Attributed works:
39. Shooting into the corner, by Anish Kapoor. 2008–09. Mixed media, dimensions variable. (MAK, Vienna, Austrian Museum of Applied Arts/Contemporary Art; exh. Royal Academy of Arts, London).
Attributed works:
40. As if to celebrate I discovered a mountain blooming with red flowers, by Anish Kapoor. 1981. Wood, cement, polystyrene and pigment, 97 by 76.2 by 160 cm. (Tate, London; exh. Royal Academy of Arts, London).
Attributed works:
41. Hive, by Anish Kapoor. 2009. Corten steel, 5.6 by 10.07 by 7.55 m. (Courtesy of the artist, Lisson Gallery, London, and Gladstone Gallery, New York; exh. Royal Academy of Arts, London).
Exhibition Review
Anish Kapoor
09/2008 | 1266 | 150
Pages: 641-642
related names
Reviewer:
Lawrence, James (Lawrence, James)
Subjects
artists:
dates:
places:
print:
subjects:
Reviewed Items
subjects:
Anish Kapoor: Past, Present, Future | institution: Institute of Contemporary Art
Illustrations
Attributed works:
84. Installation view of Anish Kapoor: Past, Present, Future with, in the foreground, 1000 names, by Anish Kapoor. 1979–80. Mixed media and pigment, dimensions variable. (The artist and Lisson Gallery, London; exh. Institute of Contemporary Art, Boston).
Attributed works:
85. Past, present, future, by Anish Kapoor. 2006. Wax and oil-based paint, 345 by 890 by 445 cm. (The artist and Lisson Gallery, London; exh. Institute of Contemporary Art, Boston).
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Advertisements April 2008 (Front)
04/2008 | 1261 | 150
Pages: i-xx
Subjects
advertisements:
subjects:
Illustrations
Attributed works:
[Agnew's, 43 Old Bond Street, London] Sir Augustus Wall Callcott, RA (1779-1844). Smugglers Alarmed While Landing their Cargo. Signed with the artist's monogram. Canvas, 63 x 102 in. (160 x 259 cm.)
Attributed works:
[Alan Cristea Gallery at The London Original Print Fair, Wednesday 23 to Sunday 27 April 2008, Royal Academy of Arts, Burlington Gardens, London] Michael Craig Martin. Intimate Relations, Safety Pin. 2001. Screenprint.
Attributed works:
[Christie's Important Old Master & British Pictures, London, 8 July 2008] William Larkin (London, c.1585-1619). Portrait of Bridget Thornhagh, later Lady Hickmon. Inscribed and dated 'AEtatis.SVAE.17/ANO: 1617'. Oil on panel, 44¼ x 33 in. (113.8 x 83.8 cm.)
Attributed works:
[Dorotheum, Palais Dorotheum, Dorotheergasse 17, Vienna, Austria. First auction week 2008] Vittorio Matteo Corcos (1859-1933). Conversation in the Jardin du Luxembourg (detail). 1892. Oil on canvas, 171 x 140 cm.
Attributed works:
[Elizabeth Harvey-Lee, London, at The 23rd London Original Print Fair, Royal Academy of Arts, Burlington Gardens, 23rd-27th April 2008] Hendrik Goltzius 1558-1616) Hercules and Cacus. Chiaroscuro woodcut, 1588. Ref: Bartsch 231, Hollstein 373, Bialler 25 ii/iii.
Attributed works:
[G. Sarti, 137 rue du Faubourg Saint-Honoré, Paris] Pietro Piffetti (Turin, 1701-1777). Commode veneered with rare woods, decorated with engraved ivory and gilt-bronze ornaments. Circa 1730-1740. Dimensions: 98.5 x 132 x 63.5 cm. (38¾ x 25 in.)
Attributed works:
[Galerie Canesso, 26 rue Laffitte, Paris] Bartolomeo Bettera (Bergamo 1639-Milan after 1688). Musical instruments with Glass Balls and a Male Bust. Oil on canvas, 96 x 140 cm (37 13/16 x 55⅛ in.)
Attributed works:
[Hilary and Georgie Gerrish, Monmouthshire at The 23rd London Original Print Fair, Royal Academy of Arts, Burlington Gardens, 23rd-27th April 2008] Andy Warhol. Eva Mudocci (After Munch) 1984. 1989. Screenprint on Lenox Museum Board, 101.6 by 81.3 cm.
Attributed works:
[Lempertz, Neumarkt 3, Cologne, Germany] Hans Hoffmann (um 1545/1550-1591/1592). The Hare (after Albrecht Dürer). 1582. Watercolour on paper, 21.6 x 18.3 cm.
Attributed works:
[Lowell Libson Ltd., 3 Clifford Street, New Bond Street, London] George Romney (1734-1802). Titania's Attendants. Oil on canvas, 47 x 59 inches (1194 x 1499 mm.). Painted circa 1792.
Attributed works:
[TAG Fine Arts, London, at The 23rd London Original Print Fair, Royal Academy of Arts, Burlington Gardens, 23rd-27th April 2008] Robert Ryan. We don't need no stepping stones. 2007. Edition of 11. Screen print, 83.5 by 114.5 cm.
Attributed works:
[The Fine Art Society, London, at The 23rd London Original Print Fair, Royal Academy of Arts, Burlington Gardens, 23rd-27th April 2008] Robert Bevan (1865-1925). Horse dealers (Ward's repository No. 1). 1919. Lithograph, 27.8 by 38 cm.
Attributed works:
[The Paragon Press, London, at The 23rd London Original Print Fair, Royal Academy of Arts, Burlington Gardens, 23rd-27th April 2008] Anish Kapoor. Untitled, from shadow. 2007. Signed and numbered by the artist. Edition of 35. Etching, 65.5 by 49.5 cm.
Western art unattributed:
[Bernard Steinitz, 9 rue du Cirque, 16 avenue Matignon, Paris] Important pair of Carrara marble sphinxes. Paris, circa 1700. H. 82 cm. (32⅓ in.), W. 102 cm. (40 in.), D. 44 cm. (17⅓ in.)
Western art unattributed:
[Bonhams, 101 New Bond Street, London. Antiquities, Thursday 1 May] A large Roman marble bust of a satyr, mid 2nd Century A.D. Estimate: £30,000-40,000.
Exhibition Review
Anish Kapoor. London
07/1998 | 1144 | 140
Pages: 493-494
related names
Reviewer:
Haldane, John (Haldane, John)
Subjects
artists:
dates:
museums and institutions:
places:
subjects:
Illustrations
Attributed works:
50. At the Edge of the World, by Anish Kapoor. 1998. Fibreglass and pigment. (Exh. Hayward Gallery, London).
Attributed works:
51. No.2, by Anish Kapoor. 1997. Alabaster, 80 by 112 by 28 cm. (Exh. Lisson Gallery, London).
Attributed works:
52. White Dark III, by Anish Kapoor. 1994-95. Wood, Fibreglass and Paint, 206 by 152.6 by 127.8 cm. (Artist's Collection; Exh. Hayward Gallery, London).
Exhibition Review
Anish Kapoor. The Bonnefanten Museum; Maastricht and Tilburg
06/1995 | 1107 | 137
Pages: 407-408
related names
Reviewer:
Godfrey, Tony (Godfrey, Tony)
Subjects
artists:
dates:
places:
Illustrations
Attributed works:
59. The Bonnefanten Museum, Maastricht, Seen from the Riverside.
Attributed works:
61. Untitled, by Anish Kapoor. 1992. Sandstone and Pigment, 230 by 122 by 103 cm. (Lisson Gallery, London; Exh. De Pont Foundation, Tilburg).
Western art unattributed:
60. The Gallery of Contemporary Art, on the Second Floor of the Bonnefanten Museum, Maastricht, with Works by Verhoef, Dorner, Ryman, Serra and Others.