1. Panel from a triptych depicting Death and coronation of the Virgin (top of gable missing), German (Mainz?). Last quarter of the fourteenth century. Ivory with traces of polychromy, 21.9 cm. high. (Bonnefanten Museum, Maastricht, on long term loan from the V.Z.W. Fundatie voor kunst der middeleeuwen, inv. no.10-05423).
65. Garden with blue bathers, by Raoul Dufy. 1925-30 (Collection Lavock-Granoff; exh. Maison Rouge, Paris, and Cité de la Céramique, Sèvres)
Attributed works:
66. Incontro d'inverno, by Leonardo Leoncillo. 1963 (Museo Internazionale delle Ceramiche, Faenze; exh. Maison Rouge, Paris, and Cité de la Céramique, Sèvres)
Attributed works:
67. Untitled ceramic sketches, by Thomas Schütte. 1997-99 (Kunstsammlung Nordrhein-Westfalen, Düsseldorf; exh. Maison Rouge, Paris, and Cité de la Céramique, Sèvres)
53. Detail from Au juste pois véritable balance, by the Master of Amiens. 1518. Panel, 173 by 97 cm. (Musée de Picardie, Amiens; exh. Bonnefanten Museum, Maastricht).
Attributed works:
54. Adoration of the Magi, by Jan de Beer and workshop (Master of Amiens?). c.1515–18. Central panel, 156 by 123 cm. (Pinacoteca di Brera, Milan; exh. Bonnefanten Museum, Maastricht).
Attributed works:
55. Adoration of the Magi, by the Master of the Antwerp Adoration. c.1520–30. Central panel, 29 by 22.2 cm. (Koninklijk Museum voor Schone Kunsten, Antwerp; exh. Bonnefanten Museum, Maastricht).
Exhibition Review
Pieter Brueghel, the younger: Maastricht and Brussels
59. Detail of The Census at Bethlehem, after Pieter Bruegel the Elder. Panel. (Museum Mayer van den Bergh, Antwerp; Exh. Bonnefantenmuseum, Maastricht).
Attributed works:
60. Detail of The Census at Bethlehem, after Pieter Bruegel the Elder. Panel. (Musée des Beaux-Arts, Arras; Exh. Bonnefantenmuseum, Maastricht).
Attributed works:
61. The Census at Bethlehem, after Pieter Bruegel the Elder. Panel, 122 by 174 cm. (Bonnefantenmuseum, Maastricht).
Attributed works:
62. The Peasant Lawyer, after Pieter Bruegel the Elder. Panel, 73 by 105 cm. (Bonnefantenmuseum, Maastricht).
Exhibition Review
Anish Kapoor. The Bonnefanten Museum; Maastricht and Tilburg
59. The Bonnefanten Museum, Maastricht, Seen from the Riverside.
Attributed works:
61. Untitled, by Anish Kapoor. 1992. Sandstone and Pigment, 230 by 122 by 103 cm. (Lisson Gallery, London; Exh. De Pont Foundation, Tilburg).
Western art unattributed:
60. The Gallery of Contemporary Art, on the Second Floor of the Bonnefanten Museum, Maastricht, with Works by Verhoef, Dorner, Ryman, Serra and Others.
Exhibition Review
Brouwer and Teniers with Noortman & Brod. New York and Maastricht
60. Vase of Flowers, by Ambrosius Bosschaert the Younger. Signed and Dated 1635. Panel, 38 by 28.5 cm. (Robert Noortman Gallery, London; Exh. Maastricht).
Attributed works:
61. Still Life of Flowers in a Glass Vase on a Stone Ledge, by Cornelis de Heem. Signed. Canvas, 53 by 42.5 cm. (Richard Green, London; Exh. Maastricht).
Attributed works:
62. Family Scene, by Jacob Ochtervelt. c.1670-75. Canvas, 67.3 by 53.3 cm. (Leger Galleries, London; Exh. Maastricht).
Attributed works:
63. A Love Scene, by Jan Steen. Signed. Panel, 68 by 57 cm. (Brod Gallery, London; Exh. Maastricht).