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06/2018 | 1383 | 160
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Robilant and Voena, London, Great Britain / London Art Week / Trinity Fine Art Ltd, London, Great Britain / Sotheby's, London, Great Britain / Daniel Katz Ltd (dealers), London, Great Britain / Stephen Ongpin Fine Art, London, Great Britain / Klaas Muller Antiques, Brussels, Belgium / Tomasso Brothers Fine Art, Leeds, Great Britain / Brun Fine Art, London / Trinity Fine Art Ltd, London, Great Britain / James Mackinnon, London, Great Britain / Galerie Lowet de Wotrenge, Antwerp, Belgium / Sam Fogg (dealer), London, Great Britain / Guy Peppiatt Fine Art, London, Great Britain / Irish Art Review / Burlington Contemporary Art Writing Prize / Peter Finer (antique arms), London, Great Britain / Andrew Edmunds (dealer), London, Great Britain / The Art Newspaper, London, Great Britain / Paul Mellon Centre for Studies in British Art, London, Great Britain / Getty Trust Publications , Great Britain / Patricia Wengraf Ltd, London, Great Britain / Masterpiece London / Hazlitt Holland-Hibbert, London, Great Britain / New Art Centre (gallery and sculpture park), Salisbury, Great Britain / Axel Vervoordt, Antwerp, Belgium / Les Enluminures (dealer), Paris, France / N.& I. Franklin, London, Great Britain / Landau Fine Art, Montreal, Canada / Day and Faber, London, Great Britain / Galerie Sismann, Paris, France / Simon Dickinson, London, Great Britain / Alessandro Cesati, Milan, Italy / Rafael Valls, London, Great Britain / Didier Aaron, Inc, New York, United States / Otto Naumann, New York, United States / The-saleroom.com / Timothy Newbery (frames), London, Great Britain / Burlington Magazine / Museo Nacional del Prado, Madrid, Spain / Museum aan de Stroom, Antwerp, Belgium / Hazlitt Gallery, London, Great Britain / Chanel, firm / Burlington Contemporary
subjects:
Illustrations
Attributed works:
[Andrew Edmunds Prints & Drawings, London. JAMES GILLRAY (1756–1815) The Orangerie; –or– the Dutch Cupid reposing, after the fatigues of Planting 1796. Etching & engraving 256 x 359 mm, with publisher’s watercolour]
Attributed works:
[Daniel Katz Gallery, London. SIR FRANCIS CHANTREY. Norton, 1781–1841, London. Lady Gertrude Sloane-Stanley. Marble. 65 cm high. Inscribed Lady Gertrude Sloane Stanley and signed F.L. Chantrey sculptor 1813 on the reverse. Commissioned by Hans Sloane-Stanley, 1813. Kept at Paultons, Romsey, Hampshire, until 1972. Exhibited at the Royal Academy, 1813, no.927]
Attributed works:
[Galerie Sismann, Paris. CHRIST AT THE COLUMN AFTER A MODEL BY FRANÇOIS DUQUESNOY (Brussels 1594–1643 Livorno, Italy). Bronze. France. Late 17th century. H 30.5 cm. Second version at the Metropolitan Museum of New York]
Attributed works:
[Galleria del Laocoonte, Rome. Arthur Segal, self-portrait (detail)]
Attributed works:
[Galleria del Laocoonte, Rome. Roberto Melli, The Little Mask (1913)]
Attributed works:
[Guy Peppiatt Fine Art, London. John Robert Cozens (1752–1797) Near Sallanches, France. Signed and dated 1778 on original mount, watercolour over pencil, 36.8 by 53.7 cm., 14½ by 21 in.]
Attributed works:
[Hazlitt, London. Sir Peter Lely.]
Attributed works:
[James Mackinnon, London. HUMPHRY REPTON (1752–1818) View from Sheffield Park towards Fletching, Kent, 1789 Watercolour, 61/8 x 197/8 in. (15.7 x 50.5 cm.)]
Attributed works:
[London Art Week. A mountainous river landscape with fishermen, by Marten Ryckaert (1587–1631). Panel, 26 by 36.5 cm. GALERIE LOWET DE WOTRENGE. EXHIBITING AT: 37 BURY STREET, SW1]
Attributed works:
[London Art Week. A seated young woman, by James Jacques-Joseph Tissot (1836–1902). Pencil, black wash, watercolour and gouache on blue-grey paper, 14.5 by 19.9 cm. STEPHEN ONGPIN FINE ART, 6 MASON’S YARD, SW1]
Attributed works:
[London Art Week. Bacchus and a young satyr, by Giovanni Battista Foggini (1652–1725). Bronze, height 46 cm. TOMASSO BROTHERS FINE ART, 67 JERMYN STREET, SW1]
Attributed works:
[London Art Week. David with the Head of Goliath, by Pier Francesco (1612–1666). c.1660–65. Canvas, 127 by 147 cm. LULLO PAMPOULIDES, 33 CORK STREET, W1S]
Attributed works:
[London Art Week. L’Eté, by Jean-Baptiste Carpeaux (1827–1875). Plaster, height 67 cm. DANIEL KATZ GALLERY, 6 HILLSTREET, W1J]
Attributed works:
[London Art week. Mechanical division of the crowd, by Mori Marisa (1900–1985). 1933. Oil on plywood, 71 by 100 cm. GALLERIA DEL LAOCOONTE. EXHIBITING AT: 6 RYDER STREET, SW1]
Attributed works:
[London Art Week. Monkeys in a guardroom, by Nicolaes van Veerendael (1640–1691). Canvas, 43 by 56.5 cm. KLAAS MULLER. EXHIBITING AT: 40–41 DUKE STREET, SW1]
Attributed works:
[London Art Week. Portrait of a bearded Venetian nobleman, by Peter Paul Rubens (1577–1640). Panel, 60 by 48.6 cm. SOTHEBY’S, LONDON. OLD MASTERS EVENING SALE, 4TH JULY, 34–35 NEW BONDSTREET, W1A]
Attributed works:
[London Art Week. Portrait of a man (Antoine de Ville), by Artemisia Gentileschi (1593–1654). Canvas, 204.5 by 109.2 cm. ROBILANT + VOENA, 38 DOVER STREET, W1]
Attributed works:
[London Art Week. Study of insects and a borage stem, by Jan van Kessel the Elder (1626–1679). c.1660. Oil on paper, 10.4 by 34.7 cm. CARETTO AND OCCHINEGRO. EXHIBITING AT: 21 GEORGIAN HOUSE, 10 BURY STREET, SW1]
Attributed works:
[London Art Week. The genius of the hunt, by Pompeo Marchesi (1790 –1858). c.1830–35. Marble, height 133 cm. TRINITYFINEART, 15 OLD BOND STREET, W1S]
Attributed works:
[London Art Week. Warkworth Hermitage, Northumberland, by Thomas Girtin (1775–1802). 1796. Pencil and watercolour, 25.5 by 30.4 cm. JAMES MACKINNON FINE ART. EXHIBITING AT: 73 NEW BOND STREET, W1S]
Attributed works:
[Masterpiece, London. Form, by Barbara Hepworth (1903–1975). 1936. White marble, 33 by 22.9 by 20.8 cm. HAZLITT HOLLAND HIBBERT, LONDON]
Attributed works:
[Masterpiece, London. Hours of Philippote de Nanterre, by the Master of Raoul d’Ailly (1395 –1463) and a collaborator. Amiens, c.1420s. Parchment, 18.1 by 13.5 cm. LES ENLUMINURES, CHICAGO AND PARIS]
Attributed works:
[Masterpiece, London. Large left-handed drummer, by Barry Flanagan (1941–2009). 2006. Bronze, 490 by 290 by 244 cm. NEW ART CENTRE, SALISBURY]
Attributed works:
[Masterpiece, London. Machine no. 2, by Graham Sutherland (1903–1980). 1959. Oil on canvas, 100 by 80.5 cm. M & L FINE ARTS, LONDON]
Attributed works:
[Masterpiece, London. Portrait of a Lady from Lucca, by Pietro Nocchi (1783–1854). 1823–1825. Oil on canvas, 236.4 by 154.5 cm. BRUN FINE ART, LONDON]
Attributed works:
[Masterpiece, London. Portrait of Ralph Stackpole, by Diego Rivera (1886–1957). 1932. Pencil, 50 by 40.4 cm. DAY AND FABER, LONDON]
Attributed works:
[Masterpiece, London. Sideboard dish, by Louis Mattayer. London, 1720. Silver, diameter 68.6 cm. N. & I. FRANKLIN, LONDON]
Attributed works:
[Masterpiece, London. Sleepers, by Pablo Picasso (1881–1973). 1965. Oil on canvas, 114 by 195 cm. LANDAU FINE ART, MONTREAL]
Attributed works:
[Masterpiece, London. Still life, by Giorgio Morandi (1890 –1964). 1961. Oil on canvas, 25 by 30 cm. ROBILANT + VOENA, LONDON, MILAN AND ST. MORITZ]
Attributed works:
[Museo del Prado, Madrid. Lorenzo Lotto, Portrait of a Young Man with a Lamp, ca. 1508. Oil on panel. Vienna, Kunsthistorisches Museum, Picture Gallery]
Attributed works:
[Nicholas Hall, New York. Carlo Maratti (1625–1713) Portrait of Francesca Gommi 98.5 x 74.5 cm.]
Attributed works:
[Paul Mellon Centre, London. Detail of Conrad Shawcross's The Dappled Light of the Sun (2015) installed in the courtyard of Burlington House alongside Alfred Drury's statue Sir Joshua Reynolds (1931) on the occasion of the 247th Summer Exhibition at the Royal Academy of Arts, 2015. Image courtesy of Getty Images. Photo: Peter Macdiarmid.]
Attributed works:
[Robilant + Voena, London. Il Tavolino di Gioje. The Grand Duke Francesco I de' Medici Table-Top. From 1870s to 1959 belonged to the Dukes of Westminster, London. Florence, circa 1568–1577. Executed by Bernardino Porfirio da Leccio (documented 1557–1588). Designed by Giorgio Vasari (1511–1574). Hardstones (Pietra Dura) set into a white marble support. Length: 160 cm (63 in.). Width: 107 cm (42 1/8 in.). Depth: 8 cm (3 1/8 in.).]
Attributed works:
[Sotheby's, London. GIAMBOLOGNA (1529-1608) Italian, Florence, before 1587 Mars Estimate £3,000,000–5,000,000]
Attributed works:
[Sotheby's, London. GIOVANNI BATTISTA FOGGINI (1652–1725) Lucretia and Paulina Estimate £180,000–250,000]
Attributed works:
[Sotheby's, Paris. ADÉLAÏDE LABILLE-GUIARD Portrait of the Duchesse d’Aiguillon Estimate €200,000–300,000]
Attributed works:
[Trinity Fine Art, London. FERDINANDO TACCA (Florence 1619–1686). A Highly Important Documentary Group of the Monument to Ferdinando I de' Medici in Livorno, adapted after the original figures by Giovanni Bandini (Florence 1540–1599) and Pietro Tacca (Carrara 1577–Florence 1640). Overall height 73.7 cm (29 in). Pedestal height 33.4 cm (13 1/6 in). PROVENANCE Inventory of Palazzo Pitti, Florence, 1761]
Attributed works:
[W. Apolloni, Rome. Gian Lorenzo Bernini, Samson slaying the lion (detail)]
Attributed works:
[W. Appoloni, Rome. Benedetto Luti, The Golden Age (detail)]
Non-western art unattributed:
[Masterpiece, London. Bastet. Egypt, 664–525 BC. Bronze, height 15 cm. AXEL VERVOORDT GALLERY, WIJNEGEM, BELGIUM AND HONG KONG]
Western art unattributed:
[Axel Vervoort. Gilded bronze. Western Europe, Roman Empire, 1st - 2nd century A.D. 21 x 10,50 x 11 cm]
Western art unattributed:
[London Art Week. A knight’s helmet, Genoa. 19th century. Marble, height 63 cm. BRUN FINE ART, 38 OLD BOND STREET, W1S]
Western art unattributed:
[London Art Week. A Saracen’s head, probably Florence. c.1500–1520. Marble, height 47 cm. GALLERY DESMET. EXHIBITING AT: 40–41 DUKE ST, SW1]
Western art unattributed:
[London Art Week. Aeneas and Achates taking their leave from the other Trojans on the Libyan coast near Carthage, by an unidentified painter close to the ‘Milan Marsyas’ painter, Urbino. c.1530. Tin-glazed earthenware, diameter 25.5 cm. RACCANELLO LE PRINCE. EXHIBITING AT: 32 ST GEORGE STREET, W1S]
Western art unattributed:
[London Art Week. St Mary Magdalene and a bearded prophet. One of three panels of Opus Anglicanum. London. c.1400. Embroidery on linen. Sizes vary. SAM FOGG, 15D CLIFFORD STREET, W1S]
Western art unattributed:
[Masterpiece, London. Anthemion finial of a grave stele, Greece (Attica). c. 4th century BC. Marble, height 47 cm. KALLOS GALLERY, LONDON]
Western art unattributed:
[Peter Finer, London. An Italian Stone Bow, late 16th century. Italy. Walnut wood, iron, leather, cord, and bone. 89 cm by 56 cm. Provenance Private Collection, USA]
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01/2018 | 1378 | 160
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Subjects
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artists:
artists:
subjects:
Illustrations
Attributed works:
[Anthony Grant, New York. Some flowers for Suzanne, by Cy Twombly (1928–2011). 1982. Oil, wax crayon and pencil on paper, 113.3 by 76.8 cm.]
Attributed works:
[Bernard de Leye, Brussels. Box in gold and coloured mother-of-pearl, Paris, 1743. Under the lid a portrait miniature of André Haudry de Soucy (1688-1769), by Claude Lefèvre d’Orgeval]
Attributed works:
[Bernard de Leye, Brussels. Exceptional golden and enamelled rectangular snuff box, Paris, 1727. The lid shows ‘The Virtue seducing Pomone’ from workshop Mussard of Geneva. Under the lid, a miniature attributed to Carl-Gustav Klingstedt]
Attributed works:
[Boon Gallery, Knokke. The Oracle, by René Magritte (1898–1967). c.1931. Canvas, 60 by 92 cm.]
Attributed works:
[Christopher Bishop Fine Art, Milford. Pontormo, Astrological allegories for Villa Castello]
Attributed works:
[Christopher Bishop Fine Art, Milford. Saturn and Ceres (detail) from the Astrological allegories for Villa Castello, by Jacopo Pontormo. c.1537. Pen and brown ink and black chalk on paper, 16.1 by 24.7 cm.]
Attributed works:
[Costermans, Brussels. Interior of Antwerp Cathedral, by Pieter Neeffs II (1620–75) and Frans Francken III (1607–67). Panel, 39 by 43 cm.]
Attributed works:
[David Tunick, New York. The eight hundred year old Cypress in the garden of the Franciscan monastery at Salerno, by John Robert Cozens (1752–97). Watercolour and pencil on paper, 45.5 by 30.5 cm.]
Attributed works:
[De Backker Medieval Art, Hoogstraten. Madonna Enthroned with Child, by the Master of the Aufkirchen Saint Peter Enthroned (active around South Tyrol, Tyrol and Salzburg, c.1320-30). Swiss pine, polychrome and gilding, 77 by 33.5 by 29 cm.]
Attributed works:
[Découvert Fine Art, Rockport. Two men and various creatures, by Aureliano Milani (1675–1749). Pen and brown ink on paper, 26.7 by 35.7 cm.]
Attributed works:
[Didier Aaron, Inc., New York. Communion, by François Marius Granet (1775–1849). 1836. Pen, brush, ink and ink wash on paper, 25 by 38 cm.]
Attributed works:
[Freeman’s, Philadelphia. Byam Shaw, ‘When alone she sits with her music and books’. Oil on canvas]
Attributed works:
[Freeman’s, Philadelphia. Ghirlandaio Workshop. 16th century. Madonna and Child. Oil on panel]
Attributed works:
[Freeman’s, Philadelphia. Henry Moret, ‘Lorient’. Oil on canvas]
Attributed works:
[Freeman’s, Philadelphia. Pieter Nason, Portrait of a Commanding Officer. Oil on canvas]
Attributed works:
[Galerie Bernat, Barcelona and Madrid. Mary Magdalene, by Joan Reixach (1431–82). Panel, 97 by 59 cm.]
Attributed works:
[Galerie de la Présidence, Paris. Colour rythms n. 1444, by Sonia Delaunay (1885–1979). 1966. Gouache on paper, 75 by 56 cm.]
Attributed works:
[Galerie Philippe David, Zurich. The Church at Montigny, autumn, by Francis Picabia (1879–1953). 1908. Canvas, 65 by 81 cm.]
Attributed works:
[Galerie Schifferli, Geneva. Santa Conversazione, by Max Ernst (1891–1976). 1921. Photograph of a collage, 22.5 by 13.5 cm.]
Attributed works:
[Hazlitt Holland-Hibbert, London. Peter Lanyon, Inshore fishing. 1952. Oil on board]
Attributed works:
[Jill Newhouse Gallery, New York. Study for the second plate of ‘La Fée des Alpes’ (Manfred), by Henri Fantin-Latour (1836–1904). c.1885. Charcoal on paper, 62.5 by 46.5 cm.]
Attributed works:
[Klaas Muller Antiques, Brussels. Diana and nymphs hunting deer, by Peter Paul Rubens (1577–1640), Paul de Vos (c.1571–1678) and Jan Wildens (1585–1653). Canvas, 155 by 199 cm.]
Attributed works:
[Klaas Muller Antiques, Brussels. Peter Paul Rubens, Diana and nymphs hunting deer (detail). Oil on canvas, 155 by 199 cm.]
Attributed works:
[Kraushaar Galleries, New York. Balloon ascension #3: dithyrambe played by the ashraf, by Dorothy Dehner (1901–94). 1947, ink on paper, 44.5 by 66 cm.]
Attributed works:
[Lampronti Gallery, London. Canaletto, A Capriccio of the Prisons of San Marco. Oil on canvas, 105.5 by 127.5cm.]
Attributed works:
[Mullany Haute Epoque Fine Art, London. Frans Pourbus I, Portrait of Lamoraal, Count of Egmont, wearing a linen ruff and a white and green silk sleeved doublet. Signed and dated 1579. Oil on panel, 48 by 34cm.]
Attributed works:
[Mullany Haute Epoque Fine Art, London. Landscape with Madonna and Child, Joseph with Mary Pregnant and Rest on the Flight into Egypt, by Adriaen Isenbrant (c.1485–1551) and Workshop. c.1520. Central panel with frame: 24 by 19 cm.]
Attributed works:
[Robert Simon Fine Art, New York. Domenico di Bartolomeo Ubaldini called Domenico Puligo (Florence, 1492–1527). Portrait of a Gentleman in a Gray Hat and Cloak. Oil on panel, 95.9 by 73.3 cm.]
Attributed works:
[Rubenshuis, Antwerp. Titian, Portrait of a lady and her daughter]
Attributed works:
[Sotheby’s New York. Giovanni Bilivert, Venus, Cupid and Pan]
Attributed works:
[Sotheby’s, New York. A wooded river landscape with a landing stage, boats, various figures and a village beyond, by Jan Brueghel the Elder (1568–1625). 1614. Oil on copper, 25.9 by 37 cm.]
Attributed works:
[Stephen Ongpin Fine Art, London. Godfried Maes, The Head of Medusa]
Attributed works:
[Stephen Ongpin Fine Art, London. The presentation of the Virgin in the temple, by Niccolò Martinelli, called Il Trometta (c.1540–1611). Pen and brown ink and wash over black chalk, heightened with white, 31.1 by 22.8 cm.]
Attributed works:
[Stephen Ongpin Fine Art, London. Ubaldo Gandolfi (1728-81), Three men playing dice in a landscape. Pen and brown ink and brown wash over an underdrawing in black chalk, with framing lines in brown ink, 21.1 by 29 cm.]
Attributed works:
[Tomasso Brothers Fine Art, Leeds, Allegory of winter, by Giovanni Bonazza (1654–1736). c.1710. Terracotta, 33.5 cm. high]
Attributed works:
[Wienerroither & Kohlbacher, New York. Nude woman, by Egon Schiele, 1911]
Attributed works:
[Wienerroither & Kohlbacher, New York. Seated woman, by Egon Schiele (1890–1918). 1916. Pencil on paper, 45.2 by 28.8 cm.]
Non-western art unattributed:
[Galerie Bertrand de Lavergne, Paris. Smiling boy. Chinese, Kangxi period (1662–1722). c.1700. Famille verte porcelain, height: 23 cm.]
Western art unattributed:
[Axel Vervoordt, Wijnegem, Antwerp. Ibis sarcophagus. Egypt, late Ptolemaic period. Wood and bronze with traces of painted gesso, width: 37 cm.]
Western art unattributed:
[De Backker Medieval Art, Hoogstraten. Christ at rest. Burgundy or Upper Rhine, second half of the 15th century. Walnut, height: 69 cm.]
Western art unattributed:
[Peter Finer, London. A crossbowman’s quiver, Italian or German, c.1540-50. Wood, leather, boarskin, iron]
Exhibition Review
Modern art TEFAF
06/2011 | 1299 | 153
Pages: 426-427
related names
Reviewer:
Whitfield, Sarah (Whitfield, Sarah; Whitfield, Mrs)
Subjects
dates:
Reviewed Items
subjects:
European Fine Art Fair TEFAF | institution: Anthony Meir Fine Arts , institution: Axel Vervoordt , institution: Blain Southern , institution: Galerie Berès , institution: Galerie Daniel Blau , institution: Galerie Thomas , institution: Keitelman Gallery , institution: Krugier & Cie , institution: Landau Fine Art , institution: Sebastian + Barquet
Illustrations
Attributed works:
68. Paysage, by Edouard Vuillard. c.1896. Panel, 17 by 20 cm. (Galerie Berès, Paris).
Attributed works:
69. Yellow and red asters, by Lovis Corinth. 1921. Canvas, 100.5 by 80.1 cm. (Galerie Thomas, Munich).
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09/2002 | 1194 | 144
Pages: i-xvi
Subjects
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artists:
Illustrations
Attributed works:
The City of Syracuse from the Ancient Quarries Where the Athenians Were Imprisoned BC 413, by Edward Lear. RA 1853. 122 by 183 cm. (Madresfield Court, Trustees of Lord Beauchamp's 1963 Settlement).
Attributed works:
[Beddington & Blackman Limited, 16 Savile Row, London, UK] Michele Marieschi (Venice 1710-1743). Venice: The Doge's Palace and the Molo from the Bacino di San Marco. Oil on Canvas, $21frac{3}{4}$ × 33 Inches (55.5 × 84 cm.)
Attributed works:
[Charles Ratton & Guy Ladriere, 14, rue de Marignan and 11, quai Voltaire, Paris, France] François Clouet (1515-1572). Portrait of François II, King of France (1559-1560). Bodycolour and Gold on Vellum, Oval Shape 51 × 38 mm. This Miniature Portrait Is Inspired by a Black Chalk Drawing in the Bibliotheque Nationale in Paris. A Copy (Or a Studio Version) Is in the Uffizi in Florence.
Attributed works:
[Chelminski, 616 King's Road, London, UK] The Sleeping Shepherd Boy by John Gibson, Rome 1824.
Attributed works:
[Exh. Biennale Internationale Des Antiquaires] A Pair of Commodes, by Emilio Terry, 1946. Mahogany.
Attributed works:
[Exh. Biennale Internationale Des Antiquaires] A Pair of Seven-Light Candelabra, Louis XVI, Ex-Collection Alphonse de Rothschild. Gilt-Bronze and Lacquered Bronze, 81 × 36 cm.
Attributed works:
[Exh. Biennale Internationale Des Antiquaires] Arbres minéraux/Arbres conjugaux, by Max Ernst, 1940. Oil on Canvas, 46 × 54.9 cm.
Attributed works:
[Exh. Biennale Internationale Des Antiquaires] Bureau à cylindre, by Claude-Charles Saunier, c. 1780. White Vernis Martin and Ormolu Mounted Satinwood.
Attributed works:
[Exh. Biennale Internationale Des Antiquaires] Coin of the Emperor Nero (54-68 A. D.)
Attributed works:
[Exh. Biennale Internationale Des Antiquaires] Corner couch 'à la reine' Attributed to Jean-Baptiste Boulard, c.1785-90. 82 × 170 × 164 cm.
Attributed works:
[Exh. Biennale Internationale Des Antiquaires] David, by Claude Vignon, c. 1625. Oil on Canvas, 122 × 88.5 cm.
Attributed works:
[Exh. Biennale Internationale Des Antiquaires] Landscape with a Bridge, by François Boucher, Signed and Dated 176[5?]. Oil on Canvas, 76 × 59 cm.
Attributed works:
[Exh. Biennale Internationale Des Antiquaires] Le bel encadrement, by Henri Guillaume Schlesinger, Signed and Dated 1853. Oil on Canvas, 91.5 × 72.5 cm.
Attributed works:
[Exh. Biennale Internationale Des Antiquaires] Madonna and Child, by Giuliano Bugiardini (1475-1522). Signed. Oil on Panel, 87 × 71 cm.
Attributed works:
[Exh. Biennale Internationale Des Antiquaires] Portrait of a Bearded Man, by Pablo Picasso, Signed and Dated Upper Right, 1st June 1964. Pastel, 72 × 51 cm.
Attributed works:
[Exh. Biennale Internationale Des Antiquaires] Portrait of a Man in a Red Cape, by Rembrandt, Signed and Dated 1633. Oil on Panel, 63.5 × 50.8 cm.
Attributed works:
[Exh. Biennale Internationale Des Antiquaires] Small Sumerian Stone Face, Mesopotamian, 2600-2340 B. C.
Attributed works:
[Exh. Biennale Internationale Des Antiquaires] The Hunt, Chinese, Kangxi Period (1662-1722). Blanc de Chine, ht.20.3 cm.
Attributed works:
[Hall & Knight Ltd., 43 New Bond Street, London, UK] Antonio Susini (Active 1580-Florence-1624). after a Model by Giovanni Bologna, Called Giambologna (Douai 1525/29-1608 Florence). The Crouching Venus. Bronze, 24.9 cm Height (9 3/4 Inches)
Attributed works:
[Hall & Knight Ltd., 43 New Bond Street, London, UK] Giulio Cesare Procaccini (Bologna 1574-1625 Milan). The Ecstasy of the Magdalene. Oil on Canvas, 215.9 × 146.5 cm (85 × 57½ Inches)
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street, London, UK] Jean Alaux, Called Le Romain (1786-1864). The Painter Pallière in His Room at the Villa Medici, Rome. Oil on Canvas, 57.8 × 45.1 cm
Attributed works:
[Lowell Libson Ltd., 3 Clifford Street, London, UK] Sir Edwin Henry Landseer R. A. 1802 - 1873. A River Landscape at Sunset. Oil with Pen and Ink on Paper Laid on Artist's Board. Size: 10 × 10 5/8 Inches (250 × 270 mm). Painted in the 1820s
Attributed works:
[Paul Proute S. A., 74, rue de Seine, 75006, Paris, France] Giacinto Calandrucci - Palerme 1646 - 1707. Feuille d'étude: Ange musicien et tête d'homme barbu. Sanguine sur papier bleu. 430 × 280. Au verso: putto et étude de pied, pierre noire et légers rehauts de blanc.
Attributed works:
[Talabardon & Gautier, 134, Faubourg St-Honore, Paris, France] Jean-Baptiste Camille Corot, Rome, View from the Artist's Room, 1825
Attributed works:
[Winterberg Auctions, D-69115 Heidelberg, Hildastr. 12, Germany] Felix Schlesinger. (1833 - Hamburg - 1910). In the Passport & Police office before Emigration: Hans Christian Andersen and His Friend Edgar Collin between Emigrants. Oil on Canvas 1859. Signed and Dated "Ddorf 1859" (Düsseldorf). 81 × 106 cm.
Western art unattributed:
[Exh. Biennale Internationale Des Antiquaires] Tragic Mask, Greco-Roman, White Marble.
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10/2000 | 1171 | 142
Pages: i-xx
Subjects
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Illustrations
Attributed works:
The Raising of Lazarus, by Jacopo Tintoretto. c.1556-57. 106.7 by 147.3 cm. (The Jesuit Center, Wernersville, Pennsylvania; On Loan to the Reading Public Museum)
Attributed works:
[Artemis Group, 23 East 73rd Street, New York, New York] Rembrandt Harmensz. van Rijn (1606-1669) Lieven Willemsz. van Coppenol, Writing Master: The Larger Plate Etching, Drypoint and Engraving, 1658, 13 8/16 x 11 6/16 Inches (346 × 293 mm). Bartsch 283, White/Boon v (Of vi) Ex coll. Hugh Howard (L.2957), Henry Danby Seymour (L.176), Richard Fisher (L.2204), Paul Davidsohn (L.654), Henry Oppenheimer and Felix Somary
Attributed works:
[August Laube, Trittligasse 19, Zurich, Switzerland] Pablo Picasso (Málaga 1881 - 1973 Mougins) Minotaure aveugle, guidé par Marie-Thérèse au Pigeon dans une Nuit étoilée. Aquatint Engraving and Dry-Point. November 1934. Signed Lower Right: 'Picasso'. Bloch 225. Geiser 437 IVc. Baer IV, pl.97 of the 'Suite Vollard'. Wm.: Picasso. 24:34 cm.
Attributed works:
[Bassenge, Erdener Str. 5A, Berlin, Germany] Léon Davent (Active between 1540 and 1556 in Fontainebleau). Venus Finding Mars Asleep. Etching. Zerner 72. An Unrecorded Proof before the Reduction of the Plate.
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] Bugiardini (1475-1554). Virgin and Child. Oil on Panel: 87.5 × 65 cms.
Attributed works:
[Exh. International Fine Art Fair, New York] A Pair of Lead Reliefs of Adonis and Venus, c.1750-60. Attributed to Jacob Gabriel Molinarola.
Attributed works:
[Exh. International Fine Art Fair, New York] Edgar Degas: Study of a Horse. Black and Blue Crayon. 9 × 11 in.
Attributed works:
[Exh. International Fine Art Fair, New York] Fernand Léger: Les Danseuses aux Clés. Signed and Dated Lower Right; 'F. Leger 1928'.
Attributed works:
[Exh. International Fine Art Fair, New York] The Master of 1416: Madonna and Child with Attendant Saints, Panel.
Attributed works:
[Exh. International Fine Art Fair, New York] Thomas Gainsborough: A River Landscape with Travellers Resting on the Edge of a Wood, a Horse Drawn Cart before a Bridge and Donkeys on a Bank. Oil on Canvas. c. 1757-8.
Attributed works:
[Exh. International Fine Print Dealers Association Print Fair, New York, New York] Albrecht Dürer: Nemesis c.1501-2. Engraving. 329 by 225/7 mm.
Attributed works:
[Exh. International Fine Print Dealers Association Print Fair, New York, New York] Ana Maria Pacheco. Study for Land of No Return. 2000. Monoprint. 100.5 by 87 cm.
Attributed works:
[Exh. International Fine Print Dealers Association Print Fair, New York, New York] Antonio Brambilla: Castel Sant' Angelo con la girandola. 1579. Engraving. 505 by 380 mm.
Attributed works:
[Exh. International Fine Print Dealers Association Print Fair, New York, New York] Erich Heckel: Reclining Woman. 1913. Colour Woodcut. 7 1/8 by 4¼ in.
Attributed works:
[Exh. International Fine Print Dealers Association Print Fair, New York, New York] Frederico Barocci: The Annunciation. c.1584-88. Etching, Engraving & Drypoint. 436 by 310 mm.
Attributed works:
[Exh. International Fine Print Dealers Association Print Fair, New York, New York] Henri de Toulouse Lautrec: La Clownesse au Moulin Rouge. 1897. Crayon, Brush & Spatter Lithograph. 16 by 12½ in.
Attributed works:
[Exh. International Fine Print Dealers Association Print Fair, New York, New York] Henri de Toulouse-Lautrec: Le Jockey. 1899. Colour-Lithograph. 36.2 by 51.7 mm.
Attributed works:
[Exh. International Fine Print Dealers Association Print Fair, New York, New York] Jacques Callot: La Grande Chasse. c. 1619. Etching. 197 by 462 mm.
Attributed works:
[Exh. International Fine Print Dealers Association Print Fair, New York, New York] James McNeill Whistler: Maud Franklin Seated. 1878. Hand-Touched Lithotint. 265 by 240 mm
Attributed works:
[Exh. International Fine Print Dealers Association Print Fair, New York, New York] Joseph Sebastian or Johann Baptist Klauber: Nox. c.1740. Engraving. 504 by 680 mm.
Attributed works:
[Exh. International Fine Print Dealers Association Print Fair, New York, New York] Paula Modersohn-Becker: Woman with Goose. 1902. Etching & Aquatint. 5 by $6frac{3}{4}$ in.
Attributed works:
[Exh. International Fine Print Dealers Association Print Fair, New York, New York] Rembrandt Leaning on a Stone Sill, Rembrandt Harmensz van Rijn, 1639.
Attributed works:
[Gallerie D'Arte Armondi, C. SO Palestro, 37/B - 25121, Brescia, Italy] Giove e Mercurio Accolti da File Mone e Bauci by Giacomo Francesco Cipper 'Todeschini'. (Feldkirch (Austria) 1664 - Milano 1736). Oil on Canvas, 72 × 56 cm.
Attributed works:
[Hall & Knight Ltd., 43 New Bond Street, London, UK] Alessandro Magnasco (1667-Genoa-1749). Worshippers at a Shrine in a Mountainous Landscape. Oil on Canvas, 73 × 61 3/4 Inches (186.5 × 157 cm)
Attributed works:
[Hill-Stone Incorporated, Park Avenue, New York, New York] Samson and Delilah Engraving; Circa 1507. Hollstein 25. The New Hollstein 25. Watermark: Unicorn. A Fine Impression, the Pentimenti Still Visible. Lucas van Leyden. Leiden, 1494 - 1533
Attributed works:
[Jack Kilgore & Co., Inc. 154 East 71st Street, New York] Jan Fyt (1611 - Antwerp - 1661). Flowers in a Vase with a Skull. Oil on Canvas, 34¼ by 21¼ Inches (87 by 53.8 cm.). Signed 'Jon FYT'
Attributed works:
[Mia N. Weiner, Mountain Road, Norfolk, CT, USA] Paris Nogari, (ca. 1556 - Rome - 1601). Ecce Homo. provenance: Conte Santi-Germain (L. 2347). Black Chalk, Pen & Brown Ink & Wash, White Heightening, on Paper Prepared Golden Brown. (324 × 228 mm). Squared for Transfer.
Attributed works:
[Museo Thyssen-Bornemisza, Paseo del Prado, 8. Madrid, Spain] Albert Bierstadt. The Falls of St. Anthony, ca, 1880-87
Attributed works:
[Paul Proute S. A., 74, rue de Seine, 75006, Paris, France] Mary Cassatt The Bare-Footed Child, 1898 Drypoint and Aquatint in Colour (Breeskin 160), Signed
Attributed works:
[Pratt Contemporary Art, The Gallery, Igtham, Kent, UK] Marcus Rees Roberts, Then What Have I to do with Thee?, 2000. Etching, Edition of 20. 42.2 cm × 29.5 cm.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Renee Sintenis Kleine Daphne 1918, Bronze with Golden Brown Patina on a 2¼in. (5.8 cm.) Base, Inscribed with Initials and Foundry Mark Estimate: $10,000-15,000
Attributed works:
[The National Gallery, London] Rogier van der Weyden, The Magdalen Reading
Attributed works:
[The Old Print Shop Inc., 150 Lexington Avenue, New York, New York] Sixth Avenue el, Stuart Davis 1894 - 1964 Cole # 15 Lithograph 1931 edition 25 Signed in Pencil, Inscribed "21/25" 11 7/8 x 17 7/8 inches 301 × 454 mm
Attributed works:
[Venator & Hansten, Cacilienstrasse, 48, Cologne, Germany] Albrecht Dürer, Die Jungfrau mit der Birne. Etching, 1511. Meder Nr. 33 a
Western art unattributed:
[Carlton Hobbs, 8 Little College Street, London, UK] A Magnificent Side Table in the Manner of Giovanni Battista Piranesi Rome. Circa 1770 Of Carved and Gilded Limewood with Bianco e Nero Marble Top. The Frieze Centred by a Painted Panel Depicting Hercules and Cerberus Measurements: Height: 37½″ (95.5cm); Width: 70½″ (179cm); Depth: 35″ (89cm)
Western art unattributed:
[Chanel Advertisement] The Mademoiselle Collection. Stainless Steel Watch. Kid Strap. Deployant Buckle. Sapphire Crystal. Made in Switzerland Available in Pastel, Beige, Blue, Green and Pink
Western art unattributed:
[Exh. International Fine Art Fair, New York] A Terracotta Relief of the Last Supper. Italian (Lombardy). c. 1450.
Western art unattributed:
[Phillips International, 101 New Bond Street, London, UK] A Rare and Important Regency Giltwood Carved Acoustic Chair, with Open Lion Mask Arm Terminals and a Hearing Pipe. To Be Included in Our 21st November Sale. Estimate: £20,000-30,000.
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Advertisements May 1993 (front)
05/1993 | 1082 | 135
Pages: i-xxviii
Subjects
advertisements:
advertisements:
artists:
subjects:
Illustrations
Attributed works:
[ Christie's, 502 Park Avenue, New York ] Baron Antoine-Jean Gros (1771-1835), 'David playing the Harp for King Saul', Signed 'Gros', Oil on Canvas, 72¼ × 89¼ in. (183.5 × 226.7 cm.) Estimate: $150,000-200,000
Attributed works:
[ Colnaghi, 14 Old Bond Street, London / 108-112 Rue du Faubourg St Honore, Paris/ 21 East 67th Street, New York ] Ambrosius Benson. Active in Bruges, 1519-1550. Portrait of a Lady with a Rosary. Oil on Panel: 40 × 32.7 cms
Attributed works:
[ cover ] Wooded river landscape, by Pietro da Cortona. Black chalk, brush and grey ink with grey wash, 28.3 by 42.5 cm. Purchased jointly from the Coke Collection, Holkham Hall by The Barber Institute of Fine Arts (University of Birmingham) and Birmingham Museums and Art Gallery with the aid of the National Heritage Memorial Fund and the National Art Collections Fund.
Attributed works:
[ Didier Aaron, Inc., 118 Faubourg Saint-Honore, Paris / A La Vieille Russie 781 Fifth Avenue, New York / 21 Ryder Street, London ] Hailé Selassié. Conté Crayon on Paper: $28frac{3}{8}times 21frac{1}{4}$ Inches
Attributed works:
[ Dover Street Gallery, 13 Dover Street, London ] Simon Vouet (1590-1649). A Portrait of Virginia da Vezzo. Oil on Canvas. 75 by 62 cm
Attributed works:
[ Galerie Gerda Bassenge, Erdener Strasse 5A, Berlin ] Jacques Bellange (1594-1638, Nancy). The Raising of Lazarus. Etching and Burin. Robert-Dumesnil V, 6; Walch 47. Watermark: Large Grapes.
Attributed works:
[ Galerie Kornfeld, Laupenstrasse 41, Bern ] Alfred Sisley. Moret-sur-Loing-Soleil du Matin. Oil on Canvas. 1888. 60:73 cm. Daulte 678.
Attributed works:
[ Galerie Lingenauber, Schwerinstr. 38, Düsseldorf / 27 Boulevard des Italiens, Paris ] This Painting by Gerard de Lairesse, Canvas oval 80 × 68 cm Will Be Offered at IIa Biennale Internazionale dell' Antiquariato Palazzo delle Esposizioni via Nazionale, 194 Roma. 7th May - 23rd May 1993
Attributed works:
[ Glerum Auctioneers, Westeinde 12, The Hague ] Adriaen van Salm. Signed A. V. Salm Fecit, Oil on Panel, a Penschildering, 60×106 cm.
Attributed works:
[ Hill-Stone, Gracie Station, New York ] Gian Giacomo Caraglio Circa 1505-1570. The Assembly of the Gods. Engraving, after Raphael. Bartsch 54, the First of Two States. A Very Fine Impression Printed in Black Ink. Some Marginal Imperfections Otherwise in Very Good Condition
Attributed works:
[ Karl & Faber, Amiraplatz 3, Munich ] Francisco de Goya (1746-1828). »Si Marina bayló, tome lo que halló«. Etching and Aquatint, »Los Proverbios", Plate 12 (Harris 259/III), from the Complete 1st Edition set, 1864.
Attributed works:
[ Kate Ganz Ltd, 41 East 57 Street, New York City ] Jean-Désiré-Gustave Courbet. Portrait of a Man with a Pipe, c.1860
Attributed works:
[ Marcello Aldega Margot Gordon ] , Giulio Morina. (Bologna 1555/60-1609 (?) Mirandela). The Adoration. Pen and Brown Ink, Wash 261 by 211 mm
Attributed works:
[ Noortman, 40-41 Old Bond Street London / Vrijthof 49, Maastricht ] Pieter de Hooch 1629-1684. The Courtyard of a House in Delft. Canvas: 68 × 57.5 cm. Signed and Dated 1658
Attributed works:
[ Paul Proute S. A., 74 rue de Seine, Paris ] François Chauveau. Venus Asking Vulcan for Arms for Aeneas. Pen, Brown Ink and Brown Wash over Traces of Black Chalk and Stylus Indentations. 135 by 192 mm.
Attributed works:
[ Richard L. Feigen & Company, 6 Ryder street, St James, London/ 49 East 68th Street, New York ] Gustave Courbet, Portrait of the Artist Hector Hanoteau, ca. 1863. oil on Canvas, 24 by $19frac{7}{8}$ Inches (60.9 by 50.5 cm.)
Attributed works:
[ Rob Smeets, Via Camperio 9, Milan / Via San Francesco 4/6, Perugia ] Ambrosius Bosschaert II. Arnemuiden 1609-Utrecht 1645. Fruit in a Basket. Oil on Panel 41.7×54.3 cm. Signed with Monogram 1631+
Attributed works:
[ Sabrina Förster, Poststrasse 3, Düsseldorf ] Remigio Cantagallina. Sansepolcro 1582-1656 Florence. View of Livorno, after 1613. Pen and Brown Ink, 203 × 345 mm.
Attributed works:
[ Trafalgar Galleries, 35 Bury Street, St James, London ] Marco Ricci (Belluno 1676-Venice 1729) A Capriccio of Roman Ruins Including the Colosseum and the Tomb of Caius Cestius. Oil on Canvas 124 × 101 cm (49 × 40 Inches).
Attributed works:
[ Voena, Via dei Mille 36, Turin ] Elijah and Rebecca, by Domenico Gargiulo Called Micco Spadaro (Naples 1609-1675). Oil on Canvas, 135 × 157 cm. Signed with the Monogram: DG.
Non-western art unattributed:
[ The Grosvenor House Antiques Fair ( The Oriental Art Gallery Limited ] A Chinese Imperial white jade vase. Qianlong period, 1736-1795. Height: 19.7 cm ($7frac{3}{4}$ Inches). A fine and rare Imperial white jade vase, the waisted cylindrical neck with an upright blade design, and two elephant ring handles to the sides, the well-rounded body decorated in relief with archaistic confronting dragons and supported on a gently curving pedestal foot. The mottled stone is a fine, white tone.
Western art unattributed:
[ Axel Vervoordt, Castle of 'S-Gravenwezel, 'S-Gravenwezel, Antwerp ] Bureau-Plat of the Chancellor of the Empress Marie-Thérèse, Vienna 1760.
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11/1992 | 1076 | 134
Pages: xxiv
Subjects
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[ Agnew's, 43 Old Bond Street, London ] Henri-Joseph Harpignies. 'Le Pont-Canal à Briare'
Attributed works:
[ Arturo Cuellar, Burglistrasse 18, Zurich ] Agostino Carracci. A Wooded River Landscape. Pen and Brown Ink, Verso: Ornamental Designs, 21.5 × 28.6 cm.
Attributed works:
[ Bukowskis auctioneers, Arsenalsgatan 4, Stockholm ] Lambert Jacobsz (1598-1636). 'Biblical Scene'. Oil on Canvas, 107 × 136 cm. For Sale at Bukowskis International Auction. Estimate: 200.000-300.000 SEK.
Attributed works:
[ C. G. Boerner, Kasernenstrasse 13, Dusseldorf / 61 East 77th Street, New York ] WolfHuber. The Small Crucifixion. Woodcut. (Ca 1511/13). Dodgson II, 258,7. Winzinger 60. Hollstein 6. One of Two Impressions Known.
Attributed works:
[ Colnaghi, 14 Old Bond Street, London / 21 East 67th Street, New York ] Gaetano Gandolfi. San Giovanni in Persiceto 1734 - Bologna 1802. A Portrait of Mauro Gandolfi in a Turban. Oil on Canvas: 48 × 39cms
Attributed works:
[ cover ] Portrait of Machtelt Suijs, by Maerten van Heemskerck. Panel, 85 by 74 cm. (Cleveland Museum of Art).
Attributed works:
[ Dover Street Gallery, 13 Dover Street, London ] Stanley Spencer, Self Portrait, 7 December 1931. Pencil on Paper
Attributed works:
[ Galerie Gerda Bassenge, Erdener Strasse 5A, Berlin ] Jacques Bellange. Le Martyre de Sainte Lucie. Etching. Robert-Dumesnil XI, 15; Walch 16.
Attributed works:
[ Hill-Stone, Park Avenue, New York ] Hendrik Goltzius 1558-1617. Mars and Venus Surprised by Vulcan. Engraving; 1585. Bartsch 139, Hollstein 137, Strauss 216, the First of Three States. Watermark: Eagle with a Crozier, Similar to Briquet 1364 (datable c. 1578-86). A Superb Impression.
Attributed works:
[ Hilmar M. Klemke, Burchardstrasse 26, Munster ] Wyatt Eaton (Phillipsburg, Quebec 1849-1896 Brooklyn). The Woman Harvester. Pastel, 409 × 305 mm; Signed at Lower Left with Black Chalk 'Wyatt Eaton Barbizon 1884'
Attributed works:
[ Joanna Barnes Fine Arts, 14 Mason's Yard, Duke Street, St James, London ] Mythological Female Figure by Giuseppe Maria Mazza (Bologna 1653-1741). Terracotta: H. 45 cm. Signed and Dated: G. M. F. 1736
Attributed works:
[ Katrin Bellinger, Rauchstrasse 2, Munich ] Adolph von Menzel (Breslau 1815-1905 Berlin). Bridge in a Park. Pencil; Monogrammed and Dated Lower Left: AM 86; Monogrammed Lower Right: AM. 114 × 177 mm
Attributed works:
[ Paul Proute S. A., 74 rue de Seine, Paris ] Auguste Rodin (Paris 1840 - Meudon 1917). Female Centaur Embracing a Child. Pen and Indian Ink with Ink Wash Heightened with White Gouache over Slight Traces of Graphite. 17.3 × 13.2 cm.
Attributed works:
[ Richard L. Feigen & Company, 6 Ryder Street, St James, London / 49 East 68th Street, New York ] Pierre Roy. Prognostication 1937. Oil on Canvas. $13frac{3}{4} text{by} 10frac{5}{8}$ Inches (34.9 by27 cm.). Signed, Lower Right: "P. Roy"
Attributed works:
[ Sabrina Forster, Poststrasse 3, Dusseldorf ] Johann Anton Ramboux (Trier 1790-1866 Köln). Burg Eltz. Pencil, Pen and Grey Ink, Watercolour, 316 × 453 mm. Old Inscription Burg Eltz.
Attributed works:
[ Sotheby's, 34 - 35 New Bond Street, London ] J. M. W. Turner, R. A., Venice: The Grand Canal with Santa Maria della Salute, 21.8 by 31.8cm. Estimate on Request.
Attributed works:
[ Thomas Le Claire, Elbchaussee 156, Hamburg ] Charles le Brun (1619 Paris 1690). "Esther Before Ahasverus [Recto] - Figure Sketches [Verso]", Red Chalk with Black Ink Framing Lines. 252 × 176 mm. Prima Idea for Le Brun's Painting "Esther before Ahasverus", of Which a More Finished Chalk Study Is Known [Musée du Louvre, Inv.No.RF 27959].
Attributed works:
[ Wilbert Smit/ Rudolph Coster, Nieuwe Spiegelstraat 67, Amsterdam ] Hendrik Voogd (Amsterdam 1767-Roma 1839). A Pair of Sepia Watercolours, Depicting the Interior of the Villa Mecenate, at Tivoli. 48 × 64 cm. Each. Both Signed and Dated 1791 (Verso). Compare: A Pair of Sepia Watercolours in the Collection of the Albertina, Vienna, Inv. No. 14976-14977
Non-western art unattributed:
[ Eskenazi, Foxglove House, 166 Piccadilly, London ] Chinese Red Lacquer Dish in the Form of a Seven-Petalled Mallow Flower. Song Period, 11th-12th Century. Diameter: 18.8cm
Western art unattributed:
[ Neumeister, Barer Str. 37, Munich ] A Pair of Berlin Vases. Porcelain, with Topographical Views. "Die Sternwarte in Berlin" (Right) and "Die Werdersche Kirche in Berlin"; "Das Königl. Palais in Berlin" (Left) and "Das Königl. Schloß in Berlin". 2nd Quarter of 19th Century. H. 48,5 cm.
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09/1992 | 1074 | 134
Pages: i-xxxii
Subjects
Illustrations
Attributed works:
[Arno Winterberg, Blumenstr. 15, P.O. Box 105927, Heidelberg] Adriaen van Ostade - Circle. Seated Farmer with Hat. About 1680. Pen and Brown Ink with Wash. 11.2 × 7.4 cm.
Attributed works:
[Arno Winterberg, Blumenstr. 15, P.O. Box 105927, Heidelberg] Attributed to Frans Lucas Peters (1606-1654). Landscape with Historical Buildings. Pen and Ink with Wash. 21.6 × 34.7 cm.
Attributed works:
[Arno Winterberg, Blumenstr. 15, P.O. Box 105927, Heidelberg] Gottfried Bernhard Göz. St. Augustin. Brush and Pen Drawing with Wash, about 1740. 15 × 9.7 cm.
Attributed works:
[Arno Winterberg, Blumenstr. 15, P.O. Box 105927, Heidelberg] Philipp Friedrich von Hetsch. (1758-1838). Two Muses. Gouache on Black Background. 50.5 × 41.4 cm.
Attributed works:
[Arno Winterberg, Blumenstr. 15, P.O. Box 105927, Heidelberg] Pieter Mulier the Younger (1637-1701). Landscape with Farmhouse and Ruin. Brush Drawing with Chalk. 18.1 × 27.2 cm.
Attributed works:
[Axel Vervoordt, Castle of 's-Gravenwezel, Belgium] Throne from the Studio of the Painter Louis David and Executed by George Jacob ca. 1790.
Attributed works:
[Burlington Magazine, 6 Bloomsbury Square, London] Après le bain, femme s'essuyant la nuque, by Edgar Degas. (Musée d'Orsay, Paris).
Attributed works:
[Burlington Magazine, 6 Bloomsbury Square, London] The Guitar Player, by Edouard Manet. 1860. (Metropolitan Museum of Art, New York.)
Attributed works:
[C.G. Boerner, Kasernenstraße 13, Dusseldorf] Jan Cossiers. The Artist's Son Cornelis. Black and Red Chalk.
Attributed works:
[Cailleux, 136 Faubourg Saint-Honore, Paris] Gilles Marie Oppenord (1672-1742) Architecture Capriccio with Sculptures. Pen, China Ink, Grey Wash. H. 427mm; W. 562mm
Attributed works:
[Charles Ratton & Guy Ladrière, 14 rue de Marignan & 11 quai Voltaire, Paris] A Stereographic Northern Astrolabe by J. Fusoris - Late 14th Century. Bronze - Diameter: 16.7 cm.
Attributed works:
[Christopher Mendez, 58 Jermyn Street, London] James Barry ra (Expelled) 1741-1806. The Adoration of the Shepherds, Brush and Grey Wash, over Pencil. 518 × 397mm
Attributed works:
[Colnaghi, 14 Old Bond Street, London] Carlo Carlone, 1686 - Scaria - 1775. The Descent from the Cross, Oil on Canvas: 80 × 45.5 cms
Attributed works:
[Didier Aaron Inc., 32 East 67th Street, New York] Joseph-Marie Flouest, Le Serment du Jeu de Paume, Pencil, Pen and Brown Ink and Grey Wash: 131×356 mm., Signed
Attributed works:
[Flavia Ormond Fine Arts Limited, 24 Brechin Place, London] Giuseppe Passeri (Rome 1654-1714), Ecstasy of the Blessed Giacinta Marescotti. Pen and Brown Ink, Brown Wash and Sanguine with White Highlights; 321 × 226 mm.
Attributed works:
[Galerie du Carrousel, 11 Quai Voltaire, Paris] Degas Danseuse aux bas rouges. vers 1880. Pastel et craie blanche
Attributed works:
[Galerie Neuse, Contrescarpe 14, Bremen] Joachim Fries (Lübeck 1579-1620 Augsburg). Diana Borne upon a Stag. Table Automaton, Silver and Silver-Gilt, Augsburg 1610-15.
Attributed works:
[Galerie Salis, Imbergstrasse 25, Salzburg] Edgar Degas (1834-1917) "Buste de femme" 1897. Charcoal on Paper 23 × 35 cm, Signed with the Red Signature Stamp Lower Left
Attributed works:
[Huguette Beres, 25 Quai Voltaire, Paris] Delacroix Cavalier mamelouk. 1849
Attributed works:
[Jean-Max Tassel, 15 Quai Voltaire, Paris] Frans Pourbus I, (Bruges 1545 - Anvers 1581). Le Paradis Terrestre, Oil on Panel 55 × 71,5 cm. Signed and Dated "F. Pourbus fe(cit)inv(enit) 1566"
Attributed works:
[Jean-Max Tassel, 15 Quai Voltaire, Paris] Théodore Géricault (Rouen 1791-Paris 1824), "Portrait de cheval". Oil on Canvas 34 × 44 cm. (13⅜ × 17¼ in.).
Attributed works:
[Julius Böhler, Pacellistrasse 4, Munich] A Bronze Statuette of Mercury Playing the Flute, from the workshop of Barthélemy Prieur, ca. 1600. Olive coloured patina under traces of dark brown lacquer, height 20.2 cm. A version of this rare model appears in the inventory of the collection of André le Nostre drawn up in 1700, under no.350 (see J. Guiffrey, Testament et Inventaire après décès de André le Nostre, in: Nouvelles Archives de l'Art français, 1911, p.254).
Attributed works:
[Marlborough Fine Art (London) Ltd/Marlborough Graphics Ltd, 6 Albemarle Street, London] Space, Life and Time, 1991. Oil and Spray Paint on Canvas, 71 × 73⅞ in./180.3 × 187.6 cm.
Attributed works:
[Paul Prouté S.A., 74 Rue de Seine, Paris] Marcantonio Franceschini, (Bologna 1648 - 1729). Two Angels and a Putto (From the Right Side of a Composition Showing the Virgin with S. Caterina dei Vigri Taking the Christ Child into Her Arms). Black Chalk Heightened with White, and Grey Wash on Several Joined Sheets of Paper Laid on Canvas. 173 by 147 cms.
Attributed works:
[Richard L. Feigen & Company, 6 Ryder Street, London] Jacques Stella, Bathsheba Receiving the Message of King David, Circa 1635-40. Oil on Canvas, 38⅞ by 51¾ Inches (99 by 132 cm.). Signed and Dated on the Fountain, Lower Left: "J. Stella 16..."
Attributed works:
[Société Labatut, 199bis Bld Saint-Germain, Paris] Bartolomeo Manfredi (Ostiano 1582 - Rome 1622). The Apostles Peter and Paul, Canvas, 55.5 × 72 cms
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] Urbino Dish, 1540, Painted by the "Della Rovere" Painter, with Paris Assassinating Achilles in the Temple of Apollo. From the Sale of Continental Ceramics & Glass, 6 October. Estimate: £8,000-12,000
Attributed works:
[Tzwern - Aisinber Fine Arts S.A., 36 rue aux Laines, Brussels] On the Cliffs, Langland Bay, Wales 1897. Pastel on Paper, 28.5 × 36.5 cm. Signed and Dated "Sisley 97"
Attributed works:
[W.M. Brady & Co., 3 East 76th Street, New York] Giovanni Francesco Grimaldi, Bologna 1606-1680 Rome. Two Figures Overlooking a Landscape from a Fortress. Pen and Brown Ink with Brown Washes, 14¼ × 11 Inches (362 × 280 mm)
Western art unattributed:
[Alexander George Ley & Sons, 13 Brecknock Road, London] George II Kent Style Frame with Carved Top Shell, Running Egg and Dart Outset Corners, with Husk Drops and Pierced Chain to Centre
Western art unattributed:
[Arno Winterberg, Blumenstr. 15, P.O. Box 105927, Heidelberg] South German, 2nd Half of the 15th cent. St. Maria Magdaleny. Pen and Brown Ink with Wash. 70.2 × 29.7 cm.
Western art unattributed:
[Bernard Blondeel, Schuttershofstraat 5, Antwerp] Court Scene. Brussels, c. 1525, H. 335 cm. × W. 200 cm.
Western art unattributed:
[Brimo de Laroussilhe, 11 rue de Lille, Paris] Fragment from a voussoir England (Probably St Albans), about 1160-1175, Stone, Height 32cm
Western art unattributed:
[Galeire Achkar Charrière, 232 Boulevard Saint Germain, Paris] Lit de repos (or lit de jour), Louis XIV Period. Carved Giltwood (Retaining Its Original Gilding) the Central Medallion of the Headboard Containing Two Interlaced Ls and the Letter M. 163 cms Long by 75 cms Wide by 113 cms High.
Western art unattributed:
[Nella Longari, via Bigli 15, Milan] "Miniatore di S. Michele a Murano", Initial "G": "S. Biagio". XV cent., Tempera on vellum 157 × 120 mm.
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Advertisements August 1992 (Back)
08/1992 | 1073 | 134
Pages: nil
Subjects
Illustrations
Attributed works:
[Biennale Internationale des Antiquaires, Grand Palais, Paris] Right, Desiderio da Settignano Italy, 15th Century. Infant David (?) Marble, Height 27 cm. Charles Ratton & Guy Ladriere, 14 rue de Marignan and 11 quai Voltaire, Paris. Below, Original White Painted Limewood Groups Representing the Allegory of Heaven and Earth, Mid 18th Century 63 × 85 × 52 cm. - 60 × 73 × 61 cm. Axel Vervoordt, Castle of 's-Gravenwezel, Belgium.
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Advertisements June 1992 (front)
06/1992 | 1071 | 134
Pages: i - xxxvi
Subjects
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Illustrations
Attributed works:
[ Ader Tajan auctioneers, 12 rue Favart, Paris ] A Sèvres Porcelain Mounted Tulipwood Small Commode by Carlin. A Jewel Casket of the Queen Marie-Antoinette by Carlin. Gauguin. «Te Fare» (La Maison), 1892. Van Dongen. «La Baigneuse», Deauville, 1920.
Attributed works:
[ Brand Inglis, 9 Halkin Arcade, Motcomb Street, London ] A George III Cup and Cover. Samuel Hennell. London 1800. Height: 12½″.
Attributed works:
[ Brimo de Laroussilhe, 11 rue de Lille, Paris ] Jean de Liège (Attributed to) Figure of a Reclining Angel, Probably from the Tomb of Philippa of Hainault (†1369), Made by Jean de Liège in 1367 (Westminster Abbey) Alabaster, 8½in. Long (21.6cm)
Attributed works:
[ Charles Ratton & Guy Ladriere, 14 rue de Marignan and 11 Quai Voltaire, Paris ] Martin-Claude Monot (Paris 1733-1803) Marble Bust of a Man Signed and Dated: Monot. 1769. Height: 43 cm.
Attributed works:
[ Colnaghi, 14 Old Bond Street, London/ 21 East 67th Street, New York ] Interior of the Red Salon of Isabella Stewart Gardner's House at 152 Beacon Street, in the 1890's, Showing the Rembrandt Self Portrait and the Tragedy of Lucretia by Botticelli, Both Acquired Through Colnaghi. Photograph Courtesy of the Isabella Stewart Gardner Museum, Boston.
Attributed works:
[ Galleria Salamon, Via San Damiano 2, Milan ] Peter Brueghel the Elder (?1530-1569) The Summer Engraving, Signed. 225 × 286 mm.
Attributed works:
[ Katrin Bellinger, exhib. at Harari & Johns, 12 Duke Street, London] Jacopo Robusti, il Tintoretto (1518-1594) Study after Michelangelo's Samson Verso: Study after the Same Group Black Chalk, Heightened with White, on Blue Paper; Inscribed lower Centre: Tintoretto 386 × 164 mm
Attributed works:
[ Marlborough, 6 Albemarle Street, London ]The Brothers, 1991 Oil on Canvas 64¼ × 64¼ in./163.2 × 163.2 cm. Signed, Dated and Entitled on Reverse
Attributed works:
[ Pyms Gallery, 13 Motcomb Street Belgravia, London ] Bridgit - A Picture of Miss Elvery by Sir William Orpen RA, RHA, NEAC (1878-1931). Inscribed by the Artist 'Orpen 1909' lower Left. Oil on Canvas, 112 × 86 cm (44 × 34 in).
Attributed works:
[ Sotheby's, 34 - 35 New Bond Street, London / Sporting d' Hiver, Place du Casino, Monte Carlo ] A 19th Century Patinated and Gilt Bronze Console Table Made for the Hotel of the Paiva in 1864-65 by Aimé-Jules Dalou. Ht. 109cm., W.158cm., D.58cm.
Attributed works:
[ Sotheby's, 34 - 35 New Bond Street, London ] Rembrandt Harmensz. van Rijn, Portrait of Johannes Uyttenbogaert, Bears the Signature and Date: Rembrandt ft./1633 and Bears the Inscription: AET: 76, 132 by 102 cm. From the Sale of Old Master Paintings, 8 July. Estimate on Request.
Attributed works:
[ The Grosvenor House Antiques Fair, London ] A Fine Gold Enamel Opal and Pearl Brooch Pendant, by Lalique.
Attributed works:
[ The Grosvenor House Antiques Fair, London ] A George III Mahogany Kneehole Desk, Attributed to the Workshops of William Hallett/Vile. Circa 1760. Height 76.2 cm (30 in). Width 115.6 cm (45½ in).
Attributed works:
[ The Grosvenor House Antiques Fair, London ] Benjamin West P. R. A. The Ascension Canvas. 49½ × 34 ins (126 × 87 cm).
Attributed works:
[ The Grosvenor House Antiques Fair, London ] Daniel Clowes (1774-1829). A Horse and Groom in the Grounds of Hooton Hall, Cheshire. Oil on Canvas, 32 × 44 in (81 × 112 cm). Signed and Dated 1816.
Attributed works:
[ The Grosvenor House Antiques Fair, London ] Fisherfolk on the Beach at Scheveningen by Jan van Goyen (Leiden 1596-1656 The Hague). Signed with Monogram and Dated 1644. Oil on Panel, 51.4 × 68.6 cm (20¼ × 27 in).
Attributed works:
[ The Grosvenor House Antiques Fair, London ] François Lespingola (1644-1705) A Bronze Group of the Rape of Europa Height 26.8 cm (Excluding Base).
Attributed works:
[ The Grosvenor House Antiques Fair, London ] John Singleton Copley Portrait of Colonel Baker 1781. Oil on Canvas 30 × 25 in (76.2 × 63.5 cm).
Attributed works:
[ The Grosvenor House Antiques Fair, London ] Marmaduke Craddock (1660-1717) English School. A Peacock with a Cockerel, Turkey, White Hen, Young Chicks and a Dove in a River Landscape. Oil on Canvas, 12 × $13frac{7}{8}$ in (30.5 × 35.2 cm).
Attributed works:
[ The Grosvenor House Antiques Fair, London ] The Madonna and Child with St. Francis and the Infant St. John the Baptist by a Ruin by Battista Luteri, Called Battista Dossi (Active 1517-Ferrara-1548). Oil on Panel, 58 × 37 cm ($22frac{7}{8}$ × $14frac{5}{8}$ in).
Attributed works:
[ The Grosvenor House Antiques Fair, London ] The Submersion of Pharoah's Army in The Red Sea by Titian (1477/89-1575) and an Anonymous Woodcutter. Woodcut Designed Circa 1515 from the Edition Published by Domenico delle Grecche, 1549. Dimensions 123 × 219 cm (48 × 85 in). Printed on Twelve Sheets of Matching Paper, Each Bearing a Watermark of a Pilgrim with Staff in a Circle.
Attributed works:
[ Voena, Via dei Mille 36, Turin ] Jusepe de Ribera Called lo Spagnoletto (Jativa di Valencia 1591 - Naples 1652) St. Jerome Canvas, 76 × 65 cm. Signed and Dated at Left: 'Jusepe de Ribera español valenciano 1648'.
Attributed works:
[Asprey, 725 Fifth Avenue, New York] A Rare George II Punch Bowl and Cover by William Cripps, 1752. 4309.2 grms (152 oz). A Set of Four George II Salts by Paul de Lamerie, 1745. 1105.7 grms (39 oz).
Attributed works:
[Flavia Ormond Fine Arts Ltd, 24 Brechin Place, London] Ubaldo Gandolfi (1728-1781) the Sacrifice of Isaac Red Chalk, Pen and Brown Ink, Brown Wash; 312 × 218 mm.
Attributed works:
[Phillips, 101 New Bond Street London] Erasmus Quellinus II, (1607-1678), "Salome being Handed the Head of St. John the Baptist", Oil on Panel, 124cm × 200cm.
Attributed works:
[Phillips, 101 New Bond Street, London] Domenico Maria Fratta (1696-1763), "The Triumph of David", Pen and Brown Ink, within a Deliniated Border, 38.7cm × 47cm.
Attributed works:
[Richard L. Feigen & Company, 6 Ryder Street St James, London/ 49 East 68th Street, New York] Charles VI and Odette de Champdivers by Eugène Delacroix (1798-1863). Circa 1825. Signed upper Left 'E. Delacroix'. Oil on Canvas, 35.5 × 27.5 cm (14 × $10frac{13}{16}$ in).
Non-western art unattributed:
[ Flying Cranes Antiques, 1050 Second Ave. at 56th Street, New York ] Myochin Sea Monster. Length, 24″; Height, 12″.
Non-western art unattributed:
[ The Grosvenor House Antiques Fair, London ] A Very Fine and Rare Canton Enamel Armorial Tea Caddy; The Interior Fitted with Two Canisters and a Blending Casket. Chinese, 18th Century. Height 13.4 cm. Width 28.4 cm. Depth 13.5 cm.
Western art unattributed:
[ Axel Vervoordt, Castle of 's- Gravenwezel Castle ] Original White Painted Limewood Groups Representing the Allegory of Heaven and Earth, Mid 18th Century 63 × 85 × 52 cm - 60 × 73 × 61 cm.
Western art unattributed:
[ Bernard Blondeel, Schuttershofstraat 5, Antwerp ] Giant Leaf Verdure Oudenaarde 1550-1600 H. 272 cm. × W. 376 cm.
Western art unattributed:
[ C. John, 70 South Audley Street, Mayfair, London ] An Exceptional Tapestry-Woven Carpet. Bessarabian, Late 19th Century. Wool. Dimensions 297 × 287 cm (117 × 113 in).
Western art unattributed:
[ cover ] Detail of a Table Carpet. French, c.1600. Canvas Work Embroidery, Wool and Silk on Linen, Tent and Cross Stitch, 273 by 218 cm. (Whole). (The Bowes Museum, Barnard Castle).
Western art unattributed:
[ E & H Manners, 66 A Kensington Church Street, London ] A Paris Biscuit Group Impressed 'Mre de Mr le duc à Paris d'angoulème'. 1781-1789. Height: 17″, 44 cm.
Western art unattributed:
[ Frides Lameris, Nieuwe Spiegelstraat 55, Amsterdam ] A Goblet Wheel Engraved with Fishing Boats Anchored at Sea with Their Nets Cast and the Inscription 'Twelvaren Van De Groote Visscherye' (To the Prosperity of the Herring-Fishery). Multi-Knopped Stem, Folded Foot. Dutch Engraved Lead-Glass, c.1750 Height: 23,5 cm (9¼ in).
Western art unattributed:
[ Les Enluminures, Le Louvre des Antiquaires, 2 Place du Palais - Royal ] Standing Prophet Initial from a Choirbook, Tuscany, Siena (?), c. 1400 ca. 120 × 300 mm.
Western art unattributed:
[ Patrick Sandberg Antiques, 140 - 142 Kensington Church Street, London ] This Fine Adam Period Figured Mahogany and Tulipwood Crossbanded Serpentine Serving Table, Circa 1780, Is a Typical Example of Stock Always Available at Our Large Kensington Showrooms.
Western art unattributed:
[ The Grosvenor House Antiques Fair, London ] Rare English Wine Glass, the Gilt Rimmed Bowl Engraved with Fruiting Vine and Set on a Coloured Composite Stem Comprising of Red and Blue Twists around a Central Air Twist Spiral Gauze, on a Conical Foot. Circa 1760. Height 14 cm.
Western art unattributed:
[ The Grosvenor House Antiques Fair, London ] Rectangular Mother-of-Pearl Box in Four Colour Gold Inlaid with Sepia Mother-of-Pearl and Decorated with Mythological Beasts and Birds. The Borders Are Embellished with Chased Quatre-couleur Floral Decorations. Paris, c.1825. 3¼ × 2¼ × 1½ ins.
Western art unattributed:
[Claude Kuhn, Blumenrain 12, Basel ] Northern Italy, End of the 15th Century 'Two Yokes, One Hanging on a Wall' Pen and Brown Ink, 20.8 × 14.7 cms
Western art unattributed:
[Neumeister, Barer Str. 37, Munich] Italy, ca. 1520. Saint Peter in Prison. Alabaster, 28 × 18,5 × 17, 5 cm.
Western art unattributed:
[Trinity Fine Art Ltd, 29 Bruton Street, London] A Limoges Champlevé Enamel Chasse, Depicting the Martyrdom of St. Thomas Becket, Circa 1200-1210, Height: 16.5 cms, Width: 12.5 cms.
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