The Architecture of Steam: Waterworks
and the Victorian Sanitary Crisis
By James Douet. 148 pp. incl. 78 b. & w. ills.
(Historic England, Swindon, and Liverpool
University Press, 2023), £36. ISBN 978–1–
80207–753–7. |
:
Book Review
Engineering the Eternal City: Infrastructure, Topography, and the Culture of Knowledge in Late Sixteenth-Century Rome. By Pamela O. Long
Engineering the Eternal City:
Infrastructure, Topography, and
the Culture of Knowledge in Late
Sixteenth-Century Rome
By Pamela O. Long. 368 pp. incl. 73 b. & w. ills.
(University of Chicago Press, Chicago, 2018),
34. ISBN 978–0–226–54379–6. |
:
Illustrations
Attributed works:
5. Lowering of the Vatican obelisk, by
Natale Bonifacio, from Domenico Fontana’s
Della trasportatione dell’obelisco Vaticano,
Rome 1590, pl.18. Engraving, 39.2 by 24.5
cm. (Houghton Library, Harvard University,
Cambridge MA).
1. Elementary life of the primary colour and its dependence on the simplest locale, by Vasily Kandinsky. Illustration to the lecture ‘On the Spiritual in Art’ delivered by Nikolai Kul’bin on Kandinsky’s behalf at the All-Russian Congress of Artists, St Petersburg, 29th and 31st December 1911. Published in Russian in I. Repin et al.: Trudy Vserossiiskogo s’ezda khudozhnikov (Transactions of the All-Russian Congress of artists), Petrograd 1914, I, pp.76–77.
Attributed works:
2. Improvisation 10, by Vasily Kandinsky. 1910. Canvas, 120 by 140 cm. (Fondation Beyeler, Basel; photograph courtesy Peter Schibli).
Attributed works:
3. Tsikl lektsii (Cycle of lectures), by Nikolay Punin. Petrograd 1920. Cover designed by Kazimir Malevich. (Photograph courtesy Museum of Modern Art, New York).
Attributed works:
5. Black lines, by Vasily Kandinsky. 1913. 129.4 by 131.1 cm. (Solomon R. Guggenheim Museum, New York; Bridgeman Images).
Attributed works:
6. Painting with the red spot, by Vasily Kandinsky. 1914. Canvas, 130 by 130 cm. (Centre Georges Pompidou, Paris; Bridgeman Images).
Non-western art unattributed:
4. Members of RAKhN (Russian Academy of Artistic Sciences) in the building of Svomas (Free State Art Studios), Moscow, June 1921. From left to right: Robert Fal’k, Evsei Shor, Nikolai Uspensky, Vasily Kandinsky, Evgenii Pavlov and Aleksandr Shenshin. Reproduced in C. Derouet and J. Boissel, eds.: exh. cat. Œuvres de Vassily Kandinsky (1866–1944), Paris (Centre Georges Pompidou) 1984, p.156.
62. Still life with ball bearing, by Fernand Léger. 1926. Board, 146 by 114 cm. (Kunstmuseum, Basel; exh. Victoria and Albert Museum, London).
Attributed works:
63. Model of Maison Citrohan II, by Le Corbusier. 1922. Mixed media, 135 by 81 by 82 cm. (Fondation Le Corbusier, Paris; exh. Victoria and Albert Museum, London).
Attributed works:
64. Set design for ‘The Magnanimous Cuckold’, by Lyubov Popova. 1922. Ink, pen, watercolour and collage on paper, 50 by 69 cm. (State Tretyakov Gallery, Moscow; exh. Victoria and Albert Museum, London).
Attributed works:
65. Paimio armchair, by Alvar Aalto. 1930. Birch plywood and solid birch, painted seat, 63.5 by 61 by 89 cm. (Victoria and Albert Museum, London).
Attributed works:
66. Moscow Spartakiada (postcard design), by Gustavs Klucis. 1928. Collage and gouache on paper on card, 57.8 by 36.1 cm. (State Museum of Arts, Riga; exh. Victoria and Albert Museum, London).
Book Review
Il principe difeso: vita e opere di Bernardo Puccini [and: Le cavalcate dell'ingegnero: l'opera di Gianmaria Olgiati ingegnere militare di Carlo V]
Il principe difeso: vita e opere di Bernardo Puccini; Le cavalcate dell'ingegnero: l'opera di Gianmaria Olgiati ingegnere militare di Carlo V |
author: Lamberini, Daniela
, author: Leydi, Silvio