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54 articles
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08/2024 | 1457 | 166
Pages: i–xii
Subjects
advertisements:
Illustrations
Attributed works:
Autoportrait, Molenbeek, by Hélène Amouzou (b.1969). 2009. Analogue black-andwhite photograph. [Busan Biennale]
Attributed works:
Did you open the door, or did you find it open for you, by Rajyashri Goody (b.1990). 2023. Paper, ink and porcelain, dimensions variable. [Busan Biennale]
Attributed works:
Diva-Goth Singers, by Kim Jipyeong (b.1976). 2023. Three-panel folding screen of mulberry paper and silk on wood, microphone, lace and tassel, dimensions variable. [Busan Biennale]
Attributed works:
Frans Floris Susanna and the Elders (detail) oil on panel,154 x 181 cm [Carlo Orsi]
Attributed works:
Hail, by Yanghee Lee (b.1976). 2020. Four-channel video and six-channel audio installation, duration 15 minutes 47 seconds. [Busan Biennale]
Attributed works:
JACOPO DAL PONTE , CALLED JACOPO BASSANO (c. 1510–1592) Portrait of a Man in Armour, c. 1560 Recently acquired by the Museo Civico di Bassano del Grappa [Robilant & Voena]
Attributed works:
Katherine Read (1723 - 1778) Oil on canvas, painted circa 1776 - 1778 (L to R): Alexander, John, Robert, and Jean Beatson, the artist’s nephews and sister [Weiss]
Attributed works:
Life and Its Double, by Nguyễn Phương Linh (b.1985) and Trương Quế Chi (b.1987). 2021. Installation and performance. [Busan Biennale]
Attributed works:
Narratives from the Hadal zone, by Kyung Hwa Kim (b.1969). 2021. Mother-of-pearl and fibre reinforced plastic, 300 by 220 by 220 cm. [Busan Biennale]
Attributed works:
Portrait of PARK Cha-jeong, by Yun Suknam (b.1939). 2020. Colour pigment on hanji paper, 210 by 94 cm.[Busan Biennale]
Attributed works:
Rape is Political, by Ashfika Rahman (b.1988). 2016–ongoing. Gold-coated albumen print on acid free paper, paint and ink, dimensions variable. [Busan Biennale]
Attributed works:
The city we imagine, by Golrokh Nafisi (b.1981) with Ahmadali Kadivar (b.1985). 2020. Performance, duration 40 minutes. [Busan Biennale]
Attributed works:
Untitled, by Ka Young Lee. 2011. Oil on canvas, 100 by 80 cm. [Busan Biennale]
Letter
Jacopo Bassano’s Wormley ‘Last Supper’ revisited
04/2023 | 1441 | 165
Pages: 356-7
related names
Author:
Joannides, Paul (Joannides, Paul; J., P.; Joannides, P. E. A.)
Subjects
dates:
Illustrations
Attributed works:
1. The Last Supper, by Jacopo Bassano. Oil on canvas, 119 by 311 cm. (St Laurence, Wormley, Hertfordshire).
Attributed works:
2 and 3. Details of Fig.1, showing tableware and two apostles.
Attributed works:
4. Detail of Fig.1, showing St Peter and St John the Evangelist.
Letter
The ‘Last Supper’ – observations and conservation summary
04/2023 | 1441 | 165
Pages: 357
related names
Author:
Saltmarsh, Polly (Saltmarsh, Polly)
Subjects
Article
Richard Vickris Pryor in the art market of Napoleonic Europe
04/2022 | 1429 | 164
Pages: 342-349
related names
Author:
Bonazzi, Lucia (Bonazzi, Lucia)
Subjects
Illustrations
Attributed works:
1. Portrait of a man, by Paolo Veronese. c.1576–78. Oil on canvas, 192.1 by 134 cm. (The J. Paul Getty Museum, Los Angeles).
Attributed works:
2. The flight into Egypt, by Jacopo Bassano. c.1540–45. Oil on canvas, 157.5 by 203.2 cm. (Toledo Museum of Art).
Attributed works:
3. Venus at her mirror, by Paolo Veronese. Mid-1580s. Oil on canvas, 165.1 by 124.5 cm. (Joslyn Art Museum, Omaha).
Attributed works:
4. Portrait of a man, by Girolamo Romanino. c.1515–17. Oil on panel, 58.2 by 47.4 cm (Royal Collection Trust; © HM Queen Elizabeth II, 2022).
Attributed works:
5. Portrait of a man and his son, by Simone Peterzano. Late 16th century. Oil on canvas, 98 by 83 cm. (Milano Maggiore Hospital collection, Fondazione IRCCS Ca’ Granda Ospedale Maggiore Policlinico; photograph Giuseppe Giudici-Lecco).
Attributed works:
6. Andromeda, by Carlo Francesco Nuvolone. Oil on panel, 22.2 by 16.8 cm. (Private collection).
Attributed works:
7. Virgin and Child with St John the Baptist and St Anthony Abbot, by a follower of Paolo Veronese. Oil on canvas, 167.7 by 207 cm. (Art Institute of Chicago).
Exhibition Review
Paintings on Stone: Science and the Sacred 1530–1800
04/2022 | 1429 | 164
Pages: 396-399
related names
Reviewer:
Zafran, Eric (Zafran, Eric)
Subjects
dates:
media:
Reviewed Items
museums and institutions:
Paintings on Stone: Science and the Sacred 1530–1800 Saint Louis Art Museum 20th February–15th May | :
Illustrations
Attributed works:
14. Perseus rescuing Andromeda, by Giuseppe Cesari, called Cavaliere D’Arpino. c.1593– 94. Oil on lapis lazuli backed with slate, 20.2 by 15.6 cm. (Saint Louis Art Museum).
Attributed works:
16. Adoration of the Magi, after Jacopo Bassano. Early 17th century. Oil on Verona ‘marble’ backed with slate, 24.8 by 25.4 cm. (Loyola University Museum of Art, Chicago; exh. Saint Louis Art Museum).
Western art unattributed:
15. Triple profile portrait, by School of Fontainebleau. 1570s. Oil on slate, 22.5 by 22.5 cm. (Milwaukee Art Museum; exh. Saint Louis Art Museum).
Supplement
Recent acquisitions at the J. Paul Getty Museum (2017–21)
01/2022 | 1426 | 164
Pages: 97-116
related names
Author:
Potts, Timothy (Potts, Timothy; Potts, Timothy F.)
Subjects
Illustrations
Attributed works:
11. Corpus Christi, by Veit Stoss (German, 1447–1533). c.1490–1500. Wood, 34.5 by 33 by 6.5 cm. 2019.94.
Attributed works:
12. Annunciation, by Giovanni di Balduccio (Italian, c.1300– after 1349). c.1333–34. Marble with traces of polychromy, angel: 75 by 22.5 by 20 cm.; Virgin: 78.5 by 24 by 19 cm. 2019.117.
Attributed works:
13. Bust of a young boy, by Desiderio da Settignano (Italian, c.1430–64). c.1460–64. Marble, 25 by 24.5 by 14 cm. 2018.5.
Attributed works:
14. Christ as the man of sorrows, by Quentin Metsys (Netherlandish, 1465 or 1466–1530). c.1520–25. Oil on panel, 49.5 by 37 cm. 2018.54.
Attributed works:
15. Anne of Brittany enthroned and accompanied by her ladies-in-waiting, from Ovid, excerpts from Heroides; Octovien de Saint-Gelais, Letters, by the Master of the Chronique scandaleuse (French, active c.1493–1510). c.1493. Tempera colours, gold and ink on parchment, 26.5 by 19 cm. MS. 121, fol.55, 2021.7.
Attributed works:
16. Head of a young man, by Francesco Mazzola, il Parmigianino (Italian, 1503–40). c.1539–40. Pen and brown ink, 16 by 10.5 cm. 2017.79.
Attributed works:
17. Study for the head of St Joseph (recto); Two studies of legs (verso), by Andrea del Sarto (Italian, 1486–1530). c.1526–27. Red and black chalk (recto); red chalk (verso), 37.5 by 22.6 cm. 2017.73.
Attributed works:
18. Study of a mourning woman, by Michelangelo Buonarroti (Italian, 1475–1564). c.1500–05. Pen and brown ink, heightened with white lead opaque watercolour, 26 by 16.5 cm. 2017.78.
Attributed works:
19. Head of a youth, by Domenico Beccafumi (Italian, 1484–1551). c.1530. Oil on paper, 27.6 by 21.1 cm. 2020.54.
Attributed works:
20. Virgin and Child with St Elizabeth and St John the Baptist, by Agnolo Bronzino (Italian, 1503–72). c.1540–45. Oil on panel, 102.7 by 83.4 cm. 2019.116.
Attributed works:
21. Virgin and Child with St John the Baptist and Mary Magdalene, by Parmigianino (Francesco Mazzola) (Italian, 1503–40). c.1535–40. Oil on paper, laid down on panel, 75.9 by 59.7 by 3 cm. 2017.22.
Attributed works:
22. Lucretia, by Artemisia Gentileschi (Italian, 1593–after 1654). c.1627. Oil on canvas, 92.9 by 72.7 cm. 2021.14.
Attributed works:
23. The Miracle of the Quails, by Jacopo dal Ponte, called Jacopo Bassano (Italian, c.1510–92). 1554. Oil on canvas, 150 by 235 cm. 2021.60.
Attributed works:
24. Study for Balthazar, by Peter Paul Rubens (Flemish, 1577–1640). c.1609–11. Oil on paper laid down on panel, 54 by 47.3 cm. 2018.48.
Attributed works:
25. Gospel book, by Ghoukas (Armenian, 16th century). 1583. Tempera colours and ink on paper, 27 by 19 cm. MS. 119, 2020.3.
Attributed works:
26. Crucifixion, by Samuel van Hoogstraten (Dutch, 1627–78). c.1650. Pen and brown ink with grey wash, red chalk and heightening with white opaque watercolour, corrections in white opaque watercolour, 24.5 by 25 cm. 2020.39.
Attributed works:
27. Head of a woman, by Annibale Carracci (Italian, 1560–1609). c.1582. Oil on paper, laid on canvas, 42.8 by 29.5 cm. 2019.4.
Attributed works:
28. Panoramic view of Dordrecht and the River Maas, by Aelbert Cuyp (Dutch, 1620–91). c.1645–52. Brush and dark brown ink with grey wash and ochre watercolour heightened with gum arabic over black chalk, 15.9 by 50.5 cm. 2017.74.
Attributed works:
29. Portrait of Nicolas-Claude Fabri de Peiresc, by Claude Mellan (French, 1598–1688). 1636. Black chalk, 14.5 by 11 cm. 2019.11.
Attributed works:
3. Intaglio with bust of Demosthenes, by Dioskourides (Greek, active late 1st century BC). Roman, c.25 BC. Amethyst, 2 by 1.4 by 0.5 cm. 2019.13.15.
Attributed works:
30. Metamorphosis of a small emperor moth on a damson plum, by Maria Sibylla Merian (German, 1647–1717). From the Caterpillar Book, Nuremburg 1679, plate 13. Translucent and opaque watercolour over counterproof print on parchment, 18.7 by 14.9 cm. 2020.10.
Attributed works:
31. La surprise, by Jean Antoine Watteau (French, 1684– 1721). 1718–19. Oil on panel, 36.4 by 28.2 cm. 2017.72.
Attributed works:
32. Box. Saint-Cloud Porcelain Manufactory, France, 1730–40. Soft-paste porcelain with glaze and enamel, 9.1 by 10.2 by 8.9 cm. Gift of MaryLou Boone. 2019.135.
Attributed works:
33. Two boys with a bladder, by Joseph Wright of Derby (English, 1734–97). c.1769–70. Oil on canvas, 92.7 by 73 cm. 2020.20.
Attributed works:
34. José Nicolás de Azara, Marquis of Nibbiano, by Anton Raphael Mengs (German, 1728–79). After 1774. Oil on canvas, 82.6 by 63.5 cm. Gift of Fabrizio Moretti in honour of Davide Gasparotto. 2019.132.
Attributed works:
35. Madame Charles Mitoire with her children, by Adélaïde Labille-Guiard (French, 1749–1803). 1783. Pastel on three sheets of blue paper, mounted on canvas, 98.5 by 79 cm. 2021.37.
Attributed works:
36. Bust of John the Baptist, by Auguste Rodin (French, 1840–1917). Model 1880; cast 1886. Bronze, 48 by 38.8 by 27 cm. 2018.33.
Attributed works:
38. The destruction of Pharaoh’s host, by John Martin (English, 1789–1854). 1836. Watercolour and oil paint with brown ink and scraping out on paper, 58.4 by 85.7 cm. 2018.45.
Attributed works:
39. House at 66 Avenue Montaigne, Paris, attributed to Bisson Frères (French, active 1840–64). c.1857. Hand-coloured salted paper print from a glass negative, 41.7 by 33 cm. 2019.8.
Attributed works:
40. After the bath (woman drying herself), by Edgar Degas (French, 1834–1917). c.1896. Pastel on paper laid down on board, 72 by 58 cm. 2017.75.1.
Attributed works:
41. Young man at his window, by Gustave Caillebotte (French, 1848–94). 1876. Oil on canvas, 116 by 81 cm. 2021.67.
Attributed works:
42. Spring in the Alps, by Giovanni Segantini (Italian, 1858–99). 1897. Oil on canvas, 116 by 227 cm. 2019.3.
Attributed works:
43. Landscape near Arnhem, by Piet Mondrian (Dutch, 1872–1944). 1900–01. Translucent and opaque watercolour over graphite, 52 by 74.8 cm. 2020.43.
Attributed works:
44. Self-portrait with plaster cast of the Elgin Marbles, by Imogen Cunningham (American, 1883–1976). 1909–10. Platinum print, 16.7 by 12.4 cm. 2020.24.1. (© Imogen Cunningham Trust).
Attributed works:
45. The Peugniez affair – view of the kitchen, 5th June, from Crime Album, by Alphonse Bertillon (French, 1853–1914). 1898. Gelatin silver print, 17.1 by 23.1 cm. 2019.22.41.
Attributed works:
46. Reflections on the oil ditch, by Shigemi Uyeda (American, born Japan, 1902–80). c.1925. Gelatin silver print, 33.5 by 26.5 cm. 2019.58.1. (© Family of Shigemi Uyeda).
Attributed works:
47. Hitlerfresse, by Erwin Blumenfeld (American, born Germany, 1897–1969). 30th January 1933. Gelatin silver print collage, 29.2 by 21.3 cm. 2017.108. (© The Estate of Erwin Blumenfeld).
Attributed works:
48. Interior with an easel, Bredgade 25, by Vilhelm Hammershøi (Danish, 1864–1916). 1912. Oil on canvas, 78.7 by 70.5 cm. 2018.59.
Attributed works:
49. Untitled, by Noboru Ueki (Japanese, 1905–91). c.1948. Hand-coloured gelatin silver print, 55.9 by 45.9 cm. 2020.59.1. (© Estate of Noboru Ueki, courtesy MEM, Tokyo).
Attributed works:
50. Aunt Stella, by Ming Smith (American, active 1970s to present). 1992. From the series August Wilson. Gelatin silver print, 48 by 34.5 cm. Purchased with funds provided by the Photographs Council. 2019.125.4. (© Ming Smith).
Attributed works:
51. Three eagles flying, by Laura Aguilar (American, 1959–2018). 1990. Three gelatin silver prints, each approx. 61 by 50.8 cm. Purchased with funds provided by the Photographs Council. 2019.15.1. (© Laura Aguilar Trust of 2016).
Attributed works:
52. Untitled (Self-portrait), by Sally Mann (American, b.1951). 2012. Tintype, each image 25.4 by 20.3 cm. 2018.3 (© Sally Mann, Inc.).
Attributed works:
53. Enduring, by John Edmonds (American, b.1989). 2019. Pigment print, 77.5 by 77.5 cm. In memory of George Floyd with our commitment to continue the fight for justice and racial equality, 25th May 2020; a gift from members of the Photographs Council. 2020.91. (© John Edmonds).
Attributed works:
54. The End, by Ed Ruscha (American, b.1937). 2017. Editioned Hologram, 29.5 by 39.4 cm. Gift of AMPC LLC through the auspices of Guy and Nora Barron. 2018.26.11. (© Ed Ruscha).
Attributed works:
Gallery view of the Getty Museum, Los Angeles.
Western art unattributed:
1.Votive statuette of a male youth (kouros). Greek (Lakonian), 550–530 BC. Bronze, height 18.3 cm. 2019.127.
Western art unattributed:
10. Rothschild Pentateuch. French or German, 1296. Tempera colours, gold and ink on parchment, 27.5 by 21 cm. Acquired with the generous support of Jo Carole and Ronald S. Lauder. MS. 116, 2018.43.
Western art unattributed:
2. Appliqué depicting the Sun God Usil. Etruscan (Vulci), 500–475 BC. Bronze, 20.7 by 18 cm. 2017.126.
Western art unattributed:
4. Intaglio with bust of Antinous (the Marlborough Antinous). Roman, 131–38 AD. Black chalcedony set in a modern gold mount, 3.5 by 2.9 cm. 2019.13.17.
Western art unattributed:
5. Bust of Germanicus. Roman, c.20–40 AD. Marble, height 52.1 cm. 2021.66.
Western art unattributed:
6. Portrait bust of a man. Roman, 140–60 AD. Marble, height 76.5 cm. 2018.31.
Western art unattributed:
7. Funerary relief of Hadirat Katthina, daughter of Sha’ad. Palmyran, 200–20 AD. Limestone with traces of pigment and gold, 50.8 by 40.6 by 20.3 cm. 2019.12.
Western art unattributed:
8. Head of a man (pseudo-Seneca/Hesiod(?) type). Roman, 1st century AD. Marble, height 35.6 cm. 2019.128.
Western art unattributed:
9. Bifolium from the Pink Qu’ran. Spanish, 13th century. Tempera colours, gold, silver and ink on dyed paper, 31.8 by 50.2 cm. MS. 122, 2021.44.
Exhibition Review
Titian and the Renaissance in Venice
05/2019 | 1394 | 161
Pages: 419-422
related names
Reviewer:
Humfrey, Peter (Humfrey, Peter)
Subjects
dates:
museums and institutions:
styles:
Illustrations
Attributed works:
11. Study of St Sebastian, by Titian. c.1520. Pen and ink with brown wash and white heightening on blue-grey paper, 18.2 by 11.5 cm (Städel Museum, Frankfurt).
Attributed works:
12. Two nymphs in a landscape, by Palma Vecchio. c.1510–15. Panel, 98.3 by 152.4 cm. (Städel Museum, Frankfurt).
Attributed works:
13. Alvise dalla Scala, by Titian. c.1562. Canvas, 138 by 116 cm (Gemäldegalerie Alte Meister, Dresden; exh. Städel Museum, Frankfurt).
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03/2019 | 1392 | 161
Pages: i-xl
Subjects
collectors and dealers:
Nicholas Hall (dealer), New York, United States / Robilant and Voena, London, Great Britain / TEFAF (Maastricht) / Mullany Haute Epoque Fine Art, London, Great Britain / Tomasso Brothers Fine Art, Leeds, Great Britain / Walter Padovani (dealer), Milan, Italy / Bailly Gallery, Geneva and Paris, Switzerland / Arnoldi-Livie (dealer), Munich, Germany / Bottegantica, Bologna, Italy / Carlo Orsi (dealer), Milan, Italy / Lullo Pampoulides (dealer), London, Great Britain / Rob Smeets, Geneva, Switzerland / Stephen Ongpin Fine Art, London, Great Britain / Alessandro Cesati, Milan, Italy / Simon Dickinson, London, Great Britain / Burzio, London, Great Britain / Santa Tecla Srl, Padua, Italy / Bacarelli & Botticelli, Firenze, Italy / Daxer & Marshall (dealer), Munich, Germany / Zornmuseet, Mora, Sweden / Art Conservation Awards / Irish Arts Review / Biennale Internazionale d'Antiquariato (Italy: Florence) / Paolo Antonacci (dealer), Rome, Italy / Fairfield University Art Museum, Fairfield, United States / Galerie Neuse, Bremen, Germany / Venator & Hanstein KG (auction house), Cologne, Germany / European Fine Art Fair (Maastricht) / Timothy Newbery (frames), London, Great Britain / Daniel Katz Ltd (dealers), London, Great Britain / Trinity Fine Art Ltd, London, Great Britain / Day and Faber, London, Great Britain / The-saleroom.com / Didier Aaron, Inc, New York, United States / Rafael Valls, London, Great Britain / Salon du dessin, Paris, France / Galerie Zlotowski, Paris, France / Jean-Luc Baroni, London, Great Britain / Marty de Cambiaire, Paris / Paul Prouté S.A. (gallery), Paris, France / Wienerroither & Kohlbacher, Vienna, Austria / Talabardon & Gautier, Paris, France / Museo Nacional del Prado, Madrid, Spain / Charles Ratton & Guy Ladrière, Paris, France / Master Drawings (art periodical) / Brun Fine Art, London / London Original Print Fair / Dreweatts, Newbury, Great Britain / Artcurial, Paris, France / Hazlitt Gallery, London, Great Britain
Illustrations
Attributed works:
Francisco de Goya Visiones. 23.6 x 14.4 cm. Recently acquired by the Meadows Museum, Dallas
Attributed works:
[Arnoldi-Livie. Ernst Ludwig Kirchner. Bathers at the Beach of Fehmarn, 1912. Graphhite, 46 x 59 cm]
Attributed works:
[Artcurial. Baccio BANDINELLI Male Nudes (recto) Estimate: € 30 000 - 40 000]
Attributed works:
[BAILLY GALLERY, GENEVA AND PARIS. Head, by Amedeo Modigliani (1884–1920). c.1910–12. Pencil on paper, 42.5 by 26.5 cm.]
Attributed works:
[BOTTEGANTICA, MILAN. Futurist blackbirds, by Giacomo Balla (1871–1958). c.1924. Canvas, 66 by 146 cm.]
Attributed works:
[BURZIO, LONDON. Self portrait, by Giusseppe Maria Bonzanigo (1745–1820). 1786. Limewood, walnut, tulipwood, ebony and fruitwood, 62.7 by 59 cm.]
Attributed works:
[Burzio. The Tagliolini Laocoon. Filippo Tagliolini, Naples. c. 1785, 52 cm high.]
Attributed works:
[Carlo Orsi Fine Art. Giovanni Battista Foggini, The Portrait of Margerite Louis of Orléans, Grand Duchess of Tuscany. Marble, hieght 77 cm]
Attributed works:
[CARLO ORSI – TRINITY FINE ART, LONDON. Wicker basket with peaches, jasmine, a rose and a carnation, by Fede Galizia (1578–1630). Panel, 33.7 by 47 cm.]
Attributed works:
[CHARLES RATTON & GUY LADRIÈRE. FRANÇOIS BOUCHER (1703 – Paris – 1770) A COTTAGE Red chalk, 20.5 x 33.7 cm]
Attributed works:
[Daxer and Marshall. Jan Steen, the Alchemist, 1668]
Attributed works:
[Daxer and Marshall. Peder Balke. The Troltindene Range, Norway, 1848]
Attributed works:
[DIDIER AARON & CIE, PARIS. Study for St Genevieve at prayer, by Pierre Puvis de Chavannes (1824–98). 1876. Charcoal with white highlights on paper, 55.5 by 45 cm.]
Attributed works:
[GALERIE ARNOLDI-LIVIE, MUNICH. Young Painter in his atelier, by Michel-Martin drolling (1786–1851). oil on canvas, 47 x 39 cm.]
Attributed works:
[GALERIE NEUSE, BREMEN. Beaker and cover depicting the death of the Swedish King Gustav Adolf in the Battle of Lützen, 1632, by Elias Adam (c.1669–1745). c.1707–11. Ivory with silver-gilt mounts. Height 29.5 cm.]
Attributed works:
[Galerie Neuse. Johann Speiss ( 1824 - c. 1891) Trophy for the Baden-Baden steeple chase in I ffezheim Signed and dated: J. Spiess. fecit Hofgraveur Mannheim 1863 Ivory, Height: 50 cm]
Attributed works:
[GALERIE PAUL PROUTÉ, PARIS. Venus, by Jan Van der Straet, known as Johannes Stradanus (1523–1605). c.1599. Black pencil, brown ink with white gouache highlights on paper, 18.2 by 12.5 cm.]
Attributed works:
[Galerie Paul Prouté.Maurice DENIS (1870 - 1943) Study for two apostels, charcoal, hightened with white on brown paper, 680 x 455 mm]
Attributed works:
[GALERIE ZLOTOWSKI, PARIS. The piano lesson, by Georges Valmier (1885–1937). 1922. Gouache on paper, 14.6 by 16.8 cm.]
Attributed works:
[GALERIEARNOLDI-LIVIE, MUNICH. Standing youth at a water source, by Ferdinand Hodler (1853–1918). 1900/01. Pen and brush with grey wash]
Attributed works:
[JEAN-LUC BARONI & MARTY DE CAMBIAIRE. Eustache Le sueur. Study for the Head of Saint Gervasius in the painting, ‘St Gervasius and St Protasius brought before Anastasius’, in the Musée du Louvre. (circa 1652), black and red chalk, heightened with white and yellow pastel: 195 x 146 mm (7½ x 5¾ in.) (actual size).
Attributed works:
[JEAN-LUC BARONI & MARTY DE CAMBIAIRE. Federico Zuccaro. Allegory of Gluttony, Study for a Section of the Cupola of the Duomo, Florence. (circa 1575-6), pen and brown ink and brown and pink wash, squared for transfer in red chalk: 166 x 306 mm. (6½ x 12 in.), (actual size detail).]
Attributed works:
[JEAN-LUC BARONI, LONDON, AND MARTY DE CAMBIAIRE, PARIS. Man with a top hat and walking stick, by Edouard Manet (1832–83). Pen and black ink wash with gouache highlights on beige paper, 25.7 by 8.8 cm.]
Attributed works:
[KUNSTHANDEL WIENERROITHER& KOHLBACHER, VIENNA. Standing female figure, by Egon Schiele (1890–1918). 1911. Gouache, watercolour and crayon on paper, 44.7 by 31.5 cm.]
Attributed works:
[London Original Print Fair. Kelly Reemtsen, Splitting Hairs,  (detail) Woodcut printed in colours Published by the artist Image courtesy of Lyndsey Ingram]
Attributed works:
[LULLO PAMPOULIDES, LONDON. Hercules on the pyre, by Guillaume Coustou (1677–1746). c.1702–03. Terracotta, 40 by 27 cm.]
Attributed works:
[Lullo Pampoulides. Domenico Fetti | Melancholy | Circa 1618 | Oil on canvas | 149.7 x 112.8 cm.]
Attributed works:
[MULLANY HAUTE EPOQUE FINE ART, LONDON. St Francis, by Pedro Roldán (1624–99). c.1660–70. Wood with original polychrome and gilding, 81 by 45 by 40 cm.]
Attributed works:
[Mullany Haute Epoque Fine Art. JOSÉ DE MORA (Baza 1642 – 1724 Granada) Head of Saint John the Baptist Terracotta, with original polychrome Spain, Granada, c. 1695 – 1724 H. 18.4 x W. 26.7 x D. 24.1 cm]
Attributed works:
[Museo Nacional del Prado. Francisco de Goya, José Álvarez de Toledo, marqués de Villafranca y duque de Alba (detalle), 1795. Madrid, Museo Nacional del Prado]
Attributed works:
[ONNO VAN SEGGELEN FINEARTS, ROTTERDAM. Happy company, by Pieter Jansz Quast (1605–47). Graphite and grey wash on vellum, 27.8 by 34.7 cm.]
Attributed works:
[Paolo Antonacci, Rome. Adolfo DE CAROLIS (1874 – 1928) Woman at the Fountain (The Muse Melete) Tempera, pencil and charcoal on paper, 1860 x 1470 mm]
Attributed works:
[Peter Finer. A Wheel-Lock Gun from the Cabinet d'Armes of Louis XIII of France, c. 1620-30]
Attributed works:
[REGINART COLLECTIONS, GENEVA. Summer evening, by Lyonel Feininger (1871–1956). 1933. Watercolour, pencil and ink on paper, 22.9 by 34.5 cm.]
Attributed works:
[ROB SMEETS OLD MASTER PAINTINGS, GENEVA. Study for a standing male figure, by Corrado Giaquinto (1703–66). Canvas, 66.5 by 50 cm.]
Attributed works:
[ROBILANT + VOENA, LONDON. A view of the piazzetta looking towards the Bacino and Isola di S. Giorgio, by Francesco Guardi (1712–93). Canvas, 58.5 by 68 cm.]
Attributed works:
[Robilant +,Voena. Jacopo Bassano, Penitent Saint Jerome, oil on canvas, 88 × 110 cm.]
Attributed works:
[SANTA TECLA Srl. GIROLAMO MUZIANO (Brescia 1532 – Rome 1592) Saint Jerome in the wilderness Oil on canvas, cm 228 x 164 (90 x 64½ in.)]
Attributed works:
[SANTA TECLA, PADUA. The Madonna in prayer, by Giovanni Battista Salvi, called Il Sassoferrato (1609–85). Canvas, 75.3 by 61.6 cm.]
Attributed works:
[SIMON C. DICKINSON LTD, LONDON. White feathers, by Kees van Dongen (1877–1968). c.1910–68. Canvas, 100 by 80 cm.]
Attributed works:
[STEPHEN ONGPIN FINE ART, LONDON. A standing halberdier, by Salvator Rosa (1615–73). c.1656/57. Pen and brown ink with brown wash on paper, 14.7 by 9 cm.]
Attributed works:
[STEPHEN ONGPIN FINE ART, LONDON. Jos Hessel in the drawing room at the Château des Clayes, by Édouard Vuillard, (1868–1940). Pastel on pink paper, 30.5 by 22.4 cm.]
Attributed works:
[Stephen Ongpin Fine Art. Thomas Gainsborough, R.A. (1727-1788) Wooded Landscape with Cattle and Goats Black and white chalk, with stumping, on buff paper. 229 x 294 mm. (9 x 11½ in.)]
Attributed works:
[TALABARDON& GAUTIER, PARIS. Two bathers, by Armand Séguin (1869–1903). c.1895. Charcoal, pen and ink on paper, 27.7 by 24.6 cm.]
Attributed works:
[TOMASSO BROTHERS FINE ART, LONDON AND LEEDS. The Lamentation over Christ, by Gerard David (c.1460–1523). Panel, 18 x 17.4 cm.]
Attributed works:
[Venator & Hanstein. Hieronymus. Leben der heiligen Altväter. Strasbourg 1482]
Attributed works:
[Walter Padovani. Antonio Minello, Apollo, overall height 68 cm]
Attributed works:
[Walter Padovani. Italy Mother of the Arts, by Pompeo Marchesi (1783–1858). White Carrara marble, 131 by 99 cm.]
Non-western art unattributed:
[The Maastricht Fine Art Open House. A lacquer plaque depicting St. Petersburg on the river Neva with the Winter Palace on the left and the Academy of Science on the right. Japan, Nagasaki, circa 1788.]
Western art unattributed:
[BACARELLI & BOTTICELLI. Allegory of Envy Florence, second half of 17th century Bronze, height 29 cm.]
Western art unattributed:
[CESATI WORKS OF ART, MILAN. Casket, Siena c.1340–50. Painted, gilded and punched wood, 19 by 24 by 14.5 cm.]
Western art unattributed:
[Dreweatts. A Northern Italian, probably Veronese, sculpted marble votive relief depicting the Crucifixion with the Virgin Mary and Saint John, late 13th/early 14th century, 66cm high, 43cm wide]
Western art unattributed:
[Tomasso Brothers. Roman, 50 BC – 50 AD Head of Cato Thasian Marble 42.5 cm (16¾ in.) high. 55.5cm high (21¾ in.), including the socle]
Exhibition Review
Charles I: King and Collector
04/2018 | 1381 | 160
Pages: 277-282
related names
Reviewer:
Penny, Nicholas (Penny, Nicholas)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Charles I in the hunting field, by Anthony van Dyck. c.1636. Canvas, 266 by 207 cm. (Musée du Louvre, Paris).
Attributed works:
3. The miraculous draft of fi shes, Mortlake tapestry after Raphael, with borders designed by Francis Cleyn. c.1639–40. Wool, silk and gilt thread, 530 by 580 cm. (Mobilier national, Paris).
Attributed works:
4. Detail of Fig.3.
Attributed works:
5. The conversion of St Paul, by Palma Giovane. c.1590–95. Canvas, 207 by 337 cm. (Museo Nacional del Prado, Madrid).
Attributed works:
6. St George and the Dragon, by Peter Oliver (after Raphael). 1628. Bodycolour and gold paint on vellum, 22 by 16.5 cm. (Royal Collection / © HM Queen Elizabeth II).
Attributed works:
7. The toilet of Venus, by Guido Reni. c.1620–25. Canvas, 281.9 by 205.7 cm. (National Gallery, London).
Attributed works:
9. Installation view of Charles I: King and Collector at the Royal Academy of Arts, London, showing Charles I, by François Dieussart (1636; Arundel Castle) and Charles I in three positions, by Anthony van Dyck (1635–36; The Royal Collection; photograph Royal Academy of Arts, London).
Western art unattributed:
2. Claudius, Roman, AD43–45. Sardonyx cameo, 20.5 by 16 cm. (Royal Collection / © HM Queen Elizabeth II).
Western art unattributed:
8. Aphrodite (‘The crouching Venus’). Roman, second century AD. Marble, height 119 cm. (The Royal Collection / © HM Queen Elizabeth II.)
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Advertisements January 2017 (front)
01/2017 | 1366 | 159
Pages: s.p.
Subjects
advertisements:
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advertisements:
subjects:
Illustrations
Attributed works:
[Aesthetica Magazine. Anna Tihanyi. Christal Night, 2014. From the series Berlin bhf]
Attributed works:
[Aktis Gallery, London. Still life, by Le Corbusier (1887-1965), 1921. Pastel and graphite on paper, 48,8 cm by 58,2 cm]
Attributed works:
[Art et Patrimone - Laurence Lenne, Brussels. Albarello. Antwerp, c. 1565. Maiolica. Height: 36 cm. Width: 26 cm]
Attributed works:
[Artcurial. Jean-Antoine Watteau. Study of a man wearing a hat. Black and red chalk. 22,70 x 16,90 cm]
Attributed works:
[Charles Beddington Limited. 16 Saville Row, London, W1S 3PL. Luca Carlevarijs (Udine 1663 - 1730 Venice). Venice: The Church of the Zitelle and the Giudecca from the Giudecca Canal. Pen and ink and grey wash on paper, laid down on a second sheer with ink borders 12 5/8 x 18 7/8 in (32 x 46.7 cm)]
Attributed works:
[Christie's New York. Old Master & British Drawings, 22 January 2017. Head of a young man, by Giovanni Domenico TIepolo (1727-1804). Red and white chalk and stumping on blue paper, 292 by 20.2 cm]
Attributed works:
[Christopher Bishop Fine Art. Jacopo Bassano (1510-1592). The Sower. Pen and brown ink with brown washes highlighted in white on blue paper, 287 x 201 mm. Inscribed upper right: "questo disegno uin del excellente pittor il sr. jachomo ponte l'ano 1592 10 auiosto"]
Attributed works:
[Day & Faver Exhibiting at: Academy Mansion, 2nd Floor, 2 East 63rd Street. Study for the nave of San Paolo Maggiore, Bologna, by Giuseppe Maria Rolli (1645-1727). 1695. Pen and brown ink, 41.1 by 26.8 cm]
Attributed works:
[Découvert Fine Art Exhibiting at: Lois Wagner Fine Arts, Inc., 15 East 71st Street, Suite 2A. Pietà with instruments of the Passion flanked by St. Francis of Paola and St. Francis of Assisi (Study for fresco or marble altar), by Bartolomeo Passerotti (1529-92). Black CHalk, pen and brown ink, 39.8 by 50.4 cm]
Attributed works:
[Découvert Fine Art. 73 Main St., Rockport, Ma. USA. Salvator Rosa (Arenella, Naples 1615-1673 Rome). Studies of Trees. Black chalk, pen and brown ink, 181 x 128 mm (1) 164 x 137 mm (2)]
Attributed works:
[Galerie Ary Jan, Paris. Indiscretion, by Gustave de Jonghe (1829-93). Oil on panel, 74 by 54 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Gioacchino Assereto (Genoa, 1600 - 1650). Joas saved from Athalia's persecution. Oil on canvas, 147,5 x 195,5 cm (58 x 77 in), signed "AXERET" at lower centre, next to the crown]
Attributed works:
[Harold t'Kint de Roodenbeke Gallery, Brussels. Ball game, by Alexander Calder (1898-1976). Gouache on paper, 110 by 74 cm.]
Attributed works:
[Honourable Silver Objects - Cabinets of Curiosities, Antwerp. Soup tureen, by Gregory van der Toorn (1715-71)Silver. Height: 27 cm. Width: 36.2 cm. Depth: 22 cm]
Attributed works:
[Kunstberatung Zürich AG, Zürich. The harrowing of hell, by Pieter Huys (1519-81/84). Oi on panel, 27 by 39.5 cm]
Attributed works:
[Mattia & Maria Novella Romano Exhibiting at: Arader Galleries, 1016 Madison Avenue, 4th Floor. Beheading of St John the Baptist, by Cherubino ALberti (1553-1615). Brown ink, brown washes and traces of black chalk on laid paper, 25 by 28.5 cm]
Attributed works:
[Mattia & Novella ROmano, Florence. Giuseppe Cesari called Cavalier d'Arpino. Arpino 1568 - 1640 Rome. St. Mark and David with head of Goliath within two niches. Pen, brown ink, brown washes, heightened with white on laid paper. 194 x 180 mm. (7 5/8 x 7 1/8 in.)]
Attributed works:
[Museo Nacional del Prado Madrid. Jusepe de Ribera. Acrobats on a loose Wire. Late 1630s. Pen, brown ink and brown wash. 257 x 198 mm. Madrid, Museo de la Real Academia de Bellas Artes de San Ferdinando, D-2208]
Attributed works:
[Otto Naumann, Ltd. 22 East 80th Street. New York. Diego Rodriguez de Silva Y Velázquez (Seville 1599 - 1660 Madrid) Portrait of a Gentleman, bust-length, in a black tunic and white golilla collar (during cleaning). Oil on canvas; 47 x 39 cm]
Attributed works:
[Peter Finer. 38&39 Duke Street. St. James’s. London. An etched and gilt reinforced buff made by Anton Peffenhauser for the Prince Elector Christian I of Saxony, c. 1586]
Attributed works:
[Philippe Heim, Paris. In search of Sir Franklin, by François-Musin (1820-88). Oil on canvas, 78 by 128 cm]
Attributed works:
[Sphinx Fine Art. 125 Kensington Church St. London. Jan Molenaer II. The Sense of Taste (detail)]
Attributed works:
[Stephen Ongpin Fine Art Exhibiting at: Dickson Roundell inc., 19 East 66th Street. Giovanni Francesco Barbieri, called Il Guercino. Lot and his Daughters. Pen and brown ink and brown wash. 180 x 235 mm. (7 1/8 x 8 7/8 in)]
Attributed works:
[Stephen Ongpin Fine Art Exhibiting at: Dickson Roundell inc., 19 East 66th Street. The head of a female figure wearing a helmet, by Jean-Baptiste Marie Pierre (1714-89. Pastel and black chalk on blue paper, 30.5 by 22.7 cm]
Non-western art unattributed:
[Galerie Jacques German, Montreal. Mangam crest mask. Nigeria, Benue region, early 20th century. Patinated wood and pigments. Height: 46 cm.]
Non-western art unattributed:
[Jacques Barrrére Gallery, Paris. Head of Buddha. Afghanistan or Pakistan, 3rd to 4th century. Terracotta, 22 by 14 by 15.5 cm]
Western art unattributed:
[Christopher Bishop FIne Art Exhibiting at: Academy Mansion, 15th Floor, 2st East 63 Street. Pan and Syrinx. Fountainbleau school, 1550. Pen and brown ink with brown washes on buff paper, 45.4 by 28.8 cm]
Western art unattributed:
[Galerie Theunissen & De Ghellinck, Brussels. Cabinet, Florence, c 1700. Rosewood, ivory, semi-precious stones and gilt bronze. Height: 59 cm. Width: 62 cm. Depth: 34 cm]
Western art unattributed:
[Mullany Haute Epoque Fine Art, London. Christ Child blessing, Flemish, early 16th century. Walnut with original polychrome and gilding. Height (with base): 30.7 cm; (without base): 28 cm]
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