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47 articles
Exhibition Review
Venezia 500: The Gentle Revolution of Venetian Painting
01/2024 | 1450 | 166
Pages: 70–73
related names
Reviewer:
Hojer, Annette (Hojer, Annette)
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subjects:
subjects:
Reviewed Items
subjects:
Venezia 500: The Gentle Revolution of Venetian Painting. Edited by Andreas Schumacher. 230 pp. incl. 160 col. ills. (Bayerische Staatsgemäldesammlungen, Munich, and Hirmer Verlag, Munich, 2023), €39. ISBN 978–3–7774–4176–4. German edition: Venezia 500: Die Sanfte Revolution der Venezianischen Malerei. ISBN 978–3– 7774–4174–0. | :
subjects:
Venezia 500: The Gentle Revolution of Venetian Painting Alte Pinakothek, Munich 27th October 2023– 4th February 2024 | :
Illustrations
Attributed works:
11. A pupil and his teacher, perhaps Giovanni Borgherini and Trifone Gabriele, by Giorgione (?). 1509–10. Oil on canvas, 91.5 by 67 cm. (Alte Pinakothek, Munich).
Attributed works:
12. St Jerome reading in a landscape, by Giovanni Bellini. c.1480–85. Oil on panel, 46.8 by 33.8 cm. (National Gallery, London; exh. Alte Pinakothek, Munich).
Attributed works:
13. Portrait of a young woman in a blue dress with a fan, by Jacopo Negretti (Palma il Vecchio). After 1514. Oil on panel, 63.5 by 51 cm. (Kunsthistorisches Museum, Vienna; exh. Alte Pinakothek, Munich).
Article
Pierre Le Tessier de Montarsis and a network of picture dealers in early eighteenth-century Paris
05/2021 | 1418 | 163
Pages: 428-436
related names
Author:
Marandet, François (Marandet, François)
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art literature:
places:
Illustrations
Attributed works:
1. Pierre Le Tessier de Montarsis, by Gérard Edelinck, after Antoine Coypel. 1692. Engraving, 36 by 28 cm. (British Museum, London).
Attributed works:
10. The penitent Magdalene, by Guido Reni. c.1634–35. Oil on canvas, 79 by 68 cm. (National Gallery, London).
Attributed works:
11. Virgin and Child with an angel, by Antoine-Louis Romanet, after Parmigianino. c.1785–1806. Engraving, 22 by 20 cm. (British Museum, London).
Attributed works:
2. Adoration of the Magi, by Paolo Veronese. c.1584. Oil on copper, 45 by 34 cm. (State Hermitage Museum, St Petersburg).
Attributed works:
3. Judith, by Giorgione. c.1504. Oil on canvas transferred from panel, 144 by 68 cm. (State Hermitage Museum, St Petersburg).
Attributed works:
4. The Triumph of Pan, by Nicolas Poussin. 1636. Oil on canvas, 135.9 by 146 cm. (National Gallery, London).
Attributed works:
5. The Triumph of Galatea, by Carlo Maratta. Oil on canvas. (Location unknown; photograph Fototeca Federico Zeri).
Attributed works:
6. St John the Baptist preaching, by Francesco Albani. c.1648. Oil on copper, 29 by 39 cm. (Location unknown; photograph Christie’s).
Attributed works:
7. Aurora and Cephalus, by Nicolas Poussin. c.1630. Oil on canvas, 97 by 131 cm. (National Gallery, London).
Attributed works:
8. The Entombment, by Tintoretto. c.1557. Oil on canvas, 164 by 127 cm. (Scottish National Gallery, Edinburgh).
Attributed works:
9. Virgin and Child (The Bridgewater Madonna), by Raphael. 1508. Oil on canvas transferred from panel, 82 by 57 cm. (The Duke of Sutherland, on loan to the Scottish National Gallery, Edinburgh).
Article
Charles Holmes and the restoration of paintings at the National Gallery, London
09/2019 | 1398 | 161
Pages: 737-743
related names
Author:
Simon, Jacob (Simon, Jacob)
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dates:
subjects:
Illustrations
Attributed works:
1. Sir Charles Holmes, by Elliott & Fry. 1920s. Bromide print, 19.6 by 15 cm. (National Portrait Gallery, London).
Attributed works:
2. Portrait of a poet, by Palma Vecchio. c.1516. Oil on canvas mounted on panel, 83.8 by 63.5 cm. (National Gallery, London; Bridgeman Images).
Attributed works:
3. Dido directing the equipment of the fleet, or the morning of the Carthaginian Empire, by J.M.W. Turner. Exhibited 1828. Oil on plywood, transferred from canvas, 147.3 by 226.1 cm. (Tate, London; reproduced from E. Poynter: The National Gallery, London 1900, III, p.317).
Attributed works:
4. Seaport with the Embarkation of St Ursula, by Claude Lorrain. 1641. Canvas, 112.9 by 149 cm. (National Gallery, London; Bridgeman Images).
Attributed works:
5. Young man in a fur cap, by Carel Fabritius. 1654. Canvas, 70.5 by 61.5 cm. (National Gallery, London; Bridgeman Images).
Attributed works:
6. David Alexander Edward Lindsay, 27th Earl of Crawford and 10th Earl of Balcarres, by Walter Stoneman. 1921. Bromide print, 14.2 by 10 cm. (National Portrait Gallery, London).
Exhibition Review
Titian and the Renaissance in Venice
05/2019 | 1394 | 161
Pages: 419-422
related names
Reviewer:
Humfrey, Peter (Humfrey, Peter)
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dates:
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styles:
Illustrations
Attributed works:
11. Study of St Sebastian, by Titian. c.1520. Pen and ink with brown wash and white heightening on blue-grey paper, 18.2 by 11.5 cm (Städel Museum, Frankfurt).
Attributed works:
12. Two nymphs in a landscape, by Palma Vecchio. c.1510–15. Panel, 98.3 by 152.4 cm. (Städel Museum, Frankfurt).
Attributed works:
13. Alvise dalla Scala, by Titian. c.1562. Canvas, 138 by 116 cm (Gemäldegalerie Alte Meister, Dresden; exh. Städel Museum, Frankfurt).
Article
In his father’s workshop: Giovanni Bellini’s paintings for the Scuola di S. Giovanni Evangelista, Venice
04/2018 | 1381 | 160
Pages: 283-290
related names
Author:
Mazzotta, Antonio (Mazzotta, Antonio)
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collectors and dealers:
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Illustrations
Attributed works:
1. Birth of the Virgin, here attributed to Giovanni Bellini. c.1452–53. Tempera on canvas, 112 by 152 cm. (Galleria Sabauda, Turin).
Attributed works:
10. Portrait of Jacopo Antonio Marcello, by Giovanni Bellini. 1453, from Jacopo Antonio Marcello, Passio Mauritii et sotiorum eius, 1453. Tempera on parchment, 18.7 by 13 cm. (Bibliothèque de l’Arsenal, Paris, MS 940).
Attributed works:
11. Detail of Fig.1.
Attributed works:
12. Detail of St James before Herod Agrippa, by Andrea Mantegna, c.1451–52. Fresco. Formerly in the Eremitani Church, Padua, destroyed 1944.
Attributed works:
13. Detail of The wedding at Cana, here attributed to Giovanni Bellini. c.1452–53. Tempera on canvas, 112 by 152 cm. (Private collection).
Attributed works:
14. Equestrian statue of Gattamelata (detail) by Donatello. c.1446–52. Bronze, 340 by 390 cm. (S. Antonio, Padua).
Attributed works:
15. The Adoration of the Magi (detail) here attributed to Giovanni Bellini. c.1452–53. Tempera on canvas, 111 by 151 cm. (Stanley Moss, New York).
Attributed works:
16. Detail of Fig.1.
Attributed works:
17. Woman at the Mirror (detail), by Giovanni Bellini. 1515. Oil on panel, 62.9 by 78.3 cm. (Kunsthistorisches Museum, Vienna).
Attributed works:
18. Annunciation (detail), by Giovanni Bellini. c.1465. Panel, 67 by 72 cm. (SS. Giovanni e Paolo, Venice).
Attributed works:
19. Detail of Fig.2.
Attributed works:
2. Annunciation, here attributed to Giovanni Bellini. c.1452–53. Tempera on canvas, 113 by 152 cm. (Galleria Sabauda, Turin).
Attributed works:
20. Detail of Fig.1.
Attributed works:
21. The Potenziani Madonna (detail), by Giovanni Bellini. c.1458–60. Tempera and oil on panel, 54 by 40 cm. (Metropolitan Museum of Art, New York).
Attributed works:
22. Imago pietatis (detail), by Giovanni Bellini. c.1455. Tempera on panel, 50.5 by 40.4 cm. (Museo Poldi Pezzoli, Milan).
Attributed works:
23. The Presentation of Christ in the Temple (detail), here attributed to Giovanni Bellini. c.1452–53. Tempera on canvas, 112 by 152 cm. (Private collection).
Attributed works:
3. Birth of the Virgin, by Jacopo Bellini and workshop. c.1444. Tempera on panel, 35 by 40 cm (S. Alessandro, Brescia).
Attributed works:
4. Madonna of the cherubim, by Jacopo Bellini. c.1455. Oil on panel, 77 by 60 cm. (Gallerie dell’Accademia, Venice).
Attributed works:
5. Birth of the Virgin (detail), after a design by Giambono, c.1440. Mosaic. (Cappella dei Mascoli, S. Marco, Venice).
Attributed works:
6. The Presentation in the Temple (detail), by Andrea Mantegna. Early 1450s. Tempera on canvas, 69 by 86.3 cm. (Gemäldegalerie, Berlin).
Attributed works:
7. Detail of Fig.1.
Attributed works:
8. St Maurice (detail), by Giovanni Bellini, from Jacopo Antonio Marcello, Passio Mauritii et sotiorum eius. 1453. Tempera on parchment, 18.7 by 13 cm. (Bibliothèque de l’Arsenal, Paris, MS 940),
Attributed works:
9. Detail of Fig.1.
Advertisements
Advertisements January 2016 (front)
01/2016 | 1354 | 158
Pages: s.p.
Subjects
advertisements:
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subjects:
Illustrations
Attributed works:
[Boon Gallery, Knokke-Zoute. Bust of a woman, by Alberto Giacometti (1902-66). Bronze with patina. Height: 47.7 cm. Width: 13.1 cm. Diameter: 13 cm.]
Attributed works:
[Christopher Bishop FIne Art Exhibiting at: Leslie Feely Fine Art, 5th floor, 33 East 68th Street. Holy family, by Luigi Garzi (1638-1721). Pen and brown in highlighted in white on blue paper, 18.7 by 14.8 cm]
Attributed works:
[Christopher Bishop Fine Art. Milford. Connecticut exhibiting at Leslie Feely Fine Art. 33 East 68th Street. New York. Giuseppe Bernardino Bison (1762-1844) The Holy Family. Pen and brown washes over traces of black chalk, highlighted in white pink paper. 5 3/4 x 7 3/16 in. - 136 x 186 mm (oval)]
Attributed works:
[Didier Aaron, Inc. 32 East 67th Street. The father's curse - the punished son, by Jean-Baptiste Greuze (1725-1805). Grey brown ink over graphite, 24.5 by 36.5 cm]
Attributed works:
[Douwes Fine Art BV, Amsterdam. Flower piece with roses, tulips, and other flowers in a cylindrical glass on a stone ledge with a pansy and a red admiral butterfly, by Ambrosius Bosschaert the Younger (1609-45). c.1625. Oil on panel, 32.5 by 20.3 cm]
Attributed works:
[Eric Coatalem, Paris. Studies for river Gods, traditionally identified as the Rhône and the Rhine, by François Boucher (1703-70). Oil on canvas, 91.5 by 73.7 cm]
Attributed works:
[Galerie Boulakia, Paris. Bride and groom, by Marc Chagall (1897-1985). 1979. Tempera on masonite, 110 by 80 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Alessandro Magnasco. Genoa, 1667-1749. Teaching a Magpie to sing. Oil on canvas, 48.5 x 38.5 cm (19 1/18 x 15 13/16 in)]
Attributed works:
[Gallery Mathiev, Paris. Low table, by André Groult (1884-1966). c. 1912. Pylma and ebonised wood. Height: 51 cm. Width: 90 cm. Diameter: 59.5 cm]
Attributed works:
[Guy Peppiatt Fine Art. Exhibiting at: Arader Galleries, 1st Floor, 1016 Madison Avenue. Ludlow Castle, Shropshire, by Francis Towne (1740-1816). Signed lower left: F. Towne/delt. 1777/no 46, and inscribed verso: a view of Ludlow Castle, Shrospshire./ Drawn on thespot/ by /FrancisTowne July 21st 1777. Pen and grey ink and watercolour on five sheets of paper joined on original washline mount, 30 by 57 cm]
Attributed works:
[Guy Peppiatt Fine Art. River wide House. 6 Manson’s Yard. Duke St., St. James’s. London. Edward Lear (1812-1888). View of Capri from Massa, Italy. Signed and dated 1840, black and white chalk on grey paper, 255 by 422 mm., 10 by 16 1/2 in.]
Attributed works:
[Jablonka Maruani Marcier Gallery, Brussels. Robert Mapplethorpe, by Andy Warhol (1928-87). 1983. Screenprint on lenox museum board, 102 by 102 cm]
Attributed works:
[Lowell Libson Ltd Exhibiting at: Stellan Holm Gallery, 1018 Madison Avenue at 78th Street. Sunset: a stormy evening, by John Constable (1776-1837). Painted in the early 1820s. Oil on paper laid down on panel, 7.7 by 11.7 cm]
Attributed works:
[Mia N Weiner Exhibiting at: L'Antiquaire and the Connoisseur, 36 East 73rd Street. Design for a reliquary for Pope Innocent X, by Alessandro Algardi (1598-1654). c.1644. Black chalk under drawing, pen and brown ink, brush and blue-grey wash, 37.5 by 27.5 cm]
Attributed works:
[Otto Naumann, Ltd and Robert Simon. 22 East 80th Street. New York. Palma Il Vecchio (Bergamo ca. 1480-1528 Venice). A Shepherd and Two Women. Oil on panel, 27 1/4 x 37 1/4 in. (69.2 x 94.6 cm)]
Attributed works:
[Sperone Westwater. 257 Bowery. New York. Nanda Vigo. Early Works]
Attributed works:
[Sphinx Fine Art. 125 Kensington Church St. London. Jan Brueghel I & Joos de Momper II. A Costal Landscape with Fishermen with their Catch by a Ruined Tower (detail)]
Attributed works:
[Stephen Ongpin Fine Art Exhibiting Roundell Inc., 19 East 66th Street. Portrait of a child, by Egon Schiele (1890-1918). Black crayon, 38.1 by 28.3 cm]
Attributed works:
[Stephen Ongpin Fine Art. Riverwide House. 6 Mason’s Yard, Duke Street St. James’s. London at Dickinson Roundell Inc. 19 East 66th Street. New York. Francesco Monti (1683-1768). Study of a Male Nude Holding a Pole. Black chalk and charcoal, with stumping. 420 x 293 mm (16 1/2 x 11 1/2 in.)]
Attributed works:
[Stephen Ongpin Fine Art. Riverwide House. 6 Mason’s Yard, Duke Street St. James’s. London at Dickinson Roundell Inc. 19 East 66th Street. New York. Odilon Redon (1840-1916). The Crucifixion. Pastel and chalk on paper, laid down on board. 488 x 372 mm. (19 1/4 x 14 5/8 in.)]
Attributed works:
[Stern Pissarro, London. Guitar on the table, by Pablo Picasso (1881-1973). Pastel and pencil on paper, 32.5 by 25 cm]
Non-western art unattributed:
[Eric Pouillot, Paris. Pair of ladies, China, Tang Dynasty. Coated salmon terracotta with traces of polychrome. Height: 59 cm]
Western art unattributed:
[De Backker Medieval Art, Grote Plaats 31. Hoogstraten, Belgium. Corpus [detail], gilt bronze, Paris, 3rd quarter 13th century, h: 20 cm]
Western art unattributed:
[De Wit Fine Tapestries, Mechelen. Pastoral life. Southern Netherlands. c.1530. Wool and silk, 225 by 202 cm]
Western art unattributed:
[Fortuna Fine Arts, Ltd. 13 East 69th Street. New York. A Roman Glass and Strone Mosaic Panel with Theatre Masks of a Meaned and a Silenus by a Wonderful Guilloche Pattern. Date: 2nd Century AD; Dimensions: 27 x 32 7/8" (68.5 x 83.5 cm)]
Western art unattributed:
[Mullany Haute Epoch Fine Art, London. Relief with the ascension of Christ. English, Nottingham, 15th century. Alabaster with original polychrome and gilding. Height: 39.5 cm. Width: 24 cm]
Western art unattributed:
[Mullany Haute Epoque Fine Art. 16 Carlisle Mansions, Carlisle Place. London. Salome with the head of Saint John the Baptist. Oak. Netherlandish, Antwerp. circa 1510-1521. H. 44.5 x W. 31 x D. 7.5 cm]
Western art unattributed:
[Peter Finer. 38&39 Duke Street. St. James’s. London. A "Corinthian" Helmet, circa 580-520 B.C.]
Western art unattributed:
[Safani Gallery Inc, New York. Statue of Dionysos, Roman, 1st to 2nd century AD. Marble. Height: 46.5 cm]
Exhibition Review
Palma il Vecchio
07/2015 | 1348 | 157
Pages: 504-505
related names
Reviewer:
Aikema, Bernard (Aikema, Bernard)
Subjects
dates:
museums and institutions:
places:
subjects:
Illustrations
Attributed works:
76. Two nymphs in a landscape, by Jacopo Palma il Vecchio. 1513-14 (Städel Museum, Frankfurt; exh. Accademia Carrara, Bergamo)
Attributed works:
77. Judith with the head of Holophernes, by Jacopo Palma il Vecchio. c.1526-27 (Galleria degli Uffizi, Florence; exh. Accademia Carrara, Bergamo)
Attributed works:
78. Meeting of Jacob and Rachel at the well, by Jacopo Palma il Vecchio (Staatliche Kunstsammlung, Gemäldegalerie Alte Meister, Dresden; exh. Accademia Carrara, Bergamo)
Book Review
Bergamo: L'altra Venezia: il rinascimento negli anni di Lorenzo Lotto 1510-1530
01/2002 | 1186 | 144
Pages: 29-30
related names
Reviewer:
Penny, Nicholas (Penny, Nicholas)
Subjects
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dates:
museums and institutions:
places:
places:
Reviewed Items
subjects:
Bergamo. L\'altra Venezia: il rinascimento negli anni di Lorenzo Lotto 1510-1530 | editor: Rossi, Francesco , author: Rossi, Francesco
Illustrations
Attributed works:
33. Portrait Group of Seven Figures, by Giovanni Cariani. 1519. 117 by 117 cm. (Private Collection, Bergamo).
Attributed works:
34. Annunciation, by Andrea Previtali. Panel, 261 by 165 cm. (S. Maria Annunciata del Meschio, Ceneda).
Book Review
Palma Vecchio
01/1994 | 1090 | 136
Pages: 32-33
related names
Reviewer:
Lucco, Mauro (Lucco, Mauro)
Subjects
dates:
places:
subjects:
Reviewed Items
subjects:
Palma Vecchio | author: Rylands, Philip
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