5. Portrait of a man and his son, by Simone Peterzano. Late 16th
century. Oil on canvas, 98 by 83 cm. (Milano Maggiore Hospital collection,
Fondazione IRCCS Ca’ Granda Ospedale Maggiore Policlinico; photograph
Giuseppe Giudici-Lecco).
Attributed works:
6. Andromeda, by Carlo Francesco Nuvolone. Oil on panel, 22.2 by 16.8
cm. (Private collection).
Attributed works:
7. Virgin and Child with St John the Baptist and St Anthony Abbot, by a
follower of Paolo Veronese. Oil on canvas, 167.7 by 207 cm. (Art Institute
of Chicago).
Book Review
Venetian Drawings: Italian Drawings in the Royal Collection of Graphic Art. By Chris Fischer
Venetian Drawings: Italian Drawings
in the Royal Collection of Graphic Art
By Chris Fischer. 339 pp. incl. 300 col. + b. & w.
ills. (Statens Museum for Kunst, National
Gallery of Denmark, Copenhagen, 2018), £65.
ISBN 978–87–7551–071–9. |
:
11. Study of St
Sebastian, by
Titian. c.1520.
Pen and ink
with brown
wash and white
heightening on
blue-grey paper,
18.2 by 11.5 cm
(Städel Museum,
Frankfurt).
Attributed works:
12. Two nymphs
in a landscape,
by Palma Vecchio.
c.1510–15. Panel,
98.3 by 152.4 cm.
(Städel Museum,
Frankfurt).
Attributed works:
13. Alvise dalla
Scala, by Titian.
c.1562. Canvas,
138 by 116 cm
(Gemäldegalerie
Alte Meister,
Dresden; exh.
Städel Museum,
Frankfurt).
Book Review
Paolo Veronese and the Practice of Painting in Late Renaissance Venice
1. The verso of the last folio of a copy of Dante’s Commedia, Venice 1497,
with an inscription in iron-gall ink and a drawing of the Virgin and Child
in red chalk. 30.5 by 19.8 cm. (University of Sydney, Library, Inc.97.1).
Attributed works:
10. Infra-red reflectogram of the under-drawing of the painting
illustrated in Fig.9. (National Gallery, London).
Attributed works:
11. View of Castel San Zeno, Montagnana, with a seated figure in the
foreground, by Giorgione. Red chalk on paper, 20.3 by 29 cm. (Museum
Boijmans Van Beuningen, Rotterdam).
Attributed works:
12. Cupid bending a bow, attributed to Giorgione. c.1508. Red chalk on
paper, 23.7 by 15.2 cm. (Metropolitan Museum of Art, New York).
Attributed works:
13. Detail of fol.iii recto of the volume illustrated in Fig.1.
Attributed works:
2. Below left Composite image of the watermark ‘Van Gelder’ in the
flyleaves of the volume illustrated in Fig.1.
Attributed works:
3. Annotations of earlier sale or ownership in the volume illustrated
in Fig.1.
Attributed works:
4. Detail of the the opening page of the volume illustrated in Fig.1,
showing the accession number of the University of Sydney Library.
Attributed works:
5. Detail of Fig.1, showing the inscription.
Attributed works:
6. The Holy Family (‘The Benson Holy Family’), by Giorgione. c.1502.
Panel, 37.3 by 45.6 cm. (National Gallery of Art, Washington).
Attributed works:
7. Infra-red reflectogram of the painting illustrated in Fig.6, showing
preliminary drawing executed with the point of a brush. (National Gallery
of Art, Washington).
Attributed works:
8. Opposite Detail of Fig.1, showing the drawing of the Virgin and Child,
here attributed to Giorgione. Red chalk, 14 by 9.5 cm.
Attributed works:
9. Adoration of the Magi, by Giorgione. c.1502. Panel, 29.8 by 81.3 cm.
(National Gallery, London).
Attributed works:
Detail of fol.iii verso of the volume illustrated in Fig.1.
1. The apparition of the Virgin to St Jerome, by Jacopo Tintoretto. c.1580. Canvas, 275.5 by 194 cm. (Ateneo Veneto, Sala di Lettura, Venice; exh. Palazzo Ducale, Venice).
Attributed works:
2. Male nude seen from behind, by Jacopo Tintoretto. 1578. Charcoal heightened with white on brown paper, 27.6. by 18 cm. (The Courtauld Gallery, London; exh. Palazzo Ducale, Venice).
Attributed works:
3. A young man of the Doria family, by Jacopo Tintoretto. c.1560. Canvas, 108 by 73 cm. (Museo Cerralbo, Madrid; exh. Palazzo Ducale, Venice).
Attributed works:
4. Madonna of the treasurers, by Jacopo Tintoretto. 1567. Canvas, 221 by 520.7 cm. (Gallerie dell’Accademia, Venice).
Attributed works:
5. Tarquin and Lucretia, by Jacopo Tintoretto. c.1578–80. Canvas, 172.7 by 152.4 cm. (The Art Institute of Chicago; exh. Palazzo Ducale, Venice).
Attributed works:
6. The miracle of the slave, by Jacopo Tintoretto. 1548. Canvas, 415 by 541 cm. (Gallerie dell’Accademia, Venice).
Attributed works:
7. Baptism of Christ, by Jacopo Tintoretto. c.1580. Canvas, 283.2 by 161.9 cm. (S. Silvestro, Venice; exh. Palazzo Ducale, Venice).
Attributed works:
8. The removal of the body of St Mark, by Jacopo Tintoretto. Probably c.1564. Canvas, 403.8 by 320 cm. (Gallerie dell’Accademia, Venice).
1. Portrait of a Consul, here identified as a portrait of Joseph Smith. Pencil and watercolour on paper, 28.6 by 20 cm. Page from G. Grevembroch: Gli abiti de’ veneziani di quasi ogni età con diligenza raccoliti e dipinti nel secolo XVIII. (Biblioteca del Museo Correr, Venice, MS Gradenigo-Dolfin 49, II, fol.125.2).
Attributed works:
2. ‘Console in Venezia’, in G. Grevembroch: Gli abiti de’ veneziani di quasi ogni età
con diligenza raccoliti e dipinti nel secolo XVIII. Pencil and brown ink on paper, 28.6
by 20 cm. (Biblioteca del Museo Correr, Venice, MS Gradenigo-Dolfin 49, II,
fol.125.1).
Book Review
Venezia e Parigi, 1600–1700. La pittura veneziana e la Francia: fortuna e dialoghi. By Laura de Fuccia