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8 articles
Article
Richard Vickris Pryor in the art market of Napoleonic Europe
04/2022 | 1429 | 164
Pages: 342-349
related names
Author:
Bonazzi, Lucia (Bonazzi, Lucia)
Subjects
Illustrations
Attributed works:
1. Portrait of a man, by Paolo Veronese. c.1576–78. Oil on canvas, 192.1 by 134 cm. (The J. Paul Getty Museum, Los Angeles).
Attributed works:
2. The flight into Egypt, by Jacopo Bassano. c.1540–45. Oil on canvas, 157.5 by 203.2 cm. (Toledo Museum of Art).
Attributed works:
3. Venus at her mirror, by Paolo Veronese. Mid-1580s. Oil on canvas, 165.1 by 124.5 cm. (Joslyn Art Museum, Omaha).
Attributed works:
4. Portrait of a man, by Girolamo Romanino. c.1515–17. Oil on panel, 58.2 by 47.4 cm (Royal Collection Trust; © HM Queen Elizabeth II, 2022).
Attributed works:
5. Portrait of a man and his son, by Simone Peterzano. Late 16th century. Oil on canvas, 98 by 83 cm. (Milano Maggiore Hospital collection, Fondazione IRCCS Ca’ Granda Ospedale Maggiore Policlinico; photograph Giuseppe Giudici-Lecco).
Attributed works:
6. Andromeda, by Carlo Francesco Nuvolone. Oil on panel, 22.2 by 16.8 cm. (Private collection).
Attributed works:
7. Virgin and Child with St John the Baptist and St Anthony Abbot, by a follower of Paolo Veronese. Oil on canvas, 167.7 by 207 cm. (Art Institute of Chicago).
Book Review
Venetian Drawings: Italian Drawings in the Royal Collection of Graphic Art. By Chris Fischer
12/2019 | 1401 | 161
Pages: 1064
related names
Reviewer:
Zutter, Jörg (Zutter, Jörg)
Subjects
Reviewed Items
subjects:
Venetian Drawings: Italian Drawings in the Royal Collection of Graphic Art By Chris Fischer. 339 pp. incl. 300 col. + b. & w. ills. (Statens Museum for Kunst, National Gallery of Denmark, Copenhagen, 2018), £65. ISBN 978–87–7551–071–9. | :
Exhibition Review
Titian and the Renaissance in Venice
05/2019 | 1394 | 161
Pages: 419-422
related names
Reviewer:
Humfrey, Peter (Humfrey, Peter)
Subjects
dates:
museums and institutions:
styles:
Illustrations
Attributed works:
11. Study of St Sebastian, by Titian. c.1520. Pen and ink with brown wash and white heightening on blue-grey paper, 18.2 by 11.5 cm (Städel Museum, Frankfurt).
Attributed works:
12. Two nymphs in a landscape, by Palma Vecchio. c.1510–15. Panel, 98.3 by 152.4 cm. (Städel Museum, Frankfurt).
Attributed works:
13. Alvise dalla Scala, by Titian. c.1562. Canvas, 138 by 116 cm (Gemäldegalerie Alte Meister, Dresden; exh. Städel Museum, Frankfurt).
Book Review
Paolo Veronese and the Practice of Painting in Late Renaissance Venice
04/2019 | 1393 | 161
Pages: 344-345
related names
Reviewer:
Hochmann, Michel (Hochmann, Michel)
Subjects
dates:
places:
Reviewed Items
subjects:
Paolo Veronese and the Practice of Painting in Late Renaissance Venice By Diana Gisolfi. | :
Illustrations
Attributed works:
1. Raising of the daughter of Jairus, by Paolo Veronese. c.1546. Canvas, 42 by 37 cm. (Musée du Louvre, Paris).
Article
Giorgione in Sydney
03/2019 | 1392 | 161
Pages: 190-199
related names
Author:
Anderson, Jaynie (Anderson, Jaynie)
Author:
Newbigin, Nerida (Newbigin, Nerida)
Author:
Sommerfeldt, Julie (Sommerfeldt, Julie)
Author:
Wilson, Kim (Wilson, Kim)
Subjects
dates:
museums and institutions:
styles:
subjects:
Illustrations
Attributed works:
1. The verso of the last folio of a copy of Dante’s Commedia, Venice 1497, with an inscription in iron-gall ink and a drawing of the Virgin and Child in red chalk. 30.5 by 19.8 cm. (University of Sydney, Library, Inc.97.1).
Attributed works:
10. Infra-red reflectogram of the under-drawing of the painting illustrated in Fig.9. (National Gallery, London).
Attributed works:
11. View of Castel San Zeno, Montagnana, with a seated figure in the foreground, by Giorgione. Red chalk on paper, 20.3 by 29 cm. (Museum Boijmans Van Beuningen, Rotterdam).
Attributed works:
12. Cupid bending a bow, attributed to Giorgione. c.1508. Red chalk on paper, 23.7 by 15.2 cm. (Metropolitan Museum of Art, New York).
Attributed works:
13. Detail of fol.iii recto of the volume illustrated in Fig.1.
Attributed works:
2. Below left Composite image of the watermark ‘Van Gelder’ in the flyleaves of the volume illustrated in Fig.1.
Attributed works:
3. Annotations of earlier sale or ownership in the volume illustrated in Fig.1.
Attributed works:
4. Detail of the the opening page of the volume illustrated in Fig.1, showing the accession number of the University of Sydney Library.
Attributed works:
5. Detail of Fig.1, showing the inscription.
Attributed works:
6. The Holy Family (‘The Benson Holy Family’), by Giorgione. c.1502. Panel, 37.3 by 45.6 cm. (National Gallery of Art, Washington).
Attributed works:
7. Infra-red reflectogram of the painting illustrated in Fig.6, showing preliminary drawing executed with the point of a brush. (National Gallery of Art, Washington).
Attributed works:
8. Opposite Detail of Fig.1, showing the drawing of the Virgin and Child, here attributed to Giorgione. Red chalk, 14 by 9.5 cm.
Attributed works:
9. Adoration of the Magi, by Giorgione. c.1502. Panel, 29.8 by 81.3 cm. (National Gallery, London).
Attributed works:
Detail of fol.iii verso of the volume illustrated in Fig.1.
Exhibition Review
Coming of age: Jacopo Tintoretto
12/2018 | 1389 | 160
Pages: 1024-1029
related names
Reviewer:
Nichols, Tom (Nichols, Tom)
Subjects
dates:
places:
Illustrations
Attributed works:
1. The apparition of the Virgin to St Jerome, by Jacopo Tintoretto. c.1580. Canvas, 275.5 by 194 cm. (Ateneo Veneto, Sala di Lettura, Venice; exh. Palazzo Ducale, Venice).
Attributed works:
2. Male nude seen from behind, by Jacopo Tintoretto. 1578. Charcoal heightened with white on brown paper, 27.6. by 18 cm. (The Courtauld Gallery, London; exh. Palazzo Ducale, Venice).
Attributed works:
3. A young man of the Doria family, by Jacopo Tintoretto. c.1560. Canvas, 108 by 73 cm. (Museo Cerralbo, Madrid; exh. Palazzo Ducale, Venice).
Attributed works:
4. Madonna of the treasurers, by Jacopo Tintoretto. 1567. Canvas, 221 by 520.7 cm. (Gallerie dell’Accademia, Venice).
Attributed works:
5. Tarquin and Lucretia, by Jacopo Tintoretto. c.1578–80. Canvas, 172.7 by 152.4 cm. (The Art Institute of Chicago; exh. Palazzo Ducale, Venice).
Attributed works:
6. The miracle of the slave, by Jacopo Tintoretto. 1548. Canvas, 415 by 541 cm. (Gallerie dell’Accademia, Venice).
Attributed works:
7. Baptism of Christ, by Jacopo Tintoretto. c.1580. Canvas, 283.2 by 161.9 cm. (S. Silvestro, Venice; exh. Palazzo Ducale, Venice).
Attributed works:
8. The removal of the body of St Mark, by Jacopo Tintoretto. Probably c.1564. Canvas, 403.8 by 320 cm. (Gallerie dell’Accademia, Venice).
Article
A portrait of Consul Smith
03/2018 | 1380 | 160
Pages: 214-216
related names
Author:
Whitaker, Lucy (Whitaker, Lucy)
Subjects
places:
Illustrations
Attributed works:
1. Portrait of a Consul, here identified as a portrait of Joseph Smith. Pencil and watercolour on paper, 28.6 by 20 cm. Page from G. Grevembroch: Gli abiti de’ veneziani di quasi ogni età con diligenza raccoliti e dipinti nel secolo XVIII. (Biblioteca del Museo Correr, Venice, MS Gradenigo-Dolfin 49, II, fol.125.2).
Attributed works:
2. ‘Console in Venezia’, in G. Grevembroch: Gli abiti de’ veneziani di quasi ogni età con diligenza raccoliti e dipinti nel secolo XVIII. Pencil and brown ink on paper, 28.6 by 20 cm. (Biblioteca del Museo Correr, Venice, MS Gradenigo-Dolfin 49, II, fol.125.1).
Book Review
Venezia e Parigi, 1600–1700. La pittura veneziana e la Francia: fortuna e dialoghi. By Laura de Fuccia
09/2017 | 1374 | 159
Pages: 730
related names
Reviewer:
Brown, Beverly Louise (Brown, Beverly Louise)
Subjects
collectors and dealers:
dates:
places:
places:
sources:
subjects:
Reviewed Items
subjects:
Venezia e Parigi, 1600–1700. La pittura veneziana e la Francia: fortuna e dialoghi. By Laura de Fuccia | :