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77 articles
Book Review
Raphael: Revolution in Tapestry Design
11/2024 | 1460 | 166
Pages: 1166-1169
related names
Reviewer:
Evans, Mark (Evans, Mark)
Subjects
art literature:
dates:
museums and institutions:
Reviewed Items
subjects:
Raphael: Revolution in Tapestry Design By Katja Schmitz-von Ledebur. 228 pp. incl. 145 col. ills. (Hannibal Books, Antwerp, 2024), €55. ISBN 978–94– 64666–59–5. | :
Illustrations
Attributed works:
11. Death of Ananias, from The Lives and the Acts of the Apostles Peter and Paul, designed by Raphael and his workshop, c.1515/16, and woven under the direction of Pieter van Aelst, Brussels, before 1521. Wool, silk and threads wrapped in precious metals, 488 by 631 cm. (Vatican Museums).
Attributed works:
12. St Paul defending himself before Agrippa, from Scenes from the Life of the Apostle Paul, designed by Pieter Coecke van Aelst and woven under the direction of Paulus van Oppenem (?), Brussels, c.1535. Wool, silk and threads wrapped in precious metals, 423 and 453 cm. (Kunsthistorisches Museum, Vienna).
Attributed works:
13. Lust (Luxuria), designed by Pieter Coecke van Aelst, c.1530 and woven by Willem de Pannemaker, c.1548/49. Wool, silk and threads wrapped in precious metals, 456 by 867 cm. (Kunsthistorisches Museum, Vienna).
Exhibition Review
Late Michelangelo
07/2024 | 1456 | 166
Pages: 716–23
related names
Reviewer:
Elam, Caroline (Elam, Caroline; E., C.; E., C. M.)
Subjects
dates:
Reviewed Items
subjects:
Michelangelo: the last decades, British Museum, (2nd May–28th July). | :
Illustrations
Attributed works:
1. Christ on the Cross, by Michelangelo. c.1543. Black chalk on paper, 36.8 by 26.8 cm. (British Museum, London).
Attributed works:
10. Crucifixion with two figures, by Michelangelo. c.1558–63. Black chalk and lead white on paper, 27.8 by 23.4 cm. (Ashmolean Museum, Oxford; exh. British Museum, London).
Attributed works:
2. Crucifixion, by Marcello Venusti. c.1545–60. Oil on panel, 88.9 by 28.8 cm. incl. frame, not shown here. (Campion Hall, Oxford; exh. British Museum, London).
Attributed works:
3. Annunciation, attributed to Michelangelo. c.1545–60. Black chalk on paper, 38.3 by 29.7 cm. (Morgan Library and Museum, New York; exh. British Museum, London).
Attributed works:
4. Annunciation, by Marcello Venusti. c.1545–60. Oil on wood, 45 by 30 cm. (Galleria Corsini, Rome; exh. British Museum, London).
Attributed works:
5. Study for the Porta Pia, by Michelangelo. 1561. Stylus, black chalk and brown wash, with lead white, on several conjoined pieces of paper, 44.2 by 28.2 cm. (Casa Buonarroti, Florence; exh. British Museum, London).
Attributed works:
6. Epifania, by Michelangelo. c.1550–53. Black chalk on 26 conjoined sheets, 234.6 by 173.7 cm. (British Museum, London).
Attributed works:
7. Epifania, by Ascanio Condivi. c.1550–53. Oil on panel, 240 by 187 cm. (Casa Buonarroti, Florence; exh. British Museum, London).
Attributed works:
8. Crucifixion with the Virgin and St John the Evangelist, by Michelangelo. c.1558–63. Black chalk and lead white on paper, 41.2 by 28.5 cm. (British Museum, London).
Attributed works:
9. Crucifixion with the Virgin and St John the Evangelist, by Michelangelo. c.1555–63. Black chalk and lead white on paper, 41 by 27.8 cm. (British Museum, London).
Article
Ingres, Raphael and the ‘tableaux de tapisserie’ in Meaux Cathedral
08/2023 | 1445 | 165
Pages: 836–841
related names
Author:
Morrison, Alexandra (Morrison, Alexandra)
Subjects
buildings:
Illustrations
Attributed works:
1. Raphael and the Fornarina, by Jean-Auguste-Dominique Ingres. 1814. Oil on canvas, 64.8 by 53.3 cm. (Harvard Art Museums / Fogg Museum; Bridgeman Images).
Attributed works:
2. Conversion of the proconsul, by Raphael and workshop. 1515–16. Bodycolour over charcoal underdrawing on paper mounted on canvas, 342 by 446 cm. (Victoria and Albert Museum, London).
Attributed works:
3. Blinding of Elymas, by Pieter van Aelst and workshop. 1517–19. Wool, silk and gilt-metal-wrapped thread, 501 by 579 cm. (Vatican Museums).
Attributed works:
4. Blinding of Elymas. 1666–73. Oil on canvas, approx. 390 by 490 cm. (Cathédrale Saint-Étienne, Meaux; photograph Yvan Bourhis, Département de Seine-et-Marne).
Attributed works:
5. Doña Isabel de Requesens, vicereine of Naples (formerly identified Jeanne d’Aragon), here attributed to Louis-Nicolas-Philippe-Auguste de Forbin after Raphael and Giulio Romano. c.1800. Oil on canvas, 102.8 by 85.1 cm. (Private collection).
Attributed works:
6. The choir of Meaux Cathedral. Before 1899. Postcard. (Collection of the author.)
Book Review
René-Antoine Houasse: Peindre pour Louis XIV
02/2021 | 1415 | 163
Pages: 186
related names
Reviewer:
Marandet, François (Marandet, François)
Subjects
Reviewed Items
subjects:
René-Antoine Houasse: Peindre pour Louis XIV By Matthieu Lett. 304 pp. incl. 268 col. + 154 b. & w. ills. (Arthena, Paris, 2020), €99. ISBN 978–2–903239–65–7. | :
Exhibition Review
Raphael: Prince Albert’s Passion
01/2021 | 1414 | 163
Pages: 64-67
related names
Reviewer:
Hall, Michael (Hall, Michael)
Subjects
artists:
dates:
museums and institutions:
Reviewed Items
subjects:
Raphael: Prince Albert’s Passion The Lightbox, Woking 3rd October 2020– 31st January 2021 | :
Illustrations
Attributed works:
10. Conversion of the proconsul, by Raphael. c.1514. Metalpoint, brown wash, white heightening and later pen and ink over stylus lines, pin-pointing and black-chalk underdrawing on paper, 26.9 by 35.4 cm. (Royal Collection Trust; © HM Queen Elizabeth II 2021; exh. The Lightbox, Woking).
Attributed works:
11. Nude study, after Raphael, by Queen Victoria. 1860. Pen, ink and pencil on paper, 17.7 by 11.1 cm. (Royal Collection Trust; © HM Queen Elizabeth II 2021; exh. The Lightbox, Woking).
Attributed works:
12. Three men, after Raphael. c.1853–60. Albumen print, 22.9 by 15.6 cm. (Royal Collection Trust; © HM Queen Elizabeth II 2021; exh. The Lightbox, Woking).
Attributed works:
13. Colonna Madonna, after Raphael. c.1848–58. Berlin porcelain plaque in gilt-wood frame, 74.2 by 58.3 (plaque), 133.8 by 86.8 (frame). (Royal Collection Trust; © HM Queen Elizabeth II 2021; exh. The Lightbox, Woking).
Exhibition Review
Festive Decoration: The Splendour of the Saumur Tapestries. Abbaye royale de Fontevraud
12/2019 | 1401 | 161
Pages: 1041-1044
related names
Reviewer:
Bertrand, Pascal-François (Bertrand, Pascal-François)
Subjects
dates:
places:
Illustrations
Western art unattributed:
11. Detail of the Siege of Jersualem from the Vengeance of Our Lord. c.1470. Wool and silk. (Château of Saumur, Collection of the Church of Notre- Dame de Nantilly; courtesy Conservation départementale du patrimoine de Maine-et-Loire; photograph B. Rousseau).
Western art unattributed:
12. Detail of the Judgment of St Peter, from the Life of St Peter. 1542–46. Wool and silk. (Church of Saint- Pierre, Saumur; courtesy Conservation départementale du patrimoine de Maine-et-Loire; photograph B. Rousseau).
Western art unattributed:
13. Installation view of Festive Decoration: The Splendour of the Saumur Tapestries, Abbaye royale de Fontevraud, 2019, showing the tapestry Spring, in three parts, from the Children Gardening series after Charles Le Brun (courtesy Abbaye royale de Fontevraud; photograph L. de Serres).
Book Review
Paolo Veronese and the Practice of Painting in Late Renaissance Venice
04/2019 | 1393 | 161
Pages: 344-345
related names
Reviewer:
Hochmann, Michel (Hochmann, Michel)
Subjects
dates:
places:
Reviewed Items
subjects:
Paolo Veronese and the Practice of Painting in Late Renaissance Venice By Diana Gisolfi. | :
Illustrations
Attributed works:
1. Raising of the daughter of Jairus, by Paolo Veronese. c.1546. Canvas, 42 by 37 cm. (Musée du Louvre, Paris).
Article
‘Opaque with a vengeance’: Burne-Jones’s later watercolours, 1880–98
02/2019 | 1391 | 161
Pages: 128-139
related names
Author:
Mann, Fiona (Mann, Fiona)
Subjects
places:
Illustrations
Attributed works:
1. Detail of Fig.7.
Attributed works:
10. Star of Bethlehem, by Edward Burne-Jones. 1887–91. Watercolour and bodycolour with scraping on ten sheets of J. Whatman Turkey Mill Kent paper dated 1882 or 1883 on stretcher, 256 by 386.8 cm. (Birmingham Museums and Art Gallery; photograph © Birmingham Museums Trust; Bridgeman Images)
Attributed works:
11. Detail of Sir Edward Burne-Jones, by Barbara Sotheby, printed by Frederick Hollyer. 27th July 1890. Platinum print, 33.3 by 25.7 cm. (National Portrait Gallery, London; Bridgeman Images).
Attributed works:
12. Fall of Lucifer, by Edward Burne-Jones. 1894. Gouache and gold paint and gold leaf on joined sheets of wove paper, laid down on canvas and stretched over wooden panel, 245 by 118 cm. (Private collection).
Attributed works:
2. Preliminary design for the Graham Piano, by Edward Burne-Jones. 1878–79. Metalpoint (probably silverpoint), 10.2 by 17.8 cm. (Victoria and Albert Museum, London).
Attributed works:
3. Study for King Cophetua and the beggar maid, by Edward Burne-Jones. 1883. Black, red and white chalk on pink wove paper, 45.9 by 30.3 cm. (Harvard Art Museums/Fogg Museum; © President and Fellows of Harvard College, Cambridge MA).
Attributed works:
6. Record of Burne-Jones’s order for long Japanese brushes, 30th November 1889, ledger of Charles Roberson. (Roberson Archive, Order Book, Long Acre Branch, Hamilton Kerr Institute, MS 422-1993, p.343, by permission of the Syndics of the Fitzwilliam Museum, University of Cambridge; © Hamilton Kerr Institute; photograph Chris Titmus).
Attributed works:
7. Full-scale cartoon of King Cophetua and the beggar maid, by Edward Burne-Jones. c.1883. Bodycolour, watercolour, coloured chalks and pastel with gold medium on paper, 290 by 132 cm. (Birmingham Museum and Art Gallery; photograph © Birmingham Museums Trust; Bridgeman Images).
Attributed works:
8. Cupid’s hunting fields, by Edward Burne-Jones. 1885. Gouache with watercolour and gold and silver paints on ivory wove paper, laid down on linen canvas, 99.5 by 76.9 cm. (Art Institute of Chicago).
Attributed works:
9. The baleful head, by Edward Burne-Jones. 1885. Watercolour and bodycolour on paper laid on linen canvas, 153.7 by 129 cm. (Southampton City Art Gallery; Bridgeman Images).
Western art unattributed:
4. Pencil leads, from A.W. Faber Price-List, London 1897. (William Jenkins Architecture and Art Library, University of Houston).
Western art unattributed:
5. Wax crayons or Faber’s Creta Laevis coloured pencil collection in box, from A.W. Faber Price-List, London 1897. (William Jenkins Architecture and Art Library, University of Houston).
Article
Benavides’s ‘Scipio’ ensemble and collaborative entrepreneurial action in Brussels tapestry around 1660
02/2019 | 1391 | 161
Pages: 112-119
related names
Author:
Brosens, Koenraad (Brosens, Koenraad)
Author:
Slegten, Astrid (Slegten, Astrid)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Detail of Fig.3.
Attributed works:
2. A table showing all the known extant tapestries of the Benavides Deeds and triumph of Scipio series.
Attributed works:
3. Conference between Scipio and Hannibal before the Battle of Zama, from the Deeds and triumph of Scipio series, by the Van Leefdael, Van der Strecken, Reydams and Leyniers consortium. 1660–61. Wool, silk, and gold- and silver-wrapped thread, 471 by 842 cm. (Fondation Toms Pauli, Lausanne).
Attributed works:
4. Sol from the Deeds and triumph of Scipio series, by the Van Leefdael, Van der Strecken, Reydams and Leyniers consortium. 1662. Wool and silk, 180 by 147 cm. (Fondation Toms Pauli, Lausanne).
Attributed works:
5. The continence of Scipio from the Deeds and triumph of Scipio series, by the Van Leefdael, Van der Strecken, Reydams and Leyniers consortium. 1660–61. Wool, silk, and gold- and silver-wrapped thread, 471 by 557 cm. (Fondation Toms Pauli, Lausanne).
Attributed works:
6. Capture of the camp and mercy for the vanquished from the Deeds and triumph of Scipio series, by the Van Leefdael, Van der Strecken, Reydams and Leyniers consortium. 1660–61. Wool, silk, and gold- and silver-wrapped thread, 481 by 794 cm. (Fondation Toms Pauli, Lausanne).
Publication Received
Antoine Caron, Drawing for Catherine de’ Medici. Edited by Dominique Cordellier, Frédéric Hueber, Ketty Gottardo and Pauline Chouguet
11/2018 | 1388 | 160
Pages: 985-986
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