1. Raphael and the Fornarina, by Jean-Auguste-Dominique Ingres. 1814.
Oil on canvas, 64.8 by 53.3 cm. (Harvard Art Museums / Fogg Museum;
Bridgeman Images).
Attributed works:
2. Conversion of the proconsul, by Raphael and workshop. 1515–16.
Bodycolour over charcoal underdrawing on paper mounted on
canvas, 342 by 446 cm. (Victoria and Albert Museum, London).
Attributed works:
3. Blinding of Elymas, by Pieter van Aelst and workshop. 1517–19. Wool,
silk and gilt-metal-wrapped thread, 501 by 579 cm. (Vatican Museums).
Attributed works:
4. Blinding of Elymas. 1666–73. Oil on canvas, approx. 390 by 490
cm. (Cathédrale Saint-Étienne, Meaux; photograph Yvan Bourhis,
Département de Seine-et-Marne).
Attributed works:
5. Doña Isabel de Requesens, vicereine of Naples (formerly identified
Jeanne d’Aragon), here attributed to Louis-Nicolas-Philippe-Auguste
de Forbin after Raphael and Giulio Romano. c.1800. Oil on canvas,
102.8 by 85.1 cm. (Private collection).
Attributed works:
6. The choir of Meaux Cathedral. Before 1899. Postcard. (Collection
of the author.)
Article
A forgotten painter at the Impressionist exhibitions: ‘Jacques François’ or the Marquise de Rambures (1844–1924)
21. Self-portrait, by Jacques François,
here identified as Louise Amour Marie
de La Roche de Fontenilles, Marquise
de Rambures. c.1875–1900. Oil on canvas,
125 by 90 cm. (Private collection).
Attributed works:
22. Louise Amour Marie de Bouillé, later
Marquise de Rambures, by Federico de
Madrazo y Kuntz. c.1871. Oil on canvas, 38.5 by
31 cm. (Museo Nacional del Prado, Madrid).
Attributed works:
23. Carte de visite of Louise Amour Marie
de La Roche de Fontenilles. c.1870.
Photograph mounted on card, 10 by 6.5 cm.
(Private collection).
Attributed works:
24. Self-portrait, by Louise Amour Marie
de la Roche de Fontenilles, Marquise de
Rambures. c.1905. Photograph, 10 by 8 cm.
(Private collection).