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41 articles
Article
New documents for Vincenzo Foppa and Ludovico Brea in Liguria
09/2024 | 1458 | 166
Pages: 921-27
related names
Author:
Zurla, Michela (Zurla, Michela)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Madonna and Child enthroned, with saints and the donor Giuliano Della Rovere (Della Rovere Altarpiece), by Vincenzo Foppa and Ludovico Brea. 1487–90. Tempera and oil on wood. (Oratory of S. Maria di Castello, Savona).
Attributed works:
2. Madonna and Child enthroned, with saints and the donor Manfredo Fornari (Polyptych of the Madonna del Libro), by Vincenzo Foppa. 1489, Tempera on wood, 210 by 181 cm. (Pinacoteca Civica, Savona; Bridgeman Images).
Attributed works:
3. Martyrdom of St Sebastian, by Vincenzo Foppa. 1485–90. Detached fresco on canvas, 265 by 170 cm. (Pinacoteca di Brera, Milan; courtesy Italian Ministry of Culture; Bridgeman Images).
Attributed works:
4. Madonna and Child enthroned with angels playing music, by Ludovico Brea. 1510–20. Oil on wood, 110 by 70 cm. (Museo Poldi Pezzoli, Milan; Photo Scala, Florence).
Attributed works:
5. Detail of Fig.1, showing Giuliano della Rovere as well as some of the sculpted elements of the polyptych.
Attributed works:
6. St Stephen, by Vincenzo Foppa. 1460–62. Tempera on wood, 89 by 34 cm. (State Hermitage Museum, St Petersburg).
Attributed works:
7. Archangel Michael, by Vincenzo Foppa. 1460–62. Tempera on wood, 91 by 34 cm. (State Hermitage Museum, St Petersburg).
Attributed works:
8. Detail of Fig.1, showing the Virgin and Child.
Short Notice
A new document for Luca della Robbia and his Portuguese patron Afonso of Braganza, 1st Marquis of Valença
02/2024 | 1451 | 166
Pages: 156–159
related names
Shorter Notice by:
Aimi, Francesca (Aimi, Francesca)
Subjects
dates:
Illustrations
Attributed works:
1. Resurrection, by Luca della Robbia. 1442–45. Glazed terracotta, 200 by 260 cm. (Florence Cathedral; Bridgeman Images).
Attributed works:
2. Ascension, by Luca della Robbia. 1446–51. Glazed terracotta, 200 by 260 cm. (Florence Cathedral; Bridgeman Images).
Attributed works:
3. Madonna della Misericordia with Sts Peter and Benedict, by Andrea della Robbia or follower. c.1490. Glazed terracotta, 260 by 233 cm. (S. Maria in Gradi, Arezzo).
Book Review
Creating Sculpture: Renaissance Drawings and Models
11/2023 | 1448 | 165
Pages: 1246-1247
related names
Reviewer:
Calogero, Marcello (Calogero, Marcello)
Subjects
art literature:
Reviewed Items
subjects:
Creating Sculpture: Renaissance Drawings and Models Edited by Michael Cole, Ana Debenedetti and Peta Motture, with Kira d’Alburquerque. 224 pp. incl. 150 col. + 5 b. & w. ills. (V&A Publishing, London, 2022), £35. ISBN 978–1–85177–998–7. | :
Illustrations
Attributed works:
3. River god, by Giambologna. c.1580. Terracotta, height 31 cm. (Victoria and Albert Museum, London).
Article
The Apollo Coach by Cristoforo Schor
11/2020 | 1412 | 162
Pages: 938-945
related names
Author:
Arranz, Raúl Martinez (Arranz, Raúl Martinez)
Subjects
dates:
subjects:
Illustrations
Attributed works:
1. The Apollo Coach, designed and made in the workshop of Cristoforo Schor. 1697 with later alterations. Carved and gilded wood and iron, c.250 by 200 by 550 cm., without the shrine. (Courtesy the Brotherhood of the Holy Virgin of Charity, Camarena, Toledo; © photograph Fernando Maselli).
Attributed works:
10. Modello for a sculpture of Clytia, here attributed to the workshop of Cristoforo Schor. Terracotta, 42 by 21 by 18.5 cm. (Museo Nazionale del Palazzo di Venezia, Rome; © SSPSAE e per il Polo Museale della città di Roma).
Attributed works:
2. The Apollo Coach photographed at the celebrations for the centennial of the declaration of the dogma of the Immaculate Conception, Toledo. 1954. (Archivo Municipal de Toledo, Colección Pareja).
Attributed works:
3. Detail of the coach in Fig.1, showing the rear frame. (Courtesy the Brotherhood of the Holy Virgin of Charity, Camarena, Toledo; © photograph Fernando Maselli).
Attributed works:
4. Detail of the coach in Fig.1, showing the rear frame and the supporting iron bars. (Courtesy the Brotherhood of the Holy Virgin of Charity, Camarena, Toledo; © photograph Fernando Maselli).
Attributed works:
5. Design for the rear frame of a coach with Apollo slaying the Python, by the workshop of Cristoforo Schor. c.1696–97. Ink and bistre on paper, 19.5 by 25.4 cm. (Nationalmuseum Stockholm; Cecilia Heisser/Nationalmuseum).
Attributed works:
6. Design for a coach with figures of Justice and Abundance, by the workshop of Cristoforo Schor. c.1696–97. Black chalk, pen and black ink on paper, 19.7 by 20.6 cm. (Nationalmuseum Stockholm; Cecilia Heisser/Nationalmuseum).
Attributed works:
7. Design for a carriage wheel with carved decoration of sunflowers, here attributed to the workshop of Cristoforo Schor. c.1696–97. Pencil and brown ink, lacquered in brown, on paper, 26.1 by 18.6 cm. (Nationalmuseum Stockholm; Cecilia Heisser/ Nationalmuseum).
Attributed works:
8. Detail of the coach in Fig.1, showing one of the back wheels. (Courtesy the Brotherhood of the Holy Virgin of Charity, Camarena, Toledo; © photograph Fernando Maselli).
Attributed works:
9. Detail of the coach in Fig.1, showing the sculpture of Clytia. (Courtesy the Brotherhood of the Holy Virgin of Charity, Camarena, Toledo; © photograph Fernando Maselli).
Article
Peregrinating Rome and Jerusalem in Enguerrand Quarton’s ‘Coronation of the Virgin’
05/2020 | 1406 | 162
Pages: 372-387
related names
Author:
Gajewski, Alexandra (Gajewski, Alexandra)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Detail of Fig.3, showing Rome.
Attributed works:
10. Calvary with a Carthusian monk, by Jean de Beaumetz. 1389–95. Oil on panel, 60 by 48.5 cm. (Mus e du Louvre, Paris).
Attributed works:
11. Map of Jerusalem. Twelfth century. Pen on parchment, 32.5 by 22.5 cm. (British Library, London; MS Cotton Tiberius E IV., fol.143r; Bridgeman Images).
Attributed works:
12. Map of Jerusalem, from Peregrinatio in Terram Sanctam by Bernhard von Breydenbach, by Erhard Reuwich. 1486. Handcoloured woodcut on vellum, 27 by 127 cm. (British Library, London; Bridgeman Images).
Attributed works:
13. Rome, from the Très Riches Heures de Duc de Berry, by the Limbourg brothers. Before 1416. Illumination on parchment, folio 29 by 21 cm. (Musée Condé, Chantilly; MS 65, fol.141v).
Attributed works:
14. Detail of Rome, from Cosmographia by Claudius Ptolomaeus, by Pietro del Massaio. c.1470–c.1480. Painting on parchment, folio 61 by 45 cm. (Bibliothèque nationale de France, Paris; MS Latin 4802, fol.133r.
Attributed works:
2. Detail of Fig.3, showing Jerusalem.
Attributed works:
3. Coronation of the Virgin, by Enguerrrand Quarton. 1453–54. Oil(?) and tempera on panel, 183 by 220 cm. (Musée Pierre de Luxembourg, Villeneuve-lès-Avignon).
Attributed works:
4. Detail of the Virgin of Chancellor Rolin, by Jan van Eyck. c.1435. Oil on panel, 66 by 62 cm. (Musée du Louvre, Paris).
Attributed works:
5. Detail of Fig.3, showing a square outside St Peter’s, Rome.
Attributed works:
6. Detail of Fig.3, showing S. Croce in Gerusalemme, Rome.
Attributed works:
7. Detail of Fig. 3, showing Jean de Montagnac and Antoine de Montagny at the tomb of the Virgin.
Attributed works:
8. Detail of Fig.3, showing the Crucifixion.
Attributed works:
9. Detail of Fig.9. showing Guillaume de Montjoie, Bishop of Bézier, at the tomb of Christ.
Article
The 1584 purchase contract for the Medici group of Niobe sculptures
01/2020 | 1402 | 162
Pages: 26-31
related names
Author:
Nicolai, Fausto (Nicolai, Fausto)
Subjects
collectors and dealers:
dates:
museums and institutions:
places:
subjects:
Illustrations
Western art unattributed:
1. The Niobid Room in the Galleria degli Uffizi, Florence. (Courtesy Gabinetto Fotografico delle Gallerie degli Uffizi).
Western art unattributed:
2. Fleeing Niobid. Roman copy of a Greek original of the second half of the fourth century BC. Pentelic marble, height 228 cm. (Galleria degli Uffizi, Florence; courtesy Gabinetto Fotografico delle Gallerie degli Uffizi).
Western art unattributed:
3. Niobe and her youngest daughter. Roman copy of a Greek original of the second half of the fourth century BC. Pentelic marble, height 228 cm. (Galleria degli Uffizi, Florence; Bridgeman Images).
Western art unattributed:
4. The Niobids’ tutor, by Giovan Battista de’ Cavalieri. Engraving, 27 by 21.3 cm. (From G.B. De’ Cavalieri: Antiquarum Statuarum Urbis Romae, Rome 1594, pl.10).
Western art unattributed:
5. The Niobids’ tutor (‘Amphion’). Roman. Pentelic marble, height 181 cm. (Galleria degli Uffizi, Florence; courtesy Gabinetto Fotografico delle Gallerie degli Uffizi).
Book Review
Models of Integrity: Art and Law in Post-Sixties America. By Joan Kee
12/2019 | 1401 | 161
Pages: 1070-1072
related names
Reviewer:
van Haaften-Schick, Lauren (van Haaften-Schick, Lauren)
Subjects
Reviewed Items
subjects:
Models of Integrity: Art and Law in Post-Sixties America By Joan Kee. 320 pp. incl. 102 col. ills. (University of California Press, Oakland, 2019), £54. ISBN 978–0–520–29938–2. | :
Illustrations
Attributed works:
7. Performance photograph of One Year Performance 1978–79, by Tehching Hsieh. New York 1978–79. Photograph Cheng Wei Kuong (courtesy the artist).
Exhibition Review
Rubens, Van Dyck, Ribera: The Collection of a Prince
04/2019 | 1393 | 161
Pages: 330-333
related names
Reviewer:
Volpi, Caterina (Volpi, Caterina)
Subjects
collectors and dealers:
dates:
media:
museums and institutions:
places:
styles:
Illustrations
Attributed works:
14. Drunken Silenus, by Jusepe de Ribera. 1626. Canvas, 185 by 229 cm. (Museo Nazionale di Capodimonte, Naples; exh. Palazzo Zevallos Stigliano, Naples).
Attributed works:
15. Feast of Herod, by Mattia Preti. 1656–61. Canvas, 177.8 by 252.1 cm. (Toledo Museum of Art; exh. Palazzo Zevallos Stigliano, Naples).
Attributed works:
16. Sacrifice of Moses, by Massimo Stanzione. c.1635. Canvas, 277 by 228.5 cm. (Museo Naionale di Capodimonte, Naples; exh. Palazzo Zevallos Stigliano, Naples).
Book Review
Corpus Murillo: Biografía y documentos
04/2019 | 1393 | 161
Pages: 349-351
related names
Reviewer:
Cherry, Peter (Cherry, Peter)
Subjects
places:
Reviewed Items
subjects:
Corpus Murillo: Biografía y documentos By Pablo Hereza Lebrón. | :
Illustrations
Attributed works:
5. Archive housed in in the deconsecrated church of the convent of Montesión, calle Feria, Seville. Early 1980s. (Photograph Peter Cherry).
Article
Benavides’s ‘Scipio’ ensemble and collaborative entrepreneurial action in Brussels tapestry around 1660
02/2019 | 1391 | 161
Pages: 112-119
related names
Author:
Brosens, Koenraad (Brosens, Koenraad)
Author:
Slegten, Astrid (Slegten, Astrid)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Detail of Fig.3.
Attributed works:
2. A table showing all the known extant tapestries of the Benavides Deeds and triumph of Scipio series.
Attributed works:
3. Conference between Scipio and Hannibal before the Battle of Zama, from the Deeds and triumph of Scipio series, by the Van Leefdael, Van der Strecken, Reydams and Leyniers consortium. 1660–61. Wool, silk, and gold- and silver-wrapped thread, 471 by 842 cm. (Fondation Toms Pauli, Lausanne).
Attributed works:
4. Sol from the Deeds and triumph of Scipio series, by the Van Leefdael, Van der Strecken, Reydams and Leyniers consortium. 1662. Wool and silk, 180 by 147 cm. (Fondation Toms Pauli, Lausanne).
Attributed works:
5. The continence of Scipio from the Deeds and triumph of Scipio series, by the Van Leefdael, Van der Strecken, Reydams and Leyniers consortium. 1660–61. Wool, silk, and gold- and silver-wrapped thread, 471 by 557 cm. (Fondation Toms Pauli, Lausanne).
Attributed works:
6. Capture of the camp and mercy for the vanquished from the Deeds and triumph of Scipio series, by the Van Leefdael, Van der Strecken, Reydams and Leyniers consortium. 1660–61. Wool, silk, and gold- and silver-wrapped thread, 481 by 794 cm. (Fondation Toms Pauli, Lausanne).
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