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29 articles
Article
The Apollo Coach by Cristoforo Schor
11/2020 | 1412 | 162
Pages: 938-945
related names
Author:
Arranz, Raúl Martinez (Arranz, Raúl Martinez)
Subjects
dates:
subjects:
Illustrations
Attributed works:
1. The Apollo Coach, designed and made in the workshop of Cristoforo Schor. 1697 with later alterations. Carved and gilded wood and iron, c.250 by 200 by 550 cm., without the shrine. (Courtesy the Brotherhood of the Holy Virgin of Charity, Camarena, Toledo; © photograph Fernando Maselli).
Attributed works:
10. Modello for a sculpture of Clytia, here attributed to the workshop of Cristoforo Schor. Terracotta, 42 by 21 by 18.5 cm. (Museo Nazionale del Palazzo di Venezia, Rome; © SSPSAE e per il Polo Museale della città di Roma).
Attributed works:
2. The Apollo Coach photographed at the celebrations for the centennial of the declaration of the dogma of the Immaculate Conception, Toledo. 1954. (Archivo Municipal de Toledo, Colección Pareja).
Attributed works:
3. Detail of the coach in Fig.1, showing the rear frame. (Courtesy the Brotherhood of the Holy Virgin of Charity, Camarena, Toledo; © photograph Fernando Maselli).
Attributed works:
4. Detail of the coach in Fig.1, showing the rear frame and the supporting iron bars. (Courtesy the Brotherhood of the Holy Virgin of Charity, Camarena, Toledo; © photograph Fernando Maselli).
Attributed works:
5. Design for the rear frame of a coach with Apollo slaying the Python, by the workshop of Cristoforo Schor. c.1696–97. Ink and bistre on paper, 19.5 by 25.4 cm. (Nationalmuseum Stockholm; Cecilia Heisser/Nationalmuseum).
Attributed works:
6. Design for a coach with figures of Justice and Abundance, by the workshop of Cristoforo Schor. c.1696–97. Black chalk, pen and black ink on paper, 19.7 by 20.6 cm. (Nationalmuseum Stockholm; Cecilia Heisser/Nationalmuseum).
Attributed works:
7. Design for a carriage wheel with carved decoration of sunflowers, here attributed to the workshop of Cristoforo Schor. c.1696–97. Pencil and brown ink, lacquered in brown, on paper, 26.1 by 18.6 cm. (Nationalmuseum Stockholm; Cecilia Heisser/ Nationalmuseum).
Attributed works:
8. Detail of the coach in Fig.1, showing one of the back wheels. (Courtesy the Brotherhood of the Holy Virgin of Charity, Camarena, Toledo; © photograph Fernando Maselli).
Attributed works:
9. Detail of the coach in Fig.1, showing the sculpture of Clytia. (Courtesy the Brotherhood of the Holy Virgin of Charity, Camarena, Toledo; © photograph Fernando Maselli).
Article
A modello by James Thornhill for Addiscombe House, Surrey
12/2019 | 1401 | 161
Pages: 1028-1033
related names
Author:
Marandet, François (Marandet, François)
Subjects
artists:
dates:
patrons:
subjects:
Illustrations
Attributed works:
1. Allegory of the days, here identified as a modello for the ceiling painting of the staircase hall at Addiscombe House, Surrey, by James Thornhill. c.1705. Oil on canvas, diameter 59 cm. (Musée des Beaux-Arts de Rouen).
Attributed works:
10. Addiscombe House, Surrey, photographed in 1859, from H.M. Vibart: Addiscombe and its Heroes and Men of Note, London 1894, p.19.
Attributed works:
11. Bacchus and Ariadne, design for the ceiling painting of the Saloon at Addiscombe House, Surrey, by James Thornhill. c.1705. Graphite, ink and wash, 24 by 33 cm. (Yale Center for British Art, New Haven).
Attributed works:
2. Detail of Fig.1, showing the group below the figure of Apollo.
Attributed works:
3. Detail of Fig.1, the group of figures with Diana.
Attributed works:
4. Detail of Fig.1, the group of figures with Mercury.
Attributed works:
5. Detail of Fig.1, the group of figures with Mars.
Attributed works:
6. Detail of Fig.1, the group of figures with Jupiter, Juno and Venus.
Attributed works:
7. Detail of Fig.1, the group of figures with Saturn.
Attributed works:
8. William and Mary presenting the cap of liberty to Europe, by James Thornhill. c.1710. Oil on canvas, 96 by 66 cm. (Victoria and Albert Museum, London).
Attributed works:
9. Allegory of the days, by James Thornhill. c.1705. Ink and black crayon on paper, 35 by 23 cm. (British Museum, London).
Exhibition Review
Ribera: Art of Violence. Dulwich Picture Gallery, London
01/2019 | 1390 | 161
Pages: 58-60
related names
Reviewer:
Finaldi, Gabriele (Finaldi, Gabriele)
Subjects
dates:
places:
Illustrations
Attributed works:
1. A bat and two ears, by Jusepe de Ribera. Early 1620s. Red chalk, brush and red wash, 15.9 by 27.9 cm. (Metropolitan Museum of Art, New York; exh. Dulwich Picture Gallery, London).
Attributed works:
2. Apollo and Marsyas, by Jusepe de Ribera. 1637. Canvas, 182 by 232 cm. (Museo e Real Bosco di Capodimonte, Naples; exh. Dulwich Picture Gallery, London).
Attributed works:
3. Man bound to a stake, by Jusepe de Ribera. First half of the 1640s. Pen and brown ink with wash, 21.5 by 16.3 cm. (Fine Arts Museum of San Francisco; exh. Dulwich Picture Gallery, London).
Short Notice
Nicola da Urbino and Raphael
09/1988 | 1026 | 130
Pages: 690-692
related names
Author:
Ames-Lewis, Francis (Ames-Lewis, Francis; Lewis, Francis Ames; Ames-Lewis, F.)
Subjects
artists:
artists:
dates:
places:
subjects:
Illustrations
Attributed works:
23. Michelangelo's 'David' Seen from the Back, by Raphael. 39.3 by 21.9 cm. (British Museum, London).
Western art unattributed:
22. Apollo and Marsyas, Maiolica. Mid-1520s. Diameter 51.2 cm. (British Museum, London).
Short Notice
A New Oil Sketch by Delacroix for 'Apollo Slays Python'
01/1988 | 1018 | 130
Pages: 35-36
related names
Author:
Johnson, Lee (Johnson, Lee)
Subjects
dates:
places:
Illustrations
Attributed works:
43. Apollo Slays Python, Preliminary Sketch, by Eugène Delacroix. 1850. Paper Laid down on Canvas, 66 by 60.2 cm. (Private Collection).
Attributed works:
44 Apollo Slays Python, by Eugène Delacroix. 1850. Black Lead, 61.6 by 47.6 cm. (Musée du Louvre, Paris, RF 11964).
Attributed works:
45. Apollo Slays Python, Final Sketch, by Eugène Delacroix. 1850. Canvas, 1.375 by 1.02 m. (Musées royaux des Beaux-Arts de Belgique (Art Moderne), Brussels).
Short Notice
A Hireling Shepherd in a Painting by Claude
12/1984 | 981 | 126
Pages: 758-761
related names
Author:
Ingamells, John (Ingamells, John; I., J.)
Author:
Laing, Keith (Laing, Keith)
Subjects
artists:
dates:
dates:
museums and institutions:
places:
Illustrations
Attributed works:
17. Mercury Stealing the Flocks of Admetus from Apollo, by Claude Lorrain. 1660. 74.5 by 100.5 cm. After Cleaning. (Wallace Collection).
Attributed works:
18. Detail from Fig.17.
Attributed works:
19. Detail from Fig.17, Showing a Reconstruction of the Original Position of Apollo.
Attributed works:
20. Detail (Enlarged) from Mercury Stealing the Flocks of Admetus, by Claude Lorrain. Pen and Wash, from the Liber Veritatis. (British Museum).
Attributed works:
21. Detail from Fig.17. Photomacrograph × 4, Showing First Position of Apollo's Feet Beneath the Dog and Landscape (The Dog's Front Leg Is on the Extreme Left).
Attributed works:
22. Detail from Fig.17. Photomacrograph × 12.5, Showing the Dog's Back.
Attributed works:
23. Detail from Fig.17. Photomacrograph × 12.5, Showing Goat's Back.
Attributed works:
24. Detail from Fig.17. Photomacrograph × 32, Showing Goat's Back.
Attributed works:
25. Detail from Fig.17. Photomacrograph × 80, Showing Dog's Right Leg.
Attributed works:
26. Detail from Fig.17. Photomacrograph × 4, Showing Apollo's Legs and Adjacent Rock.
Attributed works:
27. Detail from Fig.17. Photomacrograph × 15, Showing Apollo's Face.
Short Notice
A Chalk Study for Cano's 'Triumph of Apollo'
08/1979 | 917 | 121
Pages: 514+516-517
related names
Author:
Bemis, Devereaux (Bemis, Devereaux)
Author:
Jones, Caroline C. (Jones, Caroline C.)
Author:
Myers, Brenda (Myers, Brenda)
Subjects
artists:
dates:
places:
subjects:
Illustrations
Attributed works:
62. Two Angels, Here Attributed to Alonso Cano. Black Chalk, 17.7 by 25 cm. (Biblioteca Nacional, Madrid).
Attributed works:
63. Triumph of Apollo, by Alonso Cano. Brown Ink, 29.5 by 20.2 cm. (Biblioteca Nacional, Madrid).
Book Review
The Casino of Pius IV
05/1978 | 902 | 120
Pages: 322-323
related names
Reviewer:
Blunt, Anthony (A. B.; A. F. B) (Blunt, Anthony (A. B.; A. F. B); Blunt, Anthony Frederick; Blunt, Professor; Blunt, A. F.; A. F. B.; B., A.)
Subjects
dates:
places:
subjects:
Reviewed Items
subjects:
The Casino of Pius IV | author: Smith, Graham
Short Notice
Two Unpublished Works by Sebastiano Ricci
04/1977 | 889 | 119
Pages: 275-279
related names
Author:
Young, Eric (Young, Eric; Young, Eric)
Subjects
dates:
places:
Illustrations
Attributed works:
69. The Childhood of Romulus and Remus, by Sebastiano Ricci. Canvas, 109.2 by 96.5 cm. (Private Collection, England).
Attributed works:
70. The Contest of Apollo and Pan, by Sebastiano Ricci. Canvas, 109.2 by 96.5 cm. (Private Collection, England).
Attributed works:
71. The Childhood of Romulus and Remus, by Sebastiano Ricci. Canvas, 185 by 170 cm. (Hermitage Museum, Leningrad).
Attributed works:
72. Detail of Fig.69. [The Childhood of Romulus and Remus, by Sebastiano Ricci. Canvas, 109.2 by 96.5 cm. (Private Collection, England).]
Attributed works:
73. The Satyr and the Peasant, by Sebastiano Ricci, Canvas, 138 by 123 cm. (Private Collection, Udine).
Attributed works:
74. The Satyr and the Peasant, by Sebastiano Ricci. Canvas. (Canto Collection, Milan).
Attributed works:
75. The Contest of Apollo and Pan, from the Studio of Sebastiano Ricci. Canvas, 88.9 by 76.2 cm. (Collection Mrs David Dear, London).
Article
A Royal Statue, the Waddesdon 'Apollo'
04/1969 | 793 | 111
Pages: 192-196
related names
Author:
Souchal, François (Souchal, François)
Subjects
artists:
collectors and dealers:
dates:
subjects:
Illustrations
Attributed works:
14. Apollo Trampling Python Underfoot, Here Attributed to Jean Raon. c. 1699. Marble; Height 204 cm. (National Trust, Waddesdon Manor.)
Attributed works:
15. Detail from the Apollo Reproduced in Fig.14. [Here Attributed to Jean Raon. c. 1699. Marble; Height 204 cm. (National Trust, Waddesdon Manor.)]
Attributed works:
16. Detail from the Apollo Reproduced in Fig.14. [Here Attributed to Jean Raon. c. 1699. Marble; Height 204 cm. (National Trust, Waddesdon Manor.)]
Attributed works:
18. Apollo playing the lyre and crushing the serpent Python underfoot and Diana, reflecting two lost marbles by Dominique Lefèvre. Drawing. (Robert de Cotte Papers, Cabinet des Dessins, Bibliothèque Nationale, Paris.)
Attributed works:
19. La Nuit, by Jean Raon. 1680. Marble. (Park, Versailles.)
Attributed works:
20. Arion, by Jean Raon. Signed and Dated 1695. Marble. (Bosquet des Dômes, Versailles.)
Western art unattributed:
17. Apollo trampling Python underfoot. French School, late seventeenth century. Black chalk, heightened with watercolour and white, on blue paper, 45 by 27.5 cm. (Robert de Cotte Papers, Cabinet des Estampes, Bibliothèque Nationale, Paris.)
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