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646 articles
Exhibition Review
Identidades Partilhadas: Pintura Espanhola em Portugal
03/2024 | 1452 | 166
Pages: 300–303
related names
Reviewer:
Kientz, Guillaume (Kientz, Guillaume)
Subjects
dates:
Reviewed Items
subjects:
Identidades Partilhadas: Pintura Espanhola em Portugal Museu Nacional de Arte Antiga, Lisbon 1st December 2023–30th March 2024 | :
Illustrations
Attributed works:
7. St Helen and Emperor Constantine, by Pedro de Aponte. c.1506–13. Oil and tempera on panel, 176.5 by 96.5 cm. (Fundação Gaudium Magnum, Lisbon; exh. Museu Nacional de Arte Antiga, Lisbon).
Attributed works:
8. Death of St Francis, by Bartolomé Carducho. 1593. Oil on linen, 115 by 154 cm. (Museu Nacional de Arte Antiga, Lisbon).
Attributed works:
9. St Sebastian. c.1634–36. Oil on linen, 235 by 103 cm. (Museu Nacional de Arte Antiga, Lisbon).
Book Review
Juan de Pareja: Afro-Hispanic Painter in the Age of Velázquez
03/2024 | 1452 | 166
Pages: 312–314
related names
Reviewer:
Vázquez, Julia (Vázquez, Julia)
Subjects
art literature:
dates:
Reviewed Items
subjects:
Juan de Pareja: Afro-Hispanic Painter in the Age of Velázquez Edited by David Pullins and Vanessa K. Valdés. 176 pp. incl. 89 col. ills. (Yale University Press, 2023), £40. ISBN 978–1–58839–756–0. | :
Illustrations
Attributed works:
7. Juan de Pareja, by Diego Velázquez. 1650. Oil on canvas, 81.3 by 69.9 cm. (Metropolitan Museum of Art, New York).
Attributed works:
8. Calling of St Matthew, by Juan de Pareja. 1661. Oil on canvas, 225 by 325 cm. (Museo Nacional del Prado, Madrid; exh. Metropolitan Museum of Art, New York).
Article
Alonso Cano’s rediscovered ‘Immaculate Conception’ for San Alberto, Seville
12/2023 | 1449 | 165
Pages: 1290–1299
related names
Author:
Prieto Navarrete, Benito (Prieto Navarrete, Benito)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Immaculate Conception, here attributed to Alonso Cano. c.1628–29. Oil on canvas, 148.7 by 96 cm. (Private collection).
Attributed works:
10. Detail of Fig.6, showing the Immaculate Conception.
Attributed works:
11. Immaculate Conception with Miguel Cid, by Francisco Pacheco. 1619. Oil on canvas, 160 by 110 cm. (Cathedral of St Mary, Seville).
Attributed works:
12 and 13. Details of Fig.1 showing cherubs painted over angels in the top corners.
Attributed works:
14. Mary Magdalene de’ Pazzi, by Alonso Cano. c.1628–29. Oil on canvas, 116 by 55 cm. (Museum of Fine Arts, Seville).
Attributed works:
15. The drawing shown in Fig.6 with the surviving paintings from the altarpiece superimposed.
Attributed works:
2. St Francis of Borja, by Alonso Cano. 1624. Oil on canvas, 186 by 120 cm. (Museum of Fine Arts, Seville).
Attributed works:
3. The Crucified Christ appears to St Teresa, by Alonso Cano. c.1628–29. Oil on canvas, 99 by 43.5 cm. (Museo Nacional del Prado, Madrid).
Attributed works:
4. Christ the Saviour appears to St Teresa, by Alonso Cano. c.1628–29. Oil on canvas, 99 by 43.5 cm. (Museo Nacional del Prado, Madrid).
Attributed works:
5. Christ bearing the Cross (Via Dolorosa), by Alonso Cano. c.1628–29. Oil on canvas, 166.5 by 101 cm. (Worcester Art Museum, Worcester MA).
Attributed works:
6. Preparatory drawing for an altarpiece with Christ bearing the Cross (Via Dolorosa) and the Immaculate Conception, by Alonso Cano. c.1628– 29. Pencil, pen and brown ink on paper, 38.9 by 27.9 cm. (Félix Palacios Remondo collection, Zaragoza).
Attributed works:
7. Detail of Fig.9, showing the upper part of the body and head.
Attributed works:
8. Detail of Fig.1, showing the upper part of the body and head.
Attributed works:
9. Immaculate Conception, by Diego Velázquez. c.1622. Oil on canvas, 142 by 98.2 cm. (Fundación Focus, Seville).
Exhibition Review
The Myth of Spain: Ignacio Zuloaga (1870–1945)
12/2023 | 1449 | 165
Pages: 1336–1339
related names
Reviewer:
Ellis, Morlin (Ellis, Morlin)
Subjects
artists:
dates:
subjects:
Reviewed Items
subjects:
The Myth of Spain: Ignacio Zuloaga 1870–1945 Kunsthalle, Munich 15th September 2023– 4th February 2024 | :
Illustrations
Attributed works:
1. Opposite the Moulin Rouge, by Ignacio Zuloaga. 1890. Oil on canvas, 73.3 by 45.3 cm. (Museo Franz Mayer, Mexico City; exh. Kunsthalle, Munich).
Attributed works:
2. Victim of the fiesta, by Ignacio Zuloaga. 1910. Oil on canvas, 284 by 344 cm. (Museo de Bellas Artes de Bilbao; exh. Kunsthalle, Munich).
Attributed works:
3. Women of Sepúlveda, by Ignacio Zuloaga. 1909. Oil on canvas, 182 by 213 cm. (Ayuntamiento de Irún; exh. Kunsthalle, Munich).
Attributed works:
4. Enrique Larreta, by Ignacio Zuloaga. 1912. Oil on canvas, 188 by 212 cm. (Museo de Arte Español Enrique Larreta, Buenos Aires; exh. Kunsthalle, Munich). 5. Votive cross. Spain, c.650– 700. Gold and sapphires, 21.7 by 11.8 cm. (Royal Collections Gallery, Madrid; courtesy Patrimonio Nacional, Spain).
Article
A tale of two velvets in works by Jaume Huguet and Piero della Francesca
07/2023 | 1444 | 165
Pages: 713–719
related names
Author:
Monnas, Lisa (Monnas, Lisa)
Subjects
dates:
Illustrations
Attributed works:
1. Consecration of St Augustine, by Jaume Huguet. c.1463–75. Tempera on panel, 250 by 193 cm. (Museu Nacional d’Art de Catalunya, Barcelona).
Attributed works:
10. Detail from Meeting between the Queen of Sheba and King Solomon, by Piero della Francesca. 1452–56. Fresco. (S. Francesco, Arezzo; Bridgeman Images).
Attributed works:
4. Flagellation of Christ, by Piero della Francesca. c.1456–57. Egg tempera and oil on panel, 67.5 by 91 cm. (Galleria Nazionale delle Marche, Urbino; Bridgeman Images).
Attributed works:
5. Detail of Fig.4, showing the figure in the right foreground dressed in blue.
Attributed works:
6. Detail of Fig.1, showing the figure in the right foreground wearing a green cope.
Attributed works:
9. Detail of Fig.1, showing the same sprig motif as in Fig.8.
Western art unattributed:
2. Blue velvet cloth of gold of tissue. Italy, 1450–75. 126 by 57 cm. (repeat 84.5 by 57 cm.). (Abegg-Stiftung, Riggisberg; photograph Christoph von Viràg).
Western art unattributed:
3. Panel of green velvet cloth of gold of tissue (three loom widths sewn together). Italy, third quarter of the fifteenth century, 110 by 239 cm. (Museum of Fine Arts, Boston).
Western art unattributed:
7. Blue velvet cloth with two heights of cut-silk pile, voided and brocaded with gold. Italy, c.1450–70. 96.8 by 41.8 cm. (repeat, 65.5 by 28.5 cm.). (Abegg-Stiftung, Riggisberg; photograph Christoph von Viràg).
Western art unattributed:
8. Detail of Fig.3, showing the sprig motif.
Obituary
Obituary: Jonathan Brown (1939–2022)
04/2022 | 1429 | 164
Pages: 427-428
related names
Author:
Cherry, Peter (Cherry, Peter)
Subjects
art literature:
Illustrations
Attributed works:
Jonathan Brown, photographed in c.2010. (Photograph N.L. Roberts).
Obituary
Carmen Garrido (1947–2020)
03/2021 | 1416 | 163
Pages: 305-306
related names
Author:
Cherry, Peter (Cherry, Peter)
Subjects
museums and institutions:
Illustrations
Attributed works:
1. Carmen Garrido giving a lecture on El Greco in 2015.
Exhibition Review
Picasso: Blue and Rose Musée d’Orsay, Paris; The Young Picasso: Blue and Rose Periods. Fondation Beyeler, Basel
02/2019 | 1391 | 161
Pages: 154-156
related names
Reviewer:
Cowling, Elizabeth (Cowling, Elizabeth)
Subjects
art literature:
artists:
dates:
places:
Illustrations
Attributed works:
18. Woman in blue, by Pablo Picasso. 1901. Canvas, 133 by 100 cm. (Museo Nacional Centro de Arte Reina Sofía, Madrid; exh. Fondation Beyeler, Basel).
Attributed works:
19. The embrace, by Pablo Picasso. 1903. Pastel on paper, 98 by 57 cm. (Musée de l’Orangerie, Paris; exh. Musée d’Orsay, Paris).
Attributed works:
20. Absinthe drinker, by Pablo Picasso. 1901. Canvas, 81 by 60 cm. (Kunstmuseum, Basel; exh. Fondation Beyeler, Basel).
Attributed works:
21. La coiffure, by Pablo Picasso. 1906. Canvas, 174.9 by 99.7 cm. (Metropolitan Museum of Art, New York; exh. Fondation Beyeler, Basel).
Exhibition Review
Ribera: Art of Violence. Dulwich Picture Gallery, London
01/2019 | 1390 | 161
Pages: 58-60
related names
Reviewer:
Finaldi, Gabriele (Finaldi, Gabriele)
Subjects
dates:
places:
Illustrations
Attributed works:
1. A bat and two ears, by Jusepe de Ribera. Early 1620s. Red chalk, brush and red wash, 15.9 by 27.9 cm. (Metropolitan Museum of Art, New York; exh. Dulwich Picture Gallery, London).
Attributed works:
2. Apollo and Marsyas, by Jusepe de Ribera. 1637. Canvas, 182 by 232 cm. (Museo e Real Bosco di Capodimonte, Naples; exh. Dulwich Picture Gallery, London).
Attributed works:
3. Man bound to a stake, by Jusepe de Ribera. First half of the 1640s. Pen and brown ink with wash, 21.5 by 16.3 cm. (Fine Arts Museum of San Francisco; exh. Dulwich Picture Gallery, London).
Book Review
Avant-garde Art and Criticism in Francoist Spain. By Paula Barreiro López
12/2018 | 1389 | 160
Pages: 1076
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