Modernités suisses
Edited by Paul Müller and Sylvie
Patry. 256 pp. incl. numerous col. +
b. & w. ills. (Flammarion and Musée
d’Orsay, Paris, 2021), €45.
ISBN 978–2–08–020547–6. |
:
Illustrations
Attributed works:
6. Apple tree, by
Cuno Amiet. 1907.
Oil on canvas,
100 by 100.5 cm.
(Kunstmuseum
Solothurn; exh.
Musée d’Orsay,
Paris).
Attributed works:
7. Sunday
morning, by
Édouard Vallet.
1908–09.
Tempera and
oil on canvas,
105 by 105 cm.
(Kunsthaus,
Zürich; exh.
Musée d’Orsay,
Paris).
Attributed works:
8. Swiss artists
at the Académie
Julian. 1891.
Photographer
unknown. (Zentral
und Hochschulbibliothek,
Luzern; exh.
Musée d’Orsay,
Paris).
Book Review
Migrating Art Historians on the Sacred Ways: Reconsidering Medieval French Art through the Pilgrim’s Body
Migrating Art Historians on the Sacred
Ways: Reconsidering Medieval French
Art through the Pilgrim’s Body
Edited by Ivan Foletti, Katar na Kravč kov ,
Adrien Palladino and Sabina Rosenbergov .
468 pp. incl. 179 col. + 24 b. & w. ills. (Masaryk
University, Brno, and Viella, Rome, 2018), €70.
ISBN 978–88–331–3105–4. |
:
Im Herzen wild: Die Romantik
in der Schweiz
Edited by Jonas Beyer and Esther
Braun-Kalberer. 288 pp. incl. 200 col. ills.
(Zürcher Kunstgesellschaft / Kunsthaus
Zürich and Prestel, Munich, London and
New York, 2020), €49. ISBN 978–3–
7913–5988–5. |
:
Illustrations
Attributed works:
12. Passage
of Mount St
Gotthard from
the centre of
Teufels Broch
(Devil’s Bridge),
by J.M.W. Turner.
1804. Watercolour
on paper, 101 by
68 cm. (Abbot
Hall Art Gallery,
Lakeland Arts;
The Morse
Bequest, 1972;
exh. Kunsthaus
Zürich).
Attributed works:
13. Summit in
the clouds, by
Alexandre Calame.
1861. Charcoal
and graphite,
heightened with
white chalk and
gouache on blue
paper, 15.9 by
23.7 cm. (Musées
d’art et d’histoire,
Geneva; exh.
Kunsthaus
Zürich).
Attributed works:
14. The three
witches, by Henry
Fuseli. 1783. Oil on
canvas, 65 by 91.5
cm. (Kunsthaus
Zürich).
Exhibition Review
Picasso: Blue and Rose Musée d’Orsay, Paris; The Young Picasso: Blue and Rose Periods. Fondation Beyeler, Basel
1. Man in the moon – Franz Pforr, by Georg Baselitz. 1965. Canvas, 161.9 by 129.9 cm. (National Gallery of Art, Washington; exh. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington).
Attributed works:
2. Opposite The naked man, by Georg Baselitz. 1962. Canvas, 114 by 146 cm. (Private collection, Seattle; exh. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington).
Attributed works:
3. Meissen woodsmen, by Georg Baselitz. 1969. Canvas, 250 by 200 cm. (Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington).
Attributed works:
4. Orange eater IX, by Georg Baselitz. 1981. Oil and tempera on canvas, 146 by 114 cm. (Skarstedt, New York; exh. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington).
Attributed works:
5. Below The Brücke chorus, by Georg Baselitz. 1983. Canvas, 280 by 450 cm. (Private collection; exh. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington).
Attributed works:
6. My new hat, by Georg Baselitz. 2003. Cedarwood and oil paint, 310.5 by 83.5 by 107 cm. (Pinault Collection, Venice; exh. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington).
Attributed works:
8. Dystopian couple, by Georg Baselitz. 2015. Canvas, 400 by 600 cm. (Courtesy the artist and White Cube; exh. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington).
Western art unattributed:
7. Georg Baselitz’s studio, Ammersee. (Photograph courtesy Georg Baselitz Archive, Munich).
Book Review
Gurlitt: Status Report. With contributions by Matthias Freher, Georg Kreis, et al.