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11 articles
Book Review
Intagli rococo : Professionalita  ed elaborazione del gusto negli interni del Palazzo Reale di Torino
03/2022 | 1428 | 164
Pages: 318-320
related names
Reviewer:
Zanuso, Susanna (Zanuso, Susanna)
Subjects
Reviewed Items
subjects:
Intagli rococò: Professionalità ed elaborazione del gusto negli interni del Palazzo Reale di Torino By Aurora Laurenti. 284 pp. incl. numerous col. ills. (Accademia University Press, Turin, 2020), €24. ISBN 978–88–319–7856–9. | :
Illustrations
Attributed works:
6. Detail of the Summer Apartment, Gabinetto del Pregadio, Palazzo Reale, Turin, showing carved and pastiglia decorations on the wall panelling and pier table, by Giovanni Luigi Bosso. 1738–40. (Royal Palace, Royal Museums, Turin; photograph Aurora Laurenti).
Article
Royal wooden funeral effigies at Westminster Abbey
01/2019 | 1390 | 161
Pages: 26-35
related names
Author:
Blessley, Krista (Blessley, Krista)
Author:
Jenkins, Susan (Jenkins, Susan)
Subjects
museums and institutions:
places:
Illustrations
Attributed works:
10. Detail of Fig.8, showing the hip joint. (© The Dean and Chapter of Westminster).
Attributed works:
11. Axonometric diagram showing the jointing of the effigy in Fig.8, by Krista Blessley. (© The Dean and Chapter of Westminster).
Attributed works:
12. Effigy head and bust of Anne of Denmark, by Maximilian Colt. 1619. Probably pine, 47 by 45 by 25 cm. (Westminster Abbey, London; WA 0893; © The Dean and Chapter of Westminster)
Attributed works:
13. Detail of Fig.12, showing the blue vein painted on the left temple. (© The Dean and Chapter of Westminster).
Attributed works:
14. Effigy body of James I, by Maximilian Colt. 1625. Probably pine, 178 by 50 by 29cm. (Westminster Abbey, London; WA 1016; © The Dean and Chapter of Westminster).
Attributed works:
15. Some of the royal funeral effigies at Westminster Abbey in 1949, showing their condition after the Second World War. From R.P. Howgrave-Graham: ‘Royal effigies at Westminster Abbey: modern treatment leads to valuable discoveries’, Country Life, 11th January 1952, pp.82–84.
Attributed works:
2. Installation view of The Queen’s Diamond Jubilee Galleries, Westminster Abbey, London, showing the medieval funeral effigies. (© The Dean and Chapter of Westminster)
Attributed works:
3. The funeral of Anne of Bohemia, a detail from Chroniques, by Jean Froissart. South Netherlands, c.1480. Illumination on parchment. (British Library, London; MS Royal 18 E II, vol.IV, fol.227).
Attributed works:
7. Effigy head and bust of Elizabeth of York, probably by Richard Gibson. 1503. Probably pearwood, 65 by 40 by 39 cm. (Westminster Abbey, London; WA 0889; © The Dean and Chapter of Westminster).
Attributed works:
8. Articulated effigy body of Henry, Prince of Wales, by Richard Norris. 1612. Pine or fir wood with iron nails, loops and screws, 161 by 42.5 by 19 cm. Photograph c.1950. (Westminster Abbey, London; WA 1017; © The Dean and Chapter of Westminster).
Attributed works:
9. Detail of Fig.8, showing carpenters’ marks at joints. (© The Dean and Chapter of Westminster).
Western art unattributed:
1. Front, side and back views of the effigy of Edward III. 1377. Walnut, 176 by 42.8 by 27 cm. (Westminster Abbey, London; WA 0886; © The Dean and Chapter of Westminster).
Western art unattributed:
4. Detail of Fig.1, showing plaster underlayer on head. Photograph c.1950s. (© The Dean and Chapter of Westminster).
Western art unattributed:
5. X-radiograph detail of Fig.1, showing plaster underlayer on head. (© The Dean and Chapter of Westminster).
Western art unattributed:
6. Front, side and back views of the effigy of Catherine de Valois. 1437. Oak, 165 by 42 by 21 cm. (Westminster Abbey, London; WA 0888; © The Dean and Chapter of Westminster).
Book Review
Mochi’s Edge and Bernini’s Baroque. By Estelle Lingo
11/2018 | 1388 | 160
Pages: 981-982
related names
Reviewer:
Kämpf, Tobias (Kämpf, Tobias)
Subjects
media:
places:
Illustrations
Attributed works:
5. Virgin Annunciate, by Francesco Mochi. 1608–09. Marble, height 210 cm. (Museo dell’Opera, Orvieto; Bridgeman Images)
Exhibition Review
Shadows of Time: Giambologna, Michelangelo and the Medici Chapel. The Sculpture Collection, Dresden
10/2018 | 1387 | 160
Pages: 854-856
related names
Reviewer:
Avery, Charles (Avery, Charles)
Subjects
dates:
museums and institutions:
places:
Illustrations
Attributed works:
7. Detail of Day, attributed to Giambologna, after Michelangelo. Before 1574. Alabaster, 44.5 by 48.5 by 14.7 cm. (Staatliche Kunstsammlung, Dresden; photograph Hans-Peter Klut; exh. The Sculpture Collection, Dresden).
Attributed works:
8. Day, attributed to Giambologna, after Michelangelo. Before 1574. Alabaster, 44.5 by 48.5 by 14.7 cm. (Staatliche Kunstsammlung, Dresden; photograph Hans-Peter Klut; exh. The Sculpture Collection, Dresden).
Attributed works:
9. Allegory of Francesco I de’Medici, by Giambologna. c.1560–61. Alabaster, 32 by 45.8 cm. (Museo Nacional del Prado, Madrid; exh. The Sculpture Collection, Dresden).
Exhibition Review
Georg Baselitz at eighty
09/2018 | 1386 | 160
Pages: 766-771
related names
Reviewer:
Weikop, Christian (Weikop, Christian)
Subjects
dates:
media:
Illustrations
Attributed works:
1. Man in the moon – Franz Pforr, by Georg Baselitz. 1965. Canvas, 161.9 by 129.9 cm. (National Gallery of Art, Washington; exh. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington).
Attributed works:
2. Opposite The naked man, by Georg Baselitz. 1962. Canvas, 114 by 146 cm. (Private collection, Seattle; exh. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington).
Attributed works:
3. Meissen woodsmen, by Georg Baselitz. 1969. Canvas, 250 by 200 cm. (Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington).
Attributed works:
4. Orange eater IX, by Georg Baselitz. 1981. Oil and tempera on canvas, 146 by 114 cm. (Skarstedt, New York; exh. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington).
Attributed works:
5. Below The Brücke chorus, by Georg Baselitz. 1983. Canvas, 280 by 450 cm. (Private collection; exh. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington).
Attributed works:
6. My new hat, by Georg Baselitz. 2003. Cedarwood and oil paint, 310.5 by 83.5 by 107 cm. (Pinault Collection, Venice; exh. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington).
Attributed works:
8. Dystopian couple, by Georg Baselitz. 2015. Canvas, 400 by 600 cm. (Courtesy the artist and White Cube; exh. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington).
Western art unattributed:
7. Georg Baselitz’s studio, Ammersee. (Photograph courtesy Georg Baselitz Archive, Munich).
Article
Chinese Utilizations of Parti-Coloured Hardstones
08/1942 | 473 | 81
Pages: 186-192
related names
Author:
Hildburgh, W. L. (Hildburgh, W. L.)
Subjects
places:
subjects:
Illustrations
Non-western art unattributed:
Plate I. Ornamental Pendants, Belt-Hooks, Mouth-Pieces for Pipes, Plaques, etc. Carved from Agates of Various Colours. Chinese Utilizations of Parti-Coloured Hardstones
Non-western art unattributed:
Plate II. A-K'uei Hsing and the Fish-Dragon; B-Shou Lao (God of Longevity) with a Boy; C-Kylin and Water-Buffalo; D-Peach-Tree with Ling Chih Fungi at Its Foot and a Crane; E-Five Dragons Crawling around a Vase. Chinese Utilizations of Parti-Coloured Hardstones
Article
Ancient Nigerian Bronzes -I
09/1941 | 462 | 79
Pages: 88-93
related names
Author:
Meyerowitz, Eva L. R. (Meyerowitz, Eva L. R.)
Subjects
places:
subjects:
Illustrations
Non-western art unattributed:
A-Detail of B. Ancient Nigerian Bronzes-I.
Non-western art unattributed:
B-The Sitting Figure of Tada. Red Copper Bronze. Height, 56 cm. (Sacred Hut at Tada). Ancient Nigerian Bronzes-I.
Non-western art unattributed:
C-The Man with Clasped Hands. Red Copper Bronze. Height, 56 cm. (Sacred Hut at Tada). Ancient Nigerian Bronzes-I.
Non-western art unattributed:
Figure 1.-Section Through Mould of Nankani Bangte.
Non-western art unattributed:
Figure 2. Benin Relief on Its Backing and Section Through Completed Mould.
Non-western art unattributed:
Figure 3. Section Through Mould of Benin Head.
Non-western art unattributed:
Figure 4. Section Through Mould of Animal from Dahomey. (Hountoundji).
Article
Carved Red Lacquer of the Ming Period
10/1936 | 403 | 69
Pages: 166-167+170-172
related names
Author:
Beer, F. Loew (Beer, F. Loew)
Author:
Maenchen-Helfen, O. (Maenchen-Helfen, O.)
Subjects
artists:
artists:
dates:
places:
subjects:
subjects:
subjects:
Illustrations
Non-western art unattributed:
Plate I. A-Round Box. Yung-lo Period. Diameter, 19 cm.; Height 6.5 cm.; B-Detail of A; C-Square Box. Hsuan-te Period. Diameter, 13.4 cm.; Height, 8 cm.; D-Box. Chia-Ching Period. 10.6 by 14.3 cm.; Height, 7 cm.; E-Diaper Pattern Symbolizing Earth; F-Diaper Patterns Symbolizing Water and Air. Carved Red Lacquer of the Ming Period
Non-western art unattributed:
Plate II. A-Plate. Yung-lo Period. Diameter, 34.5 cm.; B-Bowl (Detail). Chia-Ching Period; C-Detail of I, C; D-Detail of II, F; E-Detail of I, D; Plate. Wan-li Period. Diameter, 16.5 cm. Carved Red Lacquer of the Ming Period
Article
Another Oak Room from Great Yarmouth
08/1913 | 125 | 23
Pages: 298+300-302
related names
Author:
Cescinsky, Herbert (Cescinsky, Herbert; C., H.; Cescinsky, H.)
Subjects
dates:
Illustrations
Western art unattributed:
Plate I. Ceiling and Panelling in Fenner's House. The Property of Messrs. Stair and Andrews. (A) A Detail of the Chimney-Piece. (B) Ceiling, Chimney-Piece and Panelling. Another Oak Room from Great Yarmouth
Western art unattributed:
Plate II. Ceiling and Panelling in Fenner's House. The Property of Messrs. Stair and Andrews. (C) Detail of the Ceiling. (D) A Door with Panelling and Ceiling. Another Oak Room from Great Yarmouth
Book Review
Practical Wood Carving
05/1907 | 50 | 11
Pages: 119-120
Subjects
Reviewed Items
subjects:
Practical Wood Carving | author: Rowe, Eleanor
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