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13 articles
Article
A newly discovered ‘Immaculate Conception’ by Diego Velázquez
12/2020 | 1413 | 162
Pages: 1028-1037
related names
Author:
Cherry, Peter (Cherry, Peter)
Subjects
places:
Illustrations
Attributed works:
1. The Immaculate Conception, by Diego Velázquez. c.1618–19. Oil on canvas, 57.5 by 44 cm. (Private collection).
Attributed works:
2. The painting in Fig.1, photographed before cleaning in 2017.
Attributed works:
3. The Immaculate Conception, by Diego Velázquez. c.1618–19. Oil on canvas, 135 by 101.6 cm. (National Gallery, London).
Attributed works:
4. The Immaculate Conception, by Diego Velázquez. c.1617–18. Oil on canvas, 142 by 98.2 cm. (Fundación Focus, Seville).
Attributed works:
5. X-radiograph of the painting in Fig.1 (Private collection).
Attributed works:
6. X-radiograph of the painting in Fig.3. (National Gallery, London).
Attributed works:
7. X-radiograph of the painting in Fig.4. (Fundación Focus, Seville).
Attributed works:
8. The Immaculate Conception with donor, by Francisco Pacheco. Signed and dated 1619. Oil on canvas, 160 by 110 cm. (Courtesy the Cathedral Chapter, Seville).
Attributed works:
9. Education of the Virgin, here attributed to Diego Velázquez. c.1617–18. Oil on canvas, 168 by 137 cm. (Yale University Art Gallery, New Haven).
Article
Picturing Mount Yandang: the travel paintings and landscape aesthetics of Yu Jianhua
10/2020 | 1411 | 162
Pages: 840-849
related names
Author:
Chan, Pedith (Chan, Pedith)
Subjects
artists:
media:
patrons:
Illustrations
Attributed works:
1. View of the Lingyan Temple, by Yu Jianhua. 1931. Ink and colour on paper, 30.6 by 22.5 cm. (Collection of the Library of the Nanjing University of the Arts).
Attributed works:
10. Illustration of the Spirit Peak, Yan shan zhi, 15th−16th century. Blockprint. (Repr. in Gazetteer of Mount Yan, 1601).
Attributed works:
11. A view of the Spirit Peak, by Jiang Shunan. Photograph. (Repr. in Scenic China series X: Yen T’ang Shan, Shanghai 1917).
Attributed works:
12. Spirit Peak, by Yu Jianhua. 1931. Ink and colour on paper, 22.5 by 30.6 cm. (Collection of the Library of the Nanjing University of the Arts).
Attributed works:
13. Jinzhu Brooks, by Yu Jianhua. 1931. Ink and colour on paper, 22.5 by 30.6 cm. (Collection of the Library of the Nanjing University of the Arts).
Attributed works:
14. View of Furong Village, by Yu Jianhua. 1931. Ink and colour on paper, 22.5 by 30.6 cm. (Collection of the Library of the Nanjing University of the Arts).
Attributed works:
15. Tandang Rock, by Yu Jianhua. 1931. Ink and colour on paper, 22.5 by 30.6 cm. (Collection of the Library of the Nanjing University of the Arts).
Attributed works:
2. Yangtianwo Studio, by Yu Jianhua, a section from the handscroll Yantianwo. 1931. Ink and colour on paper, 26 by 91.8 cm. Collection of Kyoto National Museum
Attributed works:
3. View of the Geese Lake and Baigang Summit, by Yu Jianhua. 1931. Ink and colour on paper, 22.5 by 61.2 cm. (Collection of the Library of the Nanjing University of the Arts).
Attributed works:
4. Magnificent view of the Spirit Peak, by Yu Jianhua. 1931. Ink on paper, 22.5 by 30.6 cm. (Collection of the Library of the Nanjing University of the Arts).
Attributed works:
5. Duxiu Peak, by Yu Jianhua. 1931. Ink and colour on paper, 22.5 by 15.3 cm. (Collection of the Library of the Nanjing University of the Arts).
Attributed works:
6. Duxiu Peak. Blockprint. (Repr. in Extended Gazetteer of Mount Yan-dang [Guang Yandang shan zhi], 1790; Harvard Library, Cambridge, MA).
Attributed works:
7. Dragon Waterfall, by Yu Jianhua. 1931. Ink and colour on paper, 22.5 by 30.6 cm. (Collection of the Library of the Nanjing University of the Arts).
Attributed works:
8. Peaks in strange shapes, by Yu Jianhua. 1931, Ink on paper, 22.5 by 15.3 cm. (Collection of the Library of the Nanjing University of the Arts).
Attributed works:
9. Peaks in strange shapes. China, late 18th century. Blockprint. (Repr. in Extended Gazetteer of Mount Yandang [Guang Yandang shan zhi], 1790; Harvard Library, Cambridge, MA).
Article
Van Gogh as mentally ill: his contested Oslo self-portrait
02/2020 | 1403 | 162
Pages: 88-101
related names
Author:
Meedendorp, Teio (Meedendorp, Teio)
Author:
Pilz, Kathrin (Pilz, Kathrin)
Author:
Tilborgh, Louis van (Tilborgh, Louis van)
Subjects
art literature:
art literature:
art literature:
art literature:
dates:
places:
Illustrations
Attributed works:
1. Self-portrait, by Vincent van Gogh. 1889. Oil on canvas, 51.5 by 45.2 cm. (National Gallery, Oslo).
Attributed works:
10. Self-portrait, by Vincent van Gogh. 1889. Oil on canvas, 40 by 31 cm. (Private collection).
Attributed works:
11. Madame Roulin and her baby, by Vincent van Gogh. 1888. Canvas, 63.5 by 51 cm. (Robert Lehman Collection, the Metropolitan Museum of Art, New York).
Attributed works:
12. Undergrowth, by Vincent van Gogh. 1889. Oil on canvas, 49 by 64.3 cm. (Van Gogh Museum, Amsterdam; Vincent van Gogh Foundation).
Attributed works:
13. Image of Fig.1, superimposed with the X-radiograph, illustrating the initial outlines of the head, neck, shoulder, ear and lapel (with thanks to Heleen van Driel).
Attributed works:
14. Detail of the upper right edge of Fig.1, showing the paint to be less discoloured around the edges than in the picture plane.
Attributed works:
15. Micrograph of Fig.1 in raking light, showing the brushed texture of the paint in the lapel, partly flattened with a palette knife.
Attributed works:
16. Self-portrait as a ‘bonze’, by Vincent van Gogh. 1889. Oil on canvas, 61.5 by 50.3 cm. (Harvard Art Museums/Fogg Museum, Cambridge MA; bequest from the collection of Maurice Wertheim).
Attributed works:
17. Portrait of Peter Altenberg, by Max Oppenheimer. 1910. Whereabouts unknown. (From W. Michel: Max Oppenheimer, Munich 1911, p.3).
Attributed works:
18. The Arlésienne (Portrait of Marie-Julien Ginoux), by Vincent van Gogh. 1890. Oil on canvas, 60 by 50 cm. (Galleria Nazionale d’Arte Moderna, Rome).
Attributed works:
19. Entrance to a quarry, by Vincent van Gogh. 1889. Oil on canvas, 60 by 74.5 cm. (Van Gogh Museum, Amsterdam; Vincent van Gogh Foundation).
Attributed works:
2. Self-portrait with bandaged ear and pipe, by Vincent van Gogh. 1889. Oil on canvas, 51 by 45 cm. (Private collection).
Attributed works:
20. Peter Altenberg, by Oskar Kokoschka. 1909. Oil on canvas, 76 by 71.5 cm. (Private collection, courtesy of Neue Gallery, New York).
Attributed works:
3. Armand Roulin, by Vincent van Gogh. 1888. Oil on canvas, 65 by 54 cm. (Museum Boijmans Van Beuningen, Rotterdam).
Attributed works:
4. Self-portrait, by Edvard Munch. 1886. Oil on canvas, 33 by 24.5 cm. (National Museum, Oslo).
Attributed works:
5. and 6. Photograph of Fig.1 and its reverse, with an annotation by Eugène Blot: ‘Portrait de Van Gogh / oreille mutilée’. c.1909. (Cassirer-Archive, Zurich).
Attributed works:
7. Portrait of Vincent van Gogh, formerly attributed to Van Gogh. 1925– 28. Oil on canvas, 59.1 by 47.5 cm. (National Gallery of Art, Washington).
Attributed works:
8. Self-portrait, by Vincent van Gogh. 1889. Oil on canvas, 57.8 by 44.5 cm. (National Gallery of Art, Washington).
Attributed works:
Opposite 9. Self-portrait, by Vincent van Gogh. 1889. Oil on canvas, 65 by 54 cm. (Musée d’Orsay, Paris).
Article
Supplementing the eye: the technical analysis of Frans Hals’s paintings – ii
12/2019 | 1401 | 161
Pages: 996-1003
related names
Author:
de Keyser, Nouchka (de Keyser, Nouchka)
Author:
Tummers, Anna (Tummers, Anna)
Author:
Wallert, Arie (Wallert, Arie)
Subjects
dates:
Illustrations
Attributed works:
1. Two fisherboys, by Frans Hals. c.1634–37. Oil on canvas, 74.3 by 65.8 cm. (The Phoebus Foundation).
Attributed works:
10. Detail of Fig.2.
Attributed works:
11. Detail of Portrait of a man, possibly Nicolaes Pietersz Duyst van Voorhout, by Frans Hals. c.1636–38. Oil on canvas, 80.6 by 66 cm. (Metropolitan Museum of Art, New York), showing highlights on the face of the sitter.
Attributed works:
12. Detail of Pekelharing, by Frans Hals. c.1628–30. Oil on canvas, 75 by 61.5 cm. (Gemäldegalerie Kassel).
Attributed works:
13. Calcium map of Fig.1, showing boneblack in shadows and calcium carbonate in-fillings.
Attributed works:
14. Calcium map of Fig.2, showing boneblack in shadows.
Attributed works:
15. MA-XRF map of Fig.1, showing the element mercury (Hg), indicating the presence of vermilion.
Attributed works:
16. MA-XRF map of Fig.1, showing the element potassium (K) and indicating the presence of red glazes and smalt.
Attributed works:
17. Detail of Fig.1, showing the hat of the boy on the left.
Attributed works:
18. Detail of Young man with a skull, by Frans Hals. c.1626–28. Oil on canvas, 92.2 by 80.8 cm. (National Gallery, London).
Attributed works:
19. Detail of Fig.1, taken with a dino-lite microscope (x65), showing indigo blue on top of the red hat.
Attributed works:
2. Fisherboy, by Frans Hals. c.1630–32. Oil on canvas, 74 by 61 cm. (Royal Museum of Fine Arts, Antwerp).
Attributed works:
20. Detail of Officers and sergeants of the St George Civic Guard, by Frans Hals. 1639. Oil on canvas, 218 by 421 cm. (Frans Hals Musem, Haarlem). Micrograph taken with dino-lite microscope (x65), showing detail of the blue sash of the third figure from the right.
Attributed works:
3. Detail of Fig.2, taken with a dino-lite microscope (x65), showing craquelure over Hals’s monogram and surrounding areas.
Attributed works:
4. Malle Babbe, by Han van Meegeren. 1930–40. Oil on canvas, 76 by 60 cm. (Rijksmuseum, Amsterdam).
Attributed works:
5. Graph plotting the distribution of paint samples taken from nine reference paintings by Frans Hals against Two fisherboys (FH2K-2); Fisherboy (FH1K-1); and Van Meegeren’s Malle Babbe (MB Van Meegeren A’dam).
Attributed works:
6. Detail of Fig.1, taken with a dino-lite microscope (x65), showing the so-called ‘ribbon touches’.
Attributed works:
7. Detail of Fig.1, taken with a dino-lite microscope (x65), showing a brushstroke with raised edges.
Attributed works:
8. Detail of Fig.2, taken with a dino-lite microscope (x65), showing evidence of a ‘ribbon touch’.
Attributed works:
9. Detail of Fig.1.
Article
Orazio and Artemisia Gentileschi and ‘Judith and her maidservant’ in Oslo
07/2019 | 1396 | 161
Pages: 532-543
related names
Author:
Ford, Thierry (Ford, Thierry)
Author:
Gram Bischoff, Nina (Gram Bischoff, Nina)
Author:
Papi, Gianni (Papi, Gianni)
Subjects
dates:
subjects:
Illustrations
Attributed works:
1. Detail of Fig.4.
Attributed works:
10. Virgin and Child, by Orazio Gentileschi. 1609. Canvas, 98.5 by 75 cm. (National Museum of Art of Romania, Bucharest).
Attributed works:
11. Weaning Virgin, by Artemisia Gentileschi. c.1611. Canvas, 131 by 91 cm. (Galleria Corsini, Rome).
Attributed works:
12. Opposite Susanna and the Elders, by Artemisia Gentileschi. 1610. Canvas, 170 by 119 cm. (Graf von Schönborn, Schloss Weissenstein, Pommersfelden).
Attributed works:
13. David and Goliath, by Orazio Gentileschi. 1607–08. Canvas, 185.5 by 136 cm. (National Gallery of Ireland, Dublin).
Attributed works:
14. Virgin and Child, by Orazio Gentileschi. c.1614–15. Canvas, 99.5 by 85 cm. (Fogg Art Museum, Cambridge MA).
Attributed works:
14. Virgin and Child, by Orazio Gentileschi. c.1614–15. Canvas, 99.5 by 85 cm. (Fogg Art Museum, Cambridge MA).
Attributed works:
15. Portrait of a lady, by Agnolo Bronzino. c.1550. Panel, 109 by 85 cm. (Galleria Sabauda, Turin).
Attributed works:
16. Lucretia, by Artemisia Gentileschi. c.1612. Canvas, 100 by 77 cm. (Private collection).
Attributed works:
17. Judith slaying Holofernes, by Artemisia Gentileschi. 1620–21. Canvas, 199 by 162.5 cm. (Gallerie degli Uffizi, Florence).
Attributed works:
18. Detail of Fig.4, showing Judith’s hair and ornamentation.
Attributed works:
19. Micro-graph of Fig.4, showing the helical decoration of Athena’s helmet on Judith’s brooch.
Attributed works:
2. Opposite left Judith and her maidservant with the head of Holofernes, by Orazio Gentileschi. 1612. Canvas, 132 by 100 cm. (Private collection).
Attributed works:
20. Detail of Fig.17, showing the arc of blood and Judith’s bracelet.
Attributed works:
3. Opposite right Judith and her maidservant with the head of Holofernes, by Artemisia Gentileschi. c.1613–14. Canvas. 114 by 93.5 cm. (Palazzo Pitti, Florence).
Attributed works:
4. Judith and her maidservant with the head of Holofernes, here attributed to Artemisia Gentileschi. c.1611–12. Canvas. 136 by 159 cm. (National Museum of Art, Architecture and Design, Oslo).
Attributed works:
5. Judith with the head of Holofernes, by Artemisia Gentileschi. c.1609. Canvas, 129 by 96.3 cm. (Lemme Collection).
Attributed works:
6. Judith slaying Holofernes, by Artemisia Gentileschi. c.1612. Canvas, 158.8 by 125.5 cm. (Museo Nazionale di Capodimonte, Naples).
Attributed works:
7. X-radiograph of Fig.4 (National Museum of Art, Architecture and Design, Oslo).
Attributed works:
8. Detail of Fig.4, showing Judith holding the sword, with infra-red detail showing dark indentation lines.
Attributed works:
9. Detail of Fig.7, showing a change in the positioning of the thumb.
Exhibition Review
Pure Rubens. Museum Boijmans Van Beuningen, Rotterdam
11/2018 | 1388 | 160
Pages: 955-958
related names
Reviewer:
Jaffé, David (Jaffé, David)
Subjects
dates:
Illustrations
Attributed works:
7. Sketch for the Rape of Europa, by Peter Paul Rubens. 1636. Panel, 18.9 by 13.7 cm. (Museo Nacional del Prado, Madrid; exh. Museum Boijmans Van Beuningen, Rotterdam).
Attributed works:
8. The recognition of Phililpoemen, by Peter Paul Rubens and Frans Snyders. c.1609. Canvas, 201 by 311 cm. (Museo Nacional del Prado, Madrid; exh. Museum Boijmans Van Beuningen, Rotterdam).
Attributed works:
9. Sketch for The recognition of Phililpoemen, by Peter Paul Rubens. c.1609. Panel, 50.5 by 66.5 cm. (Musée du Louvre, Paris; exh. Museum Boijmans Van Beuningen, Rotterdam).
Exhibition Review
Georg Baselitz at eighty
09/2018 | 1386 | 160
Pages: 766-771
related names
Reviewer:
Weikop, Christian (Weikop, Christian)
Subjects
dates:
media:
Illustrations
Attributed works:
1. Man in the moon – Franz Pforr, by Georg Baselitz. 1965. Canvas, 161.9 by 129.9 cm. (National Gallery of Art, Washington; exh. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington).
Attributed works:
2. Opposite The naked man, by Georg Baselitz. 1962. Canvas, 114 by 146 cm. (Private collection, Seattle; exh. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington).
Attributed works:
3. Meissen woodsmen, by Georg Baselitz. 1969. Canvas, 250 by 200 cm. (Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington).
Attributed works:
4. Orange eater IX, by Georg Baselitz. 1981. Oil and tempera on canvas, 146 by 114 cm. (Skarstedt, New York; exh. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington).
Attributed works:
5. Below The Brücke chorus, by Georg Baselitz. 1983. Canvas, 280 by 450 cm. (Private collection; exh. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington).
Attributed works:
6. My new hat, by Georg Baselitz. 2003. Cedarwood and oil paint, 310.5 by 83.5 by 107 cm. (Pinault Collection, Venice; exh. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington).
Attributed works:
8. Dystopian couple, by Georg Baselitz. 2015. Canvas, 400 by 600 cm. (Courtesy the artist and White Cube; exh. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington).
Western art unattributed:
7. Georg Baselitz’s studio, Ammersee. (Photograph courtesy Georg Baselitz Archive, Munich).
Article
Georges de la Tour’s earliest painting?
07/2018 | 1384 | 160
Pages: 554-557
related names
Author:
Cuzin, Jean-Pierre (Cuzin, Jean-Pierre)
Subjects
dates:
media:
places:
Illustrations
Attributed works:
1. Diogenes, here attributed to Georges de La Tour. c.1615–20. Canvas, 99.9 by 121.4 cm. (Private collection).
Attributed works:
2. Peasant couple eating, by Georges de La Tour. c.1620. Canvas, 74 by 87 cm. (Gemäldegalerie, Berlin; Bridgeman Images).
Attributed works:
3. Hurdy-gurdy player and his dog, by Georges de La Tour. c.1620s. Canvas, 186 by 120 cm. (Musée Municipal, Bergues; Bridgeman Images).
Attributed works:
4. St James the Less, by Georges de La Tour. c.1615–20. Canvas, 65 by 54 cm. (Musée Toulouse-Lautrec, Albi; Bridgeman Images).
Book Review
The Muddied Mirror: Materiality and Figuration in Titian’s Later Paintings
08/2011 | 1301 | 153
Pages: 540-541
related names
Reviewer:
Brown, Beverly Louise (Brown, Beverly Louise)
Subjects
artists:
dates:
print:
Reviewed Items
subjects:
The Muddied Mirror: Materiality and Figuration in Titian’s Later Paintings | author: Cranston, Jodi
Book Review
Pittoresco - Marco Boschini, His Critics and Their Critiques of Painterly Brushwork in Seventeenth- and Eighteenth-Century Italy
07/1992 | 1072 | 134
Pages: 451-452
related names
Reviewer:
Perini, Giovanna (Perini, Giovanna)
Subjects
artists:
dates:
places:
subjects:
subjects:
subjects:
Reviewed Items
subjects:
Pittoresco - Marco Boschini, His Critics and Their Critiques of Painterly Brushwork in Seventeenth- and Eighteenth-Century Italy | author: Sohm, P.
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