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18 articles
Book Review
Women Artists in Expressionism: From Empire to Emancipation
06/2023 | 1443 | 165
Pages: 671-672
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Reviewer:
Weikop, Christian (Weikop, Christian)
Subjects
subjects:
Women artists / Art critics / Patrons / Collectors / German art / Expressionism / Blaue Reiter / Brücke
Reviewed Items
subjects:
Women Artists in Expressionism: From Empire to Emancipation By Shulamith Behr. 304 pp. incl. 170 col. + 42 b. & w. ills. (Princeton University Press, 2022), £50. ISBN 978–0–691–04462–0. | :
Exhibition Review
Escape into Art? The Brücke Painters in the Nazi Period Brücke-Museum and Kunsthaus Dahlem, Berlin; Emil Nolde – A German Legend: The Artist during the Nazi Period. Hamburger Bahnhof, Berlin
09/2019 | 1398 | 161
Pages: 769-771
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Reviewer:
Weikop, Christian (Weikop, Christian)
Subjects
artists:
Nolde, Emil / Heckel, Erich / Pechstein, Max / Schmidt-Rottluff, Karl / Kirchner, Ernst Ludwig
museums and institutions:
Brücke-Museum, Berlin, Germany / Dahlem Museums, Berlin, Germany / Hamburger Bahnhof - Museum für Gegenwart, Berlin, Germany
styles:
Expressionism
subjects:
Brücke / Nazism / German art
Illustrations
Attributed works:
21. Max Pechstein’s easel in front of the ruin of his studio building at Kurfürstenstrasse 126, around 1945. (Archiv Pechstein, Hamburg/ Tökendorf; photographer unknown; exh. Brücke-Museum, Berlin).
Attributed works:
22. Uprooted trees, by Karl Schmidt-Rottluff. 1934. Oil on canvas, 98 by 112 cm. (Brücke-Museum, Berlin; © VG Bild- Kunst, Bonn, 2019).
Attributed works:
23. Paradise lost, by Emil Nolde. 1921. Oil on canvas, 106.5 by 157 cm. (Nolde Stiftung Seebüll, Schleswig- Holstein; photograph Elke Walford and Dirk Dunkelberg; exh. Hamburger Banhof, Berlin).
Exhibition Review
Georg Baselitz at eighty
09/2018 | 1386 | 160
Pages: 766-771
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Reviewer:
Weikop, Christian (Weikop, Christian)
Subjects
artists:
Baselitz, Georg / Schönebeck, Eugen / Friedrich, Caspar David / Richter, Ludwig / Pforr, Franz / Kiefer, Anselm / Nolde, Emil / Kirchner, Ernst Ludwig / De Kooning, Willem
dates:
2010-2019
media:
Paintings / Sculpture
museums and institutions:
Fondation Beyeler, Riehen, Basel, Switzerland / Hirshhorn Museum and Sculpture Garden, Washington, United States / Galerie Werner & Katz, Berlin, Germany
places:
Switzerland / Basel / United States / Washington DC / Germany
subjects:
German painting / Beauty / Romanticism / Portraits / Landscapes (visual works) / Figure paintings / Nudes / World War (1939-1945) / Nazism / Politics / Brücke / Expressionism / Neo-Expressionist / Carving (processes) / Colour / Polychromy / Brushwork / Style / Influence
Illustrations
Attributed works:
1. Man in the moon – Franz Pforr, by Georg Baselitz. 1965. Canvas, 161.9 by 129.9 cm. (National Gallery of Art, Washington; exh. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington).
Attributed works:
2. Opposite The naked man, by Georg Baselitz. 1962. Canvas, 114 by 146 cm. (Private collection, Seattle; exh. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington).
Attributed works:
3. Meissen woodsmen, by Georg Baselitz. 1969. Canvas, 250 by 200 cm. (Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington).
Attributed works:
4. Orange eater IX, by Georg Baselitz. 1981. Oil and tempera on canvas, 146 by 114 cm. (Skarstedt, New York; exh. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington).
Attributed works:
5. Below The Brücke chorus, by Georg Baselitz. 1983. Canvas, 280 by 450 cm. (Private collection; exh. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington).
Attributed works:
6. My new hat, by Georg Baselitz. 2003. Cedarwood and oil paint, 310.5 by 83.5 by 107 cm. (Pinault Collection, Venice; exh. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington).
Attributed works:
8. Dystopian couple, by Georg Baselitz. 2015. Canvas, 400 by 600 cm. (Courtesy the artist and White Cube; exh. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington).
Western art unattributed:
7. Georg Baselitz’s studio, Ammersee. (Photograph courtesy Georg Baselitz Archive, Munich).
Exhibition Review
Emil Nolde: Colour is Life. Scottish National Gallery of Modern Art, Edinburgh
08/2018 | 1385 | 160
Pages: 684-686
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Reviewer:
Lloyd, Jill (J. L.) (Lloyd, Jill (J. L.); L., J.)
Subjects
artists:
Nolde, Emil
dates:
2010-2019
media:
Paintings / Prints / Watercolours
museums and institutions:
Scottish National Gallery of Modern Art, Edinburgh, Great Britain / National Gallery of Ireland, Dublin, Ireland
museums and institutions:
Nolde Foundation Seebüll, Neukirchen, Germany
places:
Great Britain / Edinburgh / Ireland / Dublin
subjects:
German painting / Expressionism / Figurative art / Brücke / Portraits / Colour / Nazism / Politics / Entartete Kunst / Nationalism / Race / Primitivism (Cultural anthropology related concept) / Class / Ethnology / Anthropology / Iconography / Christian iconography
Illustrations
Attributed works:
25. Slowenians, by Emil Nolde. 1911. Canvas, 80 by 69.5 cm. (Nolde Foundation, Seebüll; exh. Scottish National Gallery of Modern Art, Edinburgh).
Attributed works:
26. Frisians, man and woman, by Emil Nolde. 1910. Canvas, 69.5 by 89.5 cm. (Nolde Foundation, Seebüll; exh. Scottish National Gallery of Modern Art, Edinburgh).
Attributed works:
27. Skater, by Emil Nolde. Watercolour on paper, 25.8 by 18 cm. (Nolde Foundation, Seebüll; exh. Scottish National Gallery of Modern Art, Edinburgh).
Publication Received
Expressionism in Germany and France, from Van Gogh to Kandinsky. Edited by Timothy O. Benson, with contributions by Laird Easton, Claudine Grammont, Frauke Josenhans, Peter Kropmanns, Katherine Kuenzli, Magdalena M. Moeller and Sherwin Simmons
06/2016 | 1359 | 158
Pages: 467-467
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Reviewer:
Shearman, Niccola (Shearman, Niccola)
Subjects
styles:
Expressionism / French / German / Avant-garde / Brücke / Blaue Reiter / Fauvism / Influence
subjects:
French painting / German painting
Book Review
Max Pechstein: The Rise and Fall of Expressionism, B. Fulda and A. Soika
01/2014 | 1330 | 156
Pages: 37-38
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Reviewer:
Simmons, Sherwin (Simmons, Sherwin; Simmons, William Sherwin)
Subjects
artists:
Pechstein, Max
subjects:
Brücke / Expressionism / German / Biographies
Book Review
New Perspectives on Brücke Expressionism. Bridging History
06/2012 | 1311 | 154
Pages: 431-432
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Reviewer:
Simmons, Sherwin (Simmons, Sherwin; Simmons, William Sherwin)
Subjects
dates:
1890-1949
dates:
2000-2009
museums and institutions:
University of Sussex, Brighton, Great Britain
places:
Germany
print:
Brücke
subjects:
Art history / Brücke / Expressionism / German / Papers / Influence
subjects:
Conferences
Reviewed Items
subjects:
New Perspectives on Brücke Expressionism. Bridging History | editor: Weikop, Christian
Illustrations
Western art unattributed:
65. Photograph of Ernst Ludwig Kirchner with his early work on the veranda of the family home in Chemnitz, Germany, c.1904.
Publication Received
Moderne und Gegenwart: das Kunstmuseum in Halle
07/2009 | 1276 | 151
Pages: 486
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Reviewer:
Stonard, John-Paul (Stonard, John-Paul)
Subjects
dates:
1900-1999 / 2000-2009
museums and institutions:
Kunstmuseum des Landes Sachsen-Anhalt, Halle, Germany
museums and institutions:
Sammlung Gerlinger, Halle, Germany
museums and institutions:
Staatliche Galerie Morizburg, Halle, Germany
places:
Halle
print:
Collections, Public / Halle / Kunstmuseum des Landes Sachsen-Anhalt, Halle, Germany
print:
Modern Art
print:
Contemporary art
subjects:
Modern Art / Guidebooks / Brücke
subjects:
Collections, Public
Reviewed Items
subjects:
Moderne und Gegenwart: das Kunstmuseum in Halle | editor: Schneider, Katja
Exhibition Review
Brücke. New York
05/2009 | 1274 | 151
Pages: 342-344
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Reviewer:
Reisenfeld, Robin (Reisenfeld, Robin)
Subjects
dates:
2000-2009
museums and institutions:
Neue Galerie, New York, United States
places:
United States / New York
print:
Brücke
subjects:
Reviews / Exhibitions / Expressionism / German painting / Brücke
Reviewed Items
subjects:
Brücke. The Birth of Expressionism in Berlin and Dresden, 1905–1913 | institution: Neue Galerie
Illustrations
Attributed works:
75. Marzella, by Ernst Ludwig Kirchner. 1909–10. Canvas, 76 by 60 cm. (Moderna Museet, Stockholm; exh. Neue Galerie, New York).
Attributed works:
76. Street, Dresden, by Ernst Ludwig Kirchner. 1908–19. Canvas, 150.5 by 200.4 cm. (Museum of Modern Art, New York; exh. Neue Galerie, New York).
Attributed works:
77. Landscape in Dresden, by Erich Heckel. 1910. Canvas, 66.5 by 78.5 cm. (Staatliche Museen zu Berlin, Neue Nationalgalerie, Berlin; exh. Neue Galerie, New York).
Book Review
Stege, Grate, Inseln: Holzschnitte von Edvard Munch bis heute
03/2009 | 1272 | 151
Pages: 180
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Reviewer:
Weikop, Christian (Weikop, Christian)
Subjects
dates:
1880-1889 / 1890-1949 / 1950-1999 / 2000-2009
museums and institutions:
Kunsthalle Emden, Emden, Germany
print:
Woodcuts
subjects:
Exhibition catalogues / Prints / Woodcuts / Printmaking / Brücke
subjects:
Neo-Expressionist
Reviewed Items
subjects:
Stege, Grate, Inseln: Holzschnitte von Edvard Munch bis heute | editor: Henkel, Katharina , editor: Ohlsen, Nils
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