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Article
‘The monarch of the glen’: painting for the new Houses of Parliament
04/2025 | 1465 | 167
Pages: 342-353
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related names
Author:
Duffy, Stephen (Duffy, Stephen)
Subjects
artists:
Landseer, Edwin / Roberts, David, 1796-1864 / Stanfield, Clarkson
dates:
1840-1859 / 1850-1859
museums and institutions:
Palace of Westminster, London, Great Britain / Scottish National Gallery of Modern Art, Edinburgh, Great Britain
subjects:
Scotland / Scottish painting / Decorative arts / Hunting scenes / Hunting
Illustrations
Attributed works:
1. The monarch of the glen, by Thomas Landseer after Edwin Landseer. 1852. Engraving, 70 by 73 cm. (British Museum, London).
Attributed works:
10. Windsor Park, by Edwin Landseer. ?1850. Oil on canvas, 89.5 by 72.5 cm. (Wolverhampton Art Gallery; Bridgeman Images).
Attributed works:
11. The otter speared, by Edwin Landseer. c.1841–44. Oil on canvas, 200 by 153.7 cm (Laing Art Gallery, Newcastle; Bridgeman Images).
Attributed works:
12. A random shot, by Edwin Landseer. c.1847–48. Oil on canvas, 122 by 183 cm. (Bury Art Museum and Sculpture Centre; Bridgeman Images).
Attributed works:
13. Scene in Brae Mar, by Edwin Landseer. ?c.1851–57. Oil on canvas, 271.8 by 251.5 cm. (Private collection; Bridgeman Images).
Attributed works:
2. The monarch of the glen, by Edwin Landseer. 1849–51. Oil on canvas, 163.8 by 168.9 cm. (Scottish National Gallery, Edinburgh; Bridgeman Images).
Attributed works:
3. The Peers’ Refreshment Rooms, by Alfred Newman after George Somers Clarke. 1849. Lithograph, 22.1 by 27.1 cm. (From H.T. Ryde: Illustrations of the New Palace of Westminster, London 1849).
Attributed works:
4. The Peers’ Dining Room. (Photograph courtesy the House of Lords; Roger Harris).
Attributed works:
5. Alfred Denison, 1st Baron Londesborough, by James Faed after Francis Grant. c.1860. Mezzotint, 52.4 by 39.6 cm. (Royal Armouries, Leeds).
Attributed works:
6 and 7. Details of a letter from Edwin Landseer to Edward John Coleman, 9th May 1866 (Cadbury Research Library, University of Birmingham).
Attributed works:
8. The north wall of the Peers’ Refreshment Rooms, by the Office of Charles Barry. 1846. Ink and watercolour on paper, 15.5 by 13 cm. (National Archives, Kew).
Attributed works:
9. The north wall of the Peers’ Dining Room. (Estates Archive; photograph courtesy UK Parliament, London).
Exhibition Review
Paula Rego: Obedience and Defiance. Modern 2, Scottish National Gallery of Modern Art, Edinburgh
04/2020 | 1405 | 162
Pages: 351-353
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Reviewer:
Thompson, Susannah (Thompson, Susannah)
Subjects
artists:
Rego, Paula
dates:
2020-2030
museums and institutions:
Scottish National Gallery of Modern Art, Edinburgh, Great Britain / Milton Keynes Gallery, Milton Keynes, Great Britain / Irish Museum of Modern Art, Dublin, Ireland
subjects:
Feminism / Politics / Gender / Fantasy / Fascism / Figurative art
Illustrations
Attributed works:
26. Manifesto (for a lost cause), by Paula Rego. 1965. Acrylic, crayon, graphite and paper glued on canvas, 183 by 152 cm. (Calouste Gulbenkian Museum - Modern Collection, Lisbon;   Paula Rego, courtesy of Marlborough, New York and London; exh. Scottish National Gallery of Modern Art, Edinburgh).
Attributed works:
27. Untitled no.4, by Paula Rego. 1998. Pastel on paper, 110 by 100 cm. (Private collection;   Paula Rego, courtesy of Marlborough, New York and London; exh. Scottish National Gallery of Modern Art, Edinburgh).
Attributed works:
28. Painting him out, by Paula Rego. 2011. Pastel on paper mounted on aluminium, 119.4 by 179.7 cm. (Private collection;   Paula Rego, courtesy of Marlborough, New York and London; exh. Scottish National Gallery of Modern Art, Edinburgh).
Exhibition Review
Bridget Riley. Scottish National Gallery, Edinburgh
09/2019 | 1398 | 161
Pages: 750-753
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Reviewer:
Campbell, Anna (Campbell, Anna)
Subjects
artists:
Riley, Bridget, London , Great Britain
dates:
2010-2019
museums and institutions:
Scottish National Gallery of Modern Art, Edinburgh, Great Britain / Hayward Gallery, London, Great Britain
subjects:
British art / Abstract art / Optics / Perception
Illustrations
Attributed works:
1. Pink landscape, by Bridget Riley. 1960. Oil on canvas, 101.5 by 101.5 cm. (© Bridget Riley 2019; private collection; exh. Scottish National Gallery, Edinburgh).
Attributed works:
2. Over, by Bridget Riley. 1966. Emulsion on board, 101.5 by 101.3 cm. (© Bridget Riley 2019; National Galleries of Scotland, Edinburgh; exh. Scottish National Gallery, Edinburgh).
Attributed works:
3. Ra, by Bridget Riley. 1981. Oil on canvas, 240.7 by 205.1 cm. (© Bridget Riley 2019; Iwaki City Art Museum Japan; exh. Scottish National Gallery, Edinburgh).
Attributed works:
4. High sky, by Bridget Riley. 1991. Oil on canvas, 165 by 227 cm. (© Bridget Riley 2019; private collection; exh. Scottish National Gallery, Edinburgh).
Exhibition Review
Cut and Paste: 400 Years of Collage Scottish National Gallery of Modern Art (Modern Two), Edinburgh
09/2019 | 1398 | 161
Pages: 776-779
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related names
Reviewer:
Thompson, Susannah (Thompson, Susannah)
Subjects
artists:
Picasso, Pablo / Gris, Juan / Schwitters, Kurt / Ernst, Max / Agar, Eileen / Höch, Hannah / Heartfield, John / Blake, Peter / Kennard, Peter / Spero, Nancy / Sherman, Cindy / Schneemann, Carolee
artists:
Linder
museums and institutions:
Scottish National Gallery of Modern Art, Edinburgh, Great Britain
styles:
Dada / Surrealism / Cubist / Futurism / Abstract art / Pop art / Constructivist / Amateur
subjects:
Collages / Photomontages
Illustrations
Attributed works:
31. Scrapbook, by Mary Watson. 1821. Cut-up newspapers, printed illustrations and handwritten text, sheet 21 by 15 cm. (Manchester Metropolitan University; exh. Scottish National Gallery of Modern Art, Edinburgh).
Attributed works:
32. Still from Doll clothes, by Cindy Sherman. 1975. 16mm film transferred to video, 2 mins 22 secs. (Courtesy the artist and Metro Pictures, New York; exh. Scottish National Gallery of Modern Art, Edinburgh).
Attributed works:
33. Pretty girl, by Linder. 1977. Magazine with collage, 24 by 18.5 cm. (Courtesy the artist and Modern Art, London; exh. Scottish National Gallery of Modern Art, Edinburgh).
Exhibition Review
Emil Nolde: Colour is Life. Scottish National Gallery of Modern Art, Edinburgh
08/2018 | 1385 | 160
Pages: 684-686
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related names
Reviewer:
Lloyd, Jill (J. L.) (Lloyd, Jill (J. L.); L., J.)
Subjects
artists:
Nolde, Emil
dates:
2010-2019
media:
Paintings / Prints / Watercolours
museums and institutions:
Scottish National Gallery of Modern Art, Edinburgh, Great Britain / National Gallery of Ireland, Dublin, Ireland
museums and institutions:
Nolde Foundation Seebüll, Neukirchen, Germany
places:
Great Britain / Edinburgh / Ireland / Dublin
subjects:
German painting / Expressionism / Figurative art / Brücke / Portraits / Colour / Nazism / Politics / Entartete Kunst / Nationalism / Race / Primitivism (Cultural anthropology related concept) / Class / Ethnology / Anthropology / Iconography / Christian iconography
Illustrations
Attributed works:
25. Slowenians, by Emil Nolde. 1911. Canvas, 80 by 69.5 cm. (Nolde Foundation, Seebüll; exh. Scottish National Gallery of Modern Art, Edinburgh).
Attributed works:
26. Frisians, man and woman, by Emil Nolde. 1910. Canvas, 69.5 by 89.5 cm. (Nolde Foundation, Seebüll; exh. Scottish National Gallery of Modern Art, Edinburgh).
Attributed works:
27. Skater, by Emil Nolde. Watercolour on paper, 25.8 by 18 cm. (Nolde Foundation, Seebüll; exh. Scottish National Gallery of Modern Art, Edinburgh).
Exhibition Review
Surreal Encounters. Edinburgh, Hamburg and Rotterdam
10/2016 | 1363 | 158
Pages: 837-838
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Reviewer:
Hopkins, David (Hopkins, David)
Subjects
dates:
2010-2019
museums and institutions:
Scottish National Gallery of Modern Art, Edinburgh, Great Britain / Hamburger Kunsthalle, Hamburg, Germany / Museum Boijmans Van Beuningen, Rotterdam, Netherlands
places:
Scotland / Rotterdam / Netherlands / Hamburg / Germany / Edinburgh
subjects:
Reviews / Exhibitions / Collections, Public / Surrealism
Illustrations
Attributed works:
71. The doll, by Hans Bellmer. 1936/1965 (Hamburger Kunsthalle)
Attributed works:
72. Impressions of Africa, by Salvador Dalí. 1938 (Museum Boijmans-Van Beuningen, Rotterdam; exh. Hamburger Kunsthalle)
Attributed works:
73. Not to be reproduced, by René Magritte. 1937 (Museum Boijmans-Van Beuningen, Rotterdam; exh. Hamburger Kunsthalle)
Exhibition Review
Colquhoun and MacBryde
03/2015 | 1344 | 157
Pages: 207-209
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related names
Reviewer:
Spalding, Frances (Spalding, Frances)
Subjects
artists:
Colquhoun, Robert / MacBryde, Robert
dates:
2010-2019
museums and institutions:
Scottish National Gallery of Modern Art, Edinburgh, Great Britain
places:
Scotland / Edinburgh
subjects:
Reviews / Exhibitions
Illustrations
Attributed works:
66. The woman and the tric-trac game, by Robert MacBryde (Glasgow Museums, held on behalf of Glasgow City Council; exh. Scottish National Gallery of Modern Art, Edinburgh)
Attributed works:
67. Seated woman and cat, by Robert Colquhoun (Arts Council Collection; exh. Scottish National Gallery of Modern Art, Edinburgh)
Attributed works:
68. The painters: M'Bride and Colquhoun, by Ian Fleming (Glasgow School of Art; exh. Scottish National Gallery of Modern Art, Edinburgh)
Exhibition Review
American Impressionism
10/2014 | 1339 | 156
Pages: 694-695
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related names
Reviewer:
Sloan, Rachel (Sloan, Rachel)
Subjects
dates:
2010-2019
museums and institutions:
Scottish National Gallery of Modern Art, Edinburgh, Great Britain / Museo Thyssen-Bornemisza, Madrid, Spain / Musée des Impressionnismes, Giverny, France
places:
Spain / Scotland / Madrid / France / Edinburgh / Giverny
subjects:
Reviews / Exhibitions / Impressionism / American (United States of America)
Illustrations
Attributed works:
70. Blossoms at Giverny, by Theodore Robinson (Terra Foundation for American Art, Chicago; exh. Scottish National Gallery of Modern Art, Edinburgh)
Attributed works:
71. In the orchard, by Edmund C. Tarbell (Terra Foundation for American Art, Chicago; exh. Scottish National Gallery of Modern Art, Edinburgh)
Attributed works:
72. Woman sitting with a child in her arms, by Mary Cassatt (Museo de Bellas Artes de Bilbao; exh. Scottish National Gallery of Modern Art, Edinburgh)
Exhibition Review
GENERATION
09/2014 | 1338 | 156
Pages: 619-622
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Reviewer:
Barratt, Martha (Barratt, Martha)
Subjects
artists:
Campbell, Steven, b. 1954 / Boyce, Martin, b. 1967 / Gordon, Douglas, b. 1966 / Wright, Richard, b. 1960 / Paterson, Katie, b. 1981
artists:
Innes, Callum / Avery, Charles, Cambridge, Great Britain / Flannigan, Moyna, b. 1963 / Wright, Richard, b. 1960 / Paterson, Katie, b. 1981
artists:
Shrigley, David, b. 1968 / Black, Karla, b. 1972 / Morton, Victoria, b. 1971 / Barclay, Claire, b. 1968 / Tompkins, Hayley, b. 1971
dates:
2010-2019
museums and institutions:
National Gallery of Scotland, Edinburgh, Great Britain / Royal Scottish Academy, Edinburgh, Great Britain / Scottish National Gallery of Modern Art, Edinburgh, Great Britain
museums and institutions:
Centre for Contemporary Arts, Glasgow, Great Britain / Gallery of Modern Art, Glasgow, Great Britain
museums and institutions:
Tramway, Glasgow, Great Britain
places:
Glasgow / Edinburgh / Scotland
private galleries:
The Common Guild, Glasgow, Great Britain / Transmission Gallery, Glasgow, Great Britain / The Modern Institute, Glasgow, Great Britain / Ingleby Gallery, Edinburgh, Great Britain
subjects:
Reviews / Exhibitions / Scottish painting / Scottish sculpture / Installations (visual works)
subjects:
Prints / Videos
Illustrations
Attributed works:
55. On form and fiction, by Steven Campbell. 1990. Canvas panels with ink on paper, dimensions variable. (Scottish National Gallery, Edinburgh; exh. Royal Scottish Academy Building, Edinburgh).
Attributed works:
56. The place of the route of the If'en, by Charles Avery. 2007. Pencil, ink and gouache on paper, two panels 243.5 by 162.6 cm. each. (Scottish National Gallery of Modern Art, Edinburgh).
Attributed works:
57. Installation view of Our love is like the flowers, the rain, the sea and the hours, by Martin Boyce as it was shown at Tramway, Glasgow, in 2002. Powder coated steel, flourescent light components, chain-link fencing, wood and DVD projection, dimensions variable. (Tate collection).
Attributed works:
58. I am, by Moyna Flannigan. 2014. Oil on linen, 140 by 110 cm. (Courtesy of the artist; exh. Gallery of Modern Art, Glasgow).
Attributed works:
59. Fossil necklace, by Katie Paterson. 2013. 170 hand carved fossil beads. (Ingleby Gallery, Edinburgh).
Publication Received
S.J. Peploe
04/2013 | 1321 | 155
Pages: 270
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related names
Reviewer:
Shone, Richard (Shone, Richard; S., R.; Shone, Richard)
Subjects
artists:
Peploe, Samuel John
dates:
2010-2019
museums and institutions:
Scottish National Gallery of Modern Art, Edinburgh, Great Britain
subjects:
Scottish painting / Exhibitions
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