4. More wrong
things, by Carolee
Schneemann.
2000. Multichannel
video
installation with
suspended cable
environment,
dimensions
variable.
(Photograph
Marcus J. Leith;
exh. Barbican
Art Gallery,
London).
Exhibition Review
Cut and Paste: 400 Years of Collage Scottish National Gallery of Modern Art (Modern Two), Edinburgh
31. Scrapbook,
by Mary Watson.
1821. Cut-up
newspapers,
printed
illustrations and
handwritten
text, sheet
21 by 15 cm.
(Manchester
Metropolitan
University;
exh. Scottish
National Gallery
of Modern Art,
Edinburgh).
Attributed works:
32. Still from
Doll clothes, by
Cindy Sherman.
1975. 16mm film
transferred to
video, 2 mins 22
secs. (Courtesy
the artist and
Metro Pictures,
New York;
exh. Scottish
National Gallery
of Modern Art,
Edinburgh).
Attributed works:
33. Pretty
girl, by Linder.
1977. Magazine
with collage,
24 by 18.5 cm.
(Courtesy
the artist
and Modern
Art, London;
exh. Scottish
National Gallery
of Modern Art,
Edinburgh).
90. Aria Duetto (Cantata no. 78), by Carolee Schneemann. 1957 (P.P.O.W. Gallery, New York; exh. Museum der Moderne, Salzburg)
Attributed works:
91. Up to and including her limits, by Carolee Schneemann. 1973-76. Photograph by Alan Tannenbaum from the performance at The Kitchen, New York, February 1976 (Museum of Modern Art, New York; exh. Museum der Moderne, Salzburg)
Attributed works:
92. Controlled burning: for Yvonne Rainer's ordinary dance, by Carolee Schneemann. 1962 (P.P.O.W. Gallery, New York; exh. Museum der Moderne, Salzburg)
Attributed works:
93. Body collage, by Carolee Schneemann. 1967. Photograph by Michael Benedikt (P.P.O.W. Gallery, New York; exh. Museum der Moderne, Salzburg)