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4 articles
Exhibition Review
Carolee Schneemann: Body Politics. Barbican Art Gallery, London
12/2022 | 1437 | 164
Pages: 1264-1267
related names
Reviewer:
Spencer, Catherine (Spencer, Catherine)
Subjects
dates:
Reviewed Items
subjects:
Carolee Schneemann: Body Politics Barbican Art Gallery, London 8th September 2022– 8th January 2023 | :
Illustrations
Attributed works:
1. Up to and including her limits, by Carolee Schneemann. Performed at Studiogalerie, Berlin, 1976. (© Carolee Schneemann Foundation, New York, ARS, New York and DACS, London; courtesy Getty Research Institute, Los Angeles; photograph Henrik Gaard; exh. Barbican Art Gallery, London).
Attributed works:
2. From the series Eye body: 36 transformative actions for camera, by Carolee Schneemann. 1963, printed 2005. Gelatin silver print, 61 by 50.8 cm. (© Carolee Schneemann Foundation, New York, ARS, New York, and DACS, London; courtesy Carolee Schneemann Foundation, New York, Galerie Lelong & Co., Paris, Hales Gallery, London, and P.P.O.W, New York; photograph Erró; exh. Barbican Art Gallery, London).
Attributed works:
3. Wedding, by Carolee Schneemann. 1960. Oil, gouache, chalk, ink, graphite and collage on paper, 62.9 by 78.1 cm. (© Carolee Schneemann Foundation, New York; exh. Barbican Art Gallery, London).
Attributed works:
4. More wrong things, by Carolee Schneemann. 2000. Multichannel video installation with suspended cable environment, dimensions variable. (Photograph Marcus J. Leith; exh. Barbican Art Gallery, London).
Exhibition Review
Cut and Paste: 400 Years of Collage Scottish National Gallery of Modern Art (Modern Two), Edinburgh
09/2019 | 1398 | 161
Pages: 776-779
related names
Reviewer:
Thompson, Susannah (Thompson, Susannah)
Subjects
artists:
subjects:
Illustrations
Attributed works:
31. Scrapbook, by Mary Watson. 1821. Cut-up newspapers, printed illustrations and handwritten text, sheet 21 by 15 cm. (Manchester Metropolitan University; exh. Scottish National Gallery of Modern Art, Edinburgh).
Attributed works:
32. Still from Doll clothes, by Cindy Sherman. 1975. 16mm film transferred to video, 2 mins 22 secs. (Courtesy the artist and Metro Pictures, New York; exh. Scottish National Gallery of Modern Art, Edinburgh).
Attributed works:
33. Pretty girl, by Linder. 1977. Magazine with collage, 24 by 18.5 cm. (Courtesy the artist and Modern Art, London; exh. Scottish National Gallery of Modern Art, Edinburgh).
Exhibition Review
Post-War art. Munich
04/2017 | 1369 | 159
Pages: 339-341
related names
Reviewer:
Lewison, Jeremy (Lewison, Jeremy)
Subjects
dates:
museums and institutions:
places:
subjects:
subjects:
Illustrations
Attributed works:
79. Berlin '64, by Emilio Vedova. 1964 (Fondazione Emilio e Annabianca Vedova, Venice; exh. Haus der Kunst, Munich)
Attributed works:
80. Self-portrait of Suffering, by Ibraham El-Salahi. 1961 (Iwalewahaus, Universität Bayreuth; exh. Haus der Kunst, Munich)
Attributed works:
81. Installation view of the 'Concrete Visions' section of Postwar: Art between the Pacific and the Atlantic at the Haus der Kunst, Munich)
Exhibition Review
Carolee Schneemann
03/2016 | 1356 | 158
Pages: 230-232
related names
Reviewer:
Barratt, Martha (Barratt, Martha)
Subjects
dates:
museums and institutions:
places:
subjects:
Illustrations
Attributed works:
90. Aria Duetto (Cantata no. 78), by Carolee Schneemann. 1957 (P.P.O.W. Gallery, New York; exh. Museum der Moderne, Salzburg)
Attributed works:
91. Up to and including her limits, by Carolee Schneemann. 1973-76. Photograph by Alan Tannenbaum from the performance at The Kitchen, New York, February 1976 (Museum of Modern Art, New York; exh. Museum der Moderne, Salzburg)
Attributed works:
92. Controlled burning: for Yvonne Rainer's ordinary dance, by Carolee Schneemann. 1962 (P.P.O.W. Gallery, New York; exh. Museum der Moderne, Salzburg)
Attributed works:
93. Body collage, by Carolee Schneemann. 1967. Photograph by Michael Benedikt (P.P.O.W. Gallery, New York; exh. Museum der Moderne, Salzburg)