By using this website you agree to our Cookie policy

Search

6 articles
Exhibition Review
Engineer, Agitator, Constructor: The Artist Reinvented
03/2021 | 1416 | 163
Pages: 283-285
related names
Reviewer:
Huber, Stephanie (Huber, Stephanie)
Subjects
dates:
styles:
Reviewed Items
subjects:
Engineer, Agitator, Constructor: The Artist Reinvented Museum of Modern Art, New York 13th December 2020–10th April 2021 | :
Illustrations
Attributed works:
19. The hand has five fingers, by John Heartfield. 1928. Lithograph, 97.8 by 74.3 cm. (Merrill C. Berman Collection, Museum of Modern Art, New York).
Attributed works:
20. Advertising technique 1, design for a journal cover, by Nikolai Sedelnikov. 1930. Letterpress, 29.8 by 23 cm. (Merrill C. Berman Collection, Museum of Modern Art, New York).
Attributed works:
Opposite 18. Electrification of the entire country, by Gustav Klutsis. c.1920. Cut-andpasted gelatin silver prints, printed and painted paper on paper with gouache, ink, and pencil, 46.5 by 27.5 cm. (Merrill C. Berman Collection, Museum of Modern Art, New York).
Exhibition Review
John Heartfield: Photography Plus Dynamite
10/2020 | 1411 | 162
Pages: 878-881
related names
Reviewer:
Kriebel, Sabine (Kriebel, Sabine)
Subjects
dates:
museums and institutions:
subjects:
Reviewed Items
subjects:
John Heartfield: Photography Plus Dynamite Akademie der Künste, Berlin 2nd June–23rd August | :
Illustrations
Attributed works:
1. Installation view of a portrait of John Heartfield from the 1960s and Marcel Odenbach’s twochannel video installation at the Akademie der Künste, Berlin, 2020. (Photograph Roman März).
Attributed works:
2. Cover of Kurt Tucholsky’s Deutschland, Deutschland über alles, by John Heartfield. 1929. (© The Heartfield Community of Heirs / VG Bild-Kunst, Bonn 2020; Akademie der Künste, Berlin).
Attributed works:
3. Rifles, bayonets, daggers, cannons and hand, collection of cutout photographic material amassed by Heartfield, undated. 46 individual pieces, 1925–68, gelatin silver print, cut out. (Akademie der Künste, Berlin; photograph N.N.).
Exhibition Review
Cut and Paste: 400 Years of Collage Scottish National Gallery of Modern Art (Modern Two), Edinburgh
09/2019 | 1398 | 161
Pages: 776-779
related names
Reviewer:
Thompson, Susannah (Thompson, Susannah)
Subjects
artists:
subjects:
Illustrations
Attributed works:
31. Scrapbook, by Mary Watson. 1821. Cut-up newspapers, printed illustrations and handwritten text, sheet 21 by 15 cm. (Manchester Metropolitan University; exh. Scottish National Gallery of Modern Art, Edinburgh).
Attributed works:
32. Still from Doll clothes, by Cindy Sherman. 1975. 16mm film transferred to video, 2 mins 22 secs. (Courtesy the artist and Metro Pictures, New York; exh. Scottish National Gallery of Modern Art, Edinburgh).
Attributed works:
33. Pretty girl, by Linder. 1977. Magazine with collage, 24 by 18.5 cm. (Courtesy the artist and Modern Art, London; exh. Scottish National Gallery of Modern Art, Edinburgh).
Publication Received
Hannah Hoch. Jenseits fester Grenzen. Das malerische Werk bis 1945
08/1998 | 1145 | 140
Pages: 572
related names
Reviewer:
Martin, Andrew John (Martin, Andrew John)
Subjects
artists:
Reviewed Items
artists:
Hannah Hoch. Jenseits fester Grenzen. Das malerische Werk bis 1945 | author: Maurer, Ellen
Exhibition Review
Hannah Höch. Minneapolis and New York
03/1997 | 1128 | 139
Pages: 226-227
related names
Reviewer:
Silberman, Robert (Silberman, Robert; Silberman, Robert B.)
Subjects
artists:
dates:
places:
subjects:
Illustrations
Attributed works:
97. Dada Ball, by Hannah Höch. 1922. Photomontage, 32 by 23 cm. (Arturo Schwarz, Milan; Exh. Walker Art Center, Minneapolis).
Attributed works:
98. Dream Night, by Hannah Höch. 1943-46. Photomontage, 26.6 by 26.8 cm. (Institut für Auslandsbeziehungen, Stuttgart; Exh. Walker Art Center, Minneapolis).
Exhibition Review
Hannah Höch. London, Goethe Institute
07/1987 | 1012 | 129
Pages: 478
related names
Reviewer:
Rainbird, Sean (Rainbird, Sean)
Subjects
artists:
dates:
places:
subjects:
Illustrations
Attributed works:
80. Grotesque, by Hannah Höch. 1963. Collage, 25 by 17 cm. (Exh. Goethe Institute, London).