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8 articles
Exhibition Review
Engineer, Agitator, Constructor: The Artist Reinvented
03/2021 | 1416 | 163
Pages: 283-285
related names
Reviewer:
Huber, Stephanie (Huber, Stephanie)
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dates:
styles:
Reviewed Items
subjects:
Engineer, Agitator, Constructor: The Artist Reinvented Museum of Modern Art, New York 13th December 2020–10th April 2021 | :
Illustrations
Attributed works:
19. The hand has five fingers, by John Heartfield. 1928. Lithograph, 97.8 by 74.3 cm. (Merrill C. Berman Collection, Museum of Modern Art, New York).
Attributed works:
20. Advertising technique 1, design for a journal cover, by Nikolai Sedelnikov. 1930. Letterpress, 29.8 by 23 cm. (Merrill C. Berman Collection, Museum of Modern Art, New York).
Attributed works:
Opposite 18. Electrification of the entire country, by Gustav Klutsis. c.1920. Cut-andpasted gelatin silver prints, printed and painted paper on paper with gouache, ink, and pencil, 46.5 by 27.5 cm. (Merrill C. Berman Collection, Museum of Modern Art, New York).
Article
Vasily Kandinsky and the Formal method
12/2018 | 1389 | 160
Pages: 1016-1023
related names
Author:
Bowlt, John E. (Bowlt, John E.)
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Illustrations
Attributed works:
1. Elementary life of the primary colour and its dependence on the simplest locale, by Vasily Kandinsky. Illustration to the lecture ‘On the Spiritual in Art’ delivered by Nikolai Kul’bin on Kandinsky’s behalf at the All-Russian Congress of Artists, St Petersburg, 29th and 31st December 1911. Published in Russian in I. Repin et al.: Trudy Vserossiiskogo s’ezda khudozhnikov (Transactions of the All-Russian Congress of artists), Petrograd 1914, I, pp.76–77.
Attributed works:
2. Improvisation 10, by Vasily Kandinsky. 1910. Canvas, 120 by 140 cm. (Fondation Beyeler, Basel; photograph courtesy Peter Schibli).
Attributed works:
3. Tsikl lektsii (Cycle of lectures), by Nikolay Punin. Petrograd 1920. Cover designed by Kazimir Malevich. (Photograph courtesy Museum of Modern Art, New York).
Attributed works:
5. Black lines, by Vasily Kandinsky. 1913. 129.4 by 131.1 cm. (Solomon R. Guggenheim Museum, New York; Bridgeman Images).
Attributed works:
6. Painting with the red spot, by Vasily Kandinsky. 1914. Canvas, 130 by 130 cm. (Centre Georges Pompidou, Paris; Bridgeman Images).
Non-western art unattributed:
4. Members of RAKhN (Russian Academy of Artistic Sciences) in the building of Svomas (Free State Art Studios), Moscow, June 1921. From left to right: Robert Fal’k, Evsei Shor, Nikolai Uspensky, Vasily Kandinsky, Evgenii Pavlov and Aleksandr Shenshin. Reproduced in C. Derouet and J. Boissel, eds.: exh. cat. Œuvres de Vassily Kandinsky (1866–1944), Paris (Centre Georges Pompidou) 1984, p.156.
Exhibition Review
Rodchenko and his circle. London
04/2011 | 1297 | 153
Pages: 271-272
related names
Reviewer:
Blood, Anne (Blood, Anne)
Subjects
dates:
dates:
places:
print:
Reviewed Items
subjects:
Rodchenko and his circle. Constructing the Future Through Photography | institution: Art Sensus
Illustrations
Attributed works:
66. Design for the Palace of Congress, by VKhUTEMAS workshops. 1923. Vintage gelatin silver print, 19 by 12.7 cm. (Courtesy of the Tosca Photography Fund; exh. Art Sensus, London).
Attributed works:
67. Portrait of Lilia Brik, by Alexander Rodchenko. 1924 (reprinted in 1990). Photograph, 42.7 by 25.8 cm. (Courtesy of the Tosca Photography Fund; exh. Art Sensus, London).
Western art unattributed:
68. Max Alpert, 20th century. Anonymous. c.1920s–30s. Vintage gelatin silver print, 11.2 by 8.6 cm. (Courtesy of the Tosca Photography Fund; exh. Art Sensus, London).
Exhibition Review
Rodchenko and Popova. London, Thessaloniki and Madrid
04/2009 | 1273 | 151
Pages: 253-255
related names
Reviewer:
Milner, John (Milner, John)
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places:
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Reviewed Items
subjects:
Rodchenko and Popova: Defining Constructivism | institution: Museo Nacional Centro de Arte Reina Sofía , institution: State Museum of Contemporary Art , institution: Tate Modern
Illustrations
Attributed works:
57. Space–force construction, by Liubov Popova. 1921. Oil on plywood, 64 by 60 cm. (State Tretiakov Gallery, Moscow; exh. Tate, London).
Attributed works:
58. Design for an advertising poster for the department store Gum (State Universal Store), by Alexander Rodchenko. 1923. Cut-and-pasted printed papers, gelatin-silver prints, gouache and ink on paper, 54 by 35 cm. (State Mayakovsky Museum, Moscow; exh. Tate, London).
Attributed works:
59. Fabric samples, by Liubov Popova. 1923–24. Fabric mounted on cardboard, 31.5 by 12.5 cm. (State Tretiakov Museum, Moscow, gift of George Costakis; exh. Tate, London).
Attributed works:
60. Construction no.108, by Alexander Rodchenko. 1920. Canvas, 104 by 71 cm. (Victor and Marianne Langen collection; exh. Tate, London).
Exhibition Review
Rodchenko. New York
10/1998 | 1147 | 140
Pages: 710-712
related names
Reviewer:
Lodder, Christina (Lodder, Christina; L., C.; Lodder, Christina A.)
Subjects
dates:
subjects:
Illustrations
Attributed works:
50. Construction no.90 (On White), by Aleksandr Rodchenko. 1919. 67.5 by 40 cm. (A. Rodchenko and V. Stepanova Archive, Moscow; Exh. Museum of Art, New York).
Attributed works:
51. Spatial Construction no.12, from the Series Light-Reflecting Surfaces, by Aleksandr Rodchenko. 1920. Plywood with Aluminium Paint and Wire, 61 by 83.7 by 47 cm. (Museum of Modern Art, New York).
Attributed works:
52. Maquette for an Illustration to Vladimir Mayakovsky's Poem About This, by Aleksandr Rodchenko. 1923. Papers and Photographs on Cardboard, 42.5 by 32.5 cm. (State Mayakovsky Museum, Moscow; Exh. Museum of Art, New York).
Attributed works:
53. Advertisement for Mozer Watches, by Aleksandr Rodchenko (With Text by Vladimir Mayakovsky). 1923. Letterpress, 18 by 15.4 cm. (Merrill C. Berman Collection; Exh. Museum of Modern Art, New York).
Book Review
Art and Literature under the Bolsheviks: Volume 1: The Crisis of Renewal 1917-1924; Volume 2: Authority and Revolution [and: Russian Avant-Garde Books; Alexander Rodchenko, works on paper 1914-1920; Twentiethc century Russian and east European Painting: The Thyssen Bornemisza Collection; A dictionary of Russian and Soviet artists 1420-1970]
11/1994 | 1100 | 136
Pages: 777-778
related names
Reviewer:
Lodder, Christina (Lodder, Christina; L., C.; Lodder, Christina A.)
Subjects
dates:
dates:
places:
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subjects:
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Reviewed Items
subjects:
Art and Literature under the Bolsheviks: Volume 1: The Crisis of Renewal 1917-1924; Volume 2: Authority and Revolution; Russian Avant-Garde Books; Alexander Rodchenko, works on paper 1914-1920; Twentiethc century Russian and east European Painting: The Thyssen Bornemisza Collection; A dictionary of Russian and Soviet artists 1420-1970 | author: Bowlt, John E. , author: Compton, Susan P. , author: Elliott, David , author: Lavrentiev, Alexander , author: Milner, John , author: Misler, Nicoletta , author: Taylor, Brandon
Book Review
Alexander Vesnin and Russian Constructivism [and: Rodchenko, the complete work]
10/1987 | 1015 | 129
Pages: 680-681
related names
Reviewer:
Bowlt, John E. (Bowlt, John E.)
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Reviewed Items
subjects:
Alexander Vesnin and Russian Constructivism | author: Khan-Magomedov, Selim O. , author: Khan-Magomedov, Selim O. , author: Quilici, Vieri
Article
The Russian contribution to Modern painting
05/1960 | 686 | 102
Pages: 204-211
related names
Author:
Gray, Camilla (Gray, Camilla)
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artists:
artists:
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Illustrations
Attributed works:
27. The Violinist, by Piotr Konchalovsky. Signed and Dated 1918. Canvas, 142 by 105 cm. (Tretyakov Gallery, Moscow.)
Attributed works:
28. Peasants Gathering Apples, by Natalia Goncharova. 1911. Canvas, 104 by 97 cm. (Tretyakov Gallery, Moscow.)
Attributed works:
29. Spring, by Mikhail Larionov. Signed. Canvas, 118 by 148 cm. (Tretyakov Gallery, Moscow.)
Attributed works:
30. Portrait of E. L. Kirkaldi, by Ilya Mashkov. Signed. 1910. Canvas, 166 by 124 cm. (Tretyakov Gallery, Moscow.)
Attributed works:
31. Corner Counter-Relief, by Vladimir Tatlin. 1914-15. Wood, Cardboard, Metal, and Other Materials. (Destroyed.)
Attributed works:
32. Dynamic Suprematism, by Kasimir Malevich. 1916. Canvas, 80 by 71 cm. (Russian Museum, Leningrad.)
Attributed works:
33. At the Harvest, by Kasimir Malevich. Signed and Dated 1909. Canvas, 86 by 67 cm. (Tretyakov Gallery, Moscow.)
Attributed works:
34. Painting Relief, by Vladimir Tatlin. 1913-14. Paper Collage, Metal Foil, Wallpaper, and Other Materials. (Destroyed.)
Attributed works:
36. Planit - The Contemporary Environment, by Kasimir Malevich. Pencil on Paper, 37 by 54 cm. (Stedelijk Museum, Amsterdam.)
Attributed works:
37. Cover Design of Constructivist Magazine Veshch/Gegenstand/Objet, by El Lissitzky, Edited by El Lissitzky and Ilya Ehrenburg, Berlin, 1922.
Attributed works:
38. Project for a Kiosk Biznaks, by Alexandr Rodchenko. 1919. Pen and Ink. (Private Collection.)
Western art unattributed:
35. Soviet Section of 'International Press Exhibition', Cologne, 1928, by El Lissitzky. Dominant Medium: Photomontage.