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6 articles
Exhibition Review
Chantal Joffe: Personal Feeling is the Main Thing. The Lowry, Manchester
08/2018 | 1385 | 160
Pages: 692-694
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related names
Reviewer:
Parton, John (Parton, John)
Subjects
artists:
Joffe, Chantal / Modersohn-Becker, Paula / Almond, Darren / Finch, Spencer / Gordon, Douglas, b. 1966 / Yayoi Kusama, b. 1929 / Periton, Simon / Rovner, Michael / Shawcross, Conrad, b. 1977 / Wright, Richard, b. 1960
dates:
2010-2019
media:
Paintings / Drawings
museums and institutions:
The Lowry, Salford, Great Britain / Whitechapel Art Gallery, London, Great Britain
places:
Great Britain / Manchester / London
subjects:
American painting (United States of America) / Portraits / Self-portraits / Figurative art / Nudes / Gender / Public sculpture
Illustrations
Attributed works:
36. Herb at sixteen, by Chantal Joffe. 2017. Canvas, 100 by 70 cm. (Courtesy the artist and Victoria Miro, London; exh. The Lowry, Manchester).
Attributed works:
37. The squid and the whale II, by Chantal Joffe. 2017. Board, 214 by 152 cm. (Courtesy the artist and Victoria Miro, London; exh. The Lowry, Manchester).
Attributed works:
38. Katherine (eight months), by Chantal Joffe. 2011. Canvas, 152.5 by 91.5 cm. (Courtesy the artist and Victoria Miro, London; exh. The Lowry, Manchester).
Exhibition Review
GENERATION
09/2014 | 1338 | 156
Pages: 619-622
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Reviewer:
Barratt, Martha (Barratt, Martha)
Subjects
artists:
Campbell, Steven, b. 1954 / Boyce, Martin, b. 1967 / Gordon, Douglas, b. 1966 / Wright, Richard, b. 1960 / Paterson, Katie, b. 1981
artists:
Innes, Callum / Avery, Charles, Cambridge, Great Britain / Flannigan, Moyna, b. 1963 / Wright, Richard, b. 1960 / Paterson, Katie, b. 1981
artists:
Shrigley, David, b. 1968 / Black, Karla, b. 1972 / Morton, Victoria, b. 1971 / Barclay, Claire, b. 1968 / Tompkins, Hayley, b. 1971
dates:
2010-2019
museums and institutions:
National Gallery of Scotland, Edinburgh, Great Britain / Royal Scottish Academy, Edinburgh, Great Britain / Scottish National Gallery of Modern Art, Edinburgh, Great Britain
museums and institutions:
Centre for Contemporary Arts, Glasgow, Great Britain / Gallery of Modern Art, Glasgow, Great Britain
museums and institutions:
Tramway, Glasgow, Great Britain
places:
Glasgow / Edinburgh / Scotland
private galleries:
The Common Guild, Glasgow, Great Britain / Transmission Gallery, Glasgow, Great Britain / The Modern Institute, Glasgow, Great Britain / Ingleby Gallery, Edinburgh, Great Britain
subjects:
Reviews / Exhibitions / Scottish painting / Scottish sculpture / Installations (visual works)
subjects:
Prints / Videos
Illustrations
Attributed works:
55. On form and fiction, by Steven Campbell. 1990. Canvas panels with ink on paper, dimensions variable. (Scottish National Gallery, Edinburgh; exh. Royal Scottish Academy Building, Edinburgh).
Attributed works:
56. The place of the route of the If'en, by Charles Avery. 2007. Pencil, ink and gouache on paper, two panels 243.5 by 162.6 cm. each. (Scottish National Gallery of Modern Art, Edinburgh).
Attributed works:
57. Installation view of Our love is like the flowers, the rain, the sea and the hours, by Martin Boyce as it was shown at Tramway, Glasgow, in 2002. Powder coated steel, flourescent light components, chain-link fencing, wood and DVD projection, dimensions variable. (Tate collection).
Attributed works:
58. I am, by Moyna Flannigan. 2014. Oil on linen, 140 by 110 cm. (Courtesy of the artist; exh. Gallery of Modern Art, Glasgow).
Attributed works:
59. Fossil necklace, by Katie Paterson. 2013. 170 hand carved fossil beads. (Ingleby Gallery, Edinburgh).
Exhibition Review
Douglas Gordon. New York and Buenos Aires
09/2006 | 1242 | 148
Pages: 649-650
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related names
Reviewer:
Lawrence, James (Lawrence, James)
Subjects
artists:
Gordon, Douglas, b. 1966
dates:
2000-2009
museums and institutions:
Museum of Modern Art, New York, United States / Malba-Colección Constantini/Museo de Arte Latinoamericano, Buenos Aires, Argentina
places:
United States / New York / Argentina / Buenos Aires
print:
Gordon, Douglas, b. 1966
subjects:
Reviews / Exhibitions
Reviewed Items
subjects:
Douglas Gordon: Timeline | institution: Malba-Colección Constantini/Museo de Arte Latinoamericano , institution: Museum of Modern Art
Illustrations
Attributed works:
78. Between darkness and light (after William Blake), by Douglas Gordon. 1997. Video installation with screen, sound, and black-and-white and colour videos, 1 hr. 47 min. loop and 2 hr. 35 min. loop, dimensions variable. Installation view at the Stedelijk Van Abbemuseum, Eindhoven, 1999. (Museum of Modern Art, New York).
Attributed works:
79. Play dead; real time, by Douglas Gordon. 2003. Video installation with two screens, monitor, and colour video, 21 min. loop and 11 min. loop, dimensions variable. Installation view at the Gagosian Gallery, New York, 2003. (Museum of Modern Art, New York).
Exhibition Review
Douglas Gordon/Steve McQueen. London
01/2003 | 1198 | 145
Pages: 46-47
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related names
Reviewer:
Whitfield, Sarah (Whitfield, Sarah; Whitfield, Mrs)
Subjects
artists:
Gordon, Douglas, b. 1966
artists:
McQueen, Steve
dates:
2000-2009
museums and institutions:
Hayward Gallery, London, Great Britain
places:
England / London
subjects:
Exhibitions / Reviews
Reviewed Items
subjects:
Douglas Gordon: waht have I done and Steve McQueen | :
Illustrations
Attributed works:
35. Still from Carib's Leap, by Steve McQueen. 2002. Film. (Artangel and the artist; exh. Lumière Cinema, London).
Attributed works:
36. Still from Western Deep, by Steve McQueen. 2002. Film. (Artangel and the artist; exh. Lumière Cinema, London).
Attributed works:
37. Still from A divided self II, by Douglas Gordon. 1996. Video installation. (Private collection; exh. Hayward Gallery, London).
Attributed works:
38. Still from 24 hour Psycho, by Douglas Gordon. 1993. Video installation. (Bernard Starkmann, London; exh. Hayward Gallery, London).
Attributed works:
39. Tattoo (for reflection), by Douglas Gordon. 1997. C-print, 57.3 by 58.8 cm. (Lisson Gallery, London, and the artist; exh. Hayward Gallery, London).
Exhibition Review
Douglas Gordon: Los Angeles
04/2002 | 1189 | 144
Pages: 257-258
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related names
Reviewer:
Cooke, Lynne (Cooke, Lynne)
Subjects
artists:
Gordon, Douglas, b. 1966
dates:
2000-2009
museums and institutions:
Museum of Contemporary Art (MOCA), Los Angeles, United States
places:
Los Angeles / United States
subjects:
Exhibitions
subjects:
Reviews
Illustrations
Attributed works:
57. Between Darkness and Light (After William Blake), by Douglas Gordon. 1997. Video Installation. (Courtesy of Lisson Gallery, London; Exh. Museum of Contemporary Art, Los Angeles).
Attributed works:
58. Through a Looking Glass, by Douglas Gordon. 1999. Double Video Projection with Sound. (Courtesy of Solomon R. Guggenheim Museum, New York; Exh. Museum of Contemporary Art, Los Angeles).
Attributed works:
59. Installation View of Croque-Mort, by Douglas Gordon. 2000. Framed C-Prints, Each 95 by 135 cm. (Courtesy of Lisson Gallery, London; Exh. Museum of Contemporary Art, Los Angeles).
Attributed works:
60. Film Noir (Fly), by Douglas Gordon. 1995. Video Installation. (Courtesy of Lisson Gallery, London; Exh. Museum of Contemporary Art, Los Angeles).
Exhibition Review
Stan Douglas and Douglas Gordon. New York
04/2000 | 1165 | 142
Pages: 259-260
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related names
Reviewer:
Kernan, Nathan (Kernan, Nathan)
Subjects
artists:
Douglas, Stan
artists:
Gordon, Douglas, b. 1966
dates:
2000-2009
places:
New York / United States
subjects:
Exhibitions / Reviews
Illustrations
Attributed works:
74. Win, Place or Show, by Stan Douglas. 1998. Video-Still (Exh. Dia Center for the Arts, New York).
Attributed works:
75. left Is Right and Right Is Wrong and Left Is Wrong and Right Is Right, by Douglas Gordon. 1999. Video Installation (Collection of the Artist; Exh. Dia Center for the Arts, New York).