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8 articles
Article
Helen Sutherland, patron, collector and friend of Ben Nicholson
07/2013 | 1324 | 155
Pages: 480-488
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related names
Author:
Spalding, Frances (Spalding, Frances)
Subjects
artists:
Nicholson, Ben / Wallis, Alfred
dates:
1880-1919 / 1920-1929 / 1930-1939 / 1940-1959 / 1960-1969
patrons:
Sutherland, Helen
subjects:
Patrons / Collectors / Biographies
Illustrations
Attributed works:
34. Sailing boat, by Alfred Wallis (Private collection)
Attributed works:
35. Porthmeor Beach, St Ives, by Ben Nicholson (Private collection)
Attributed works:
36. Seahouses, Northumberland, by Ben Nicholson (Private collection)
Attributed works:
37. Porthmeor, window looking out to sea, by Ben Nicholson (Private collection)
Attributed works:
38. Saint Rémy, Provence, by Ben Nicholson (Private collection)
Attributed works:
39. Girl in a mirror, by Ben Nicholson (Private collection)
Attributed works:
41. Photograph of the fireplace by Leslie Martin at Cockley Moor, with its extended mantlepiece, showing Naum Gabo's Perspex construction, 1932, a Barbara Hepworth sculpture and other works. (Photograph copyright of Cecilia Gray)
Attributed works:
43. Relief, version 1, by Ben Nicholson (Private collection)
Western art unattributed:
32. Helen Sutherland sitting at her desk at Cockley Moor. Early 1960s. (Photograph copyright of Cecilia Gray)
Western art unattributed:
33. Photograph of Rock Hall, near Alnwick, Northumberland
Western art unattributed:
40. Photograph of the main sitting-room at Cockley Moor, near Dockray, Cumbria, showing some of Helen Sutherland's collection. (Photograph copyright of Cecilia Gray)
Western art unattributed:
42. Helen Sutherland standing at her desk at Cockley Moor. Early 1960s. (Photograph copyright of Cecilia Gray)
Article
'Powerful emotive agents': the association between Ben Nicholson and John Piper
10/2007 | 1255 | 149
Pages: 694-703
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related names
Author:
Spalding, Frances (Spalding, Frances)
Subjects
artists:
Piper, John / Nicholson, Ben
dates:
1930-1939
print:
Nicholson, Ben
print:
Piper, John
subjects:
British painting / Collages / Mixed media / Reliefs / Drawings / Advertisements / Book covers / Abstract art
Illustrations
Attributed works:
38. 1933 (collage), by Ben Nicholson. 1933. Oil, collage and pencil on canvas, 85 by 67.4 cm. (Private collection).
Attributed works:
39. Abstract construction, by John Piper. 1934. Oil, sand and wood on board, 51.4 by 61.5 cm. (Whitworth Art Gallery, University of Manchester).
Attributed works:
40. 1935 (white relief), by Ben Nicholson. Oil on mahogany board, 98.9 by 164.9 cm. (Tate, London).
Attributed works:
41. Cover design for the first issue of Axis, by John Piper. c.1934–35. (Private collection).
Attributed works:
42. Painting 1935, by John Piper. 1935. Canvas on board, 39.4 by 29.2 cm. (National Museum and Galleries of Wales, Cardiff).
Attributed works:
43. Forms on dark blue, by John Piper, 1936 (Piper estate), hanging in Bowman’s furniture shop, Camden Town, London, 1936.
Attributed works:
44. ‘1938 (faster air services)’, by Ben Nicholson. 1938. Poster for Imperial Airways, 98.2 by 60.4 cm. (Victoria and Albert Museum, London).
Attributed works:
45. Cover of brochure for Imperial Airways, by John Piper. c.1937. 15.4 by 9.2 cm. (Private collection).
Attributed works:
46. Knowlton, Dorset, by John Piper. 1938. Ink and collage, 37.8 by 46.5 cm. (Private collection).
Attributed works:
47. The Royal Pavilion, Brighton, by John Piper. 1939. Ink and wash on paper, 39 by 54.5 cm. (Private collection).
Attributed works:
48. Dungeness, by John Piper. 1938. Collage of cut papers with black ink, 50 by 38 cm. (Private collection).
Attributed works:
49. 1934 (white relief), by Ben Nicholson. 1934. Oil on carved board, 20 by 25 cm. (Private collection; photograph courtesy Christie’s Images, London).
Article
John Piper and Coventry, in War and Peace
07/2003 | 1204 | 145
Pages: 488-500
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related names
Author:
Spalding, Frances (Spalding, Frances)
Subjects
artists:
Piper, John
dates:
1900-1949
places:
England / Coventry
subjects:
British painting
Illustrations
Attributed works:
11. Cathedra Petri, by Gianlorenzo Bernini. Gilt bronze and stucco. (St Peter's, Rome).
Attributed works:
12. Colour Sketch for baptistery window, by John Piper. 1957. Chalk, water-colour and gouache, 109 by 73.5 cm. (Private collection; photograph courtesy of the University of Warwick Photograph Collection).
Attributed works:
14. The baptistery window, Coventry Cathedral. (Photo courtesy of Sonia Halliday Photographs).
Attributed works:
15. Detail of the baptistery window, Coventry Cathedral.
Attributed works:
16-17. Coventry Cathedral vestments, designed by John Piper. (Coventry Cathedral).
Attributed works:
16-17. Coventry Cathedral vestments, designed by John Piper. (Coventry Cathedral).
Attributed works:
18. The baptistery window, Coventry Cathedral, in full sunlight. 2003. Photograph by the author.
Attributed works:
3. Coventry Cathedral, 15th November 1940, by John Piper. 1940. 76.2 by 63.5 cm. (Manchester Art Gallery).
Attributed works:
4. The passage to the control room at South-West Regional Headquarters, Bristol, by John Piper. 1940. Panel, 76.2 by 50.8 cm. (Imperial War Museum, London).
Attributed works:
5. Interior of St Michael's Cathedral, Coventry, November 15th 1940, by John Piper. 1940. Canvas on board, 50.8 by 61 cm. (Herbert Art Gallery and Museum, Coventry).
Attributed works:
6. Coventry Cathedral, November 1940, by John Piper. 1940. Pastel on paper, 14.7 by 18.5 cm. (Ashmolean Museum, Oxford).
Attributed works:
7. Coventry Cathedral, November 1940, by Randolph Schwabe. 1940. Pencil and wash on paper, 37.8 by 37.1 cm. (Imperial War Museum, London).
Attributed works:
9. Coventry Cathedral ruins, by Muirhead Bone. 1944. Water-colour, 131 by 77 cm. (Herbert Art Gallery and Museum, Coventry).
Western art unattributed:
1. Coventry Cathedral, 15th November 1940. Photograph taken from the tower and reproduced in the Daily Mirror.
Western art unattributed:
2. The ruined cathedral, looking eastwards towards the apse. Photograph. (Coventry Cathedral Archives).
Short Notice
'Working for an Imaginary Temple': Stanley Spencer, Eric Gill, Jacques and Gwen Raverat
05/2001 | 1178 | 143
Pages: 290-295
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related names
Author:
Spalding, Frances (Spalding, Frances)
Subjects
artists:
Spencer, Stanley
artists:
Raverat, Gwen
artists:
Raverat, Jacques
artists:
Gill, Eric
dates:
1900-1919
places:
England / London
subjects:
British painting
subjects:
Manet and the Post-Impressionists
Illustrations
Attributed works:
61. John Donne Arriving in Heaven, by Stanley Spencer. 1911. 37 by 40.5 cm. (Private Collection; On Loan to the Fitzwilliam Museum, Cambridge). © DACS.
Attributed works:
62. Jacques Raverat, by Gwen Raverat. c.1911. 37 by 29 cm. (William Pryor).
Attributed works:
63. Poster for the Second Post-Impressionist Exhibition. Collaborative Design by Vanessa Bell, Frederick Etchells, Roger Fry and Duncan Grant. 1912. 119.4 by 93.8 cm. (Victoria and Albert Museum, London).
Attributed works:
64. The Little Visitation, by Gwen Raverat. 1912. Wood Engraving, 7.3 by 5.3 cm. (Private Collection).
Attributed works:
65. The Visitation, by Gwen Raverat. 1912. Wood Engraving, 10.2 by 7.7 cm. (Private Collection).
Attributed works:
66. The Dead Christ, Designed by Jacques Raverat and Cut by Gwen Raverat. 1913. Wood Engraving, 10.2 by 4.1 cm. (Private Collection).
Attributed works:
67. Pietà, Designed by Jacques Raverat and Cut by Gwen Raverat. 1912. Wood Engraving, 10.2 by 15.2 cm. (Private Collection).
Attributed works:
68. The Visitation, by Gwen Raverat. 1914. Fresco, 101 by 75 cm. (Darwin College, Cambridge).
Attributed works:
69. Rupert Brooke, by Gwen Raverat. 1919. Wood Engraving. (Frontispiece for Brooke's Collected Poems, Medici Society, London, 1919).
Attributed works:
70. Mediterranean Landscape, by Jacques and Gwen Raverat. 1915. Fresco, 138 by 320 cm. (Conduit Head, Cambridge; By Kind Permission of Professor and Mrs Peter Lachmann).
Publication Received
Duncan Grant. A Biography
01/1999 | 1150 | 141
Pages: 46
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Subjects
subjects:
Biographies / Grant, Duncan
Reviewed Items
subjects:
Duncan Grant. A Biography | author: Spalding, Frances
Book Review
Christopher Wood. An English Painter
01/1996 | 1114 | 138
Pages: 37-38
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related names
Author:
Spalding, Frances (Spalding, Frances)
Subjects
artists:
Wood, Christopher
dates:
1900-1929
places:
England
subjects:
British painting
Reviewed Items
subjects:
Christopher Wood. An English Painter | author: Ingleby, Richard
Letter
Simon Watney and His Friends in a Post-Modernist Age: A Reply
04/1987 | 1009 | 129
Pages: 251-252
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related names
Author:
Spalding, Frances (Spalding, Frances)
Subjects
art literature:
Fry, Roger (R. F.; R. E. F.)
dates:
1910-1919
places:
England / London
subjects:
Burlington Magazine
subjects:
Art theory / British painting / French painting / Post-Impressionism
subjects:
Post-Modern
subjects:
Modernism
Article
Roger Fry and His Critics in a Post-Modernist Age
07/1986 | 1000 | 128
Pages: 489-492
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related names
Author:
Spalding, Frances (Spalding, Frances)
Subjects
art literature:
Fry, Roger (R. F.; R. E. F.)
artists:
Fry, Roger (R. F.; R. E. F.)
dates:
1900-1949
places:
England / London
subjects:
Art periodicals / History
subjects:
Burlington Magazine
subjects:
Art criticism
Illustrations
Attributed works:
21. Pencil Drawing by Walter Sickert. Reproduced in the Magazine November 1918, p.202.
Attributed works:
22. Pencil Drawing by Henri Matisse. Reproduced in the Magazine November 1918, p.207.
Attributed works:
23. Roger Fry. Vision, Volume, and Recession, by Walter Sickert. c. 1911. Ink. 17.2 by 9.5 cm. (Islington Public Libraries, London).
Western art unattributed:
20. Roger Fry Painting. c. 1930. Photograph.