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25 articles
Publication Received
Modernism and the Museum: Asian, African, and Pacific Art and the London Avant-Garde
08/2012 | 1313 | 154
Pages: 587
related names
Reviewer:
White, Celia (White, Celia)
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Modernism and the Museum: Asian, African, and Pacific Art and the London Avant-Garde | author: Arrowsmith, Rupert Richard
Exhibition Review
Epstein, Gaudier-Brzeska, Gill. London
01/2010 | 1282 | 152
Pages: 52-54
related names
Reviewer:
Elliott, Patrick (Elliott, Patrick)
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Wild Thing: Epstein, Gaudier-Brzeska, Gill | institution: Royal Academy of Arts
Illustrations
Attributed works:
61. Ecstasy, by Eric Gill. 1910–11. Portland stone, 137.2 by 45.7 by 22.8 cm. (Tate, London; exh. Royal Academy of Arts, London).
Attributed works:
62. Birds erect, by Henri Gaudier-Brzeska. 1914. Limestone, 67.6 by 26 by 31.4 cm. (Museum of Modern Art, New York; exh. Royal Academy of Arts, London).
Attributed works:
63. Venus – second version, by Jacob Epstein. c.1914–16. Marble, 235.6 by 43.2 by 82.6 cm. (Yale University Art Gallery, New Haven; exh. Royal Academy of Arts, London).
Short Notice
Eric Gill’s ‘Mankind’ and the making of modern sculpture
12/2007 | 1257 | 149
Pages: 860-861
related names
Author:
Cribb, Ruth (Cribb, Ruth)
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Illustrations
Attributed works:
70. Installation (2007) of Mankind, by Eric Gill. 1927–28. Hoptonwood stone, 241 by 61 by 46 cm. (Tate, London, on loan to the Victoria and Albert Museum, London). To the left is Auguste Rodin’s Cybele (c.1890) and to the right, Ivan Mestrovi´c’s Torso of Banovi´c Strahinja (1908).
Short Notice
'Working for an Imaginary Temple': Stanley Spencer, Eric Gill, Jacques and Gwen Raverat
05/2001 | 1178 | 143
Pages: 290-295
related names
Author:
Spalding, Frances (Spalding, Frances)
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Illustrations
Attributed works:
61. John Donne Arriving in Heaven, by Stanley Spencer. 1911. 37 by 40.5 cm. (Private Collection; On Loan to the Fitzwilliam Museum, Cambridge). © DACS.
Attributed works:
62. Jacques Raverat, by Gwen Raverat. c.1911. 37 by 29 cm. (William Pryor).
Attributed works:
63. Poster for the Second Post-Impressionist Exhibition. Collaborative Design by Vanessa Bell, Frederick Etchells, Roger Fry and Duncan Grant. 1912. 119.4 by 93.8 cm. (Victoria and Albert Museum, London).
Attributed works:
64. The Little Visitation, by Gwen Raverat. 1912. Wood Engraving, 7.3 by 5.3 cm. (Private Collection).
Attributed works:
65. The Visitation, by Gwen Raverat. 1912. Wood Engraving, 10.2 by 7.7 cm. (Private Collection).
Attributed works:
66. The Dead Christ, Designed by Jacques Raverat and Cut by Gwen Raverat. 1913. Wood Engraving, 10.2 by 4.1 cm. (Private Collection).
Attributed works:
67. Pietà, Designed by Jacques Raverat and Cut by Gwen Raverat. 1912. Wood Engraving, 10.2 by 15.2 cm. (Private Collection).
Attributed works:
68. The Visitation, by Gwen Raverat. 1914. Fresco, 101 by 75 cm. (Darwin College, Cambridge).
Attributed works:
69. Rupert Brooke, by Gwen Raverat. 1919. Wood Engraving. (Frontispiece for Brooke's Collected Poems, Medici Society, London, 1919).
Attributed works:
70. Mediterranean Landscape, by Jacques and Gwen Raverat. 1915. Fresco, 138 by 320 cm. (Conduit Head, Cambridge; By Kind Permission of Professor and Mrs Peter Lachmann).
Advertisements
Advertisements February 2000 (front)
02/2000 | 1163 | 142
Pages: i-viii
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subjects:
Illustrations
Attributed works:
Ruins of the Forum, by Bernardo Bellotto. c.1742-44. 86.5 by 148 cm. (National Gallery of Victoria, Melbourne)
Attributed works:
[Carlton Hobbs, 8 Little College Street, London, UK] Overmantel Mirror, the Carved Frame Attributed to Thomas and René Pelletier. English. Circa 1705. Measurements: Height: 73″ (185cm); Width: 56½″ (144cm).
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] Cornelis Cornelisz Called Cornelis Van Haarlem (1562-1638). Idealized Head of a Young Man with an Earring. Oil on Canvas: 22 × 27 cms. Monogrammed and Dated at Lower Left: CH. 1627.
Attributed works:
[The Olympia Fine Art and Antiques Fair, London, UK] A Bottle with Flared Lip, by Lucie Rie Courtesy Galerie Besson.
Attributed works:
[The Olympia Fine Art and Antiques Fair, London, UK] Abstract Composition, by Sonia Delaunay. Gouache on Paper
Attributed works:
[The Olympia Fine Art and Antiques Fair, London, UK] Bust of a Girl with a Bow before a Pink Background by Gwen John. Oil on Canvas. Arts Council Collection.
Attributed works:
[The Olympia Fine Art and Antiques Fair, London, UK] Fiore de Henriquez, Self-Portrait, 1960, Crayon. Private Collection
Attributed works:
[The Olympia Fine Art and Antiques Fair, London, UK] Library Table, by Gillows of Lancaster and London, 1825
Attributed works:
[The Olympia Fine Art and Antiques Fair, London, UK] Nude, by Eric Gill. 1927. Pencil on Paper, 47 × 33.5 cm.
Attributed works:
[The Olympia Fine Art and Antiques Fair, London, UK] Silver Bread Basket with the Arms of the 3rd Duke of Northumberland, by Paul Storr, London, 1817. Diameter 26 cm.
Non-western art unattributed:
[The Olympia Fine Art and Antiques Fair, London, UK] A Painted Pottery Jar, Li-Fang Culture. Chinese, Han Dynasty. 18 × 17 cm.
Western art unattributed:
Book cover by Gérard Hubert Guy Ledoux-Lebard
Western art unattributed:
Image of a boxing match. From Frames of Reference. From The Arts of China
Western art unattributed:
[The Olympia Fine Art and Antiques Fair, London, UK] An Early Viennese Regulator in Mahogany Case, Austro-Hungarian, 1815. 148 × 30 × 16 cm.
Book Review
Eric Gill. The Sculpture
12/1998 | 1149 | 140
Pages: 836-837
related names
Reviewer:
Jenkins, A. D. Fraser (Jenkins, A. D. Fraser; Fraser Jenkins, A. D.; Jenkins, David Fraser)
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Eric Gill. The Sculpture | author: Collins, Judith
Publication Received
Eric Gill: The Inscriptions. A Descriptive Catalogue
12/1995 | 1113 | 137
Pages: 857
related names
Reviewer:
Wilcox, Timothy (Wilcox, Timothy; Wilcox, Tim)
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Reviewed Items
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Eric Gill: The Inscriptions. A Descriptive Catalogue | author: Peace, David
Exhibition Review
Eric Gill Sculpture. London, Barbican
01/1993 | 1078 | 135
Pages: 43-45
related names
Reviewer:
Skipwith, Peyton (Skipwith, Peyton)
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Illustrations
Attributed works:
27. Splits II, by Eric Gill. 1923. Bath Stone with Added Colour, 63 cm. High. (University of Texas, Austin; Exh. Barbican Art Gallery, London).
Attributed works:
28. Nuptials of God, by Eric Gill. 1922. Wood Engraving, 6.5 by 5.1 cm. (City Museum and Art Gallery, Stoke-on-Trent; Exh. Barbican Art Gallery, London).
Attributed works:
29. The East Wind, by Eric Gill. 1928. Bath Stone, 25.6 by 70 by 10.2 cm. (Tate Gallery, London; Exh. Barbican Art Gallery, London).
Advertisements
Advertisements November 1989 (front)
11/1989 | 1040 | 131
Pages: i - lxiv
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advertisements:
advertisements:
advertisements:
advertisements:
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artists:
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Illustrations
Attributed works:
[ Agnews, 43 Old Bond Street, London] Eugene Delacroix (1798-1863) Etude de Femme, Vue de Dos Etching. Delteil 21, ii/iv.
Attributed works:
[Artemis Group, 15 Duke Street St James, London] Plan einer Maschinenanlage, 1920 Pen and Ink and Watercolour 242 × 319 mm.
Attributed works:
[Austin/ Desmond Fine Art, Pied Bull Yard, 15a Bloomsbury Square, London] Seaweed Hoist, Finistere, 1951. 19.15 × 15.50 ins.
Attributed works:
[Berggruen, 70 rue de l'Universite, Paris] Matisse, Ma Table de nuit. Encre de Chine, 1900. 23 × 30 cm.
Attributed works:
[Bob P. Habolt & Co, 42 East 76th Street, New York] Hans Hoffmann. Nuremberg ca. 1530 - 1591 Prague. Right Wing of a Blue Roller. Watercolor and Bodycolor on Vellum. 195 × 262 mm
Attributed works:
[C.&J. Goodfriend, 61 East 77th Street, New York] Francois Boucher (1703-1770): Tête de Bourgeois portant Lunettes, Etching, Baudicour 21, Jean-Richard N. D., 110 × 69 mm.
Attributed works:
[C.G. Boerner, 61 East 77th Street, New York/ Kasernenstrasse 13, Dusseldorf] Ferdinand Bol. Tobias in the House of Raguel (Tobias 7). Pen and Brown Ink and Brown and Grey Washes. 180 × 207 mm. Sumowski 184x. From the Collections of E. Galichon, B. Suermondt, Freiherr A. v. Lanna, G. v. Mallmann.
Attributed works:
[Charles Ratton & Guy Ladriere, 14 rue de Marignan and 11 qui Voltaire, Paris] Marble Portrait of "Mlle Emilie Jubin" by P. J. David, dit David d'Angers Signed and Dated 1829 Height: 60 cm incl. Base
Attributed works:
[Christie's, 8 King Street St James, London] Sir Peter Paul Rubens (1577-1640): A Forest at Dawn with a Deer Hunt, Oil on Panel, 24¼ × 35½ in. (61.8 × 90 cm.)
Attributed works:
[Christie's, 8 King Street St James, London]Thomas Gainsborough R. A. (1727-1788): A Herdsman and Cattle by a Pool in a Wooded Landscape with Distant Hills, Black Chalk, Watercolour and Bodycolour on Reddish-Brown Paper, Varnished, $8frac{3}{8}$ × 12 in. (20.8 × 30.5 cm.)
Attributed works:
[Christie's, 8 King Street, St James, London] Giovanni Antonio Canal, il Canaletto (1697-1768): The Piazza del Campidoglio and the Cordonata, Rome, with Thomas Hollis and Thomas Brand in the Foreground, Oil on Canvas, 20½ × 24¼ in. (52 × 61.5 cm.), Painted in 1755 for Thomas 'Republican' Hollis (1720-1774), the Benefactor of Harvard College. Estimate on Request.
Attributed works:
[Christie's, 8 King Street, St James,London] Albrecht Dürer: The Engraved Passion (Bartsch 3-18), Engravings, 1508-13, the Set of Sixteen Plates in Fine, Uniform Impressions.
Attributed works:
[Christies, 8 King Street St James, London] Mattia Preti, il Cavaliere Calabrese (1613-1699), 'The Liberation of St. Peter,' Oil on Canvas, 57¼ × $77frac{3}{4}$ in. (145.5 × 197.5cm.).
Attributed works:
[Christopher Mendez, 58 Jermyn Street, London] Adriaen van Ostade (1610-1685) Etching The Dance under the Trellis Godefroy 47, iii/vii
Attributed works:
[Colnaghi, 14 Old Bond Street, London/ 21 East 67th Street, New York] BENJAMIN WEST. Springfield (Pennsylvania) 1738 - London 1820. Triptych Study for the Painted Window in St. Paul's Church, Birmingham, showing the Conversion of St. Paul (centre), St. Paul persecuting the Christians (left) and Ananias restoring St. Paul's Sight (right) Oil on canvas: 125.7 × 58.9cm (shaped centre) and 89.5 × 23.5cm (laterals, each)
Attributed works:
[Editions Graphiques Gallery, 3 Clifford Street, London] Manuel Orazi. Colour Lithograph
Attributed works:
[Entwistle, 37 Old Bond Street, London] William Roberts. Died of Wounds, 1919 Watercolour and Pencil. 45.6 × 53 cm.
Attributed works:
[Frederick Cummings Fine Art, 146 West 57th Street, New York] Johann Heinrich Fuseli, R. A. (1741-1825) Agave, Queen of Thebes, Is Told by Cadmus of the Death of Her Son, King Pentheus (Euripides, The Bacchae) Pen with Grey Ink and Grey Washes over Pencil on Laid Paper 10¼ × $8frac{5}{8}$ Inches (26 × 22 cm.) Dated by Fuseli in Rome. May 1774
Attributed works:
[Front cover] Event on the Downs, by Paul Nash. 1934. 50.8 by 61 cm. (British Government Art Collection).
Attributed works:
[G.A.L.L.E.R.Y, 28 Bruton Street, London] Benjamin Scott of Carlisle, Sir Edward Burne-Jones and the Earl and Countess of Carlisle at Naworth Castle, 1874, Albumen Print $10frac{5}{8}$ × 9 Inches from the Howard Family Photograph Album.
Attributed works:
[Galerie Charles & Andre Bailly, 25 Quai Voltaire, Paris], Andre Maire, Échec et Mat
Attributed works:
[Galerie Nathan, Arosastrasse 7, Zurich] Maurice Estève, Drawing.
Attributed works:
[Gallery Lingard, 50 Pall Mall, London] C F Dening & E G Rodway Architects fl.1912-1918 Design for an Entrance Lodge, c.1905 Watercolour over Pencil Signed in Monogram A. C. F. del 10¼ × $13frac{3}{4}$ Inches
Attributed works:
[Gallery Mathias F. Hans, Jungfernstieg 34, Hamburg] Abraham von Calraet, (1642 - 1722) Still Life, Oil on Panel, 56 × 82 cm. Signed with Monogram and Dated.
Attributed works:
[Groupe Gersaint, 20 rue Daniele Casanova, Paris] "Mes Ohnet ét Krantz Notaires, membres du G. I. E. des notaires de l'hôtel des ventes du Bas. Rhin". Jacques-Louis DAVID Paris 1748. Bruxelles 1825. Portrait du conventionnel Joseph Nicolas Barbeau Duberran Plume encre de Chine sur traits de crayon noir. Signé en bas à gauche. Montage ancien Diametre: 18.7 cm.
Attributed works:
[Groupe Gersaint, 20 rue Daniele Casanova, Paris] Jean Valade (1709-1787) Portrait du marquis et de la marquise de Faventines jouant de la musique (107 × 88cm). Antoine Watteau (1684-1721) Deux études d'homme Sanguine (16,3 × 22,3cm) Etude pour le tableau "le rêve de l'artiste" de l'ancienne collection David Weil
Attributed works:
[H. Blairman & Sons Ltd, 119 Mount Street, London] Inkstand by George Bullock. English. Circa 1815
Attributed works:
[Harari & Johns Lts, 12 Duke Street St James, London] Claude Gellee Called Claude le Lorrain - Circa 1662 The Dance of the Seasons Oil on Copper 28×35 cms
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street St James, London] Simon Bening, Scenes from the Life of Christ, c. 1525
Attributed works:
[I. J. Mazure and Co. Ltd. , 90 Jermyn Street, London] "Soldiers at Leisure" Signed and Dated 1901 by Salomon Kishinevskii (1863-1941) 28cms × 20.6cms
Attributed works:
[Jean Francois et Philippe Heim, 7 rue Louvois, Paris] Terrasse des Elephants Cour Intérieure d'Angkor Thom Lavis de sépia Dim: H. 0,72 × L. 0.56 m.
Attributed works:
[Johnny Van Haeften, 13 Duke Street St James, London] On Panel. Moses van Uyttenbroeck 1590 The Hague 1648. A Wooded Landscape with Pan and Syrinx Signed in Monogram. 20½ × 26½ Inches (51.4 × 67.3 cm)
Attributed works:
[Marlborough, 6 Albemarle Street, London] Little Girl II 1987 Bronze, Height 68 in./172.7 cm. Edition of 9
Attributed works:
[Martyn Gregory, 34 Bury Street St James, London] Daniel Harris c.1789. Original Entrance to the Cloisters at Magdalen College
Attributed works:
[New Art Centre, 41 Sloane Street, London] Paul Nash The Tower 1928 Oil on Canvas 28¼ × 19 Inches
Attributed works:
[Paul McCarron, Graham Gallery building, 1014 Madison Avenue, New York] Charles Random Baron de Berenger The Noble Stock Jobber or Facts Unveiled Irrefutably to Disapprove Lord Cochrane's Affidavits by C. R. Baron de Berenger Pen, Ink and Watercolor, 240 × 330 mm. after November 19, 1816
Attributed works:
[Pawsey & Payne 90 Jermyn Street, St James, London] William Marlow 1740-1813. View of Florence with the River Arno in Foreground. Oil on Canvas 27 × 33 Inches
Attributed works:
[Phillips, 101 New Bond Street, London] C. R. W. Nevinson, 'Troups Marching', Etching, Signed in Pencil and Dated 1916, 13.5 cm × 20 cm.
Attributed works:
[Phillips, 101 New Bond Street, London] Charles Parrocel (1688-1752); Study of a Soldier with a Musket over His Shoulder, Together with the Study of a Sword Hilt. Signed, Red Chalk with Black Chalk, 285mm × 187mm.
Attributed works:
[Phillips, 101 New Bond Street, London] Liubov Sergeevna Popova (1889-1924) 'Composition with Guitar'. Oil on Canvas, Executed in 1918, 67.5cm × 50cm
Attributed works:
[Phillips, 101 New Bond Street, London] Robert Griffier (1688-c.1760), a View of the Rhine, Signed, Oil on Copper, 21cm × 27cm, and a Companion.
Attributed works:
[Phillips, 101New Bond Street London/ rue de Penthievre (Faubourg Saint Honore), Paris/ Ramistrasse 27, Zurich/ Lange Vijverberg 4-5, The Hague] Bernard Buffet, 'Nature Morte avec Verre sur Table' Oil and Pencil on Paper, Laid down on Canvas, Signed and Dated 1950, 49.5cm. × 65cm.
Attributed works:
[Pierre- Yves Gabus Gallery, 19 course de Rive, Geneva] Gabus Giorgio Morandi "Still Life" (1954) Signed, Oil on Camras, 24.5 × 39.5 cm.
Attributed works:
[Richard Green, 44 Dover Street, 39 Dover Street, 4 new Bond Street, London] Balthasar van der Ast (1593/4-1657). Still Life with Fruit, Exotic Shells, a Vase of Flowers and a Macaw Perched on an Overturned Basket. Signed. Panel: $21frac{5}{8}$ × $39frac{3}{8}$ in./55 × 100 cm.
Attributed works:
[Richard L. Feigen & Company, 6 Ryder Street St James, London/ 113 East 79th Street, New York] John Singleton Copley, R. A., Portrait of Colonel Baker, 1781 Oil on Canvas, in an Oval, 30 by 25 Inches (76.2 by 63.5 cm) Signed and Dated, lower Left: "J. S. Copley/Pinx 1781"
Attributed works:
[Robert Douwma, 4 Henrietta Street, Covent Garden, London] Stanley William Hayter Hex Engraving 1981
Attributed works:
[Sotheby's, 34-35 New Bond Street London] Simon Vouet, Paris, 1590-1649, The Young Flutist, Oil on Canvas, 90 by 66cm (36 by 26¼in).
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] A Florentine Bronze Statuette of David with the Head of Goliath, by Gianfrancesco Susini, c. 1630-1640, Signed on Sword G. S. Fl. F., 38cm (15in) High.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] Paul Gauguin, Petit Breton à l'Oie, Signed and Dated '89, Oil on Canvas, 92 by 73 cm.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London]Théodore Géricault (1791-1824), A Horse Frightened by Lightning, 31 by 39cm (12¼ by 15¼in.) Oil on Canvas.
Attributed works:
[Spencer A. Samuels, 39 East 72nd Street, New York] Andrea Solario Milan 1473 - 1524 The Head of St. Matthew, after Leonardo da Vinci. Black, Brown and Red Chalk. Watercolor on Light Grey Preparation 25½×18½ Inches (65×47 cm)
Attributed works:
[Stair Sainty Matthiesen, 42 East 74 Street, New York] Francisco-Jose-Pablo Lacoma (Barcelone 1794 - Paris 1849) Portrait of a Man Oil on Canvas: 17½ × $12frac{5}{8}$ Inches (44.5 × 32 cms) Signed Lacoma, Madrid and Dated 1821
Attributed works:
[Thomas Gibson Fine Art Ltd, 44 Old Bond Street, London] Agapanthus,, 1983. Oil on Gessoed Panel. 14 × 10 Inches 35.5 × 25.5cm
Attributed works:
[Villa Grisebach Auctions, Fasanenstrasse 25, Berlin] Alexej von Jawlensky, "Head," Circa 1920. Oil on Paper, 36 × 27 cm. Monogrammed on lower Left. Estimate: DM 380,000-440,000
Attributed works:
[W.M.Brady & Co, 3 East 76th Street, New York] Anton Raphael Mengs (1728-1779) A Male Academy Seated in a Landscape, 1775 Signed, lower Left A. R. Mengs; Also Inscribed in Ink on an Old Label, Ant Raphael Mings (Sic) 1775/Raparte par Mr Vien Graphite Heightened with White Chalk on Prepared Green Paper $15frac{3}{4}$ × 15½ Inches (400 × 394 mm)
Attributed works:
{Perrin, 98 Faubourg Saint - Honore, Paris] Eustache Le Sueur (1616-1655). French School. Head of a Bearded Man Black Chalk with Touches of White Chalk on Grey Paper H. 18,5 cm; L. 17,3 cm.
Non-western art unattributed:
[Michael B. Weisbrod Inc, 987 Madison Avenue, New York] Li Ding Late Shang/Early Western Zhou Dynasty 12th-11th Century BC Height: 8½ in. (21.5 cm.)
Western art unattributed:
[Arnold Wiggins & Sons Ltd, 4 Bury Street St James, London] English, 2nd Half 17th Century, Carved and Silvered 'Lely', Panel Frame. Sight Size: $28frac{7}{8}$ $23frac{7}{8}$ ins. Section: 4½ ins
Western art unattributed:
[Joanna Booth, 247 Kings Road, Chelsea, London] Flemish School, 17th Century A Study of a Rabbit Red Chalk. 24cm by 32cms.
Western art unattributed:
[Karsten Schubert Ltd, 85 Charlotte Street, Lonodn] Head of a Man Blackened Sandstone 20 × 8 × 8 ins
Western art unattributed:
[Maggs Bros Ltd, 50 Berkeley Square, London] Illuminated Miniature from Li Fait des Romains, Northern France, c. 1480.
Book Review
Eric Gill
09/1989 | 1038 | 131
Pages: 660-661
related names
Reviewer:
Cork, Richard (Cork, Richard)
Subjects
artists:
dates:
places:
Reviewed Items
subjects:
Eric Gill | author: MacCarthy, Fiona
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