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Advertisements September 2004 (Front)
09/2004 | 1218 | 146
Pages: i-xiv
Subjects
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Illustrations
Attributed works:
[Antiquariat Bibermuhle. Bibermuhle. Book of Hours, by the Master of Girard Acarie (or Master of Fraçois Ier). Paris, c. 1515-18. Illuminated manuscript on vellum with 27 (15 large) miniature. Complete and in the finest state of preservation, from the famous Yussoupoff collection.]
Attributed works:
[Beddington & Blackman Ltd. 16 Saville Row, London, W1S 3PL. Juan Reixach (active 1431-1486). Saint Vincent Ferrer. Tempera on gold ground panel, shaped top. 75 5/8 x 40 3/4 in. (187x103.5cm)]
Attributed works:
[Brame & Lorenceau. Paris. Still life with fish, by Carolus-Duran (1837-1917). 1866. Oil on canvas, 91.5 x 160.5 cm. Signed and dated at lower right.]
Attributed works:
[Brimo de Laroussilhe. 7, Quai Voltaire, Paris. Maestro Aloy, Catalonian, middle of the XIV century. Mourner from the royal tombs of the Abbey of Poblet commissioned by King Pedro IV in 1349. Alabaster. Height: 30 cm]
Attributed works:
[Charles Ratton & Guy Ladrière. 14 rue de Marignan, 75008 Paris. Livio Mehus (Oudenarde 1627-Florence 1691). Last communion of the apostles. Oil on canvas (lined), 79. by 70 cm]
Attributed works:
[Charles Ratton & Guy Ladrière. 14 rue de Marignan, 75008 Paris. Medallion showing three profiles of Roman emperors (recto) and the head of Medusa (verso), by Jean Thierry (1669-1739). Alabaster, 28.2x26.5 cm]
Attributed works:
[Clars Auctions. 5644 Telegraph Ave. Oakland, USA. Circle of Giacinto Brandi (Italian 1623-1691). Framed oil on canvas. Susannah and the ELders.]
Attributed works:
[Clars Auctions. 5644 Telegraph Ave. Oakland, USA.Paulus Constantijn La Fargue (Dutch 1732-1782). Framed oil on panel, depicting east-northeast view of Leidschendam (between The Hague and Leiden) and the Delftsekade, signed lower left.]
Attributed works:
[Didier Aaron & cie 118 Fbg Saint Honoré. Paris. 32 East 67th Street. New York. 21 Ryder Street. London. Pair of candelabra, by George Bullock (c. 1782-1818). Gilt bronze and blackened rosewood with brass and rosewood marquetry, 206x50x34.5cm]
Attributed works:
[Galerie Berès. Paris. Seated woman, by Jacques Lipchitz (1891-1973). 1918. Gouache on panel, 46 by 37.8 cm. Signed at lower left.]
Attributed works:
[Galerie Canesso. 8 rue Rossini, Paris. Giovanni Battista Langetti. Genoa, 1635-Venice, 1676. Archimedes with Allegorical Figures of War and Peace. Oil on canvas, 69 11/16 x 92 1/2in. (177x235cm.)]
Attributed works:
[Galerie Canesso. 8 rue Rossini, Paris. Still life with fruit (grapes,quinces, a watermelon and pomegranates), by the Master of the Acquavella still life (Rome, active between ?1615 and 1630-35). Oil on canvas, 76 x 61.4 cm]
Attributed works:
[Galerie Lestranger. 38 Rue de l’Université, Paris. Théodore Caruelle D'Aligny (1798-1871), Saint Jérome dans le Désert, huile sur toile, 17.8 x 16.2 cm]
Attributed works:
[Galerie Patrice Bellanger. Paris. Faun and Child, by Christophe Veyrier (1637-1689). c. 1680. Gilded terracotta model, height: 82cm; base 27x21.5 cm.]
Attributed works:
[Habolt & Co. New York. Half-length portrait of a beared man, probably a duke of Poméraine, wearing an embroided hat, by Lucas Cranach the Elder (1472-1553). 1534. Oil on panel, 49x 35 cm. Signed and dated at top left.]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. 17 East 76th Street, New York. Portrait of Ida, circa 1900. Pencil. 10 x 8 1/2 inches; 25.5 x 21.5 cm. Signed John.]
Attributed works:
[Moretti. Piazza Ottaviani 17/r, 50123 Florence. Giovanni da Milano. Florence and Rome, 1346-1369. St, Michael Panel, 33x10.2 cm]
Attributed works:
[Moretti. Piazza Ottaviani 17/r, 50123 Florence. Virgin and Child with two angels, by Biagio d'Antonio (Florence, active c. 1445-1510). Panel, 28.8 x 24.4 cm]
Attributed works:
[Paul Prouté S.A. 74, rue de Seine, 75006 Paris. Two seated women drinking absinthe, by Hermann-Paul (1864-1940). Charcoal and pastel, 37x25.4 cm. Signed at lower right.]
Attributed works:
[Robert C. Noortman, Maastricht. Festival in Venice, by Félix Ziem (1821-1911). Oil on canvas, 50x80.9 cm. Signed at lower right.]
Attributed works:
[Stoppenbach & Delestre. 25 Cork Street. London. Beach scene at Dieppe, by Karl-Pierre Daubigny (1846-1886). 1882. Oil on canvas, 25.8x46.1 cm. Signed and dated at lower left.]
Attributed works:
[Winterberg Kunst. D-69115 Heidelberg, Hildastasse 12. Adolph v. Menzel: Bearded Man. Black chalk, pencil. 1887. (21,5x13cm). Monogrammed, dated.]
Attributed works:
[Winterberg Kunst. D-69115 Heidelberg, Hildastasse 12. Albrecht Durer: Hercules. Engraving about 1498. (32x22,2). Ref.: B.73. M. 63, III, b (of f)]
Attributed works:
[Winterberg Kunst. D-69115 Heidelberg, Hildastasse 12. Franz Alt: Baden-Baden. Watercolour 1883. (35,7 x 36 cm). Signed, dated, described]
Attributed works:
[Winterberg Kunst. D-69115 Heidelberg, Hildastasse 12. Ludwig Passini: Venice, Corte Vecchia. Watercolour 1855. (46,5x32,9) Signed, dated, described.]
Attributed works:
[Winterberg Kunst. D-69115 Heidelberg, Hildastasse 12. Pablo Picasso: Bull and picador. Black felt pen 1964 (in a sketch-book from Tymian Pachl). (44x32cm). Signed, dated, described ,,Arles''.]
Attributed works:
[Winterberg Kunst. D-69115 Heidelberg, Hildastasse 12. Pablo Picasso: Sculptor and model with sculpture group. Drypoint etching 1933. (Suite Vollard). (19,3x26,8cm). Ref.: Bl. 167. Baer 320, B, d. signed.]
Western art unattributed:
[Anthony Blumka. New York. Reliquary with crucifixion group. France (Limoges), 1190-95. Champlevé enamel on gilt copper, original gilt copper comb set with three cabochon rock crystals, 21.5 x 16.5 cm]
Western art unattributed:
[Brimo de Laroussilhe. 7, Quai Voltaire. Paris. Detail of Corpus of Christ. French or English, c. 1280. Walrus ivory, height: 19cm.]
Western art unattributed:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. A Flemish feuille de choux tapestry. Mid-16th Century, probably Audenarde or Enghien. 328x390 cm (129x153 1/2in)]
Western art unattributed:
[Galerie Chevalier. Paris. The Astronomers. Beauvais Royal Manufactory, early 18th century. Wool and silk, 318x232 cm]
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Advertisements November 1989 (front)
11/1989 | 1040 | 131
Pages: i - lxiv
Subjects
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artists:
artists:
artists:
artists:
artists:
subjects:
Illustrations
Attributed works:
[ Agnews, 43 Old Bond Street, London] Eugene Delacroix (1798-1863) Etude de Femme, Vue de Dos Etching. Delteil 21, ii/iv.
Attributed works:
[Artemis Group, 15 Duke Street St James, London] Plan einer Maschinenanlage, 1920 Pen and Ink and Watercolour 242 × 319 mm.
Attributed works:
[Austin/ Desmond Fine Art, Pied Bull Yard, 15a Bloomsbury Square, London] Seaweed Hoist, Finistere, 1951. 19.15 × 15.50 ins.
Attributed works:
[Berggruen, 70 rue de l'Universite, Paris] Matisse, Ma Table de nuit. Encre de Chine, 1900. 23 × 30 cm.
Attributed works:
[Bob P. Habolt & Co, 42 East 76th Street, New York] Hans Hoffmann. Nuremberg ca. 1530 - 1591 Prague. Right Wing of a Blue Roller. Watercolor and Bodycolor on Vellum. 195 × 262 mm
Attributed works:
[C.&J. Goodfriend, 61 East 77th Street, New York] Francois Boucher (1703-1770): Tête de Bourgeois portant Lunettes, Etching, Baudicour 21, Jean-Richard N. D., 110 × 69 mm.
Attributed works:
[C.G. Boerner, 61 East 77th Street, New York/ Kasernenstrasse 13, Dusseldorf] Ferdinand Bol. Tobias in the House of Raguel (Tobias 7). Pen and Brown Ink and Brown and Grey Washes. 180 × 207 mm. Sumowski 184x. From the Collections of E. Galichon, B. Suermondt, Freiherr A. v. Lanna, G. v. Mallmann.
Attributed works:
[Charles Ratton & Guy Ladriere, 14 rue de Marignan and 11 qui Voltaire, Paris] Marble Portrait of "Mlle Emilie Jubin" by P. J. David, dit David d'Angers Signed and Dated 1829 Height: 60 cm incl. Base
Attributed works:
[Christie's, 8 King Street St James, London] Sir Peter Paul Rubens (1577-1640): A Forest at Dawn with a Deer Hunt, Oil on Panel, 24¼ × 35½ in. (61.8 × 90 cm.)
Attributed works:
[Christie's, 8 King Street St James, London]Thomas Gainsborough R. A. (1727-1788): A Herdsman and Cattle by a Pool in a Wooded Landscape with Distant Hills, Black Chalk, Watercolour and Bodycolour on Reddish-Brown Paper, Varnished, $8frac{3}{8}$ × 12 in. (20.8 × 30.5 cm.)
Attributed works:
[Christie's, 8 King Street, St James, London] Giovanni Antonio Canal, il Canaletto (1697-1768): The Piazza del Campidoglio and the Cordonata, Rome, with Thomas Hollis and Thomas Brand in the Foreground, Oil on Canvas, 20½ × 24¼ in. (52 × 61.5 cm.), Painted in 1755 for Thomas 'Republican' Hollis (1720-1774), the Benefactor of Harvard College. Estimate on Request.
Attributed works:
[Christie's, 8 King Street, St James,London] Albrecht Dürer: The Engraved Passion (Bartsch 3-18), Engravings, 1508-13, the Set of Sixteen Plates in Fine, Uniform Impressions.
Attributed works:
[Christies, 8 King Street St James, London] Mattia Preti, il Cavaliere Calabrese (1613-1699), 'The Liberation of St. Peter,' Oil on Canvas, 57¼ × $77frac{3}{4}$ in. (145.5 × 197.5cm.).
Attributed works:
[Christopher Mendez, 58 Jermyn Street, London] Adriaen van Ostade (1610-1685) Etching The Dance under the Trellis Godefroy 47, iii/vii
Attributed works:
[Colnaghi, 14 Old Bond Street, London/ 21 East 67th Street, New York] BENJAMIN WEST. Springfield (Pennsylvania) 1738 - London 1820. Triptych Study for the Painted Window in St. Paul's Church, Birmingham, showing the Conversion of St. Paul (centre), St. Paul persecuting the Christians (left) and Ananias restoring St. Paul's Sight (right) Oil on canvas: 125.7 × 58.9cm (shaped centre) and 89.5 × 23.5cm (laterals, each)
Attributed works:
[Editions Graphiques Gallery, 3 Clifford Street, London] Manuel Orazi. Colour Lithograph
Attributed works:
[Entwistle, 37 Old Bond Street, London] William Roberts. Died of Wounds, 1919 Watercolour and Pencil. 45.6 × 53 cm.
Attributed works:
[Frederick Cummings Fine Art, 146 West 57th Street, New York] Johann Heinrich Fuseli, R. A. (1741-1825) Agave, Queen of Thebes, Is Told by Cadmus of the Death of Her Son, King Pentheus (Euripides, The Bacchae) Pen with Grey Ink and Grey Washes over Pencil on Laid Paper 10¼ × $8frac{5}{8}$ Inches (26 × 22 cm.) Dated by Fuseli in Rome. May 1774
Attributed works:
[Front cover] Event on the Downs, by Paul Nash. 1934. 50.8 by 61 cm. (British Government Art Collection).
Attributed works:
[G.A.L.L.E.R.Y, 28 Bruton Street, London] Benjamin Scott of Carlisle, Sir Edward Burne-Jones and the Earl and Countess of Carlisle at Naworth Castle, 1874, Albumen Print $10frac{5}{8}$ × 9 Inches from the Howard Family Photograph Album.
Attributed works:
[Galerie Charles & Andre Bailly, 25 Quai Voltaire, Paris], Andre Maire, Échec et Mat
Attributed works:
[Galerie Nathan, Arosastrasse 7, Zurich] Maurice Estève, Drawing.
Attributed works:
[Gallery Lingard, 50 Pall Mall, London] C F Dening & E G Rodway Architects fl.1912-1918 Design for an Entrance Lodge, c.1905 Watercolour over Pencil Signed in Monogram A. C. F. del 10¼ × $13frac{3}{4}$ Inches
Attributed works:
[Gallery Mathias F. Hans, Jungfernstieg 34, Hamburg] Abraham von Calraet, (1642 - 1722) Still Life, Oil on Panel, 56 × 82 cm. Signed with Monogram and Dated.
Attributed works:
[Groupe Gersaint, 20 rue Daniele Casanova, Paris] "Mes Ohnet ét Krantz Notaires, membres du G. I. E. des notaires de l'hôtel des ventes du Bas. Rhin". Jacques-Louis DAVID Paris 1748. Bruxelles 1825. Portrait du conventionnel Joseph Nicolas Barbeau Duberran Plume encre de Chine sur traits de crayon noir. Signé en bas à gauche. Montage ancien Diametre: 18.7 cm.
Attributed works:
[Groupe Gersaint, 20 rue Daniele Casanova, Paris] Jean Valade (1709-1787) Portrait du marquis et de la marquise de Faventines jouant de la musique (107 × 88cm). Antoine Watteau (1684-1721) Deux études d'homme Sanguine (16,3 × 22,3cm) Etude pour le tableau "le rêve de l'artiste" de l'ancienne collection David Weil
Attributed works:
[H. Blairman & Sons Ltd, 119 Mount Street, London] Inkstand by George Bullock. English. Circa 1815
Attributed works:
[Harari & Johns Lts, 12 Duke Street St James, London] Claude Gellee Called Claude le Lorrain - Circa 1662 The Dance of the Seasons Oil on Copper 28×35 cms
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street St James, London] Simon Bening, Scenes from the Life of Christ, c. 1525
Attributed works:
[I. J. Mazure and Co. Ltd. , 90 Jermyn Street, London] "Soldiers at Leisure" Signed and Dated 1901 by Salomon Kishinevskii (1863-1941) 28cms × 20.6cms
Attributed works:
[Jean Francois et Philippe Heim, 7 rue Louvois, Paris] Terrasse des Elephants Cour Intérieure d'Angkor Thom Lavis de sépia Dim: H. 0,72 × L. 0.56 m.
Attributed works:
[Johnny Van Haeften, 13 Duke Street St James, London] On Panel. Moses van Uyttenbroeck 1590 The Hague 1648. A Wooded Landscape with Pan and Syrinx Signed in Monogram. 20½ × 26½ Inches (51.4 × 67.3 cm)
Attributed works:
[Marlborough, 6 Albemarle Street, London] Little Girl II 1987 Bronze, Height 68 in./172.7 cm. Edition of 9
Attributed works:
[Martyn Gregory, 34 Bury Street St James, London] Daniel Harris c.1789. Original Entrance to the Cloisters at Magdalen College
Attributed works:
[New Art Centre, 41 Sloane Street, London] Paul Nash The Tower 1928 Oil on Canvas 28¼ × 19 Inches
Attributed works:
[Paul McCarron, Graham Gallery building, 1014 Madison Avenue, New York] Charles Random Baron de Berenger The Noble Stock Jobber or Facts Unveiled Irrefutably to Disapprove Lord Cochrane's Affidavits by C. R. Baron de Berenger Pen, Ink and Watercolor, 240 × 330 mm. after November 19, 1816
Attributed works:
[Pawsey & Payne 90 Jermyn Street, St James, London] William Marlow 1740-1813. View of Florence with the River Arno in Foreground. Oil on Canvas 27 × 33 Inches
Attributed works:
[Phillips, 101 New Bond Street, London] C. R. W. Nevinson, 'Troups Marching', Etching, Signed in Pencil and Dated 1916, 13.5 cm × 20 cm.
Attributed works:
[Phillips, 101 New Bond Street, London] Charles Parrocel (1688-1752); Study of a Soldier with a Musket over His Shoulder, Together with the Study of a Sword Hilt. Signed, Red Chalk with Black Chalk, 285mm × 187mm.
Attributed works:
[Phillips, 101 New Bond Street, London] Liubov Sergeevna Popova (1889-1924) 'Composition with Guitar'. Oil on Canvas, Executed in 1918, 67.5cm × 50cm
Attributed works:
[Phillips, 101 New Bond Street, London] Robert Griffier (1688-c.1760), a View of the Rhine, Signed, Oil on Copper, 21cm × 27cm, and a Companion.
Attributed works:
[Phillips, 101New Bond Street London/ rue de Penthievre (Faubourg Saint Honore), Paris/ Ramistrasse 27, Zurich/ Lange Vijverberg 4-5, The Hague] Bernard Buffet, 'Nature Morte avec Verre sur Table' Oil and Pencil on Paper, Laid down on Canvas, Signed and Dated 1950, 49.5cm. × 65cm.
Attributed works:
[Pierre- Yves Gabus Gallery, 19 course de Rive, Geneva] Gabus Giorgio Morandi "Still Life" (1954) Signed, Oil on Camras, 24.5 × 39.5 cm.
Attributed works:
[Richard Green, 44 Dover Street, 39 Dover Street, 4 new Bond Street, London] Balthasar van der Ast (1593/4-1657). Still Life with Fruit, Exotic Shells, a Vase of Flowers and a Macaw Perched on an Overturned Basket. Signed. Panel: $21frac{5}{8}$ × $39frac{3}{8}$ in./55 × 100 cm.
Attributed works:
[Richard L. Feigen & Company, 6 Ryder Street St James, London/ 113 East 79th Street, New York] John Singleton Copley, R. A., Portrait of Colonel Baker, 1781 Oil on Canvas, in an Oval, 30 by 25 Inches (76.2 by 63.5 cm) Signed and Dated, lower Left: "J. S. Copley/Pinx 1781"
Attributed works:
[Robert Douwma, 4 Henrietta Street, Covent Garden, London] Stanley William Hayter Hex Engraving 1981
Attributed works:
[Sotheby's, 34-35 New Bond Street London] Simon Vouet, Paris, 1590-1649, The Young Flutist, Oil on Canvas, 90 by 66cm (36 by 26¼in).
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] A Florentine Bronze Statuette of David with the Head of Goliath, by Gianfrancesco Susini, c. 1630-1640, Signed on Sword G. S. Fl. F., 38cm (15in) High.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] Paul Gauguin, Petit Breton à l'Oie, Signed and Dated '89, Oil on Canvas, 92 by 73 cm.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London]Théodore Géricault (1791-1824), A Horse Frightened by Lightning, 31 by 39cm (12¼ by 15¼in.) Oil on Canvas.
Attributed works:
[Spencer A. Samuels, 39 East 72nd Street, New York] Andrea Solario Milan 1473 - 1524 The Head of St. Matthew, after Leonardo da Vinci. Black, Brown and Red Chalk. Watercolor on Light Grey Preparation 25½×18½ Inches (65×47 cm)
Attributed works:
[Stair Sainty Matthiesen, 42 East 74 Street, New York] Francisco-Jose-Pablo Lacoma (Barcelone 1794 - Paris 1849) Portrait of a Man Oil on Canvas: 17½ × $12frac{5}{8}$ Inches (44.5 × 32 cms) Signed Lacoma, Madrid and Dated 1821
Attributed works:
[Thomas Gibson Fine Art Ltd, 44 Old Bond Street, London] Agapanthus,, 1983. Oil on Gessoed Panel. 14 × 10 Inches 35.5 × 25.5cm
Attributed works:
[Villa Grisebach Auctions, Fasanenstrasse 25, Berlin] Alexej von Jawlensky, "Head," Circa 1920. Oil on Paper, 36 × 27 cm. Monogrammed on lower Left. Estimate: DM 380,000-440,000
Attributed works:
[W.M.Brady & Co, 3 East 76th Street, New York] Anton Raphael Mengs (1728-1779) A Male Academy Seated in a Landscape, 1775 Signed, lower Left A. R. Mengs; Also Inscribed in Ink on an Old Label, Ant Raphael Mings (Sic) 1775/Raparte par Mr Vien Graphite Heightened with White Chalk on Prepared Green Paper $15frac{3}{4}$ × 15½ Inches (400 × 394 mm)
Attributed works:
{Perrin, 98 Faubourg Saint - Honore, Paris] Eustache Le Sueur (1616-1655). French School. Head of a Bearded Man Black Chalk with Touches of White Chalk on Grey Paper H. 18,5 cm; L. 17,3 cm.
Non-western art unattributed:
[Michael B. Weisbrod Inc, 987 Madison Avenue, New York] Li Ding Late Shang/Early Western Zhou Dynasty 12th-11th Century BC Height: 8½ in. (21.5 cm.)
Western art unattributed:
[Arnold Wiggins & Sons Ltd, 4 Bury Street St James, London] English, 2nd Half 17th Century, Carved and Silvered 'Lely', Panel Frame. Sight Size: $28frac{7}{8}$ $23frac{7}{8}$ ins. Section: 4½ ins
Western art unattributed:
[Joanna Booth, 247 Kings Road, Chelsea, London] Flemish School, 17th Century A Study of a Rabbit Red Chalk. 24cm by 32cms.
Western art unattributed:
[Karsten Schubert Ltd, 85 Charlotte Street, Lonodn] Head of a Man Blackened Sandstone 20 × 8 × 8 ins
Western art unattributed:
[Maggs Bros Ltd, 50 Berkeley Square, London] Illuminated Miniature from Li Fait des Romains, Northern France, c. 1480.
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Advertisements September 1989 (front)
09/1989 | 1038 | 131
Pages: i-xlviii
Subjects
advertisements:
artists:
artists:
artists:
subjects:
Illustrations
Attributed works:
[Alex Wengraf Limited, The Old Knoll Elliot Hill, London] Amour se Plaignant à Venus d'une piqûre d'abeille by Jacques-Edme Dumont (1761-1844) Terracotta Height 17 cm.
Attributed works:
[Anthony d'Offray Gallery, 9 Dering Street New Bond Street, London] Jackson Pollock Black Pouring Over Colour c. 1952 Oil on Specially Prepared Canvas on Panel 20 × 24 Inches
Attributed works:
[Brooke Alexander, 59 Wooster Street, New York] Ulrich Ruckriem, Installation, Palacio de Cristal, Madrid, April-June 1989. Photograph: Ulrich Gambke, München
Attributed works:
[Bruno Scardeoni, 54 Via Nasa, Lugano] Jusepe de Ribera ( Játiva, 1591 - Napoli, 1652) Philosopher (?)Signed and Dated
Attributed works:
[Bruton Gallery, Somerset], "Penelope" Intermediate Height: 47¼ in (120 cm)
Attributed works:
[C.G. Boerner, Kasernenstrasse 13, Dusseldorf and 61 East 77th St, New York] Wilhelm Lehmbruck. Etching. (1912). Petermann 27 II (ofIII).
Attributed works:
[Chapman Gallery, 14-18 Neal Street Covent Garden, London] Bernard Meadows, Head of Wounded Bird, 1959. 34″ High, Bronze
Attributed works:
[Christie's, 8 King Street, St James, London] A Monumental Mid-19th Century English Marble Statue of the Eagle Slayer by John Bell, 245cm (96½ in) High. Estimate: £40,000-60,000
Attributed works:
[Colnaghi, 14 Old Bond Street, London and 21 East 67th Street, New York] Justus Sustermans, Antwerp 1597-Florence 1681. Portrait of a Dignitary. Canvas: 201.3 × 115.6 cms.
Attributed works:
[David Koetser Gallery, 37 Talstrasse, Zurich] Cornelis de Heem (Leiden 1631-1695 Antwerp). Canvas, 64 × 51 cm. Signed
Attributed works:
[Edward R. Lubin, 3 East 75 Street, New York] Painted Terracotta Deposition Figure, Joseph of Arimathaea, by Ubaldo Gandolfi, Bologna, Circa 1775-80, H. 62 cm.
Attributed works:
[Front cover] Construction in Space: Soaring, by Naum Gabo. 1929-30. Painted Brass and Wood, and Plexiglass, 112 cm. High. (Leeds City Art Gallery).
Attributed works:
[Frost & Reed Ltd, 16 Old Bond Street, London] Camille Pissarro. 'La Cuisinière'. 16 × 9 Inches From an Exhibition of Fine Impressionist Pictures to be Held in November
Attributed works:
[Galerie d'Arenberg, 14 Rue aux Laines, Brussels] Bust of Monseigneur Antoine Triest, Bishop of Ghent, Marble, H: 73 cm, Signed: "H. ME. DV. Qvesnoy Brux. Fec." Probably Conceived in Rome in 1642 by François Duquesnoy (1594-1643) and Executed by His Brother Jérôme (1602-1654).
Attributed works:
[Galerie Lingenauber, Schwerinstrasse 38, Dusseldorf] Giovanni Battista Moroni (Albino before 1524 - 1578 Bergamo) Portrait of a man 47 × 39.5 cm.
Attributed works:
[Galerie Patrice Bellanger, 198 boulevard Saint Germain, Paris] Paul Heermann (c 1663-1732). German (Active Dresden, Leipzig and Prague). Two Putti Fighting, Circa 1720. Marble, Inscribed on Base: P. Hermann / inv e fec / Base: 30 × 25 cm - Height: 72 cm
Attributed works:
[Galerie Siegfried Billesberger, Billesberger Hof, Moosinning/Munich] Pierre Alexandre Wille (Paris 1748-1821 Paris). A Lively Market Scene. Watercolour, Pen and Brown Ink over Pencil. 195 × 271 mm. Signed and Dated Lower Right. 'P. A. Wille del. 1814'.
Attributed works:
[Gallery Charles & Andre Bailly, 25 Quai Voltaire, Paris]Tableau de Famille 224 × 175 cm. Salon of 1767 n° 76 Diderot of Salon 1767. Itself Reproduced in the Watercolour by Gabriel de Saint-Aubin Showing the Salon of 1767. Guillaume Voiriot
Attributed works:
[Gallery Lingard, 50 Pall Mall, London] Design for Five Decorative Roundels Art, Education, Health, Building, Architecture, Pencil & Wash, $6frac{3}{4}$ × 10 Inches
Attributed works:
[Heim Gallery,59 Jermyn Street, London] William Dobson 1610-1646. John, 1st Lord Byron
Attributed works:
[Hodsoll Mckenzie, 50&91 Pimlico Road, London] A Mahogany Sideboard with Inlaid Ebony Decoration. George Bullock. English. c. 1825.
Attributed works:
[Jason McCoy inc, 41East 57 Street, New York] Arshile Gorky. Untitled, 1946-47. Pencil and Crayon on Paper, 14½ × 21½
Attributed works:
[Leslie Hindman Auctioneers, 215 Qest Ohio Street, Chicago] A Highly Important Silver-Gilt Empire Table Service, Reputedly a Gift from Napoleon to his Sister, Pauline Bonaparte Borghese, Will be among the Highlights of the William J. Stoecker Collection to be Offered October 14. The Service, Retailed by Martin Guillaume Biennais and Supplied by the Workshops of Biennais, Pierre Benoit Lorillon and Francois Dominique Naudin and Augmented by Pietro Paolo Spagna, Contains 168 Pieces. The Stoecker Sale Features a Collection of English and Continental Stirrup Cups. Notable among Those Photographed Is a Paul Storr Stirrup Cup in the Form of an Eland's Head, London, 1835, a James Barelay Hennell Stirrup Cup in the Form of a Fox Head, London, 1877. and a Pair of George III Sheffield Plate Stirrup Cups, Sheffield, Circa 1790, Chased in the Form of Fox Masks.
Attributed works:
[Leslie Hindman Auctioneers, 215 West Ohio Street, Chicago] Included in the William J. Stoecker Collection is a selection of British watercolors, paintings, drawings and prints. Featured among them is this Dante Gabriel Rossetti "The Gate of Memory," watercolor, gouache and crayon, signed with the monogram lower right, dated 1864 and titled lower left, on verso is a pencil study for Dantis Amor, $13frac{3}{4}$ × 10½ inches. "A Scene from Comus," a watercolor by Samuel Palmer, signed lower right, 21¼ × 29½ inches, will be among the highlights of the Stoecker sale. Other British watercolors include works by George Henry Andrews. Samuel Atkins, Henry Edridge, Thomas Gainsborough, Basil Nightengale, William Richardson, John Warwick Smith, and others. This John Sell Cotman Watercolor Entitled "Entrance to the Valley of Lauterbrunnen from Interlaken" Signed Lower Center and Dated 1831, 12½ × 18½ Inches, will be among the Large Selection of British Watercolors on October 14. Other British Artists of Note Whose Works Are Featured in the Sale Include This William Alexander "The Pagoda at Lin-Tsin Fon," Watercolor and Ink, Signed Lower Centerm, 11 × $16frac{3}{4}$ Inches
Attributed works:
[Marlborough, 6 Albemarle Street, London] Christopher Couch, Man Standing and Woman on Bed, 1989. Oil on Canvas 90 × 95 in./228.6 × 241.3 cm
Attributed works:
[Newhouse Galleries Inc, 19 East 66th Street, New York] Frans Hals, (1581/5-1666). Portrait of Adrianus Tegularius. Oil on Panel, $11frac{3}{8}$ × 9¼ Inches (28.8 × 23.5 cm)
Attributed works:
[Perrin, 98 Faubourg Saint Honore, Paris] Sébastien LECLERC (1637-1714). French School, Astronomy Instruments. Pen and Brown Ink, with Wash over Black Chalk. H. 12,5 cm; L. 27,5 cm. Signed: 'Leclerc Fecit'
Attributed works:
[Richard L. Feigen & Company, 6 Ryder Street St James, London and 113 East 79th Street, New York] Sir Thomas Lawrence, P. R. A., Portrait of Dr. John Willis, 1829-1830 Oil on Canvas, 96 by 62 Inches (236 by 145 cm)
Attributed works:
[Sotheby's 34-35 New Bond Street, London] A Mannerist Bronze Faun by Adrien de Vries, Circa 1610-15, 77 cm (31in.) High.
Attributed works:
[Stair Sainty Matthiesen 42 East 74 Street, New York]Thomas Couture (Senlis 1815-1879 Villiers-le-Bel). Romains de la Decadence. Charcoal and Pencil on Paper: 13¼ × 23 inches (33.5 × 58.5 cms).
Attributed works:
[The 16th International Antiques Fair, Florence (Gallery Lingenauber, Schweringstrasse 38, Dusseldorf] Jacob Isaak van Ruisdael, Landscape with Farm Buildings. Oil on Canvas, 85 × 105 cms.
Attributed works:
[The 16th International Antiques Fair, Florence (Thos. Agnew & Sons 43 Old Bond Street, London)] Federico Barocci (Urbino 1526-1612). The Annunciation. Etching, Engraving and Drypoint, c. 1584-88.
Attributed works:
[The 16th International Art Fair, Florence ( Bernheimer Fine Arts, 32 St George Street, London] A North Italian Walnut and Marquetry Commode. Workshop of Maggiolini. Late 18th Century. Height: 92.5 cm. Width: 131 cm. Depth: 60 cm.
Attributed works:
[The 16th International Art Fair, Florence (Bruno Scardeoni, Via Nassa 54, Lugano] Piero Faccini (Bologna c. 1562-1602). The Annunciation. Oil on Canvas, 36 × 24.5 cms.
Attributed works:
[The 20th Century British Art Fair, London ( The Scottish Gallery, 28 Cork Street, London)] S. J. Peploe Tulips c. 1922 Oil on canvas 21½×18 ins. Signed.
Attributed works:
[The 20th century British Art Fair, London (Gillian Jason Gallery 42 Inverness Street, London)]Frank Dobson R. A. Sleeping Nude c. 1940 Black Chalk on Pink Paper 12½×19 ins.
Attributed works:
[The 20th century British Art Fair, London (Peter Nahum, 5 Ryder street, London)] Reginald Brill 1902-74. The Philosopher. Signed, Ink Drawing on White Paper 48×20 ins. (122×51 cms.).
Attributed works:
[The Park Lane Antiques Fair, London ( Donohoe, 1-7 Davies Mews, London)] Ale Jug, by David King; Dublin 1706. Silver 28 ozs Troy (ex. Collection Viscount Kemsley).
Attributed works:
[The Park Lane Antiques Fair, London (Crawley & Asquith, 16 Savile Row, London)] Lago d'Averno. By Jacob-Philipp Hackert (1737-1807) Oil on Canvas. 127 × 198 cms.
Attributed works:
[The Sladmore Gallery, 32 Bruton Place, Berkeley Square, London]Theseus Slaying the Centaur by Antoine Louis Barye (1796-1875). Height: 20″ incl. Base
Attributed works:
[Thomas Le Claire kunsthandel, Elbchaussee 156, Hamburg] Francesco Vecellio (Ca.1475 Pieve di Cadore 1560). Madonna and Child, Pen and Brown Ink, Brown Washes, and White Heightening on Grey-Blue Paper. 168 × 77mm.
Attributed works:
[Thos. Agnew and sons Ltd, 43 Old Bond Street, London] Alessandro Algardi (1598-1654). Virgin and Child, Bronze, 48.3 cm high
Attributed works:
[Venator & Hanstein KG, Cacilienstrasse 48, Koln] From a Sketchbook by van Bloemen with 255 Views of the City of Rome, Circa 1700
Attributed works:
[Veronique Maxe - Albert Benamou, 33 avenue Matignon, Paris] Auguste Rodin (1840-1917) ·L'Âge d'airain (1877) fonte Thiebaud à patine brune, 1895. 66 × 18 cm.
Attributed works:
[Wartski, 14 Grafton Street, London] Variations on a Theme. Three diamond head-ornaments by Fabergé. Each is contained within its original fitted case. The cyclamen tiara converts to a necklace and is accompanied by a matching brooch. The central ornament of the tiara mounted on a blue enamel band is detachable to form a brooch. Photographed under life size.
Western art unattributed:
[Bader Ancient Medieval and Renaissance Art, Via Cesare Cantu 3, Lugano] Blessing Christ, Alabaster with Original Polychromy Picardy, Amiens, 14th Cent. Height 59 cm
Western art unattributed:
[Charles Ratton & Guy Ladriere, 14 rue de Marignan and 11 quai Voltaire, Paris]"Le miracle de San Galgano". Tablette de la Gabelle générale de la commune de Sienne, janvier à juillet 1325. Bois peint, 39 × 26 cm
Western art unattributed:
[Galerie Neuse, Contrescarpe 14, Bremen] St. Christopher. A Late Gothic Limewood Goldsmith's Model South German, ca. 1480, 38.5 cm High
Western art unattributed:
[Nella Longari, Via Bigli 15, Milan]"Italian Master" (Valle Padana XIII cent) Initial "S" San Silvestro Tempera Illuminated on vellum 90 × 75 mm. Cut to Shape in Excellent Conditions
Western art unattributed:
[Seago, 22 Pimlico Road, London]A Large and Impressive 19th-Century English Terra-Cotta Garden Vase, Complete with Original Pedestal, Circa 1850.
Western art unattributed:
[The Park Lane Antiques Fair ( Maria Andipa 162 Walton Street, London)] Prophet Ezekial, an Iconstasis Panel. Moscow c. 1600.
Western art unattributed:
[The Park Lane Antiques Fair, London ( W.R. Harvey 5 Old Bond Street, London)] A Fine Regency Period Carved Gilt and Decorated Console Table, Circa 1810.
Book Review
George Bullock: Cabinet Maker
05/1989 | 1034 | 131
Pages: 363-364
related names
Reviewer:
Gow, Ian (Gow, Ian)
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Reviewed Items
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George Bullock: Cabinet Maker | author: Wainwright, Clive
Supplement
Recent Acquisitions by the Fitzwilliam Museum Cambridge: Supplement
05/1985 | 986 | 127
Pages: 328-332
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Illustrations
Attributed works:
84. Historiated initial 'O'; cutting from a choir-book. Italian, Florentine school. Early fifteenth century. Vellum, 16.9 by 16.7 cm. The initial contains a sainted Pope (St Gregory?). The figure and decoration letter recall the work of Silvestro dei Gherarducci at the Monastery of Santa Maria degli Angeli, Florence. Provenance: J. H. Fitzhenry. Sir Thomas Merton. Purchased from the Leverton Harris and University Purchase Funds.
Attributed works:
86. Leda and the swan, by Massimiliano Soldani-Benzi (1658-1740). Bronze, height 34.5 cm. Given by John Winter, Esq., together with a Ganymede and the eagle by the same artist, in memory of his father, Carl Winter, Director of the Fitzwilliam Museum (1946-1965). From the collection of Prince Lodovico Trivulzio and from the Luccardi Collection, Milan. See C. LUCCARDI and A. MINGHETTI: The Luccardi Collection of Milan, Milan, ill. pl. XXXVIII, attributed to Falconet. For the wax model for the bronze, see K. LANKHEIT: Die Modellsammlung der Porzellanmanufaktur Doccia, Munich [1982], p.119, No.3, ill. pl. 115.
Attributed works:
88. Cabinet, by George Bullock (d. 1818). c. 1817. Larchwood and ebony with brass mounts and boulle-work, the top of Glen Tilt marble, 87.2 by 120.4 by 46 cm. It is perhaps the piece mentioned in the Blair Castle accounts on 12th July 1817, of which the materials are identical, but the width (188 cm) somewhat larger. A design in the Birmingham City Museum and Art Gallery, discovered by Clive Wainwright, shows the pattern of the boulle-work on the doors of the cabinet. It is inscribed 'Mrs. Barrows/Oak Book Commode/Pubd. Augt 1816'. Purchased from the Gow Fund with a contribution from the National Art Collections Fund and Grant-in-Aid from the Victoria and Albert Museum.
Attributed works:
89. Rebecca and Eliezer at the well, by Nicolas Poussin. The painting appears to be of the 1660s. 96.5 by 138 cm. Bought from the Gow Fund and the University Purchase Fund with contributions from the National Art-Collections Fund, The Pilgrim Trust, The Esmeé Fairbairn Trust, The American Friends of Cambridge University, The Goldsmiths' Company, The Grocers' Company, Ciba-Geigy Plastics and with a number of private donations encouraged by the Fitzwilliam Museum Trust.
Attributed works:
90. Allen Smith contemplating by the Arno, Florence, by François-Xavier Fabre. Signed and dated on the Corinthian capital, lower right: 'F. X. Fabri/Florentiae 1797'. Allen Smith must have been a man of some means as, when travelling in Italy he commissioned five paintings from Fabre, mentioned in a letter from the Countess of Albany post-marked 12th July 1797. These included two portraits, of which the second was a life-size painting of Smith amid the ruins of ancient Rome. A letter from Fabre to Lord Holland (24th August 1797) gives full credit for composition to Smith. Given by the Friends of the Fitzwilliam Museum in celebration of their seventy-fifth anniversary, with the aid of a special gift from the Directors of Hazlitt, Gooden and Fox, and contributions from the National Art-Collections Fund, the Cunliffe, Perceval and University Purchase Funds.
Attributed works:
91. Study of a Head of a Youth, by Ludovico Cardi, Called Il Cigoli. Oil on Paper, Laid down on Canvas, 44.3 by 36.4 cm. A Study for The Emperor Heraclius Bringing Back the True Cross to Jerusalem, Dated 1594, in S. Marco, Florence. Bought from the Gow Fund, with a Contribution from the National Art-Collections Fund.
Attributed works:
93. The Last Communion of St Francis of Assisi, by Sir Peter Paul Rubens. Oil on Oak Panel, 104 by 74.5 cm. Modello for Rubens's Altar-Piece Painted for Jasper Charles for the Church of the Recollects at Antwerp, Now in the Musée des Beaux-Arts, Antwerp. The Finished Painting, Which Shows Significant Differences Particularly in the Upper Zone, Was Paid for on 17th May 1619. Given by Edward Speelman.
Attributed works:
94. The Holy Family on the return from Egypt meets the Infant St John, by Ludovico Carracci. Tempera on canvas, 52.7 by 66 cm. Michael Jaffé, to whom the attribution to Ludovico Carracci of this well-preserved guazzo from the celebrated collection of the Marques del Carpio, Governor of Naples, is due, has suggested a date in the 1580s, and points out how the landscape background anticipates Guercino. Given by the Friends of the Fitzwilliam Museum with a contribution from the Victoria and Albert Museum Grant-in-Aid.
Attributed works:
95. The month of June, by Giuseppe Zocchi. Oil on paper, laid down on canvas, 33.6 by 43.9 cm. A modelletto for Francesco Bartolozzi's print of a corresponding size in etching and engraving. The Bartolozzi Months, reversing Zocchi's compositions, were published at Wagner's in Venice in 1761. Giugno is lettered: 'bello e il veder, quando nel Cancro e il Sole'. Bought from the Gow Fund, with a contribution from the Victoria and Albert Museum Grant-in-Aid.
Non-western art unattributed:
87. Wine Bottle. Korean, Koryŏ Dynasty, Early Twelfth Century. Stoneware with Celadon Glaze, Height 28.6 cm. Given by Mr and Mrs G. St G. M. Gompertz. See Korean and Chinese Ceramics, Exh. cat., Fitzwilliam Museum, Cambridge, 24th February-28th March 1975, p.35, No.76, ill. on Front Cover.
Western art unattributed:
82. 'Oriental' Eros Leaning on Herm. Tarentine (?), Late Third Century BC. Terracotta, Height 18.5 cm. Both Statuettes Are from the Chesterman Collection, Acquired in Its Entirety by the Museum.
Western art unattributed:
83. Standing Goddess (Persephone?). Corinthian, Mid-Fifth Century BC. Terracotta, Height 17.5 cm. Both Statuettes Are from the Chesterman Collection, Acquired in Its Entirety by the Museum.
Western art unattributed:
85. Gospel book, in Latin, with Anglo-Saxon glosses. West France (Brittany?). Ninth-tenth century. Vellum, 27 by 19 cm. Fol. 14, a full-page miniature, shows Eusebius wearing blue robes, surrounded by the symbols of the Four Evangelists, each holding a lectern with an open book. Purchased by the Marlay, Perceval, Cunliffe and University Purchase Funds, with the aid of the Victoria and Albert Museum Grant-in-Aid, and the National Heritage Memorial Funds, and with a contribution by Dr G. D. S. Henderson in memory of Francis Wormald.
Western art unattributed:
92. Elizabeth Vernon, Countess of Southampton. Anonymous English School. c. 1603. 188 by 109 cm. Elizabeth Vernon, born in 1573, was one of Elizabeth I's Maids of Honour. She married in secrecy Henry Wriothesley, Third Earl of Southampton, the intimate of Shakespeare. Two miniatures of her husband, by Nicholas Hilliard and Peter Oliver, are in the Museum's collection. The painting hangs near the Van Dyck portrait of her daughter-in-law, Rachel de Ruvigny (reproduced in the October 1984 issue of this Magazine, p.603). Bought from the Perceval Fund with contributions from the National-Art Collections Fund and the Victoria and Albert Museum Grant-in-Aid.