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22 articles
Exhibition Review
Nature Unleashed: the Image of Catastrophe since 1600. Hamburger Kunsthalle
10/2018 | 1387 | 160
Pages: 850-852
related names
Reviewer:
Saß, Maurice (Saß, Maurice)
Subjects
dates:
museums and institutions:
places:
Illustrations
Attributed works:
1. View of Delft after the explosion of 1654, by Egbert Lievensz van der Poel. c.1654. Panel, 36.2 by 9.5 cm. (National Gallery, London; exh. Hamburger Kunsthalle).
Attributed works:
2. The sea of ice, by Caspar David Friedrich. 1823–24. Canvas, 96.7 by 126.9 cm. (Hamburger Kunsthalle).
Attributed works:
3. Flood, by Kota Ezawa. 2011. Transparency, 100 by 150 cm. (Collection the artist and Galerie Anita Beckers, Frankfurt a.M.; exh. Hamburger Kunsthalle).
Advertisements
Advertisements February 2012 (front)
02/2012 | 1307 | 154
Pages: s.p.
Subjects
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[C. G. Boerner, Dusseldorf. 13 Kasernenstr 13. USA 23 East 73rd Street, New York. Johannes Riepenhausen (1788 Gottingen - Rome 1860). The Virgin Mary with the Christ and John the Baptist. Oil on canvas, 46.5 x 37.5 cm. Signed at lower right]
Attributed works:
[Daxer & Marschall. Barer Strasse 44. Munich. Jakob Philipp Hackert. View over the Gulf of Pozzuoli towards Ischia and Capri, 1798. Signed, inscribed and dated Filippo Hackert.]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Lavinia Fontana. Bologna, 1552 - Rome, 1614. Portrait of Laura Gonzaga in Green. Oil on canvas, 88 x 112 cm (34 5/8 x 44 1/8 in)]
Attributed works:
[Galerie Neuse, Kunsthandel GmbH. Contrescarpe 14. D-28203, Bremen, Germany. Renaissance Stacking Beaker May. Silver-gilt. Augsburg, 1559-1586. Gregor Beir (Pair), born in Meran (goldsmith in Augsburg 1573-1604). Height: 8,6 cm, weight: 204 g]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. Lucian Freud and Kate Moss in Bed. 2010]
Attributed works:
[Koller. Hardturmstrasse 102. CH-8031, Zurich. Roelant Savery. A flower still life in a glass vase. 1612. Oil on copper. 16.8x13.5 cm]
Attributed works:
[Schlichte Bergen. P.C. Hooftstraat 53”, 1071 BN Amsterdam. Jean-Léon Gerome (Vé soul 1824 - 1904 Paris). Portrait of a Roman Girl. Oil on canvas 59 x 49.5 cm. Signed. Situated and dated 'Roma 1844']
Letter
Lusieri not Hackert
05/2009 | 1274 | 151
Pages: 320-321
related names
Author:
Weston-Lewis, Aidan (Weston-Lewis, Aidan)
Subjects
subjects:
subjects:
Illustrations
Attributed works:
46. View of Rome from the Baths of Caracalla, here attributed to Giovanni Battista Lusieri. c.1779–80. Watercolour, 49 by 72.8 cm. (Kupferstichkabinett, Staatliche Museen zu Berlin).
Exhibition Review
Jakob Philipp Hackert. Weimar and Hamburg
02/2009 | 1271 | 151
Pages: 128-129
related names
Reviewer:
Laing, Alastair (Laing, Alastair)
Subjects
dates:
places:
subjects:
Reviewed Items
subjects:
Jakob Philipp Hackert: Europas Landschaftsmaler der Goethezeit | institution: Hamburger Kunsthalle , institution: Neues Museum , institution: Schiller-Museum
Illustrations
Attributed works:
62. View of Rome from the Baths of Caracalla, by Jakob Philipp Hackert. c.1779–80. Canvas, 49 by 72.8 cm. (Kupferstichkabinett, Staatliche Museen zu Berlin; exh. Kunsthalle, Hamburg)
Attributed works:
63. Waterfall at Tivoli, by Jacob Philipp Hackert. 1785. Canvas, 122.5 by 171 cm. (Kunsthalle, Hamburg)
Attributed works:
64. Grotto of St Francis, Monte Verna, by Jakob Philipp Hackert. 1801. Canvas, 126 by 97 cm. (Städel Museum, Frankfurt am Main; exh. Kunsthalle, Hamburg)
Article
The furnishing of the king of Naples's Hunting Lodge at Carditello
10/2004 | 1219 | 146
Pages: 683-690
related names
Author:
González-Palacios, Alvar (González-Palacios, Alvar; Palacios, Alvar González-)
Subjects
artists:
dates:
places:
print:
Illustrations
Attributed works:
41. Henry IV is reconciled with Sully. Tapestry designed by Fedele Fischetti; woven by Pietro Duranti at the Royal Tapestry Foundation, Naples. 1791. 340 by 320 cm. (Gallerie Nazionali di Capodimonte, Naples).
Attributed works:
42. Henry IV in the house of the forester. Tapestry designed by Fedele Fischetti; woven and signed by Pietro Duranti at the Royal Tapestry Foundation, Naples. 1791. 340 by 320 cm. (Gallerie Nazionali di Capodimonte, Naples).
Attributed works:
43. Henry IV is recognised in the house of the forester. Tapestry designed by Fedele Fischetti; woven and signed by Pietro Duranti at the Royal Tapestry Foundation, Naples. 1791. 340 by 320 cm. (Gallerie Nazionali di Capodimonte, Naples).
Attributed works:
44. Henry IV receives Sully before the court. Tapestry designed by Fedele Fischetti; woven by Pietro Duranti at the Royal Tapestry Foundation, Naples. c.1791. 340 by 320 cm. (Gallerie Nazionali di Capodimonte, Naples).
Attributed works:
45. Henry IV in the forest. Tapestry designed by Fedele Fischetti; woven by Pietro Duranti at the Royal Tapestry Foundation, Naples. c.1791. 340 by 320 cm. (Gallerie Nazionali di Capodimonte, Naples).
Attributed works:
46. Henry IV falls in with the woodcutter in the forest. Tapestry designed by Fedele Fischetti; woven by Pietro Duranti at the Royal Tapestry Foundation, Naples. c.1791. 340 by 320 cm. (Gallerie Nazionali di Capodimonte, Naples).
Attributed works:
47. Fireplace, by Carlo Albacini, Rome, for the Gallery, Casino Reale, Carditello. White marble and porphyry. (Photograph by the author before the fireplace was stoled in 2000 from Carditello).
Attributed works:
48. Sofa for the king's Bedroom, Casino Reale, Carditello, here attributed to Georges Jacob and supplied by Daguerre and Lignereux. 1791. Mahogany, 95.5 by 164 by 67 cm. (Gallerie Nazionali di Capodimonte).
Attributed works:
49. Armchair for the king's Bedroom, Casino Reale, Carditello, here attributed to Georges Jacob and supplied by Daguerre and Lignereux. 1791. Mahogany, 93 by 56 by 50 cm. (Gallerie Nazionali di Capodimonte).
Attributed works:
50. Sofa for the Gallery, Casino Reale, Carditello, here attributed to Georges Jacob and acquired from Daguerre and Lignereux in November 1791. Tapestry cover by the Royal Tapestry Factory, Naples. c.1792. Mahogany, 101 by 192 by 66 cm. (Gallerie Nazionali di Capodimonte, Naples).
Attributed works:
51. Armchair for the Gallery, Casino Reale, Carditello, here attributed to Georges Jacob and acquired from Daguerre and Lignereux in November 1791. Tapestry cover by the Royal Tapestry Factory, Naples. c.1792. Mahogany, 100 by 71 by 60 cm. (Gallerie Nazionali di Capodimonte, Naples).
Attributed works:
52. A court gamekeeper, by Martin Ferdinand Quadal. 1784. 163 by 226 cm. (Royal Palace, Caserta).
Attributed works:
53. A court gamekeeper, by Martin Ferdinand Quadal. 1784. 163 by 226 cm. (Royal Palace, Caserta).
Short Notice
Jakob Philipp Hackert's 'Gulf of Pozzuoli' for the Casino of Prince Aldobrandini
03/2004 | 1212 | 146
Pages: 174-176
related names
Author:
Nordhoff, Claudia (Nordhoff, Claudia)
Subjects
dates:
places:
Illustrations
Attributed works:
38. The Gulf of Pozzuoli, by Jakob Philipp Hackert. 1778 or 1779. Gouache on paper mounted on canvas, 154 by 341 cm. (Private collection).
Attributed works:
39. Detail of Fig.38 showing the town of Pozzuoli and, in the distance, the bay and the Castello Aragonese.
Attributed works:
40. Detail of Fig.38 with the Anfiteatro Flavio on the extreme right.
Attributed works:
41. Detail of Fig.38 showing the naval encounter and the spectators and fisherman.
Advertisements
Advertisements July 2001(front)
07/2001 | 1180 | 143
Pages: i-xii
Subjects
advertisements:
artists:
subjects:
Illustrations
Attributed works:
Portrait of Francis Basset, Later Baron de Dunstanville, by Pompeo Batoni. 1778. 221 by 157 cm. (Museo del Prado, Madrid)
Attributed works:
[Charles Ratton & Guy Ladriere, 14, rue de Marignan and 11, quai Voltaire, Paris, France] Giovanni Domenico Porta (1722-1780). A Portrait of Cardinal Bufalini. Oil on Canvas, 98.5 × 74 cm. Signed on the Letter, with the Sitter's Name Inscribed. Signed and Dated 1766 on the Verso.
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] Giuseppe Porta, Called Giuseppe Salviati (c.1520-c.1575) The Queen of Sheba Presenting Gifts to King Solomon Pen and Brown Ink and Brown Wash, Heightened with White, on Blue Paper. 194 × 271 mm. (7 5/8 x 10 5/8 in.)
Attributed works:
[Dover Street Art Gallery, 13 Dover Street, London, UK] Jakob-Philipp Hackert (1737 Prenzlau - San Pietro di Careggi 1807), A View of the Roman Campagna by the Appian Way, Oil on Copper, 13¼ × 21¼ in, 34.9 × 53.6cm, Signed, Inscribed and Dated 'P. Hackert f./à Rome. 1781/via...'
Attributed works:
[Exh. Chris Beetles Ltd., 8/9 Ryder Street, London, UK] Filippo Lauri (Rome 1623-1694) And Viviano Codazzi Architecture (Bergamo 1603 - Rome 1672). Adoration of the Magi. Oil on Copper, 46 × 37.5 cm.
Attributed works:
[Julia Bennett, Flemings Hill Farm, Great Easton, Great Dunmow, Essex, UK] Attributed to Herman van der Myn (Mijn). Born Amsterdam 1684 - Died London c. 1741. Fine Portrait of a Child in a Blue Dress, Holding a Rose and Standing with a Dog beside a Floral Display. c. 1720. Oil on Canvas 50 by 40 Inches
Attributed works:
[Matthiesen, 7/8 Mason's Yard, Duke Street, London, UK] Girolamo Romanino 1484/5-1560, Christ and the Woman Taken in Adultery. Oil on Canvas, 51 × 64 in.
Attributed works:
[Mia N. Weiner, Mountain Road, Norfolk, CT, USA] Vision of the Madonna and Child Appearing to San Filippo Neri. Oil on Copper. 15 5/8 x 11 5/8 inches (395 × 295 mm). Ludovico Stern. 1709 - Rome - 1777
Attributed works:
[Robert Simon Fine Art Art, Inc., Satis House, Tower Hill Road, London, UK] Lorenzo Lotto (Venice ca. 1480 - Loreto 1556). Holy Family with St. Catherine of Alexandria. Oil on Canvas, 33½ × 43¼ Inches (85 × 110 cm). Signed: L. Lotvs
Western art unattributed:
[Exh. Biennale Internazionale dell 'Antiquariato Firenze] Veduta di una Parte di Lung 'Amo dalla parte opposta al Palarro del Sig 'P' Corsini.
Advertisements
Advertisements September 1993 (front)
09/1993 | 1086 | 135
Pages: i-xxviii
Subjects
advertisements:
subjects:
Illustrations
Attributed works:
[ Arno Winterberg, Hildastrasse 12, Heidelberg ] Franz Heinrich, Der Sibyllentempel und die Wasserfälle von Tivoli Watercolour. Signed. 44.4 × 64.4 cm.
Attributed works:
[ Bruno Scardeoni, 54 Via Nassa, Lugano ] The Sacrifice of Isaac, Oil on Canvas 153 by 118 cms. Orazio Riminaldi (Pisa, 1593-1631)
Attributed works:
[ C. G. Boerner, Kasernenstrasse 13, Düsseldorf / 61 East 77th Street, New York ] C. D. Friedrich. Woodcut by Chr. Friedrich. 1801/03. Börsch-Supan/Jähnig 60
Attributed works:
[ Colnaghi, 14 Old Bond Street, London / 108 - 112 Rue du Faubourg St Honore, Paris / 21 East 67th Street, New York ] Gaspare Diziani Belluno 1689 - Venice 1767 The Triumphal Entry of Alexander the Great into Babylon. Oil on Canvas, 130 × 202 cms ($50frac{5}{8}$ × 77½ ins)
Attributed works:
[ cover ] Bacchanal with a wine vat, by Andrea Mantegna. Engraving (H.4), 29.9 by 43.7 cm. (The Metropolitan Museum of Art, New York).
Attributed works:
[ De Jonckheere, 100 Rue du Faubourg Saint Honore, Paris ] Ambrosius Bosschaert The Younger (1609 Armenuiden - Utrecht 1645) Still-Life with Flowers, Fruits and Shells, Wood Panel, 66 × 47 cm, Signed, Circa 1634
Attributed works:
[ Dover Street Gallery, 13 Dover Street, London ] Sir Lawrence Alma-Tadema (1836-1912). Nude reclining on a Sofa. Oil on Panel, Inscribed, 38 by 22 cms
Attributed works:
[ Flavia Ormond Fine Arts Ltd, 24 Brechin Place, London ] Jacopo Zucchi (c.1540-1596) Artist-in-Residence at the Medici Court in Rome. A Study for the Decorative Detail of a Frieze in the Villa Medici, Rome, with Armorial Device Belonging to Pope Leo X. Pen and Brown Ink and Wash over Black Chalk. c.1587-88. 143 × 166 mm.
Attributed works:
[ Galerie Koller, Hardturmstrasse 102, Zurich ] Rembrandt Harmensz van Rijn (1606-1669). Diana and Callisto. 1640-1645. Pen and Brown Ink, Brown Wash. 204×295 mm (8×$11frac{5}{8}$ in). Valentiner 596, Benesch 521, Haverkamp Begemann 1961, p. 51, Certificate: Sumowski 1993.
Attributed works:
[ Galerie Lingenauber, Schwerinstrasse 38, Düsseldorf / 27 Boulevard des Italiens, Paris ] Abraham Breughel Antwerp 1631 - 1690 Naples Flowers in a Glass Vase A Pair of Octagonal Canvases 41.5 × 33 cm Each Both Signed
Attributed works:
[ Gallerie D' Arte, C. SO Palestro 37/B, Brescia ] Armondi, The Marlyrdom of St. Sebastian by Anthony Van Dyek (1599-1611). Canvas, 229 × 159 cm. Provenance: Düsseldorf-Mannheim Gallery. Inv. No. 821. According to Erik Larsen (The Paintings of Anthony Van Dyek. Volume II: Luca Verlag Freren 1988: p. 101) a life-size studio repetition of St. Sebastian alone is at the Berlin Castle. An original modello by the artist (parchment on canvas, 60 × 19 cm) which I have recently personally examined, constitutes a first plastic idea for the left side of the composition and is of very high quality.
Attributed works:
[ Gallery kekko, 14 Prince Arthur, Suite 105, Toronto ] Gaetano Gandolfi (1734-1802). Mary Magdalen Washing the Feet of Christ. Black Chalk, Grey Wash, 42.0 × 30.5 cm. Signed and Dated "G. Gandolfi 1798". Final Preparatory Design for the Painting by Gaetano Sold at Sotheby's London, December 1965, lot. 33. The Attribution Was Confirmed by Dr. Donatella Biagi Maino.
Attributed works:
[ Hilmar M. Klemke, Burchardstrasse 26, Münster / 8 Place du Palais Bourbon, Paris] Jacopo Amigoni (Venice ca. 1685-1752 Madrid) Bathsheba Bathing Receives the Message from King David Red Chalk. 152 × 207 mm.
Attributed works:
[ Kate de Rothschild & Didier Aaron, 118 Faubourg Saint - Honore, Paris / 21 Ryder Street, London / 32 East 67th Street, New York ] Giovanni Benedetto Castiglione, Called Il Grechetto (Italian, 1609-1663/1665) Satyr and Bacchante, Executed c.1650, Brush Drawing: 425 × 565 mm.
Attributed works:
[ Marcello Aldega Margot Gordon ] Gian Lorenzo Bernini 1598-1680 Brown Ink, White Paper 211 × 199 mm.
Attributed works:
[ Neumeister, Barer Strasse 37, Munich ] Francesco Trevisani (1656 Capodistria - 1746 Rome) The Madonna and Child with the Infant Saint John. Oil on Canvas. 78,5 × 68,5 cm.
Attributed works:
[ Olimpia Theodoli, 55 Cambridge Street, London ] Francisco Goya y Lucientes Fuente de Todos 1746 - Bordeaux 1828 Tu que no puedes Etching, Burnished Aquatint and Burin from the First Edition of Los Caprichos, 1799.
Attributed works:
[ Paul Proute S. A., 74 rue de Seine, Paris ] Abraham Bloemaert (Dordrecht 1564 + Utrecht 1651) Three Standing Women, One Praying. Black Chalk, Pen in Brown Ink, Light Grey Wash, White Heightening, on Beige Paper. On the Verso: A Standing Woman Seen from the Back and Study of Legs, Counterproof of Sanguine. Watermark: Bishop's Crook of Basel. (Close to Briquet 1329).
Attributed works:
[ Piero Corsini, 162 East 63rd Street, New York ] Giulio Cesare Procaccini Bologna, 1574 - Milan, 1625 Signed: G. C. P. The Betrayal of Christ ca. 1612-1620. Oil on Canvas, 208 × 149 cm. Provenance: Tomas Harris Collection
Attributed works:
[ Piero Corsini, 162 East 63rd Street, New York ] Giulio Cesare Procaccini The Betrayal of Christ Det.: Head of a Soldier
Attributed works:
[ Piero Corsini, 162 East 63rd Street, New York ] Giulio Cesare Procaccini The Betrayal of Christ Det.: Head of Christ
Attributed works:
[ Piero Corsini, 162 East 63rd Street, New York ] Giulio Cesare Procaccini The Betrayal of Christ Det.: Head of Judas
Attributed works:
[ Richard L. Feigen & Company, 6 Ryder Street, St James, London / 49 East 68th Street, New York ] Rudolphe Bresdin (1825-1885) Figures in a Landscape Pen, Black Ink and Black Wash on Cream Paper 4¼ by $3frac{1}{8}$ Inches (10.8 by 7.9 cm.)
Attributed works:
[ Robert Bowman, 15 Kings Road, London ] Auguste Rodin (French 1840-1917) Le Penseur. Signed A. Rodin and Inscribed with Founders Mark, Alexis Rudier Fondeur Paris Bronze, Rich Green, Brown, Orange and Black Patination. Height 37 cm ($14frac{3}{4}$ in)
Attributed works:
[ Sabrina Förster, Poststrasse 3, Düsseldorf ] Jakob Philipp Hackert Prenzlau 1737-1807 San Piero di Careggio Trees in the Chigi Park at Ariccia, 1772 Black Chalk, 390 × 518 mm, Signed and Inscribed "Dans le Parc du Prince Shigi à L'Ariccia 1772". Provenance: Collection Caspari, Frankfurt
Attributed works:
[ Stanza del Borgo, Via G. Puccini 5, Milan ] Salvator Rosa, The Prodigal Son Herding Swine Pen and Brown Ink, 178 × 263, Study for The Prodigal Son Herding Swine in the Hermitage, c.1650
Non-western art unattributed:
[ Grace Wu Bruce, Hong Kong ] A Very Fine Huanghuali Wood Qiaotouan Table. Chinese, Ming Dynasty, Late 16th to Early 17th Century. Height 85.7 cm ($33frac{3}{4}$ in). Width 167.0 cm ($65frac{3}{4}$ in). Depth 35 cm ($13frac{3}{4}$ in). Compare This to the Extremely Similar Example Illustrated in Classic Chinese Furniture by Wang Shixiang, 1986, Plate 107, in the Author's Collection.
Western art unattributed:
[ Charles Ratton & Guy Ladriere, 14 rue de Marignan and 11 quai Voltaire, Paris ] Marble Relief from a Chancel Screen Siena, Italy Circa 800 80 × 170 cm.
Western art unattributed:
[ Galleria Previtali, Via T. Tasso 21, Bergamo ] A Very Rare Brass Dish with a Stylised Image of a Lion Resembling Those Found on Acquamanili. Fifteenth Century. South German. Diameter: 39 cm.
Western art unattributed:
[ Nella Longari, Via Bigli 15, Milan ] "Bolognese Miniaturist" Initial "T" Martyrdom of Saint John the Evangelist Bologna, 1410 - 1420 Circa Tempera on Vellum 150 × 145 mm. Front Cover, 1st Vol.
Advertisements
Advertisements March 1992 (front)
03/1992 | 1068 | 134
Pages: i-xxxvi
Subjects
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[ Apollo Art Galleries, Spiegelgasse 15, Vienna ] Willem van Mieris. 1662-1747. The Quack. Oil on Panel, 35 × 28,5 cm. Signed: W. van Mieris fec.
Attributed works:
[ Arnoldi - Livie Munich Jill Newhouse, 12 East 86th Street, New York ] François Gérard (Rome 1770-1837 Paris) Study for Achilles Swearing Revenge before the Bier of Patroclus. 1816 Charcoal, Brown and Grey Washes, Squared for Transfer. 26,5 × 37,5 cm. The Original Painting, for Which This Is a Study, Was Destroyed by the Artist, a Second Unfinished Version is in the Musée de Caen. Prov.: Henri Gérard; Comte Foy
Attributed works:
[ Arturo Cuellar, Bürglistrasse 18, Zurich ] Nicolaes Maes 'Biblical Scene' Pen and Ink, 13 × 12.5 cm. Lit: Sumowski: Nr. 1857, W. R. Valentiner 'Nicolaes Maes' (1924)
Attributed works:
[ C. G. Boerner, Kasernenstrasse 13, Düsseldorf / 61 East 77th Street, New York ] Max Beckmann, Toilette. Woodcut. 1923. One of Two Proof Impressions in This State, on Japan Paper. Signed and Inscribed by the Artist. Gallwitz 223 a (of b). Hofmaier 258 II (of III). From the Estate of Günther Franke.
Attributed works:
[ Caylus Anticuario, Lagasca 28, Madrid ] Juan De Espinosa (Active in Madrid in the Last Quarter of 17th Century) Still Life with Grapes, Cherries, Pomegranate, Figs and Prunes on a Table Top. Oil on Canvas 59 × 44.5 cm.
Attributed works:
[ Charles Ratton & Guy Ladriere, 14 rue de Marignan and 11 quai Voltaire, Paris ] Pierre Puvis de Chavannes (1824-1898) History Black Chalk on Primed Canvas. 124.5 by 64 cm. This is a Preparatory Drawing for One of the Paintings in the Decorative Cycle at the Boston Public Library.
Attributed works:
[ Colnaghi, 14 Old Bond Street, London / 21 East 67th Street, New York ] Michael Sweerts Brussels 1618 - Goa 1664. A Woman Embroidering in an Interior with a Boy. Oil on Canvas: 48.5 × 38cms
Attributed works:
[ cover ]The Four Evangelists, by Abraham Bloemaert. 178 by 222.5 cm. (The Art Museum, Princeton University).
Attributed works:
[ Drs Salomon Lilian, Keizersgracht 642, Amsterdam ] Gaspar van den Hoecke Antwerp c. 1575-1648. Still Life of Flowers. Oil on Copper, 17.5 × 25 cm.
Attributed works:
[ European Fine Arts Gallery, 6 Lower Merrion Street, Dublin ] Hendrik Dubbels (1620/21 Amsterdam 1676) Winter Scene on a Frozen Canal Signed, Oil on Panel, 20.5 × 24 cm.
Attributed works:
[ Flavia Ormond Fine Arts ltd, 24 Brechin Place, London ] Ubaldo Gandolfi (1728-1781) the Sacrifice of Isaac Red Chalk, Pen and Brown Ink, Brown Wash; 312 × 218 mm.
Attributed works:
[ Galerie Lingenauber, Schwerinstr. 38, Düsseldorf ] Joannes Flyt. A Flower Piece. Oil on Canvas, 114.5 × 68 cm. Signed and Dated 1660
Attributed works:
[ Galerie Patrice Bellanger, 198 boulevard Saint Germain, Paris ] J. C. Marin, Faunesse allongée au raisin Terre cuite originale - Circa 1780 - H. 17,5 cm - Base 18,5 × 8 cm
Attributed works:
[ Galerie Siegfried Billesberger, Billesberger Hof, Moosinning, Munich ] Jacob Philipp Hackert (Prenzlau 1737-1807 San Piero di Careggio). Landscape with Horseman and a Peasant Couple Resting beside a Well by an Ancient Ruin. Tempera on Laid Paper, 229 × 328 mm.
Attributed works:
[ H. W. Fichter, Arndtstrasse 49, Frankfurt ] Eugen Bracht (1842 Morges-Darmstadt 1921). Out of the Sinai Desert. Oil on Canvas. Signed, Dated and Stamped Lower Right. New Catalogue of 19th Century Sketches and Watercolours Available.
Attributed works:
[ Hazlitt, Gooden & Fox, 38 Bury Street, St James, London ] Giuseppe Maria Crespi 1665 - 1747 Sleeping Peasant Girl Copper, 22 × 16 cm
Attributed works:
[ Huguette Beres, 25 Quai Voltaire, Paris ] Chassériau, Femme arabe
Attributed works:
[ Joanna Booth, 274 Kings Road, London ] Abraham Van Diepenbeeck (1596-1675) Trot à Gauche Red and Black Chalk, Grey Wash, 203mm × 147mm
Attributed works:
[ missing paintings ] Madonna and Child Ascribed to Duccio di Buoninsegna, Active 1278-1319, Tempera on Panel. 70cm × 46cm
Attributed works:
[ missing paintings] 18th Century French School, Circle of Fragonard and Hubert Robert, Circa 1790 Marie Antoinette and Other Royals Visiting Louise de France at the Convent of St. Denis, Paris. 160cm × 110cm
Attributed works:
[ Neumeister auctioneers, Barer Str. 37, Munich ] Jan Baptist Weenix (1621 Amsterdam - About 1660 Utrecht) Lady with Lapdog and Servant. Oil/Canvas. 142 × 120 cm.
Attributed works:
[ Paul Proute S. A., 74 rue de Seine, Paris ] Giovanni Francesco Barbieri, Called Guerchino (1591 + Bologna 1666) Saint Joseph and the Infant Jesus Red Chalk, 250 by 193 mm.
Attributed works:
[ Pillsbury Fine Prints, Inc., 1100 Park Avenue New York / 104 rue du Bac, Paris ] André Lhote, Sur la plage 1923 Charcoal Drawing
Attributed works:
[ Richard L. Feigen & Company, 49 East 68th Street, New York ] Giovanni Francesco Barbieri, il Guercino Saint Luke Displaying a Painting of the Virgin, Circa 1652-53 Lent by The Nelson-Atkins Museum of Art, Kansas City, Missouri (Nelson Gallery Foundation Purchase)
Attributed works:
[ Sabrina Förster, Poststrasse 3, Düsseldorf ] Jean-Baptiste Deshays (1729-1765). Attacking Dog, about 1758. Black, Red and White Chalk. 450 × 525 mm. Preparatory Drawing for the Painting The Martyrdom of Saint Andrew, Musée des Beaux-Arts, Rouen.
Attributed works:
[ Silverio Salamon, Via A. Volta, Turin 9 ] Albrecht Dürer, Nuremburg 1471-1528 The Four Horsemen of the Apocalypse, 1497 c.a Woodcut, Meder 167 (mm. 392×167)
Attributed works:
[ Smithsonian Institution Press ] Dürer's Animals, Photos Courtesy of the National Gallery of Art, Washington, D. C.
Attributed works:
[ The European Fine Art Fair, Maastricht ( Noortman, 40-41 Old Bond Street, London) ]Ambrosius Bosschaert the Elder 1573-1621. Flowers in a Wan-Li Vase. Copper: 23.2 × 17.8 cm Signed with Monogram
Attributed works:
[ The European Fine Art Fair, Maastricht ] Adriaen Van Der Salm (ca. 1660-1720) Whale Hunting in the Arctic. Pen painting on Panel, 54 × 80.5 cm
Attributed works:
[ The European Fine Art Fair, Maastricht ] Franz Courtens (Termonde 1854-1943) Mouth of the Scheldt. Oil on Canvas, 74 × 110 cm. Signed Bottom Right
Attributed works:
[ The European Fine Art Fair, Maastricht ] Heinrich Hansen (Hader̀sleben 1821-Copenhagen 1890). Interior View of the Slotskirken in Copenhagen. Oil on Canvas, 35.5 × 31.5 cm.
Attributed works:
[ The European Fine Art Fair, Maastricht ] Ludolf Backhuysen (Emden 1631-1708 Amsterdam) A Dutch Man-'o-War and Smaller Vessels. Canvas, 51 × 67 cm. Signed and Dated 1681
Attributed works:
[ W. M. Brady & Co., 3 East 76th Street, New York ] John Hamilton Mortimer, A. R. A. (1740-1779) Beatrice, from 'Much Ado about Nothing' (Act I, Scene I) Pen and Black Ink 13 × $10frac{5}{8}$ Inches (330 × 267 mm)
Attributed works:
[ Μ. L. Wurfbain Fine Art, Dorpsstraat 67, Oegstgeest ] Jan Gillisz. van Vliet (c.1610-1661?) St. Francis at prayer, c.1630 Oil on Panel, 40 by 30.5 cm.; Monogrammed JG VV (See Our Catalogue III, p.128-135, Available at 25 Guilders)
Attributed works:
[[ Galerie Lingenauber, Schwerinstr. 38, Düsseldorf ] Adriaen Coorte (Active in Middelbourg 1683-1707). Oil on Paper Laid Down on Panel. 26.3 × 20 cm. (10½ × 8 in.) Signed with Monogram: AC
Non-western art unattributed:
[ Flying Cranes Antiques, 1050 Second Ave. at 56th Street, New York ] For the Connoisseur... A Fully Articulated Copper Model of a Fiery Dragon with Gilt Eyes and Shakudo Pupils. Meiji Period. Length 50″.
Non-western art unattributed:
[ Jacques Barrere, 36 rue Mazarine, Paris] Bronze Buddha, Burma Pagàn, 9th/10th Century Height: 53cm
Western art unattributed:
[ Bernard Blondeel, Schuttershofstraat 5, Antwerp ] Mille Fleurs with the Sacrifice of Isaac (One of a Pair) Bruges (City Mark) Second Half of the 16th Century H. 310 cm. × W.250 cm.
Western art unattributed:
[ Galerie Francois Antonovich, Le Louvre des Antiquaires, 2 place du Palais Royal, Paris ] Lead, Diameter 12.7 cm.
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Subjects
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subjects:
Illustrations
Attributed works:
[17th International Biennale Mostra Mercato, Florence] Agostino Carracci (1557-1602). Cupid Overpowering Pan, The Head of a Monk (verso) Black and White Chalk on Blue Paper, 345 × 255 mm
Attributed works:
[17th International Biennale Mostra Mercato, Florence] Bonino da Campione Madonna and Child. (Lombard, Active 1345-97) Marble 71 cm. High.
Attributed works:
[17th International Biennale Mostra Mercato, Florence] Cornelis Cornelis. van Haarlem (1562-1638) An Allegory of Time. Oil on Panel 33 × 45.8 cms. Monogrammed and Dated: CVH 1628
Attributed works:
[17th International Biennale Mostra Mercato, Florence] Francesco Capella Called Daggia (1711-1784) Holy Family. Oil on Canvas 46 × 37 cms
Attributed works:
[17th International Biennale Mostra Mercato, Florence] Girolamo Macchietti (Florence, 1535-1592). Christ, St Catherine and St John the Baptist Brown Ink and Wash, Heightened with White or Blue Paper.
Attributed works:
[17th International Biennale Mostra Mercato, Florence] Giuseppe Zocchi (Florence, 1711 or 1717-1767). View of the Uffizi and Palazzo Vecchio from the Arno. Oil on Canvas, 65.5 by 94 cms.
Attributed works:
[Agnew's, 43 Old Bond Street, London] Benvenuto Tisi Called il Garofalo (c. 1476-1559). Adoration of the Shepherds. Panel, 9 × 11½ in (22.8 × 29.2 cm)
Attributed works:
[Arno Winterberg, Blumenstrasse 15, Heidelberg] Christian Wilhelm Ernst Dietrich, Called Dietricy, The Bath of Diana. Brown Ink and Wash, Heightened with White. Signed and Dated. 37,3 × 27,6 cm.
Attributed works:
[Bruno Scardeoni, 54 Via Nassa, Lugano] John Heiss (Memmingen 1660-Augsburg 1704). Moses and the Brazen Serpent. Canvas, 97.7 × 134.7 cm.
Attributed works:
[C.G. Boerner, Kasernenstrasse 13, Dusseldorf/ 61 East 77th Street, New York] Michael Ribestein (Active in Berlin between 1550 and 1565). The Agony in the Garden. Pen and Black Ink, Heightened with White (Partly Oxidised) on Chestnut Prepared Paper. 154 × 116 mm. From the A. Beurdeley Collection (L.421).
Attributed works:
[Colnaghi, 14 Old Bond Street, London/ 21 East 67th Street, New York] Bernardino Fungai 1460 - Fongaia - 1516 Virgin and Child Tempera and Gold on Panel: 42.8 × 29cms
Attributed works:
[Cramer, 38 Javastraat, The Hague] Philips Koninck (Amsterdam 1619-1688) Portrait of a Man from the van Schoten Family Signed and Dated: P. Koninck 1656 On Canvas 94.5 × 87.5 cm (36½ by 34 in.)
Attributed works:
[Drs Loek Brons, Apollolaan 141, Amsterdam] Le Sens des Realités. René Magritte, Oil on Canvas. 175 × 115 cm. 1963 Provenance Alexander Iolas. Private English Collection. Private Dutch Collection. Drs Loek Brons B. V., Amsterdam Lit.: René Magritte. Il Torckzyner, New York 1977. Page 155
Attributed works:
[Flavia Ormond Fine Arts Ltd, 24 Brechin place, London] Gaetano Gandolfi. The Martyrdom of St. Eusebius, c. 1785.
Attributed works:
[Frides Lameris, Nieuwe Spiegelstraat 55, Amsterdam] A Pair of Beakers with Polychrome Enamelling, Southern Germany, Mid-18th Century Height: 8 and 7.8 cm.
Attributed works:
[Front cover] Friedrich Rückert, by Samuel Amsler. 1818. Pencil on off-White Paper, 19.7 by 16.6 cm. (Ashmolean Museum, Oxford).
Attributed works:
[Galerie Gerda Bassenge, Erdener Strasse 5A, Berlin] Martin Schongauer. Christ Carrying the Cross. Engraving. C. 1480.
Attributed works:
[Galerie Siegfried Billesberger, Billesberger Hof, Moosinning, Munich] Jacobus Hausser (Around 1595-1603). Mercury and Psyche. Black Chalk and Pen and Brown Ink and Grey Wash on Laid Paper. 230 × 173 mm. Signed and Dated "Jacobus Haußzer van Ach/in Rom Ad 1595".
Attributed works:
[Heide Hubner, Handelstrasse 21A, Wurzburg] Jan Tengnagel (Amsterdam 1584-1635) Eliezer Bringing Gifts to Rebecca from Abraham. Oil on Panel. 45.5 by 65 cm.
Attributed works:
[Herve Chayette Laurence Calmels, 12 Rue Rosini, Paris] Lacroix de Marseille. "Naufrage sur une côte mediterranéenne" Canvas 49 × 65,5 cm
Attributed works:
[Hildegard Fritz - Denneville Fine Arts Ltd, 31 New Bond Street, London] Eduard von Gärtner (Berlin, 1801-1877) 'The Artist's Wife and Three Eldest Children at the Coffee Table in the Conservatory of Mr. Westphal, His Landlord in Berlin'. Oil on Canvas, Signed with Monogram 'E. G.' and Dated 1836. 24 by 20 cm.
Attributed works:
[Hilmar M. Klemke oHG, Burchardstrasse 26, Munich] Isaac de Moucheron. (Amsterdam 1670-1744 Amsterdam) Villa d'Este, Tivoli Viale delle Cento Fontane. Pen and Brown Ink, Watercolour, Gouache, 225 × 341 mm. Signed at Lower Right with Pen and Brown Ink 'Moucheron Fecit'
Attributed works:
[Julius Bohler, Pacellistrasse 8, Munich] Very important Choirstall, richly carved with a relief of St. Peter, and a group of Phyllis riding on the back of Aristotle. By Rodrigo Alemán (German woodcarver active in Spain 1489-1503). Oakwood, height 316 cm, width 87 cm, depth ca. 75 cm. From the Cathedral of Plasencia, Spain, carved between 1497 and 1503.
Attributed works:
[K.J. Mullenmeister, Borsenstrasse 69, Solingen] Jacob Bogdany (? Eperjes - 1724 London). Landscape with Pheasant and Partridges. Oil on Canvas 74 × 60 cm. Signed: J. Bogdany, Painter to William III King of England 1689-1702
Attributed works:
[Lawrence, Fine Art of Crewkerne, South Street, Crewkerne, Somerset] David Vinckeboons. The Preaching of St. John the Baptist. Oil on Canvas 44 (111.7) × 34¼ (86.9)
Attributed works:
[Marlborough, 6 Albemarle Street, London] Celia Paul, Kate, 1990. Oil on Canvas 60 × 40 in./152.4 × 101.6 cm.
Attributed works:
[Noortman, 40-41 Old Bond Street, London] Salomon van Ruysdael c. 1601-1670. Landscape with Travellers. Canvas: 108.5 × 136 cm Signed
Attributed works:
[Otto Naumann Ltd, 4 East 74th Street, New York] Nicolaes Berchem. Haarlem, 1620-1683 Amsterdam. Extensive Landscape with a Stag Hunt. Panel, 71.5 × 97 cms. Signed Lower Right
Attributed works:
[Phillips, 101New Bond Street, London] Benjamin West P. R. A. Two Officers and a groom in a Continental Landscape, Signed and Dated 1777, 99cms × 124.5cms.
Attributed works:
[Richard L. Feigen & Company, 6 Ryder Street St James, London/ 49 East 68th Street, New York] Benvenuto di Giovanni, Assumption of the Virgin, 1498 Tempera, 295 by 221 cm. Signed and Dated, Bottom Centre (On Cartellino): "Opus. Benvenuti. Iohanis/De. Senis. MCCCCLXXXXVIII"
Attributed works:
[Richard L. Feigen, 6 Ryder Street St James, London/ 49 East 68th Street, New York] Landscape with the Predication of St. John the Baptist, 1643 Oil on Canvas, 103.5 by 146 cm ($40frac{3}{4}$ by 57½ Inches) Signed and Dated, Lower Right, BBreenbergh/Faciebat. Anno./1643
Attributed works:
[Sabrina Forster, Poststrasse 3 Dusseldorf] Cornelis Saftleven (1607-1681). Rushing Man from Behind. Black Chalk. 281 × 182 mm. Monogrammed and Dated 1631
Attributed works:
[Sabrina Forster, Poststrasse 3 Dusseldorf] Matteo Rosselli (1578-1651). Three Standing Women. Black, red and white chalk on blue paper. 424 × 266 mm. Final drawing for the painting of the Birth of the Virgin, in Santa Maria dei Servi, Lucca Anna Forlani-Tempesti and Ugo Ruggeri confirmed the attribution
Attributed works:
[Stanza del Borgo, Via G. Puccini 5, Milan] Giovanni Balducci, Called Il Cosci. Firenze 1560 - Napoli after 1631. "Head of an Apostle". "A Study of Male Figure" (r) 261 × 198 mm. The Drawing is Connected with the Lower Left Figure in the Painting Christ in Glory with Apostles and Saints in the Gesù Pellegrino, Florence, c. 1590.
Attributed works:
[Xaver Scheidwimmer, Barer Strasse 3, Munich] Paul de Vos (Hulst 1595-1678 Antwerp). The Flight between the Cock and the Peacock. Signed: P. de Vos Fecit. Oil on Canvas, 119 × 180 cm.
Western art unattributed:
[Nella Longari, Via Bigli 15, Milan] "Don Silvestro dei Gherarducci". Firenze, XIV cent. Initial "L", "Santa Caterina e una monaca in preghiera" Tempera Illuminated on vellum 190 × 170 mm.
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