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4 articles
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Advertisements March 1996 (front)
03/1996 | 1116 | 138
Pages: i-xxxii
Subjects
subjects:
Illustrations
Attributed works:
[ Arno Winterberg, Hildastr. 12, Heidelberg ] Michelangelo Ricciolini Attributed. Mary with Elizabeth, Jesus and John. Pen Drawing in Brown with Wash in Ink. 22.8 × 17 cm
Attributed works:
[ Artemisia S.R.L., Via Domenico Morelli 33, Naples ] Santi di Tito. Borgo Sansepolcro 1536? Firenze 1603. Oil on Canvas. 118h × 90.5 cms. "Il riposo dalla fuga in egitto"
Attributed works:
[ Arturo Cuellar, Bürglistrasse 18, Zurich ] Jan van Huysum (1682-1749). Study of a Vase of Flowers. Black and White Chalk on Blue Paper. 38 × 29 cm
Attributed works:
[ Asprey, 165-169 New Bond Street, London ] An Important English Eight Day Bracket Clock in an Ebony Architectural Case, by Edward East. Circa 1665. Height: $18frac{3}{4}$″ (47.5cms)
Attributed works:
[ Bonhams, Montpelier Street, London ] An Important Bronze Figure of Hercules, by Antico. $13frac{5}{8}^{prime prime}$ (34.7cm) High
Attributed works:
[ Bonhams, Montpelier Street, London ] An Important Ivory Relief of a Lady and Her Daughter with a Whippet, by David Le Marchand. 7 ½″ (19cm) × 5″ (13cm)
Attributed works:
[ Charles Ratton & Guy Ladrière, 14 rue de Marignan and 11 quai Voltaire, Paris ] Simon Challe (Paris 1719 - 1765) White Marble Statue of the Virgin. Signed: challe 1764 - Inscribed: Virgo Virginum - Height: 73cm
Attributed works:
[ Colnaghi, 14 Old Bond Street, London / 21 East 67th Street, New York ] Jacob van Hulsdonck 1582 - Antwerp - 1647. An Elaborate Still Life. Oil on Panel: 72.5 × 103.5 cms. Monogrammed on Plate at Lower Right: IVH
Attributed works:
[ Cover ] Virgin and Child, by Jan Gossaert. Panel, 30.7 by 24.3 cm. (National Gallery, London)
Attributed works:
[ Daxer & Marschall, Wittelsbacherplatz 6, Munich ] Bernard Molitor (1755 Luxembourg - 1833 Fontainbleau). Card Table. Stamped: B. Molitor, ca. 1785 - 1788. Mahogany, Brass, Gilded Bronze; Height 75 cm, Diameter 107 cm.
Attributed works:
[ Galerie Neuse, Contrescarpe 14, Bremen ] Gerrit van Honthorst, The Love of the Painter is Returned by His Muse. Galerie Neuse. Stand no. 176
Attributed works:
[ Gallery kekko, 14 Prince Arthur Suite 105, Toronto / Castle Genoels -Elderen, Kasteelstraat 9, Riemst ] Guido Reni (1575 - 1642), Head of a Woman. Red and Black Chalk, 35.4 × 26.4 cm
Attributed works:
[ Hill-Stone, New York ] Johannes Lencker. Nuremberg 1523 - 1585. Study of Letters Seen in Perspective. Pen and Brown Ink with Pink Wash; Squared with a Stylus, Possibly for Transfer.
Attributed works:
[ Johnny Van Haeften, 13 Duke Street, St James, London ] Signed and Dated 1608. Paul Brill (Antwerp 1554 - 1626 Rome). Christ Healing the Possessed of Gerasa. Oil on Copper 10½ × 13¼in. 26.9 × 35.1 cm.
Attributed works:
[ Lawrence Steigrad Fine Arts, 42 East 76th Street, New York ] Pieter Claesz (Münster 1597 - Haarlem 1660). A Banketje. Signed with Monogram and Dated 1656, Oil on Panel $19frac{3}{4}$ × 27 in. (50 × 68.7 cm).
Attributed works:
[ Newhouse Galleries, Inc., 19 East 66th Street, New York ] Self-Portrait of the Artist in His Studio. By Gerard Dou (1613-1675); Oil on Panel; 59.1 × 43.2 cm. (23¼ × 17 ins.)
Attributed works:
[ Olimpia Theodoli, 55 Cambridge Street, London ] Jacques Callot (1592-1635) Cap.Mala Gamba - Cap.Bellavita Etching. Lieure 393, First State of Two from the Balli di Sfessania
Attributed works:
[ Richard Green, 33 New Bond Street, London / 44 Dover Street, London / 39 Dover Street, London / 4 New Bond Street, London ] Salomon van Ruysdael (Circa 1600/03-1670). A Wijdschip with Other Small Dutch Vessels. Signed with Initials. Panel: 16¼ × $20frac{3}{4}$ in / 41.5 × 53 cm
Attributed works:
[ Richard L. Feigen & Company, 49 East 68th Street, New York ] Pierre Subleyras, Male Nude (Study for a St. Jerome), Circa 1728-34. Oil on Canvas, 101 by 73.5 cm.
Attributed works:
[ Schlichte Bergen, P.C. Hoofstraat 53, Amsterdam ] François-Marius Granet, Aix-en-Provence 1775 - 1849. San Martino in Monte. Canvas, 47.5 × 59.5 cm. Painted 1802
Attributed works:
[ Talabardon, 44 Rue Sainte Anne, Paris ] Léon Bonvin (1834-1866) Vase of Small Chrysanthemums. Pen, Ink and Watercolour. Heightened with Gum Arabic. Signed and Dated 1862 Lower Left. 15,5 cm × 15 cm
Attributed works:
[ The Artemis Group, 15 Duke Street, St James, London / Succursale de Geneve, 11 Grand Rue, Geneve ] Rembrandt Harmensz. van Rijn 1606-1669. The Descent from the Cross by Torchlight 1654. Etching with Drypoint, 209 × 156 mm. Reference: Bartsch 83
Attributed works:
[ The European Fine Art Fair, Maastricht ] Abraham de Vries, A Double Portrait. Whitfield Fine Art. Stand no. 434
Attributed works:
[ The European Fine Art Fair, Maastricht ] Cornelis van der Voort, Portrait of a Gentleman (One of a Pair) Johnny van Haeften. Stand no. 418
Attributed works:
[ The European Fine Art Fair, Maastricht ] François Quesnel the Elder, Portrait of a Court Lady. Colnaghi. Stand no. 420
Attributed works:
[ The European Fine Art Fair, Maastricht ] Gerrit van Honthorst (1590-Utrecht-1656) "Pictura Is Painting a Likeness of the Artist" or the Allegory of "The Love of the Painter Is Returned by His Muse" Signed "G. Honthorst/1648"; Oil on Canvas, 138 × 113 cm
Attributed works:
[ The European Fine Art Fair, Maastricht ] Jan Josef. van Goyen, An Extensive Landscape with a Wagon on a Track near a Farmhouse with Peasants Resting by a Pond. Newhouse Galleries. Stand no. 312
Attributed works:
[ The European Fine Art Fair, Maastricht ] Jan van Goyen, A Peasant Woman Milking Cattle near a River. Richard Green. Stand no. 316
Attributed works:
[ The European Fine Art Fair, Maastricht ] Pierre Roussel, One of a Pair of Louis XV Commodes. Galerie Perrin. Stand no. 265
Attributed works:
[ The European Fine Art Fair, Maastricht ] Prague School (Circle of Bartholomäus Spranger) The Four Evangelists. Piero Corsini. Stand no. 430
Attributed works:
[ The European Fine Art Fair, Maastricht ] Rembrandt Harmensz. van Rijn, Portrait of a Young Man. Otto Naumann. Stand no. 428
Attributed works:
[ The European Fine Art Fair, Maastricht ] Travelling Cabinet Veneered with Various Woods, Partly Stained, with Iron Mounts. Nuremberg, Circa 1600. Böhler. Stand no. 131
Attributed works:
[ The London Original Print Fair ] Jean Dubuffet Le Nez Carotte Lithograph 1961-62
Non-western art unattributed:
[ Galerie Francois Antonovich, Le Louvre des Antiquaires, 2 Place du Palais Royal, Paris ] Young Nubian Prince Gathering Dates. Scene from the Daily Life of Young Boys in Egypt. Quartzite. Nubian Kingdom, Meroitic Period. (Circa 540-350 B. C.). Height: 76.5 cm
Western art unattributed:
[ August Laube, Trittligasse 19, Zurich ] Apocalypse of Saint John. Blockbook Page Germany, around 1463. Woodcut. Schreiber IV. p. 164/165, leaf 27. Watermark: Gothic P, similar to Briquet 8597 (Luxembourg 1464). Coll. L. Ross in New York, 1944; A. Blum. Top: An Angel Announces the Hour of God's Judgement; Bottom: The Fall of Babylon. Printed in light brown. Coloured in orange, green, yellow, black-grey and brown.
Western art unattributed:
[ Brimo de Laroussilhe, 7 Quai Voltaire, Paris ] Joseph of Arimathea, Central Italian, c. 1230-1240. Wood with Remains of Polychromy, Height 142 cm. (Ex. Coll. A. Stoclet, Brussels)
Western art unattributed:
[ Jonathan Horne, 66c Kensington Church Street, London ] A Large Polychrome Baluster Jug. Height 15 ins (38 cms) c. 1350. Probably Essex
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Advertisements September 1995 (front)
09/1995 | 1110 | 137
Pages: i-xvi
Subjects
subjects:
Illustrations
Attributed works:
[ Arno Winterberg, Hildastrasse 12, Heidelberg ] Pieter Brueghel the Elder, Man of War, Sailing to the Left, in the Background a Town. Engraving by F. Huys after P. Brueghel, 1565. Bastelaer and Hollstein 102. Early Print.
Attributed works:
[ Arno Winterberg, Hildastrasse 12, Heidelberg ] Pieter Brueghel the Elder, Three Men of War in a Tempest, Sailing to the Right. Engraving by F. Huys after P. Brueghel, 1565. Bastelaer and Hollstein 105, I (Of II). Early Print.
Attributed works:
[ Bruno Scardeoni, Via Nassa 54, Lugano ] Domenico Cresti Called Il Passignano (Passignano (FI), 1559 - Firenze, 1638). "Ecce Homo". Oil on Slate, 40 × 53 cm
Attributed works:
[ C. G. Boerner, Kasernenstrasse 13, Düsseldorf / 61 East 77th Street, New York ] Emil Nolde. Prophet. Woodcut. (1912). Signed and Titled. 415 × 325 mm Sheetsize. Schiefler-Mosel 110.
Attributed works:
[ Claude Kuhn, Blumenrain 12, Basel ] Jacopo Ligozzi. Head of a Man with a Turban. Pen and Brown Ink over Some Red Chalk, 9.4 × 7.2 cms
Attributed works:
[ Cover ] After Belshazzar's Feast, by Frank Auerbach. 1990. Acrylic on Board, 55.9 by 69.8 cm. (Marlborough Fine Art, London, Ltd
Attributed works:
[ Dorotheum, Dorotheergasse 17, Vienna ] Johann Heinrich Fiissli or Henry Fuseli (Zurich 1741-1825 Putney Hill), the Expulsion from Paradise, 1803-1805, Oil on Canvas, 0,91 × 0,71 m
Attributed works:
[ Galerie Koller Auctioneers, Hardturmstrasse 102, Zurich ] Chaudet, Antoine-Denis (1763 Paris 1810). Busts of Napoleon Bonaparte and Marie-Louise as a Roman Couple. Paris ca. 1810.
Attributed works:
[ Galerie Koller Auctioneers, Hardturmstrasse 102, Zurich ] Amphora Vase, Manufacture Imperiale de Sèvres and Numbered, Sèvres 1811. Representing Napoleon as an Ancient Hero Being Crowned by Fama. H 105 cm.
Attributed works:
[ Galerie Koller Auctioneers, Hardturmstrasse 102, Zurich ] Firedogs, Empire, Attributed to P. P. Thomire, Paris ca. 1810.
Attributed works:
[ Galerie Sanct Lucas, Palais Pallavicini, Josefsplatz 5, Vienna ] Jacob Toorenvliet. Copper 23.5 × 19 cms. Leyden, 1635 - 1719. Signed J. Toorenvliet Fecit A. D. 1676
Attributed works:
[ Gallery kekko, 14 Prince Arthur Suite 105, Toronto / Kasteelstraat 9, Riemst, Belgium ] Giovanni Battista Tiepolo (1696 - 1770). Christ and the Woman of Samaria. Pen and Brown Ink and Wash over Black Chalk, 29.8 × 21.7 cm
Attributed works:
[ Heribert Tenschert, Kirchplatz 14-15, Rotthalmünster ] Judgement Day. Full Page Miniature (One of 24 Large and 24 Smaller Ones) from the Book of Hours of Christophe de Champagne, Painted Probably by François Fouquet; Tours, around 1480-85. In Mint Condition. From the Cortland F. Bishop and L. Dupont Collections.
Attributed works:
[ Olimpia Theodoli, 55 Cambridge Street, London ] Salvator Rosa (1615-1673). The Genius of Salvator Rosa. Etching and Drypoint, Circa 1662. Bartsch 24; Theodoli 113, Only State
Attributed works:
[ Paul Prouté, S.A., 74 rue de Seine, Paris ] Giovanni Battista Barbieri, Il Guercino (Cento 1591 + Bologne 1666). Saint Joseph and the Infant Jesus. Red Chalk, 250 × 193. Ex Collections Sir Joshua Reynolds (Lugt 2364) and William Esdaile (L. 2617).
Attributed works:
[ Tate Gallery, Millbank, London ] Henry Moore, Recumbent Figure, 1938
Western art unattributed:
[ Colnaghi, 14 Old Bond Street, London / 21 East 67th Street, New York ] Middle Rhenish Master. Late 15th Century. Sts Stephen and John the Baptist. Virgin and Child with St Mary Magdalene. Oil and Gold on Panel: 38 × 28 cms (Each One)
Western art unattributed:
[ Galerie Günter Puhze, Stadstrasse 28, Freiburg ] Bronze Statuette of Marsyas, Roman 1st-2nd Cent. AD, Height: 26cm
Western art unattributed:
[ Neumeister Fine Art Auctioneers, Barer Strasse 37, Μunich ] From a Collection of Rare Early German Stone- and Hafner-Ware. Bartmannskrug, Cologne, 16th Century. H. 16 cm. Feldflasche, Saxony, Late 16th Century. H. 23,5 cm (Provenance Collection Bondy, Vienna). Kurfürstenkrug, Raeren, Early 17th Century. H. 17 cm.
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Advertisements September 1994 (front)
09/1994 | 1098 | 136
Pages: i-xxiv
Subjects
advertisements:
artists:
artists:
subjects:
Illustrations
Attributed works:
[ Arno Winterberg, Hildastr. 12, Heidelberg ] Jan Wyck, Battle between Turks and Poles. Painting, about 1685. Monogrammed. 63 × 76 cm.
Attributed works:
[ Bruno Scardeoni, Via Nassa 54, Lugano ] "Portrait of a Man in Armour". Oil on Canvas, cm 199 × 133. Giuseppe Vermiglio (Active c.1604-1635)
Attributed works:
[ C. G. Boerner, Kasernenstrasse 13, Düsseldorf / 61 East 77th Street, New York ] Israhel van Meckenem. St.Thomas and St.James The Lesser.Engraving. 205 (211) × 143 mm Sheetsize. Bartsch 81. Lehrs and Hollstein 296 I (of II).
Attributed works:
[ Charles Ratton & Guy Ladrière, 14 rue de Marignan and 11 quai Voltaire, Paris ] Girolamo della Robbia (1488-1566). Glazed Terracotta Bust of a Man
Attributed works:
[ Christie's, 502 Park Avenue, New York ] Gustave Courbet (French, 1819-1877), Flowers, Signed Gustave Courbet, Lower Left, Oil on Canvas, $9frac{3}{4}times 7frac{3}{4}$ (24.7 × 19.6 cm.).
Attributed works:
[ Concha Barrios, Claudio Coello 14 and 17, Madrid ] Massino Stanzione (Orta di Atela 1585 - Naples 1656), St. Agatha (detail), oil on canvas, 144 x 187 cms.
Attributed works:
[ cover ] Angel Appearing to St Jerome, by Guido Reni. 198 by 174 cm. (The Detroit Institute of Arts).
Attributed works:
[ Dover Street Gallery, 13 Dover Street, London ] Cristoforo Munari. (Reggio Emilia 1667-1720 Pisa). Still Life with Lute and Violin. Oil on Canvas (One of a Pair). 52.5 by 40.25 Inches; 133.5 by 102 cms.
Attributed works:
[ Galerie Eric Coatalem, 93 Rue du Faubourg St. Honoré, Paris ] The Saint Family, St. John the Baptist, St. Elizabeth and Two Angels. Oil on Canvas, 75 × 101.5 cm
Attributed works:
[ Galerie Koller Auctioneers, Hardturmstrasse 102, Zurich ] François Boucher (1703 Paris 1770). Une dame à sa toilette, ca. 1738. Oil on Canvas. 34×30 in. (86.3×76 cm). Domenico di Michelino (Florenz 1417-1491). The Madonna and Child with Saints. Tempera on Panel, Gold Ground. 38.5×25.5 in. (98×65 cm). Lit.: van Marle, 1927; B. Berenson, 1932 and 1963.
Attributed works:
[ Galerie Michel Descours, 44 rue Auguste - Comte, Lyon ] Giovanni Francesco Barbieri Called il Guercino (Cento 1591-1666 Bologna). The Martyrdom of Saint Sebastian. Red Chalk on Paper. 370 × 270 mm
Attributed works:
[ Gallery Kekko, 14 Prince Arthur, Suite 105, Toronto / Kasteelstraat 9, Riemst, Belgium ] Giovanni Battista Tiepolo (1696-1770). The Head of Hermes. Red and White Chalk on Blue Paper, 28.4 × 19.6 cm Watermark: Three Crescent Moons
Attributed works:
[ Glass Gallery Michael Kovacek, Spiegelgasse 12, Vienna ] Table Lamp with Orchids and Bats. Emile Gallé, Nancy, 1901-1903. Colourless Glass, the Interior Overlaid with Opal Glass, the Exterior with Violet and Yellow Glass. In Several Working Processes Continuously Etched to Depict Orchids - On the Foot - And Five Bats with Diabolic Grimaces - On the Shade. The Ground Partially Cut. Relief Signature on Foot and Shade. Original Metal Mount with Light-Fixture in Foot and Shade. Height 63 cm. Diam of Shade 35 cm.
Attributed works:
[ Paul Prouté S. A., 74 rue de Seine, Paris ] Daniele Crespi. (Busto Arsizio ca. 1598/1600 + Milano 1630). A Kneeling Saint (Saint Charles Borromeo?) Adoring the Virgin Surrounded by Angels. Pen and Brown Ink, Heightened with White on Paper Prepared with Brown Pencil, 220 × 175.
Attributed works:
[ Richard L. Feigen & Company, 6 Ryder Street St James, London / 49 East 68th Street, New York ] Théodore Géricault, Brutus Condemning His Sons to Death, Circa 1815. Pencil on Pale Green Paper $3frac{7}{8} text{by} 5 frac{3}{8}$ Inches (10 by 13.5 cm.). Also: A Pendant Drawing, a Study for The Oath of Brutus, Which Is in the Nelson-Atkins Museum of Art
Attributed works:
[ The Fine Arts Gallery of New Orleans, 614 Canal Street, New Orleans ] 53.5 × 101.5 Inches (136 × 258 cm). A Wooded Landscape with Figures Near a Stream. Oil on Canvas
Attributed works:
[ The University of Chicago Press ] Richard Serra, Photo by Nancy Lee Katz
Attributed works:
[ Venator & Hanstein KG, Cäcilienstrasse 48, Cologne ] Albrecht Dürer: St. Hubertus. Engraving, ca 1501
Western art unattributed:
[ Colnaghi, 14 Old Bond Street, London / 108-112 Rue du Faubourg St. Honoré, Paris / 21 East 67th Street, New York ] Portal of the Church of Madonna dell'Orto after Restoration
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Advertisements September 1993 (front)
09/1993 | 1086 | 135
Pages: i-xxviii
Subjects
advertisements:
subjects:
Illustrations
Attributed works:
[ Arno Winterberg, Hildastrasse 12, Heidelberg ] Franz Heinrich, Der Sibyllentempel und die Wasserfälle von Tivoli Watercolour. Signed. 44.4 × 64.4 cm.
Attributed works:
[ Bruno Scardeoni, 54 Via Nassa, Lugano ] The Sacrifice of Isaac, Oil on Canvas 153 by 118 cms. Orazio Riminaldi (Pisa, 1593-1631)
Attributed works:
[ C. G. Boerner, Kasernenstrasse 13, Düsseldorf / 61 East 77th Street, New York ] C. D. Friedrich. Woodcut by Chr. Friedrich. 1801/03. Börsch-Supan/Jähnig 60
Attributed works:
[ Colnaghi, 14 Old Bond Street, London / 108 - 112 Rue du Faubourg St Honore, Paris / 21 East 67th Street, New York ] Gaspare Diziani Belluno 1689 - Venice 1767 The Triumphal Entry of Alexander the Great into Babylon. Oil on Canvas, 130 × 202 cms ($50frac{5}{8}$ × 77½ ins)
Attributed works:
[ cover ] Bacchanal with a wine vat, by Andrea Mantegna. Engraving (H.4), 29.9 by 43.7 cm. (The Metropolitan Museum of Art, New York).
Attributed works:
[ De Jonckheere, 100 Rue du Faubourg Saint Honore, Paris ] Ambrosius Bosschaert The Younger (1609 Armenuiden - Utrecht 1645) Still-Life with Flowers, Fruits and Shells, Wood Panel, 66 × 47 cm, Signed, Circa 1634
Attributed works:
[ Dover Street Gallery, 13 Dover Street, London ] Sir Lawrence Alma-Tadema (1836-1912). Nude reclining on a Sofa. Oil on Panel, Inscribed, 38 by 22 cms
Attributed works:
[ Flavia Ormond Fine Arts Ltd, 24 Brechin Place, London ] Jacopo Zucchi (c.1540-1596) Artist-in-Residence at the Medici Court in Rome. A Study for the Decorative Detail of a Frieze in the Villa Medici, Rome, with Armorial Device Belonging to Pope Leo X. Pen and Brown Ink and Wash over Black Chalk. c.1587-88. 143 × 166 mm.
Attributed works:
[ Galerie Koller, Hardturmstrasse 102, Zurich ] Rembrandt Harmensz van Rijn (1606-1669). Diana and Callisto. 1640-1645. Pen and Brown Ink, Brown Wash. 204×295 mm (8×$11frac{5}{8}$ in). Valentiner 596, Benesch 521, Haverkamp Begemann 1961, p. 51, Certificate: Sumowski 1993.
Attributed works:
[ Galerie Lingenauber, Schwerinstrasse 38, Düsseldorf / 27 Boulevard des Italiens, Paris ] Abraham Breughel Antwerp 1631 - 1690 Naples Flowers in a Glass Vase A Pair of Octagonal Canvases 41.5 × 33 cm Each Both Signed
Attributed works:
[ Gallerie D' Arte, C. SO Palestro 37/B, Brescia ] Armondi, The Marlyrdom of St. Sebastian by Anthony Van Dyek (1599-1611). Canvas, 229 × 159 cm. Provenance: Düsseldorf-Mannheim Gallery. Inv. No. 821. According to Erik Larsen (The Paintings of Anthony Van Dyek. Volume II: Luca Verlag Freren 1988: p. 101) a life-size studio repetition of St. Sebastian alone is at the Berlin Castle. An original modello by the artist (parchment on canvas, 60 × 19 cm) which I have recently personally examined, constitutes a first plastic idea for the left side of the composition and is of very high quality.
Attributed works:
[ Gallery kekko, 14 Prince Arthur, Suite 105, Toronto ] Gaetano Gandolfi (1734-1802). Mary Magdalen Washing the Feet of Christ. Black Chalk, Grey Wash, 42.0 × 30.5 cm. Signed and Dated "G. Gandolfi 1798". Final Preparatory Design for the Painting by Gaetano Sold at Sotheby's London, December 1965, lot. 33. The Attribution Was Confirmed by Dr. Donatella Biagi Maino.
Attributed works:
[ Hilmar M. Klemke, Burchardstrasse 26, Münster / 8 Place du Palais Bourbon, Paris] Jacopo Amigoni (Venice ca. 1685-1752 Madrid) Bathsheba Bathing Receives the Message from King David Red Chalk. 152 × 207 mm.
Attributed works:
[ Kate de Rothschild & Didier Aaron, 118 Faubourg Saint - Honore, Paris / 21 Ryder Street, London / 32 East 67th Street, New York ] Giovanni Benedetto Castiglione, Called Il Grechetto (Italian, 1609-1663/1665) Satyr and Bacchante, Executed c.1650, Brush Drawing: 425 × 565 mm.
Attributed works:
[ Marcello Aldega Margot Gordon ] Gian Lorenzo Bernini 1598-1680 Brown Ink, White Paper 211 × 199 mm.
Attributed works:
[ Neumeister, Barer Strasse 37, Munich ] Francesco Trevisani (1656 Capodistria - 1746 Rome) The Madonna and Child with the Infant Saint John. Oil on Canvas. 78,5 × 68,5 cm.
Attributed works:
[ Olimpia Theodoli, 55 Cambridge Street, London ] Francisco Goya y Lucientes Fuente de Todos 1746 - Bordeaux 1828 Tu que no puedes Etching, Burnished Aquatint and Burin from the First Edition of Los Caprichos, 1799.
Attributed works:
[ Paul Proute S. A., 74 rue de Seine, Paris ] Abraham Bloemaert (Dordrecht 1564 + Utrecht 1651) Three Standing Women, One Praying. Black Chalk, Pen in Brown Ink, Light Grey Wash, White Heightening, on Beige Paper. On the Verso: A Standing Woman Seen from the Back and Study of Legs, Counterproof of Sanguine. Watermark: Bishop's Crook of Basel. (Close to Briquet 1329).
Attributed works:
[ Piero Corsini, 162 East 63rd Street, New York ] Giulio Cesare Procaccini Bologna, 1574 - Milan, 1625 Signed: G. C. P. The Betrayal of Christ ca. 1612-1620. Oil on Canvas, 208 × 149 cm. Provenance: Tomas Harris Collection
Attributed works:
[ Piero Corsini, 162 East 63rd Street, New York ] Giulio Cesare Procaccini The Betrayal of Christ Det.: Head of a Soldier
Attributed works:
[ Piero Corsini, 162 East 63rd Street, New York ] Giulio Cesare Procaccini The Betrayal of Christ Det.: Head of Christ
Attributed works:
[ Piero Corsini, 162 East 63rd Street, New York ] Giulio Cesare Procaccini The Betrayal of Christ Det.: Head of Judas
Attributed works:
[ Richard L. Feigen & Company, 6 Ryder Street, St James, London / 49 East 68th Street, New York ] Rudolphe Bresdin (1825-1885) Figures in a Landscape Pen, Black Ink and Black Wash on Cream Paper 4¼ by $3frac{1}{8}$ Inches (10.8 by 7.9 cm.)
Attributed works:
[ Robert Bowman, 15 Kings Road, London ] Auguste Rodin (French 1840-1917) Le Penseur. Signed A. Rodin and Inscribed with Founders Mark, Alexis Rudier Fondeur Paris Bronze, Rich Green, Brown, Orange and Black Patination. Height 37 cm ($14frac{3}{4}$ in)
Attributed works:
[ Sabrina Förster, Poststrasse 3, Düsseldorf ] Jakob Philipp Hackert Prenzlau 1737-1807 San Piero di Careggio Trees in the Chigi Park at Ariccia, 1772 Black Chalk, 390 × 518 mm, Signed and Inscribed "Dans le Parc du Prince Shigi à L'Ariccia 1772". Provenance: Collection Caspari, Frankfurt
Attributed works:
[ Stanza del Borgo, Via G. Puccini 5, Milan ] Salvator Rosa, The Prodigal Son Herding Swine Pen and Brown Ink, 178 × 263, Study for The Prodigal Son Herding Swine in the Hermitage, c.1650
Non-western art unattributed:
[ Grace Wu Bruce, Hong Kong ] A Very Fine Huanghuali Wood Qiaotouan Table. Chinese, Ming Dynasty, Late 16th to Early 17th Century. Height 85.7 cm ($33frac{3}{4}$ in). Width 167.0 cm ($65frac{3}{4}$ in). Depth 35 cm ($13frac{3}{4}$ in). Compare This to the Extremely Similar Example Illustrated in Classic Chinese Furniture by Wang Shixiang, 1986, Plate 107, in the Author's Collection.
Western art unattributed:
[ Charles Ratton & Guy Ladriere, 14 rue de Marignan and 11 quai Voltaire, Paris ] Marble Relief from a Chancel Screen Siena, Italy Circa 800 80 × 170 cm.
Western art unattributed:
[ Galleria Previtali, Via T. Tasso 21, Bergamo ] A Very Rare Brass Dish with a Stylised Image of a Lion Resembling Those Found on Acquamanili. Fifteenth Century. South German. Diameter: 39 cm.
Western art unattributed:
[ Nella Longari, Via Bigli 15, Milan ] "Bolognese Miniaturist" Initial "T" Martyrdom of Saint John the Evangelist Bologna, 1410 - 1420 Circa Tempera on Vellum 150 × 145 mm. Front Cover, 1st Vol.