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Advertisements April 2001 (front)
04/2001 | 1177 | 143
Pages: i-xii
Subjects
advertisements:
artists:
subjects:
Illustrations
Attributed works:
[Artemis Group, 23 East 73rd Street, New York, New York] Albrecht Durer (1471 - 1528) The Martyrdom of Saint Catherine, woodcut, circa 1496-7
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] Bartholomeus Breenbergh (1598 - 1657) Portrait of a young man with a letter. Oil on silvered copper. 24.1 x 19.4cm. Monogrammed and dated at centre BB. f. A 1641. Inscribed at centre right: AT 20
Attributed works:
[Galerie Canesso, 8 rue Rossini, Paris, France] Daniele Crespi, Grotesque Heads, oil on canvas, 39.8 x 56 cm.
Attributed works:
[Galerie Michelle Boulet, 14 rue la Boetie, Paris, France] Verlinde, Permanently.
Attributed works:
[Gallerie D'Arte Armondi, C. SO Palestro, 37/B - 25121, Brescia, Italy] Antonio Zucchi, Interior of S. Paolo fuori le mura, oil on canvas, 101.6 x 127 cm. Provenance: private collection.
Attributed works:
[Heribert Tenschert Antiquariat, D-8399, Rotthalmunster, Germany] "On ne s'avise jamais de tout" Honore Fragonard. 8 Original pen and ink drawings with wash, individually signed for La Fontaine, Contes et Nouvelles en Vers, Paris, 1795.
Attributed works:
[Sotheby's, 1334 York Avenue, New York, New York] A highly important and rare Franconian limewood figure of a female saint, by Tilman Riemenschneider (1460 - 1531), circa 1515-1520 Height: 42 in. (106.7cm) Auction estimate: $1,500,00 - 2,500,00
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Aeneas and the Sibyl in the Underworld. Jan Brueghel the Elder (Brussels 1601–1678 Antwerp) Oil on copper. 26.7 x 35.9 cm. 10 1/2 x 14 1/8 in.
Attributed works:
[University of California Press advertisement] Artemisia Gentileschi, Mary Magdalene as Melancholy
Non-western art unattributed:
[Lan Huong Pham, Geneva, Switzerland] Head of Shiva, Gold, Kingdom of Champa, 10th century, height 15cm
Western art unattributed:
[Phillips International, 101 New Bond Street, London, UK] A mid 17th century Antwerp scarlet tortoiseshell ebony ripple moulded and painted cabinet. Estimate: £25,000 - 40,000
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Advertisements June 1998 (front)
06/1998 | 1143 | 140
Pages: i-xxxii
Subjects
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
Antoni Gaudi, Tempia Explatorio de la Sagrada Familia, Barcelona, under Construction Since 1881.
Attributed works:
Unexecuted Design for the Decoration of a Wall of the Egyptian Room in the Villa Borghese, Rome, Attributed to Tomaso Conca, c.1778-79. Water-Colour over Graphite, 34 by 49.8 cm.;
Attributed works:
Vincent van Gogh, Self Portrait with Bandaged Ear, 1889. (The Courtauld Gallery, London)
Attributed works:
[Anthony Mould Ltd, 173 New Bond Street, London, UK] Thomas Gainsborough RA (1727-1788). Two Children in a Landscape. Oil on Canvas, 60 × 48 Inches
Attributed works:
[Blairman & Sons Ltd, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] China Cabinet, Designed by Ernest Gimson, c.1901. Mahogany with Chequered Mouldings. 213.3 × 119.6 × 57 cm.
Attributed works:
[Christie's, 8 King Street, London, UK] Joseph Vernet (1714-1789) A Mediterranean Harbour with the Artist, His Daughter. Emilie Chalgrin, His Son, Carle Vernet, and His Daughter-in-Law. Fanny Moreau on a Stone Pier Signed and Dated 'j. Vernet./F.1788' Oil on Canvas, 34¼ × $44frac{7}{8}$ in. (87 × 114 cm.) Estimate: £150,000-250,000
Attributed works:
[Christie's, 8 King Street, London, UK] Sir Anthony van Dyck (1599-1641). Portrait of Lady Lucy Percy, Countess of Carlisle (1599-1660). Oil on Canvas, 85 3/4 × 55¼ in. (217.9 × 140.3 cm.)
Attributed works:
[Christopher Wood, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Cabinet in the Gothic Style, Designed by Benjamin Green, Made by Jobson, Stephenson and Smith, 1834.
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] Bartholomeus Breenbergh Deventer 1598. Amsterdam 1657 Portrait of a Young Man with a Letter. Oil on copper: 24.1 × 19.4 cm Monogrammed and dated at centre: BB. f Ao 1641. Inscribed at centre right: AT 20
Attributed works:
[Douwes Fine Art, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] A Wooded Landscape with Diana and her Attendants, by Alexander Keirincx, Signed and Dated 1636, with Figures by Cornelis van Poelenburgh.
Attributed works:
[Grosvenor Antiques, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Nymph and Zephyr, by W. F. Woodington after Richard Westmacott, 1843. Bronze, 41 × 13.5 cm.
Attributed works:
[H. Blairman & Sons, Ltd., 119 Mount Street, London, UK] Writing Cabinet Designed by Ernest Gimson (1864-1919). Bordered with Ebony and Veneered with Burr Elm. English (Sapperton), Circa 1904. Height: 49 in. Width: 31½ in. Depth: 17¼ in. (Maximum).
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street, London, UK] Eugene Isabey (1803-1886). La Tempête Watercolour and Gouache, 28.4 × 39.3 cm With the Atelier Stamp (Lugt Suppl. 1401b)
Attributed works:
[Hill-Stone Incorporated, Park Avenue, New York, New York] Hendrick Goltzius. Muhlbrecht 1558 - 1617 Haarlem. Judith with the Head of Holofernes. Engraving, after Spranger; c.1585. Bartsch 272, Hollstein 317, the First State of Two.
Attributed works:
[Johnny Van Haeften, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] A Shepherd, by Jan van Bijlert. Signed. 83 × 64.5 cm.
Attributed works:
[Kate de Rothschild, Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Charles-Joseph Natoire. 1700 Nimes - Castel Gandolfo 1777. Cattle near the Colosseum 235 by 340 mm
Attributed works:
[Kate De Rothschild, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] The Resurrection, by Luca Cambiaso. Pen and Black ink with Brown Wash, 31 × 21.1 cm.
Attributed works:
[Kate Ganz Ltd., New York and London] Jean-François Raffaëlli (1850-1924). Portrait of Albert Clémenceau, 1884. (A Preparatory Sketch for Clémenceau dans une réunion electorale, Exhibited in the Salon of 1885) Oil with Watercolour and Charcoal on Paper Applied to a Wood Board Signed in Oil, Upper Right: J. F. Raffaëlli. 27.0 × 21.5 cms
Attributed works:
[R.S. Johnson Fine Art, 645 North Michigan Avenue, Chicago, USA] Fernand Léger Study for "La Ville". 1919 Gouache 383 × 280 mm.; Initialed "F. L.". Dated "19" and Annotated "Étude Pour la Ville". Lower Right
Attributed works:
[Rafael Valls Limited, 11 Duke Street and 6 Ryder Street, London, UK] Christian Wilhelm Ernst Dietricy (1712-1774) German School. A Portrait of a Lady, Small Three-Quarter Length, Wearing a Red Dress with White Sleeves and Holding a Basket of Flowers. Oil on Panel. 17 5/8 x 12 7/8 Inches (44.7 × 32.7 cms)
Attributed works:
[Rafael Valls Limited, 11 Duke Street and 6 Ryder Street, London, UK] Jean-Baptiste de Saive - (1540-1624) Flemish School. A Market Scene with a Boy Offering Strawberries to a Girl Seated and Surrounded by Flowers. (An Allegory of Spring). Oil on Canvas $40frac{3}{4}$ × 58½ Inches (103.3 × 148.5 cms)
Attributed works:
[Rafael Valls Limited, 11 Duke Street and 6 Ryder Street, London, UK] Tobias Stranover (Active 1684-1731) Hungarian School. A Peacock, Hen and Cock Pheasant in a Landscape. Oil on Canvas. 49½ × 38 3/4 (126 × 98.5 cms)
Attributed works:
[Rafael Valls Limited, 11 Duke Street and 6 Ryder Street, London, UK] Vicente Victoria (1650-1713) Spanish School. An Exceptional Trompe l'oeil with a Standard, Pikes, a Sword, a Musket, Miquelet Pistols and a Drum All Set against a White Wall Background. Oil on Canvas. 64 3/4 × 82½ Inches (164.5 × 209.5 cms)
Attributed works:
[Rafael Valls, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] A Hunting Party in the Grounds of a Country House, by Jan van Huchtenberg. Signed and Dated 1674. 68 × 32 cm.
Attributed works:
[S.J. Phillips, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] A Pair of Silver-Gilt Candlesticks, by Wenzel Jamnitzer, Nuremberg, c.1540. 15.2 cm. High
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] A Highly Important Documented White Marble Bust of Daniel Finch, 2nd Earl of Nottingham Aged about 76 (1647-1730) by Michael Rysbrack (1694-1770) circa 1723, Height., 65cm. Estimate: £400,000-600,000 The Property of G. S. Finch Esq.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Caspar David Friedrich, German (1774-1840). Küstenlandschaft im Mondschein (Coastal Scene by Moonlight). Oil on Canvas 22 by 31cm. 8½ by 2¼in. Estimate: £700,000-900,000 ($1,150,000-1,400,000)
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] The Property of a Lady. A Terracotta Bust of Edward Salter (1742-1812), Aged Six by Michael Rysbrack (1694-1770). Signed and Dated Edward Salter Ae(ta)tis 6. 1748, Ml Rysbrack. Fec:t. Height 41.5cm. Estimate: £100,000-150,000
Attributed works:
[Stoppenbach & Delestre, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Danseuse Saluant, un Genou à terre, by Edgar Degas. Signed Lower Right. Pastel and Charcoal, 29 × 23 cm.
Attributed works:
[The Weiss Gallery, 18 Albemarle Street, London, UK] Adriaen Hanneman c.1604-1671. James Stuart, 1st Duke of Richmond and 4th Duke of Lennox (1612-1655)' Oil on Panel: 29¼ × 23¼ ins. (74.3 × 59.1 cm.). Inscribed Upper Left.: Stuart Duke of Richmond Painted Circa 1642/3
Attributed works:
[William Drummond, 8 St. James's Chambers, 2 Ryder Street, London, UK] Self Portrait of the Artist. Daniel Maclise 1806-1870. Irish. Royal Academician Signed with Monogram and Inscribed: "Pictor Hibernicus" Pencil, 7½ × $7 7/8 Inches (19 × 12.5 cms).
Non-western art unattributed:
[C. John, 70 South Audley Street, London, UK] A Fine Persian Sultanabad 'Ziegler' Carpet, Circa 1880 Dimensions: 19′ 8″ × 12′ 2″ (598 cm × 371 cm)
Non-western art unattributed:
[Grace Wu Bruce, 701 Universal Trade Centre, 3 Arbuthnot Road, Hong Kong, China] A Very Fine Pair of Huanghuali Horseshoe Armchairs Chinese, Ming Dynasty, Late 16th to Early 17th Century Height 99.6 cm. (39 3/16 in.). Width 59.2 cm (23 5/16 in.). Depth 45.8 cm (18 in.)
Non-western art unattributed:
[Grace Wu Bruce, Hong Kong. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Small Painting Table, Late 16th-Early 17th Century. Huanghuali Wood, 85.3 × 122 × 73.8 cm.
Western art unattributed:
Ephesos, Marble Replacement Head, 5th Century AD (Selçuk, Ephesos Archaelogical Museum)
Western art unattributed:
Free Case of the Finest Claret with Orders Placed before August 98
Western art unattributed:
Photographed in Coco Chanel's Legendary Apartment in Paris.
Western art unattributed:
Photographed in Coco Chanel's Legendary Apartment in Paris.
Western art unattributed:
[Asprey, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] A Commonwealth Porringer Bearing the Arms of the Burton Family of Derbyshire, 1658. 11.5 × 23 cm. Silver, Marked 'WH' Star above, Pellet in Annulet below.
Western art unattributed:
[Christie's, 8 King Street, London, UK] A Gilt-Bronze Figure of Saint John the Evangelist English or North French, Circa 1180 3$frac{5}{8}$ in. (9.2 cm.) High. Estimate: £200,000-£300,000
Western art unattributed:
[Christie's, 8 King Street, London, UK] A Pair of George II Walnut and Parcel-Gilt Library Open Armchairs, in the Manner of Paul Saunders. Estimate: £100,000-£150,000
Western art unattributed:
[Jeremy, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Regency Ormolu and Ebonised Inkstand, c.1810, Given by George III to His Physician in 1814. 20 by 32.5 × 26 cm.
Western art unattributed:
[Mallett, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] A Mahogany Settee after a Design by William Kent and ?John Linnell, c.1770. 104 × 124 × 51 cm.
Western art unattributed:
[Neumeister Fine Art Auctioneers, Barer Str. 37, D-80799, Muchen, Germany] Five (From a Group of Fifteen) Very Rare Ibex-Hom Carvings. Salzburg, Circa 1700/50. Exhibited, 1990, at the Dommuseum, Salzburg: Geschnitztes Steinbockhorn, Cat. Nos. 156, 33, 86, 136 and 104 (Illustrated above, Clockwise from Upper Left).
Western art unattributed:
[Norman Adams, 8-10 Hans Road, London, UK]A Very Fine George III Purpleheart Pembroke Table. Circa 1775.
Western art unattributed:
[Sam Fogg, 35 St. George Street, London, UK] A Knight from a Manuscript on Chess. Northern Italy. Dated 1409. From the Ludwig and J. Paul Getty Museum Collections
Western art unattributed:
[Sam Fogg, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] A Bishop with Acolytes from a Manuscript of Gratian, England, Possibly London, Circa 1320-30.
Western art unattributed:
[Seago, 22 Pimlico Road, London, UK] An important early nineteenth century Coade Stone statue of "A Nymph unclasping her zone" otherwise known as "Venus attiring herself after her bath" after a carved marble sculpture by Sir Richard Westmacott (1775-1856) exhibited at the Royal Academy in 1828, and thereafter at Castle Howard, Yorkshire. (Destroyed by fire, 1940). A plaster version of the same sculpture may be seen at Sir John Soane's Museum, Lincoln's Inn Fields, in the Picture Room where it has been since the room's construction (1824-5). The present sculpture is interesting not least because the original marble no longer exists but because it demonstrates a hitherto unknown connection between Westmacott and the Coade Manufactory. English, circa 1825. Height: 4ft 6in Photo: Don Wood
Letter
Breenbergh and Bril
06/1997 | 1131 | 139
Pages: 404-405
related names
Author:
Depauw, Carl (Depauw, Carl)
Subjects
artists:
dates:
places:
subjects:
Illustrations
Attributed works:
54. Ruins of a Castle on a Hill, by Bartholomeus Breenbergh. Pen, Brown Ink, Brown and Grey Wash, with Traces of Black Chalk, 27.6 by 23.2 cm. (National Gallery of Scotland, Edinburgh).
Attributed works:
55. Ruins of a Castle on a Hill, by Paul Bril. 1626. Pen and Brown Ink, Brown and Grey Wash, 23.2 by 36.3 cm. (Stedelijk Prentenkabinet, Antwerp).
Attributed works:
56. Ruins of a Castle on a Hill, Workshop of Paul Bril. Pen and Brown Ink with Brown Wash, 21.8 by 35.4 cm. (Hermitage, St Petersburg).
Attributed works:
57. Ruins of a Castle on a Hill, Workshop of Paul Bril. Pen and Brown Ink, Brown Wash and Traces of Black Chalk, 23 by 35.3 cm. (Hermitage, St Petersburg).
Attributed works:
58. Ruins of a Castle on a Hill, Workshop of Paul Bril. Pen and Brown Ink, Brown and Grey Wash, with Traces of Black Chalk, 22.8 by 36 cm. (Wallraf-Richartz-Museum, Cologne).
Short Notice
A New Attribution to Bartholomeus Breenbergh
03/1996 | 1116 | 138
Pages: 185-186
related names
Reviewer:
Campbell, Rebecca (Campbell, Rebecca)
Subjects
dates:
places:
Illustrations
Attributed works:
42. Ruins of a Castle on a Hill, by Bartholomeus Breenbergh. c. 1624. Pen, Brown Ink, with Brown and Grey Wash and Traces of Black Chalk, 27.6 by 23.1 cm. (National Gallery of Scotland, Edinburgh).
Attributed works:
43. A Landscape with Figures, Here Attributed to Bartholomeus Breenbergh. 1625-28. Copper, 31.5 by 42.5 cm. (Private Collection).
Western art unattributed:
44. Landscape with a Citadel, by a Follower of Bartholomeus Breenbergh. 37.5 by 53 cm. (Private Collection).
Advertisements
Advertisements April 1995 (front)
04/1995 | 1105 | 137
Pages: i-xx
Subjects
advertisements:
subjects:
Illustrations
Attributed works:
[ Artemis Group, 15 Duke Street, St James, London ] Rembrandt Harmensz. Van Rijn Etching, Drypoint and Burin. Portrait of Jan Asselyn. Size: 219 × 167 mm.
Attributed works:
[ Artemisia S.R.L., Via Domenico Morelli 33, Naples ] Luca Giordano. Naples 1634-1705. Oil on canvas. 74.5 × 60.5 cms.
Attributed works:
[ Arturo Cuellar, Bürglistrasse 18, Zurich ] Claude Gellée dit Le Lorrain (1600 - 1682) "View of an Imaginary Port" France, Circa 1640 - 1645 Pen and Sepia Ink with Sepia Wash over Traces of Black Chalk 5¼ × $7frac{3}{4}$ Inches (13.4 × 19.8 cm)
Attributed works:
[ C. G. Boerner, Kasernenstrasse 13, Düsseldorf / 61 East 77th Street, New York ] Bernhard Heisig (Born 1925 in Breslau). Aufbahrung der Märzgefallenen V. 1953. Chalk Lithograph. 490 × 628 mm Sheet Size.
Attributed works:
[ Carlo Orsi, Via Bagutta 14, Milan ] Sebastiano Ricci 1659 - 1734. Adoration of the Shepherds. Oil on Canvas, 117 × 90 cm.
Attributed works:
[ Colnaghi, 14 Old Bond Street, London / 108-112 Rue du Faubourg St. Honoré, Paris / 21 East 67th Street, New York ] Francesco Guardi 1712 - Venice - 1793. A View of the Piazzetta from the South-West Corner of the Doge's Palace. Oil on Panel: 25.8 × 46 cms
Attributed works:
[ Cover ] Woman in Landscape III, by Willem de Kooning. 1968. 141 by 121.9 cm. (Annabel Waller Collection).
Attributed works:
[ Dorotheum, Dorotheergasse 17, Vienna ] Emile Gallé, Marquetry Vase, "Rose de France". Nancy Approx, 1903, Signed, Sale on 3rd May
Attributed works:
[ Gallerie d' Arte Armondi S.R.L., C.so Palestro 37B, Brescia ] The Martyrdom of St. Sebastian by Giovanni Battista Crespi, "Il Cerano". Oil on Canvas. 200 × 150 cm
Attributed works:
[ Gallerie Sanct Lucas, Palais Pallavicini, Josefsplatz 5, Vienna ] Bartholomaeus Breenbergh 1598/1600 Deventer-1657 Amsterdam Panel, Circular. Diameter 32,5 cms
Attributed works:
[ Glass Gallery Michael Kovacek, Spiegelgasse 12, Vienna ] Vase with design "exhibition phenomenon pink with silver, candia with silver, brown", prod. nr. 387 Lötz Witwe. Klostermühle, Bohemia, 1900 Design: Franz Hofstätter White opal glass with colourless overlay. Differently coloured glass threads applied to the bowl and combed in different strength. Mould blown. Treated by reducing and iridescing. Engraved signature "Lötz Witwe" in basal globe. Height 48 cm.
Attributed works:
[ Hill-Stone, New York ] Giovanni Battista Piranesi 1720 - 1778 The Skeletons Etching, Plate 1 of 4 from the Grotteschi. Hind 24. Robison 21, the Second State of Five (Second Edition, First Through Fifth Issues; 1750 to Early 1770s). Watermark: Fleur-de-lys in a Single Circle, Robison Watermark 5 (Circa 1748-1760) thus First Issue, 1750-1759. A Brilliant Impression with Full Margins.
Attributed works:
[ Katrin Bellinger Kunsthandel, Rauchstrasse 2, Munich ] Cornelis van Poelenburch (1594/95 - 1667) Landscape with Trees Brush in Brown and Grey Ink, Grey Wash, over Black Chalk; 204 × 248 mm
Attributed works:
[ Richard L. Feigen & Company, 49 East 68th Street, New York ] Bartholomeus Breenbergh, Coastal Landscape with St. Paul after the Conversion, 1633, Oil on Canvas, $24frac{3}{8}$ by $54frac{3}{8}$ Inches (62 by 138 cm.) Signed, Bottom left: BBreenborch. Fecit./A°.1633.
Attributed works:
[ Talabardon, 44 Rue Sainte - Anne, Paris ] Jean-Baptiste Greuze (1725-1805) Pen and Brown Ink, Brush and Brown Wash over Black Chalk. The Inheritance - Signed Lower Right 22,8 cm × 37,7 cm
Attributed works:
[ Trinity Fine Art Ltd, 29 Bruton Street, London ] Jean-Auguste-Dominique Ingres (Montauban 1780 - Paris 1867) Three Studies of Nymphs from the Fountain of the Innocents, after Jean Goujon, Black Chalk, One Signed with Initial, One 443 × 108 mm, Two 445 × 109 mm
Attributed works:
[ Villa Grisebach , Fasanenstrasse 25 D, Berlin ] Max Pechstein. "Abends". 1911. Oil on Canvas. 98 × 75 cm. Signed and Dated. Estimate: DM 700,000 - 900,000
Non-western art unattributed:
[ Giuseppe Cerutti, Corso Roma 71, Beregazzo ] China - T'ang Dynasty (618 - 906 A. D.) Fat Lady Terracotta with Tempera Overpainting Height 60cm
Advertisements
Advertisements December 1991 (front)
12/1991 | 1065 | 133
Pages: i-xxiv
Subjects
advertisements:
subjects:
Illustrations
Attributed works:
[Alex Wengraf Limited, The Old Knoll, Eliot Hill, London] Severo Calzetta da Ravenna 'A Boat-Shaped Oil Lamp and Stand' Bronze: Height: 29 cm
Attributed works:
[C. G. Boerner, Kasernenstrasse 13, Dusseldorf/ 61 East 77th Street, New York] Charles Meryon. La Galerie, Notre-Dame, Paris. Etching and Drypoint. (1853). Delteil-Wright 26 before I (Of V).
Attributed works:
[Colnaghi, 14 Old Bond Street, London/ 21 East 67th Street, New York] Giuseppe Cesari Called Cavaliere D'Arpino. Arpino 1568-1640 Rome. The Virgin and Child with Saints Peter and Paul. Oil on Canvas: 173 × 118 Centimeters
Attributed works:
[Edward R. Lubin exh. in The European Fine Art Fair, Maastricht] St. Joseph of Arimathea, North Italian (Bologna), Circa 1750 by Ubaldo Gandophi. Height: 24½ Inches
Attributed works:
[Edward R. Lubin exh. in The European Fine Art Fair, Maastricht] Venus, French (Limoges) Plaque, 16th Century by Leonard Limousin. Diameter: 13½ Inches Ex-Coll: J. P. Morgan
Attributed works:
[Emmanuel Moatti, 77 Rue des Saint - Peres, Paris] Domenico Rietti Called Lo Zaga (Known between 1543 and 1581) 'Perseus Freeing Andromeda'. Pen and Brown Ink, Brown Wȧsh Heightened with White. 23 × 38,5 cm. Preparatory for the Fresco at Castel Sant'Angelo in Rome c. 1543-1548. Provenance: Collection Jabach, Exhibited at "Gli Affreschi di Paolo III a Castel Sant'Angelo 1543-1548" Rome 1981-1982, No 50.
Attributed works:
[Francois Antonovich, Le Louvre des Antiquaires, 2 place du Palais Royal, Paris] Ivory Attributed to Balthasar Permoser (Kammer 1651-Dresden 1732). Height 34 cm.
Attributed works:
[Front cover] Samson and the Philistines, by Vincenzo Foggini. 1749. Marble, 233 cm. High. (Victoria and Albert Museum, London).
Attributed works:
[L'arte Antica Silverio Salamon, Via A. Volta, Turin] Albrecht Dürer, Nuremburg 1471-1528 The Four Horsemen of the Apocalypse, 1497 c.a Woodcut, Meder 167 (mm. 392×167)
Attributed works:
[M. L. Wurfbain Fine Art, Dorpsstraat 67, Oegstgeest] Adriaen Verboom (1627/28-1673?) with Figures by Jan Lingelbach (1622-1674) An Italianate Landscape with Travellers. Oil on Canvas, 76 by 67 cm. Signed:...Boom (See Our Catalogue p. 137; Available at 25 Guilders)
Attributed works:
[Marlborough, 6 Albemarle Street, London] Oskar Kokoschka (1886-1980) Hockende (Madchenakt) - Crouching Nude, c.1913. Ink and Watercolour on Paper. $17frac{3}{4}times 12frac{1}{8}$ in./45 × 30.8 cm.
Attributed works:
[Olimpia Theodoli, 55 Cambridge Street, London] Hendrik Goltzius (Mühlbrecht 1558-Haarlem 1617). Persephone. Chiaroscuro Woodcut Printed from Three Blocks, in Black, Ochre and Brown. Bartsch 236, Hirschmann 370, Strauss 424, Only State. 348 × 258 mm.
Attributed works:
[Phillips, 101 New Bond Street, London] Nicholas Poussin (1594-1655), "A Mythological Scene; Jupiter and Eurynome (?)", Pen and Ink with Bistre Wash over Traces of Black Chalk, 21.7cm × 38.7cm. Estimate: £25,000-£35,000.
Attributed works:
[Richard L. Feigen & Company, 6 Ryder Street St James, London] Bartholomeus Breenbergh, View of Bomarzo, Circa 1625. Oil on Canvas, 97 × 135 cm. ($38frac{3}{16}times 53frac{1}{8}$ Inches) On Loan.
Attributed works:
[Richard Reed Armstrong, Chicago] Francoise Gilot, Tulips. 1991. Color Lithograph. 578 × 470 mm. Edition of 50. Signed in Pencil.
Attributed works:
[Stoppenbach & Delestre, 25 Cork Street, London] Gustave Courbet (1819-1877). La Vague, temps d'orage, Oil on Canvas, 65 × 81 cm. Signed Lower Left 'G. Courbet', and Painted in 1869 at Etretat
Attributed works:
[The London Original Print Fair, London] Henri de Toulouse-Lautrec, La Clownesse Assise, Lithograph, 1896
Attributed works:
[W.M. Brady & Co, 3 East 77th Street, New York] Filippo Baldinucci (Florence ca. 1624-1696) Portrait of a Young Man. Black and Red Chalks, 230 × 165 mm
Western art unattributed:
[Adriano Ribolzi Antiquaire, 6 Avenue des Beaux-Arts, Monaco] 'Charity' Exceptional Wood Sculpture (Height: 167cm.) Italy, Piedmont(?) First Quarter of XVIth Century Comparison: Victoria & Albert Museum, London - "Hall 20 'Crucifixion' No. 137 - 1891"
Western art unattributed:
[Bresset, 5 quai Voltaire and 179 bd Saint Germain, Paris] Saint-Jean Baptiste bois de chene Allemagne, Region de Kalkar vers 1480. H.69 cm
Western art unattributed:
[Buch - und Grafik - Antiquariat Falk + Falk, Kirchgasse 38, Zurich] GERMAN, 16th Century. SISYPHUS, Brown Ink and Sepia over Pencil. 15.3 by 10.2cm.
Western art unattributed:
[Charles Ratton & Guy Ladriere, 14 rue de Marignan and 11 quai Voltaire, Paris] Terracotta modello of the Head of Hygieia for the Monument in Honour of Louis XV in the Hôtel de Ville, Rennes. Height, Including Plinth: 51 cm.
Western art unattributed:
[Daedalus Ancient Art, 41 East 57th Street, New York] Roman, 2nd Century A. D. Height 49 cm
Western art unattributed:
[Donati Arte Classica, Via Peri 9, Lugano] Marble Head Representing 'Hermes', h: 30 cm Roman Copy of a Greek Original 4th Century B. C.
Western art unattributed:
[Edward R. Lubin exh. in The European Fine Art Fair, Maastricht] Arrival of the Sabines, French (Lyons) Maiolica Plate, Late 16th Century. Fleischer, Nurnberg Coat-of-Arms. Diameter: $18frac{1}{8}$ Inches
Western art unattributed:
[Edward R. Lubin exh. in The European Fine Art Fair, Maastricht] Lion Aquamanile, North German, Early 13th Century. Height: 8½ Inches
Western art unattributed:
[Edward R. Lubin exh. in The European Fine Art Fair, Maastricht] St. Joseph and Christ Child, Austrian, Circa 1700-10 by Meinrad Guggenbichler. Height: 23½ Inches
Western art unattributed:
[Gallery Gunter Puhze Ancient Art, Stadstr. 28, Freiburg] Rhodian Amphora, Fikellura, End 7th cent. BC. H: 34 cm
Western art unattributed:
[Jacqueline Boccador, 1 Quai Voltaire, Paris/ 6 Rue du Commandant Guichard, Saint - Tropez] Tapestry. Audenarde. End of the XVIth Century. The Meeting of Solomon and the Queen of Sheba. Height: 340 cm. Width: 385 cm.
Western art unattributed:
[Nella Longari, Via Bigli 15, Milan] "Miniatore Toscano" Initial "M": "Due Santi". XIII cent. Tempera on Vellum. 100 × 125 mm.
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09/1991 | 1062 | 133
Pages: xL
Subjects
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Illustrations
Attributed works:
[17th International Biennale Mostra Mercato, Florence] Agostino Carracci (1557-1602). Cupid Overpowering Pan, The Head of a Monk (verso) Black and White Chalk on Blue Paper, 345 × 255 mm
Attributed works:
[17th International Biennale Mostra Mercato, Florence] Bonino da Campione Madonna and Child. (Lombard, Active 1345-97) Marble 71 cm. High.
Attributed works:
[17th International Biennale Mostra Mercato, Florence] Cornelis Cornelis. van Haarlem (1562-1638) An Allegory of Time. Oil on Panel 33 × 45.8 cms. Monogrammed and Dated: CVH 1628
Attributed works:
[17th International Biennale Mostra Mercato, Florence] Francesco Capella Called Daggia (1711-1784) Holy Family. Oil on Canvas 46 × 37 cms
Attributed works:
[17th International Biennale Mostra Mercato, Florence] Girolamo Macchietti (Florence, 1535-1592). Christ, St Catherine and St John the Baptist Brown Ink and Wash, Heightened with White or Blue Paper.
Attributed works:
[17th International Biennale Mostra Mercato, Florence] Giuseppe Zocchi (Florence, 1711 or 1717-1767). View of the Uffizi and Palazzo Vecchio from the Arno. Oil on Canvas, 65.5 by 94 cms.
Attributed works:
[Agnew's, 43 Old Bond Street, London] Benvenuto Tisi Called il Garofalo (c. 1476-1559). Adoration of the Shepherds. Panel, 9 × 11½ in (22.8 × 29.2 cm)
Attributed works:
[Arno Winterberg, Blumenstrasse 15, Heidelberg] Christian Wilhelm Ernst Dietrich, Called Dietricy, The Bath of Diana. Brown Ink and Wash, Heightened with White. Signed and Dated. 37,3 × 27,6 cm.
Attributed works:
[Bruno Scardeoni, 54 Via Nassa, Lugano] John Heiss (Memmingen 1660-Augsburg 1704). Moses and the Brazen Serpent. Canvas, 97.7 × 134.7 cm.
Attributed works:
[C.G. Boerner, Kasernenstrasse 13, Dusseldorf/ 61 East 77th Street, New York] Michael Ribestein (Active in Berlin between 1550 and 1565). The Agony in the Garden. Pen and Black Ink, Heightened with White (Partly Oxidised) on Chestnut Prepared Paper. 154 × 116 mm. From the A. Beurdeley Collection (L.421).
Attributed works:
[Colnaghi, 14 Old Bond Street, London/ 21 East 67th Street, New York] Bernardino Fungai 1460 - Fongaia - 1516 Virgin and Child Tempera and Gold on Panel: 42.8 × 29cms
Attributed works:
[Cramer, 38 Javastraat, The Hague] Philips Koninck (Amsterdam 1619-1688) Portrait of a Man from the van Schoten Family Signed and Dated: P. Koninck 1656 On Canvas 94.5 × 87.5 cm (36½ by 34 in.)
Attributed works:
[Drs Loek Brons, Apollolaan 141, Amsterdam] Le Sens des Realités. René Magritte, Oil on Canvas. 175 × 115 cm. 1963 Provenance Alexander Iolas. Private English Collection. Private Dutch Collection. Drs Loek Brons B. V., Amsterdam Lit.: René Magritte. Il Torckzyner, New York 1977. Page 155
Attributed works:
[Flavia Ormond Fine Arts Ltd, 24 Brechin place, London] Gaetano Gandolfi. The Martyrdom of St. Eusebius, c. 1785.
Attributed works:
[Frides Lameris, Nieuwe Spiegelstraat 55, Amsterdam] A Pair of Beakers with Polychrome Enamelling, Southern Germany, Mid-18th Century Height: 8 and 7.8 cm.
Attributed works:
[Front cover] Friedrich Rückert, by Samuel Amsler. 1818. Pencil on off-White Paper, 19.7 by 16.6 cm. (Ashmolean Museum, Oxford).
Attributed works:
[Galerie Gerda Bassenge, Erdener Strasse 5A, Berlin] Martin Schongauer. Christ Carrying the Cross. Engraving. C. 1480.
Attributed works:
[Galerie Siegfried Billesberger, Billesberger Hof, Moosinning, Munich] Jacobus Hausser (Around 1595-1603). Mercury and Psyche. Black Chalk and Pen and Brown Ink and Grey Wash on Laid Paper. 230 × 173 mm. Signed and Dated "Jacobus Haußzer van Ach/in Rom Ad 1595".
Attributed works:
[Heide Hubner, Handelstrasse 21A, Wurzburg] Jan Tengnagel (Amsterdam 1584-1635) Eliezer Bringing Gifts to Rebecca from Abraham. Oil on Panel. 45.5 by 65 cm.
Attributed works:
[Herve Chayette Laurence Calmels, 12 Rue Rosini, Paris] Lacroix de Marseille. "Naufrage sur une côte mediterranéenne" Canvas 49 × 65,5 cm
Attributed works:
[Hildegard Fritz - Denneville Fine Arts Ltd, 31 New Bond Street, London] Eduard von Gärtner (Berlin, 1801-1877) 'The Artist's Wife and Three Eldest Children at the Coffee Table in the Conservatory of Mr. Westphal, His Landlord in Berlin'. Oil on Canvas, Signed with Monogram 'E. G.' and Dated 1836. 24 by 20 cm.
Attributed works:
[Hilmar M. Klemke oHG, Burchardstrasse 26, Munich] Isaac de Moucheron. (Amsterdam 1670-1744 Amsterdam) Villa d'Este, Tivoli Viale delle Cento Fontane. Pen and Brown Ink, Watercolour, Gouache, 225 × 341 mm. Signed at Lower Right with Pen and Brown Ink 'Moucheron Fecit'
Attributed works:
[Julius Bohler, Pacellistrasse 8, Munich] Very important Choirstall, richly carved with a relief of St. Peter, and a group of Phyllis riding on the back of Aristotle. By Rodrigo Alemán (German woodcarver active in Spain 1489-1503). Oakwood, height 316 cm, width 87 cm, depth ca. 75 cm. From the Cathedral of Plasencia, Spain, carved between 1497 and 1503.
Attributed works:
[K.J. Mullenmeister, Borsenstrasse 69, Solingen] Jacob Bogdany (? Eperjes - 1724 London). Landscape with Pheasant and Partridges. Oil on Canvas 74 × 60 cm. Signed: J. Bogdany, Painter to William III King of England 1689-1702
Attributed works:
[Lawrence, Fine Art of Crewkerne, South Street, Crewkerne, Somerset] David Vinckeboons. The Preaching of St. John the Baptist. Oil on Canvas 44 (111.7) × 34¼ (86.9)
Attributed works:
[Marlborough, 6 Albemarle Street, London] Celia Paul, Kate, 1990. Oil on Canvas 60 × 40 in./152.4 × 101.6 cm.
Attributed works:
[Noortman, 40-41 Old Bond Street, London] Salomon van Ruysdael c. 1601-1670. Landscape with Travellers. Canvas: 108.5 × 136 cm Signed
Attributed works:
[Otto Naumann Ltd, 4 East 74th Street, New York] Nicolaes Berchem. Haarlem, 1620-1683 Amsterdam. Extensive Landscape with a Stag Hunt. Panel, 71.5 × 97 cms. Signed Lower Right
Attributed works:
[Phillips, 101New Bond Street, London] Benjamin West P. R. A. Two Officers and a groom in a Continental Landscape, Signed and Dated 1777, 99cms × 124.5cms.
Attributed works:
[Richard L. Feigen & Company, 6 Ryder Street St James, London/ 49 East 68th Street, New York] Benvenuto di Giovanni, Assumption of the Virgin, 1498 Tempera, 295 by 221 cm. Signed and Dated, Bottom Centre (On Cartellino): "Opus. Benvenuti. Iohanis/De. Senis. MCCCCLXXXXVIII"
Attributed works:
[Richard L. Feigen, 6 Ryder Street St James, London/ 49 East 68th Street, New York] Landscape with the Predication of St. John the Baptist, 1643 Oil on Canvas, 103.5 by 146 cm ($40frac{3}{4}$ by 57½ Inches) Signed and Dated, Lower Right, BBreenbergh/Faciebat. Anno./1643
Attributed works:
[Sabrina Forster, Poststrasse 3 Dusseldorf] Cornelis Saftleven (1607-1681). Rushing Man from Behind. Black Chalk. 281 × 182 mm. Monogrammed and Dated 1631
Attributed works:
[Sabrina Forster, Poststrasse 3 Dusseldorf] Matteo Rosselli (1578-1651). Three Standing Women. Black, red and white chalk on blue paper. 424 × 266 mm. Final drawing for the painting of the Birth of the Virgin, in Santa Maria dei Servi, Lucca Anna Forlani-Tempesti and Ugo Ruggeri confirmed the attribution
Attributed works:
[Stanza del Borgo, Via G. Puccini 5, Milan] Giovanni Balducci, Called Il Cosci. Firenze 1560 - Napoli after 1631. "Head of an Apostle". "A Study of Male Figure" (r) 261 × 198 mm. The Drawing is Connected with the Lower Left Figure in the Painting Christ in Glory with Apostles and Saints in the Gesù Pellegrino, Florence, c. 1590.
Attributed works:
[Xaver Scheidwimmer, Barer Strasse 3, Munich] Paul de Vos (Hulst 1595-1678 Antwerp). The Flight between the Cock and the Peacock. Signed: P. de Vos Fecit. Oil on Canvas, 119 × 180 cm.
Western art unattributed:
[Nella Longari, Via Bigli 15, Milan] "Don Silvestro dei Gherarducci". Firenze, XIV cent. Initial "L", "Santa Caterina e una monaca in preghiera" Tempera Illuminated on vellum 190 × 170 mm.
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04/1990 | 1045 | 132
Pages: i-xxxii
Subjects
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artists:
subjects:
Illustrations
Attributed works:
[Achim Moeller Fine Art Limited, 52 East 76th Street, New York] Lyonel Feininger, Masks, Gelmeroda, 1908 (Detail). Colored Crayon on Paper, 196 × 145 mm
Attributed works:
[Anthony d' Offay Gallery, Dering Street, London] Georg Baselitz, Ciao America III 1988 Oil on Canvas $98frac{3}{8}times 78frac{3}{4}$ Inches
Attributed works:
[Austin/Desmond Contemporary Books, 15A Bloomsbury Square Pied Bull Yard, London] John Hoyland Prints 1968-89, Grey Block on Green, 1971
Attributed works:
[Bukowski's in Stockholm, Wahrendorffsgatan 8, Stockholm] Self-Portrait by Nicholas de Largilliere, Oil on Canvas, 79×63 cm, is One of the Important Works Which Will Be Sold at Bukowski's International Auction.
Attributed works:
[C.G. Boerner Dusseldorf, Kasernenstrasse 13, Dusseldorf] Walter Gramatte, Woodcut. 1920. Proof Impression. 300 × 230 mm Sheet Size.
Attributed works:
[Christie's, 8 King Street, St James , London] An Italian Marble Bust, Possibly of Hercules, Attributed to Baccio Bandinelli or Vincenzo de'Rossi, Mid-16th Century, 23½ in. (59.7 cm.) High. Estimate: £30,000-40,000
Attributed works:
[Front cover illustration]Detail from Dancing Lesson, by Edgar Degas. c.1880. 39 by 88.4 cm. (Sterling and Francine Clark Art Institute, Williamstown, Mass.).
Attributed works:
[Galerie Chereau, 40 rue del'Universite, Paris] Important Landscape by Jean-Charles Redmond (1795-1875). Vue d'une ruine romaine près de Voltri, devant le Golfe de Gênes. (1.14 × 1.64). Salon of 1835.
Attributed works:
[Galerie Chevalier Antique Tapestries, Rugs, 17 Quai Voltaire, Paris/ 11 East 57th Street, New York]The Sacrifice to Pan (Detail). Gobelins Royal Manufactory, Circa 1740, after Etienne Jeaurat (1699-1789) h: 3,13 m × w: 4,80 m / 10ft 3in × 15ft 7in
Attributed works:
[Galerie Gerda Bassenge, Erdener Strasse 5A, Berlin] Gaetano Chiaveri (1689 Rome -1770 Foligno). Design for the Katholische Hofkirche in Dresden. Pen and Grey Wash. 51.5 × 72.6 cm.
Attributed works:
[Galerie Gilbert et Paul Petrides, 63 Faubourg Saint - Honore, Paris] Valadon. Portrait
Attributed works:
[Galerie H. Odermatt - Ph. Cazeau, 85 bis rue du Faubourg - Saint Honore, Paris] Henri de Toulouse-Lautrec (1864-1901). "Le Buveur", huile sur toile, 1882, 45,8 × 55,3 cm ($18times 21frac{3}{4}$ in.).
Attributed works:
[Galleri K, Bjorn Farmannsgate 6, Oslo] Edvard Munch. Moonlight 1894 Drypoint and Aquatint Signed and Inscribed 1 (of 10)
Attributed works:
[Gebr.Douwes Fine Art, 38 Duke Street St James, London/ 46 Rokin, Amsterdam] Johannes Natus (Active Middelburg ca.1658). A Man Toasting His Companion at an Inn, a Peasant Couple beyond with a Cradle at a Fireplace. On Panel: 52 × 48cm, Signed and Dated 1661.
Attributed works:
[Joanna Barnes Fine Arts, 40 Ashworth Mansions, Elgin Avenue, Maida Vale, London] Atalanta by Jean-Jacques, Called James Pradier. (Geneva 1790 - Bougival 1852). Bronze: H. 78 cm. Signed: Pradier. Foundry Mark: Augmentation. Sauvage.
Attributed works:
[John Mitchell & Son Fine Paintings, 8 Bond Street, London] Antoine Berjon 1754 - 1843. Basket with flowers.Oil on Panel 36.5 × 48cm. Signed
Attributed works:
[Judith L. Pillsbury, 104 rue du Bac, Paris/ 1100 Park Avenue, New York] Edouard Vuillard L'Atelier Lithograph 1895 RM 11
Attributed works:
[Kennedy Galleries Inc, 40 West 57th Street, New York] Winslow Homer Enchanted, 1874. Oil on Canvas 12 × 20 Inches. Signed and Dated Lower Right
Attributed works:
[Marlborough Fine Art Ltd, 6 Albemarle Street] Larry Rivers, Seated: Naples, 1989. Oil on Canvas Mounted on Sculpted Foamcore 37¼ × 27½ × 2½in./94.6 × 69.9 × 6.4cm.
Attributed works:
[Paul Proute S.A, 74 Rue de Seine, Paris].François Boucher (Paris 1703-1770). Seated Woman in Profile to the Left. Red-Brown Chalk on Blue-Grey Paper 41.3 by 29.8 cm.
Attributed works:
[Richard L. Feigen & Company, 6 Ryder Street, St James London/ 113 East 79th Street, New York] Bartholomeus Breenbergh, Landscape with Diana and Her Nymphs, 1647. Oil on Panel, $14frac{3}{4}$ by 19½ Inches (37.5 by 50 cm). Signed and Dated, Lower Left: "BBreenbergh f/1647"
Attributed works:
[Spink and son Ltd, 5,6&7 King Street, St James, London]Thomas Girtin 1775-1802. Melrose Abbey, a Study of the East Window Pencil and Watercolour on Whatman Paper 15 × 11¼ Inches
Attributed works:
[The Building Centre with gallery Lingard, 26 Store Street, London] William Walcot 1874-1943. The Stadium, 1936 Pen & Ink 25 × 32 Inches.
Attributed works:
[The Limited Editions Club, 118 East 65th Street, New York] One of a Portfolio of Seventeen Lithographs by Willem de Kooning for the Selected Poems of Frank O'Hara, printed on hand-made Japanese Yame, double chine applique with Japanese Kitakata to a paper hand-made by Twinrocker. Edition size sixty sets. Paper size 27 × 24 inches. Facsimile of signature from Bon a Tirer proof printed in lower right of each.
Attributed works:
[William Weston Gallery, 7 Royal Albemarle Street, London] Paul Signac: Le Soir, Jetée de Flessingue. Colour Lithograph. 1898.
Western art unattributed:
[Colnaghi, 14 Old Bond Street, London / 21 East 67th Street, New York] Venetian School, second half of the 15th Century. A Drapery Study for a Madonna. Pen and black ink and grey wash, with brush and black ink and touches of brown ink, heightened with white on blue paper. Inscribed in brown ink at the top: Ave Vergine. 208 × 134 mm.
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03/1989 | 1032 | 131
Pages: i-xl
Subjects
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subjects:
Illustrations
Attributed works:
Mao, by Andy Warhol. 1972. Synthetic Polymer Paint Silkscreened on Canvas, 208.3 by 155 cm. (Courtesy: Thomas Ammann, Zürich: Exh. Museum of Modern Art, New York).
Attributed works:
[Agnew's, 43 Old Bond Street, London] Hans Sebald Beham (1500-1550) An Old Man and a Maid Chiaroscuro Woodcut. Pauli, Hollstein 1236; Strauss 'Chiaroscuro' no.48; Geisberg 901. Watermark: Gothic P Surmounted by Orb and Initials (cf Meder (Dürer) 325 and 327); Therefore Probably Printed at the End of the 16th or Beginning of the 17th Century. A Very Good Impression of the Third State of Four, before the Addition of Dürer's Monogram. 248 × 244 mm
Attributed works:
[Austin/Desmond Fine Art, Pied Bull Yard, 15a Bloomsbury Square, London, UK] Graham Bell. Trinity College, Dublin
Attributed works:
[C. G. Boerner, Kasernenstrasse 13, Dusserldorf, Germany] Alberto Giacometti. Etching. 1950. Lust 85. From the Collection of Douglas Cooper.
Attributed works:
[Christie's, 8 King Street, London, UK] Hendrik Goltzius: Hercules and Cacus (Bartsch 231), Chiaroscuro Woodcut Printed in Colours, 1588, Third State (Of Four), a Brilliant Impression.
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK. Exh. TEFAF Maastrich] Philips Wouwermans, 1619-Haarlem-1668. 'Country Folk on the Outskirts of a Wood'. Panel: 41 by 35.5 cm. Monogrammed in Full at Lower Right. Panel Bears Label on Reverse: Wouwermans.
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] Bartholomeus Breenbergh, Deventer c. 1590 -Amsterdam c.1657. A Hermit Saint at Prayer in an Extensive Landscape with Ruins. Oil on Panel: 41 × 65 cm. Signed on Rock at Lower Right: B. Breenbergh F.1635
Attributed works:
[David Koetser Gallery, 37 Talstrasse, CH-8001-Zurich, Switzerland] Salomon van Ruysdael (1600-Haarlem-1670). The River Maas near Castle Loevestein Panel, 50 × 68 cm Signed and Dated 1643.
Attributed works:
[Douwes Fine Art Ltd., London. Exh. TEFAF Maastrich] Abraham van Beyeren, 1620-1690. 'Fruit Still-Life' On Panel: 72 by 58 cm. Signed with a Monogram.
Attributed works:
[Editions Graphiques Gallery, 3 Clifford Street, London, UK] J. J. Tissot. Le Veuf, Drypoint.
Attributed works:
[Elizabeth Royer, 6 rue de Commaille, Paris, France] Barye (Louis Antoine) "Portrait de la fille de l'artiste". Oil on Canvas 55 × 46 cm
Attributed works:
[Francis Briest, 24, avenue Matignon, Paris, France] Paul Cezanne - Portrait of Paul Cezanne's Son, Circa 1879 - 1882. Oil on Canvas 10,8 × 13 Inches - 28,5 × 33 cm
Attributed works:
[Frederick Cummings Fine Art, 146 West 57th Street, New York, New York] William Morris (1827-1905). An Angel Holding the Sun. Pencil, Pen, and Ink and Watercolour on Paper. 13 3/4 × 8 Inches (35 × 20.3 cm.)
Attributed works:
[Galerie Brame et Lorenceau, 68 boulevard Malesherbes, 75008, Paris, France] Yerres - Camille Daurelle au Pied d'un Chene Oil on Cardboard. 17" × 12" 5/8
Attributed works:
[Galerie Charles & Andre Bailly, 25 quai Voltaire, Paris, France] Painting by Voiriot and Dalou
Attributed works:
[Galerie Louise Leiris, 47 rue de Monceau, 75008, Paris, France] Joueur de flûte et femme nue. 1970. 114 × 146 cm
Attributed works:
[H.C.A.C.S.A.R.L., 7 rue Louvois, Paris, France] J. L. David. "Le Serment du Jeu de Paume". Drawing (Detail). Versailles, Musée National du château.
Attributed works:
[John Mitchell & Son, 8 New Bond Street, London, UK] Gouache on Paper, Signed and Dated 1788. 1745 - Jean Baptiste Huet - 1811. 7 × 10 3/4 ins. 17.8 × 27.3 cms. With Fine Carved and Gilded Frames
Attributed works:
[Johnny Van Haeften Ltd., 13 Duke Street, London, UK. Exh. TEFAF Maastrich] Thomas Wijck, Beverwijk 1616-1677 Haarlem. 'The Alchemist' Signed. On Panel 16½ by 14 3/4 (41.5 by 37 cm).
Attributed works:
[Leslie Smith, Hertelaan 15, 2243 EK Wassenaar, The Netherlands. Exh. TEFAF Maastrich] Frederik Marinus Kruseman, 1816-1882. 'Winter Landscape with Skaters' Canvas: 50 by 70 cm. Signed and Dated 1868.
Attributed works:
[Leslie Smith, Hertelaan 15, 2243 EK Wassenaar, The Netherlands] Canvas: 60×96 cm. Charles Leickert (1816-1907). Signed and Dated 1870
Attributed works:
[Marlborough Gallery, 40 West 57th Street, New York, New York] The Artist's Studio, 1988. John Davies. Photo by: James Austin
Attributed works:
[Newhouse Galleries, 19 East 66th Street, New York, New York. Exh. TEFAF Maastrich] Bartolommeo Passarotti, 1529-1592. 'Portrait of a Gentleman Wearing a Dark Costume with a Sword, Gloves and a Plumed Hat' Oil on Canvas, 41 by 35 5/8 (104.2 by 90.5 cm).
Attributed works:
[Noortman, London. Exh. TEFAF Maastrich] Henri Lebasque, Champigne 1865-1937 Cannet. 'Still-Life with Apples', Circa 1926. Canvas: 54 by 65 cm. Signed.
Attributed works:
[Paul Proute S. A., 74, rue de Seine, 75006, Paris, France] Emile Bernard (Lille 1868 - Paris 1941) Crucifixion, Woodcut 41 × 29 cm., Rare Trial Proof on Japan Paper, before the Distortion and Cracking of the Wood. To the Left, a Trial Inscription in Gothic Lettering in Black Pencil. (See Catalogue: Paul Prouté Pout-Aven, les Nabis et les Symbolistes, March 1989)
Attributed works:
[Perrin Antiquites, 3 Quai Voltaire and 98 Rue Faubourg Saint-Honore, Paris, France] Claude-Louis Chatelet (1753-1794). French School Partial View of the Falls of the 'Fiume Grande' of Lava from Etna, near Aderno Vue Partielle des Cascades de Fiume Grande au milieu des Laves de L'Etna, Prés d'Aderno Gouache on Beige Tinted Paper. H. 22,8 cm; L. 32,7 cm
Attributed works:
[Phillips International, 101 New Bond Street, London, UK] Auguste Rodin, "L'Eternal Printemps," Signed, Inscribed with Foundry Mark "Thiebaut Freres, Fondeurs," Bronze, Brown Patina with Green Highlights, 64cm High.
Attributed works:
[Richard L. Feign & Company, 113 East 79th Street, New York, New York] Anthony van Dyck. 'Rest on the Flight into Egypt', c. 1630 Oil on Panel, 15 1/8 by 12 5/8 (38.5 by 32 cm) 18094-D.
Attributed works:
[Richard L. Feign & Company, 113 East 79th Street, New York, New York] Mattia Preti, David Playing the Harp Before Saul, 1668 Oil on Canvas, 82 by 119 Inches (208.5 × 301.8 cm)
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Nikolai Astrup (Norwegian 1880-1928), Apple Trees in Bloom, Signed, Oil on Canvas, 56 by 90cm. Estimate: £250,000-400,000.
Attributed works:
[Stoppenbach & Delestre, 25 Cork Street, London, UK] Jules Dalou (1838-1902). Supplication 1884. Bronze. Signed 'Dalou', Inscribed Cire Perdue A. A. Hébrard and Numbered 1 Height: 32 cm
Attributed works:
[Thomas Ammann Fine Art Zurich, Restelbergstrasse 97, Zurich, Switzerland] Fernand Léger, ca. 1918. «Still Life». Ink on Paper, 47 × 31,7 cm
Attributed works:
[Voena, Via Dei Mille 36, 10123, Turin, Italy] Bernardino Mei, 1612 Siena - 1676 Rome. Faith. Oil on Canvas: 120 × 155 cm. Signed and Dated: B. Mei 1652
Attributed works:
[William Weston Gallery, 7 Royal Arcade, Albemarle Street, London, UK] J. J. Tissot: How Happy I Could Be with Either. Etching. 1877. 9 7/8 × 14″.
Western art unattributed:
[Charles Ratton & Guy Ladriere, 14, rue de Marignan and 11, quai Voltaire, Paris, France] Head of Holofernes, Marble Italian (?) XVI Century. Height 22 cm
Western art unattributed:
[De Havilland Ltd., 48 Sloane Street, London, UK. Exh. TEFAF Maastrich] A Rare Mid-18th-Century Ebony and Silver Mounted Miniature Bracket Clock Signed Charles Clay, London. 7½″ High. Circa: 1740.
Western art unattributed:
[Jan Roelofs, Spiegelgracht 5, 1017 JP Amsterdam, Netherlands] Oil Lamp in Bronze. Italy, 16th Century, Andrea Riccio Workshop. 5 × 4.5 Inches
Western art unattributed:
[Jean Pierre Osenat, Exh. Fontainbleau, Hotel Des Ventes, 5 rue Royal, Place du Chateau] Exceptionnelle suite de 4 grands fauteuils à dossier plat, début d'époque Louis XV, en bois naturel, à décor de rinceaux, grenades et feuilles d'acanthe, tapisserie d'Aubusson à décor floral
Western art unattributed:
[Jean Pierre Osenat, Exh. Fontainebleau, Hotel Des Ventes, 5 rue Royal, Place du Chateau] A Fine Set of Six George II Mahogany Carved Single Chairs on Cabriole Legs with Claw and Ball Feet, and Shaped Seat Rails. Circa 1740
Western art unattributed:
[M. Ekstein & I. J. Mazure, 90 Jermyn Street, Piccadilly, London, UK] Porcelain Painted Plate Bearing the Soviet Propaganda Slogan: "If Your Heart Yearns for Work Everything Will Be Reborn". Centre Painted with a Constructivist Design. 9.8 ins Diameter. Underglaze Green Cipher of Nicholas II 1898. Overglaze Soviet State Factory Mark 1921. After a Design by Rudolf Vil'de.
Western art unattributed:
[Maria Andipa Icon Gallery, 162 Walton Street, London, UK] The Absolute Mother of God with Beautiful Silver-Gilt Repoussé and Chased Riza and Kakoshnik Studded with Three Stars, Raised Halo with Leaf-Motif; Embellished with Semi-Precious Stones. Panel: c.1700 Caucasus Riza Essay K D P and Initials AS 1886 35 × 23.5 cm
Western art unattributed:
[Mark Gallery, 9 Porchester Place, London, UK] St. Theodore Stratilates, the Warrior Saint, Russian Icon, Late 17th Century (29½ × 23cm)
Western art unattributed:
[Nella Longari, Via Bigli, Milan, Italy] "Italian Master" (Valle Padana XIII Cent) Initial "S" San Silvestro Tempera Illuminated on Vellum 90 × 75 mm.
Western art unattributed:
[Pieter Hoogendijk, Holland. Exh. TEFAF Maastrich] Cabinet, French (Paris?); ca. 1660; Ebony, Resting on a Stand. The Stand Consists of Three Couples of Astragalon Columns and Two Figures in Armour, Athena on the Left, Mars on the Right. Height: 2.17 Metres Width: 1.96 Metres Depth: 0.625 Metres.
Western art unattributed:
[The Chelsea Antiques Fair, Chelsea Old Town Hall, King's Road, London, UK] This Fine Satinwood Commode, Sheraton, Circa 1790. Although unmarked, this decanter is typically Irish in its light moulded base, fluting and three feather-edged neck rings. The engraved ship is contemporary, as is the mushroom moulded stopper - c.1815. This very fine walnut 'lowboy' is from the Queen Anne period, about 1710. It is a good example of the most sought-after type of low-boy, having good golden colour, well proportioned cabriole legs, and a pretty 'apron'. A silver seal box engraved with the Royal Coat of Arms of George III Made in London, in 1790 by William Pitts.
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Advertisements February 1985 (Front)
02/1985 | 983 | 127
Pages: i-x
Subjects
artists:
Illustrations
Attributed works:
Ben Nicholson and His Second Wife, Barbara Hepworth, by Ben Nicholson. 1933. (National Portrait Gallery, London).
Attributed works:
[Colnaghi, 14 Old Bond Street, London] Neroccio De'Landi (1447-1500). Virgin and Child with Sts. Jerome and Mary Magdalene. Panel: 62 × 42.5 cms
Attributed works:
[David Koester Gallery, 37 Talstrasse, Zurich] David Teniers, the Younger. Signed. Panel, 21 × 16 cm
Attributed works:
[Galdy Galleries Ltd, 19 East 71st Street, New York] Amelia Bridgewater-Farnborough. "View of Monte Mario" Dated 1861
Attributed works:
[Galerie 39, 39 Kew Road, Richmond] George Grosz 'Ecce Homo' signed lithographs. 21 January - 23 March.
Attributed works:
[Gallery Lingard, Old Registry Office, 250 King's Road, London] Axel Herman Haig (1835-1921). The Church of St. Etienne Le Vieux. Caen. 1877, Pen and Brown Inck. Signed with Monogram & Dated 1877. 19½ × 14½ Inches (45.5 × 37 cm)
Attributed works:
[Hoogsteder-Naumann Ltd, 4 East 74th Street, New York] C. de Man. New Church in Delft
Attributed works:
[Marlborough Fine Art Ltd, 6 Albermarle Street, London] Henry Moore. Large Reclining Woman, 1982, Bronze, Length 98 in/249 cm, Edition of 7.
Attributed works:
[Richard L. Feigen & Company, 113 East 79th Street, New York] Bartholomeus Breenbergh, 'Landscape with Ruins of an Aqueduct,' Circa 1628, Oil on Metal, 30.5 by 43.2 cm.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] Guido Reni, David with the Head of Goliath 143 by 215 cm,
Attributed works:
[Spencer A. Samuels, 11 East 57th Street, New York] Filippo Bellini (Urbino 1550-1604). The Immaculate Conception Study for an Altarpiece. Pen and Sepia Wash, Heightened with White. 12⅝ times 9⅜ in. (32.1 × 23.9 cm.). Verso Bearing Inscription and Signature of the Two Donor's Approval.
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