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01/2024 | 1450 | 166
Pages: i-xx
Subjects
Illustrations
Attributed works:
A farmyard scene, by Adriaen van Utrecht (1599–1652). 1647. Oil on canvas, 115 by 161 cm. [ARS ANTIQUA, MILAN/BRAFA]
Attributed works:
A sculpture of the Virgin of the Assumption Attributed to Alejo de Vahía, active in Palencia around 1473-1515 Gilt and polychromed wood, around 1509 Gift of Sir Michael Craig-Martin R.A. [Spanish Gallery, The Auckland Project]
Attributed works:
A young man wearing a studio cap, by Lorenzo Baldissera Tiepolo (1736–76). Black and red chalk, 41.2 by 28.5 cm. [NICHOLAS HALL, NEW YORK/Master Drawings New York]
Attributed works:
Artemisia Gentileschi (1593–after 1654), The Penitent Magdalene, c. 1625/30 [Robilant & Voena]
Attributed works:
Carnival at the bistrot, Paris, by Pablo Picasso (1881–1973). c.1908. Watercolour on paper, 22.5 by 21 cm. [PATRICK BOURNE & CO., LONDON/Master Drawings New York]
Attributed works:
CIRCLE OF PAOLO VERONESE Possibly a portrait of Isabella Andreini (1562 - 1604) Oil on canvas 85.25 in. (H) x 56 in. (W) [Sloane Street Auctions]
Attributed works:
Crucifix. Spain, c.1550. Silver gilt and rock crystal with polychrome, height 41 cm. [GALERIE BERNARD DE LEYE, BRUSSELS/BRAFA]
Attributed works:
Embroidery Workshop of the Monastery of the Escorial (Spanish, 16th Century) The Pharaoh’s Judgment, ca. 1585 Pen and brown ink with brown washes, highlighted in white on blue paper Extensively pricked for transfer throughout, 304 x 193 mm [Christopher Bishop Fine Art/Master Drawings New York]
Attributed works:
Envy (Invidia) from the seven deadly sins, engraved by Pieter van der Heyden (1530–72), after Pieter Bruegel the Elder (c.1525–69), published by Hieronymus Cock (1518–70). c.1558. Ink on paper, 29.7 by 22.6 cm. [CHAMBRE PROFESSIONNELLE BELGE DE LA LIBRAIRIE ANCIENNE ET MODERN (CLAM), BRUSSELS/BRAFA]
Attributed works:
Figures in a wooded landscape with mountains behind, by Denijs van Alsloot (1570–1626) and the workshop of Jan Brueghel the Elder (1568–1625). Early 17th century. Oil on panel, 117 by 173 cm. [DE JONCKHEERE, GENEVA AND PARIS/BRAFA]
Attributed works:
From ‘The smoking mother’, by Laure Prouvost. 2023. (Commissioned for Burlington Contemporary Journal 9).
Attributed works:
GIAMBOLOGNA (1529–1608) Mars cast before 1577, probably in the 1560s by Zanobi Portignani Estimate on request [Christie's]
Attributed works:
Horizon, by Max Ernst (1891–1976). 1926. Oil on panel, 24.2 by 18.5 cm. [GALERIE DE LA BÉRAUDIÈRE, BRUSSELS/BRAFA]
Attributed works:
La fin du voyage, by Paul Delvaux (1897–1994). 1968. Oil on canvas, 165.1 by 145 cm. [OPERA GALLERY, GENEVA/BRAFA]
Attributed works:
LIPPO VANNI. Sienese, active 1344-1376 A predella panel: the Marriage of the Virgin Siena, c.1345 Tempera on wood panel 24.6 x 28.5 cm Provenance:Collection of Walter Savage Landor (1775-1864), Villa Gherardesca, Fiesole. [Brimo de Laroussilhe]
Attributed works:
Piazza d’Italia con Arianna, by Giorgio de Chirico (1898–1978). 1950s. Oil on canvas, 70 by 100 cm.[REPETTO GALLERY, LUGANO/BRAFA]
Attributed works:
Prometheus, by Giovanni Battista Langetti (1625–76). c.1660. Oil on canvas, 88 by 114 cm. [GIAMMARCO CAPPUZZO FINE ART, LONDON/BRAFA]
Attributed works:
Red Blue Chair, designed by Gerrit Thomas Rietveld (1888–1964). Designed 1919–23, made in 1970. Beechwood and plywood with stain and paint, height 86 cm [GALERIE VAN DEN BRUINHORST, KAMPEN, OVERIJSSEL/BRAFA]
Attributed works:
Sir Edward Burne-Jones (1833-1898) Study for ‘The Nativity’ for St John’s, Torquay. Watercolour, gouache and gold paint. 1887. 14x21.5 inches. [Abbott and Holder]
Attributed works:
Study for the Sala di Apollo (Pitti Palace), by Ciro Ferri (1634–89). c.1659–61. Black chalk, heightened with white, on prepared blue-grey paper, 26.5 by 39 cm. CHRISTOPHER BISHOP FINE ART, NEW YORK/Master Drawings New York]
Attributed works:
The Grey Castle; a view on the Mosel or the Rhine, by J.M.W. Turner (1775–1851). c.1841. Pencil and watercolour, 15.9 by 23.5 cm. [ABBOTT & HOLDER, LONDON/Master Drawings New York]
Attributed works:
Two female nudes, by Gustav Klimt (1862–1918). c.1902. Black chalk on buff paper, 44.3 by 30.9 cm. [STEPHEN ONGPIN, LONDON/Master Drawings New York]
Attributed works:
Virgin and Child in oak, Brabant, Brussels, attributed to Jan Borman I and his workshop (active from 1479 to 1520), circa 1480/90H. 142.5 cm [Giquello]
Attributed works:
Winter landscape, by Väinö Blomstedt (1871–1947). 1904. Oil on board, 39 by 49.5 cm. [AMBROSE NAUMANN, NEW YORK/Master Drawings New York]
Non-western art unattributed:
A Fine and Rare Ancient Kushan Northern India Uttar Pradesh Monumental Red Sandstone Torso Fragment of the Buddha Wearing his Monastic Robe ‘Sanghati’ with Traces of a Lotus Halo the Body Well Defined with a Deeply Carved Navel 1st – 2nd Century AD [Finch & Co]
Non-western art unattributed:
Female figure, by Baule people. Ivory Coast, 19th century. Wood, height 60 cm.[ MONTAGUT GALLERY, BARCELONA/BRAFA]
Western art unattributed:
A pierced flamboyant Gothic canopy. Northern France, 15th century. Limestone, height 30 cm.[DEI BARDI ART, BRUSSELS/BRAFA]
Western art unattributed:
Pseudo-corinthian Capitals North Adriatic Late 11th – early 12th Century White marble, 47x40x40 cm [Mearini Fine Art/BRAFA]
Article
From building to print: Giovanni Giacomo de’ Rossi and the making of architectural books
09/2017 | 1374 | 159
Pages: 697-705
related names
Author:
Aceto, Angelamaria (Aceto, Angelamaria)
Subjects
artists:
media:
museums and institutions:
Illustrations
Attributed works:
10. St Peter's. Rome, interior of the portico, east wall, here attributed to Francesco Antonio Bufalini (Gabinetto di Stampe e Disegni degli Uffizi, Florence)
Attributed works:
11. SS. Luca e Martina, Rome, elevation of the high altar, here attributed to an anonymous hand after an original design by Pietro da Cortona, Ciro Ferri and others, c. 1688 (Gabinetto di Stampe e Disegni degli Uffizi, Florence)
Attributed works:
12. Detail of Fig. 13, showing indentations around the architectural elements
Attributed works:
13. Altar of S. Francesco Saverio, plan and elevation, Chiesa del Gesu, Rome, here attributed to Carlo Fontana's studio, c. 1688 (Gabinetto di Stampe e Disegni degli Uffizi, Florence)
Attributed works:
14. Altar of S. Francesco Saverio, plan and elevation, Chiesa del Gesù, Rome, by an anonymous printmaker after the drawing in Fig. 13, 1688-89 (Bibliotheca Hertziana, Max Planck Institute, Rome)
Attributed works:
15. St. Peter's Rome, Facade, here attributed to Francesco Antonio Bufalini, c. 1680-83 (Gabinetto di Stampe e Disegni degli Uffizi, Florence)
Attributed works:
16. Verso of Fig. 15, showing the red chalk coating
Attributed works:
17. S. Carlo alle Quattro Fontane, Rome, section, here attributed to Lorenzo Nuvolone after a design by Francesco Borromini, c. 1680-83 (Gabinetto di Stampe e Disegni degli Uffizi, Florence)
Attributed works:
18. S. Carlo alle Quattro Fontane, Rome, section, by Giovanni Francesco Venturini, after Lorenzo Nuvolone, 1683 (Bibliotheca Hertziana, Max Planck Institute, Rome)
Attributed works:
19. Chiesa del Gesù, Rome, longitudinal section, attributed to Francesco Antonio Bufalini, c. 1680-83 (Gabinetto di Stampe e Disegni degli Uffizi, Florence)
Attributed works:
20. SS. Luca e Martina, Rome, transverse section, by Francesco Antonio Bufalini, after a design by Pietro da Cortona, 1680-83 (Gabinetto di Stampe e Disegni degli Uffizi, Florence)
Attributed works:
21. Choir of S. Maria Maddalena de' Pazzi, Florence, elevation, here attributed to an anonymous draughtsman after a drawing by Ciro Ferri, c. 1688-89 (Gabinetto di Stampe e Disegni degli Uffizi, Florence)
Attributed works:
22. Choir of S. Maria Maddalena de' Pazzi, Florence, elevation looking towards the altar, here attributed to an anonymous draughtsman after a drawing by Ciro Ferri, c. 1688 (Gabinetto di Stampe e Disegni degli Uffizi, Florence)
Attributed works:
9. St Peter's, Rome, interior of the portico, west wall, here attributed to Francesco Bufalini (Gabinetto di Stampe e Disegni degli Uffizi, Florence)
Attributed works:
Detail of Fig. 10, showing the geometrical indications in blind stylus and some indented outlines and blind outlines
Attributed works:
St Peter's, Rome, interior of the portico, west and east walls, by Jean Colin, after Francesco Antonio Bufalini, 1683 (Bibliotheca Hertziana, Max Planck Institute, Rome)
Article
A rediscovered altarpiece by Pietro da Cortona and insights into the collaboration between the master and his pupils
08/2013 | 1325 | 155
Pages: 541-545
related names
Author:
Fidanza, Giovan Battista (Fidanza, Giovan Battista)
Subjects
dates:
Illustrations
Attributed works:
13. Sermon of St James the Less, by Pietro da Cortona and collaborators (Private collection, Rome)
Attributed works:
17. Detail of Fig. 13
Attributed works:
19. Martyrdom of St Martina, by Pietro da Cortona and collaborators (Sacristy of SS. Luca e Martina, Rome)
Western art unattributed:
14. Detail of X-radiograph of Fig. 13
Western art unattributed:
15. Detail of infra-red reflectography of Fig. 13
Western art unattributed:
16. Detail of X-radiograph of Fig. 13
Western art unattributed:
18. Detail of X-radiograph of Fig. 13
Western art unattributed:
20. X-radiograph of Fig. 19
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Advertisements March 2013 (front)
03/2013 | 1320 | 155
Pages: s.p.
Subjects
advertisements:
advertisements:
advertisements:
collectors and dealers:
museums and institutions:
subjects:
Illustrations
Attributed works:
[Anthony Woodburn Ltd, Lewes, East Sussex. A fine small Charles II spring table clock by Johannes Knibb of Oxford. c.1685. Height: 30cm]
Attributed works:
[Arturo & Corinne Cuéllar, Zurich. View of the Sciora, Bregaglia valley, by Giovanni Giacometti (1868-1933). Watercolour and pencil, 33 by 42 cm]
Attributed works:
[Arturo Cuellar, Burglistrasse 18, 8002 Zurich. Jean François Millet (Gruchy 1814 - 1875 Barbizon). Le Vigneron, ca. 1851. Signed bottom right. Charcoal heightened with white, 36.5 x 28 cm]
Attributed works:
[Charles Ratton & Guy Ladrière. 11, quai Voltaire. Paris. Jacques-Louis David (Paris 1748 - Brussels 1825). Portrait of a man with hat, in profile. Graphite on paper, signed 'L.David' lower right. Diameter: 7 cm (including frame)]
Attributed works:
[Christie’s, 9 Avenue Matignon, 75008 Paris. Charles Le Brun (1619-1690). The sacrifice of Polyxena, 1617 (detail), oil on canvas, 179 x 131 cm. (70 1/2 x 51 1/2 in). Monogrammed and dated lower left, on the edge: C.L.B.F./ 1647]
Attributed works:
[Christopher Bishop Fine Art. Milford. Connecticut. Paolo Farinati (Verona 1524-1606). Saint Anthony of Padua. Brown ink over traces of black chalk, highlighted with white feather work and white washes. 41.5 cm x 27 cm]
Attributed works:
[David Lévy & Associates, Brussels. Gouache Drwing, by Joan Mirò (1893-1983). 1914. Gouache and pencil, 69.9 by 104.8 cm]
Attributed works:
[Day & Faber, London. St. Augustin, St. Jerome (possibly St. Mark), St. Bartholomew and an unidentified saint, by Ciro Ferri (1634-89). Quill and brown wash on black chalk, 38 by 43.4 cm]
Attributed works:
[Dickinson, London and New York. Annette, Venice, by Alberto Giacometti (1901-66). c.1960. Signed and numbered: 'Alberto Giacometti 6/6', inscribed with the foundry mark: 'Susse Fondr Paris'. Bronze with brown patina, 47.5 by 26.5 by 12.7 cm]
Attributed works:
[Didier Aaron & Cie, Paris. Study of a dog, by Jean-Baptiste Oudry (1686-1755). Black chalk with white chalk highlights on blue paper, 23.3 by 35.2 cm]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Jusepe de Ribera (1591-1652), The Mocking of Christ, oil on canvas (detail), 106 x 87 cm]
Attributed works:
[Duncan R. Miller Fine Arts, London. Romantic village, by William Lee-Hankey. Signed. British. Oil on canvas, 51 by 61 cm]
Attributed works:
[Francesca Antonacci and Damiano Lapiccirella. Borgo Ognisanti, 56r. Florence. Via Margutta 54. Rome. Sir Edward Burne-Jones. Study for the central head in the painting The Car of Love. Black chalk, 365 x 550 mm]
Attributed works:
[Francesca Antonacci Damiano Lapicella Fine Art, Rome and Florence. Head of Minos after Michelangelo, by Vincenzo Camuccini (1771-1844). Red chalk on ivory card, 47.8 by 33.2 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Carlo Ceresa. San Giovanni Bianco, 1609 - Bergamo, 1679. Portrait of a gentleman with a Wig. Oil on canvas, 196.5 x 115.3 cm (77 3/8 x 45 3/8 in)]
Attributed works:
[Galerie Cenesso, Paris. Allegory of Peace, by Francesco Furini (1603-46). Inscribed on the shield: 'optima rerum'. Oil on canvas, 84 by 70 cm]
Attributed works:
[Galerie Eric Coatelem, Paris. Studies of young oriental with sword for the 'Revolt of Cairo', by Anne Louis Girodet de Roucy-Trioson (1767-1824). Pencil, stump, white chalk highlights, 28.4 by 36.8 cm]
Attributed works:
[Galerie Paul Prouté, Paris. Landscape with herders (verso: study of a tree), by Giovanni Benedetto Castiglione, called Il Grechetto (1609-64). Pen and brown ink, over black chalk, 10.5 by 15.4 cm]
Attributed works:
[im Kinsky Kunst Auktionen Gmbh. Palais Kinsky, Freyung 4. Vienna. Johann Georg Platzer. Adoration of the Shepherds & Deposition from the Cross (Pendants)]
Attributed works:
[Jean-Luc Baroni, London. The earthly paradise, by André Derain (1880-1954). Signed at bottom right: 'A. Derain'. Watercolour, 50 by 65 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Alonso Sanchez Coello. Valencia 1531-1588 Madrid. Portrait of a Young Noblewoman wearing Fine Jewels and a Black Dress with Gold Embroidery in the form of Wheatsheaves and a High White Ruff Collar. Oil on canvas: 35.2 x 25.3 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Attributed to Gaspare Diziani. Belluno 1689-1767 Venice. Venetian Acrobats forming a Pyramid known as the 'Forze d'Ercole'. Oil on canvas: 72.3 x 88 cm]
Attributed works:
[Katrin Beelnger, Munich. View of the Bay of Posillipo, by Claude-Joseph Vernet (1714-1789). Inscribed in pen and brown ink: 'vue de pousilipo'. Pen and grey ink and grey wash over black chalk on two joined sheets of paper, 45 by 70.7 cm]
Attributed works:
[Katrin Bellinger. 15 Old Bond Street. London. Luigi Sabatelli (Florence 1772 - 1850 Milan). Portrait of Luigi Ricasoli (b.1801), at the Age of Seven. Signed and dated, lower right: Luigi Sabatelli / fece 1808; inscribed, lower left: Luigi Ricasoli. Pen and brown ink, 298 x 208 mm]
Attributed works:
[Koller. Hardturmstrasse 102. CH-8031, Zurich. Eglon Hendrik Van der Neer. Noble lady at a table with a lute and sheet music. Around 1667. Oil on panel. 31.6 x 22.8 cm (detail)]
Attributed works:
[Lempertz, 3 Neumarkt. Cologne. Willem van Aelst (1627 - after 1683). Still life with Fish, Bread and a Nautilus Cup. Oil on canvas, 67.8 x 54.6 cm. Signed and dated 1678]
Attributed works:
[Mia N. Weiner. Mountain Road. Norfolk. CT. Attrib. to Anne-Louis Girodet de Roussy- Trioson. Montargis 1767-1824 Paris. Pyrrhus Before Glaucius, ca. 1790. Graphite underdrawing, brush & grey wash, white gouache heightening on brown prepared laid paper. 225 x 302 mm]
Attributed works:
[Paul Proute. 74 Rue de Seine, 75006. Paris. John Martin. Haydon Bridge 1789 - Douglas 1854. A stream flowing into a pool in a forest, June 1841. Signed and dated (with pen and brown ink lower left): 'J. Martin. June. //1841'. Watercolour, bodycolour heightenings, 9 3/4 x 13 1/2 in. (24. x 34.2 cm)]
Attributed works:
[Rafael Valls, Ltd, London. A view of Frankfort, by Christian Schutz I. Signed and dated 'SCHÜZ. F/1754'. Oil on canvas, 51 by 119.5 cm]
Attributed works:
[Rountree Fine Arts Ltd, London. The racehorse Belfonds with H. Semblat up, at Chantilly by Sir Alfred James Munnings KCVO, PRA (1878-1959). Signed 'A.J. Munnings' (lower right). Oil on canvas, 78.7 by 96.5 cm]
Attributed works:
[Sanda Lipton, London. A George II circular silver counter dish by Joseph Sanders. London 1733. The centre is engraved with a widow's lozenge surrounded by engraved decoration. The arms on the lozenge are those for a woman whose maiden name was probably Carey. Diameter: 12 cm]
Attributed works:
[Schlichte Bergen Old Master Painting & Drawings, Amsterdam. Landscape with figures with the Ponte Reale over the Volturno, by Luigi Fergola (1768-1834). Signed and dated 1801. Gouache on paper, 67 by 96 cm]
Attributed works:
[Sperone Westwater, New York. Rosso scuro, by Carla Accardi (born 1924). 1974. Enamel on sicofoil, 115 by 180 cm]
Attributed works:
[Sphinx Fine Art. 125 Kensington Church Street. London. Willem van Mieris. The Penitent Mary Magdalene]
Attributed works:
[Talabardon & Gautier, Paris. Portrait of the founder Ferdinard Barbedianne, by Thomas Couture (1815-70). Monogrammed at bottom right: 'TC'. Charcoal, pencil and white chalk, 53 by 40.5 cm]
Attributed works:
[The London Original Print Fair. Royal Academy of Arts. Burlington House. Piccadilly. London. Cyril Power. The Tube Station. c.1923. Linocut. Osborne Samuel Ltd]
Attributed works:
[Tomasso Brothers Fine Art, Leeds, England. Michel de Montaigne, by Gilles-Lambert Godecharle (1750-1835). Terracotta. Height: 60 cm]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Bartolomeo Cavaceppi (c. 1716-1799) (attributed to) Monumental Marble Bust of Alexander the Great. White marble, 80 cm high.]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Giuseppe Piamontini (1664-1742). Milo of Croton. Bronze, 43.5 cm high]
Attributed works:
[Venator & Hanstein. Cacilienstrasse 48. 50667 Cologne. Germany. Albrecht Durer, Das Wappen mit dem Totenkopf. 1503. Copper engraving. Meder 98. I a. Ex coll. H. A. Cornill d'Orville and Sir Henry Studdy Theobald.]
Western art unattributed:
[Cesati, Milan. St. John the Evangelist, by Silvestro dell'Aquila (c.1450 - 1504). Central Italy. Late 15th century.]
Western art unattributed:
[Lennox Cato Antiques, Edenbridge, Kent. An eighteenth-century mahogany bureau bookcase of the Chippendale period. c.1765-70. Height: 214 cm. Width: 106 cm. Depth: 58 cm.]
Western art unattributed:
[Mark Gallery, London. Birth of the Virgin, showing St. Anne attended by a midwife with St. Joachim and below the infant Virgin in the arms of a Nursemaid. Northern Russian icon, early seventeenth century. 62.5 by 53 cm]
Western art unattributed:
[Mullany Haute Epoque Fine Art. 16 Carlisle Mansions, Carlisle Place. London. Angel with Tambourine. Walnut, with original polychrome and gilding. Italy, Lombardy, mid 15th century. H. 69.5 x W. 17 x D. 15 cm]
Article
Ciro Ferri's Reliquary for the Oratory of S. Giovanni Decollato in Malta
07/1999 | 1156 | 141
Pages: 392-400
related names
Author:
Sciberras, Keith (Sciberras, Keith)
Subjects
artists:
dates:
places:
places:
Illustrations
Attributed works:
1. Reliquary for the Right Hand of St John the Baptist, Designed by Ciro Ferri, the Silver-Work Executed by Urbano Bartalesi. Gilt-Copper and Silver, 196 by 230 cm. (Museum of the Co-Cathedral of St John, Valletta).
Attributed works:
2. Oratory of S. Giovanni Decollato, Valletta, Photographed c.1910, Showing the Reliquary and the Crucifixion Sculptures on the Altar (Private Collection, Malta).
Attributed works:
3. Design for the Reliquary in Fig.1, Attributed to the Circle of Ciro Ferri. Red Chalk with Pen and Wash, 19.1 by 27 cm. (Cathedral Museum, Mdina, Malta).
Attributed works:
4a. Detail of Fig.1, Showing the Right-Hand Putto. [Reliquary for the Right Hand of St John the Baptist, Designed by Ciro Ferri, the Silver-Work Executed by Urbano Bartalesi. Gilt-Copper and Silver, 196 by 230 cm. (Museum of the Co-Cathedral of St John, Valletta).]
Attributed works:
4b. Detail of Fig.1 Showing a Three-Quarters Side View of the Reliquary. [Reliquary for the Right Hand of St John the Baptist, Designed by Ciro Ferri, the Silver-Work Executed by Urbano Bartalesi. Gilt-Copper and Silver, 196 by 230 cm. (Museum of the Co-Cathedral of St John, Valletta).]
Attributed works:
4c. Detail of Fig.1 Showing the Right-Hand Kneeling Angel. [Reliquary for the Right Hand of St John the Baptist, Designed by Ciro Ferri, the Silver-Work Executed by Urbano Bartalesi. Gilt-Copper and Silver, 196 by 230 cm. (Museum of the Co-Cathedral of St John, Valletta).]
Attributed works:
5. Detail of Fig.1 before Restoration Showing the Maker's Mark of Urbano Bartalesi. The Screw Is Modern. [Reliquary for the Right Hand of St John the Baptist, Designed by Ciro Ferri, the Silver-Work Executed by Urbano Bartalesi. Gilt-Copper and Silver, 196 by 230 cm. (Museum of the Co-Cathedral of St John, Valletta).]
Attributed works:
6. Beheading of St John the Baptist, Designed by Ciro Ferri. Gilt Bronze, 54 cm. diam. (Oratory of S. Giovanni Decollata, Malta).
Attributed works:
7. Monstrance for the Exposition of the Sacrament, Probably Designed by Ciro Ferri, and Executed by the Maltese Silversmith Carlo Troisi. Gilt-Copper and Silver, 110 by 55 cm. (Museum of the Co-Cathedral of St John, Valletta).
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Advertisements March 1998 (front)
03/1998 | 1140 | 140
Pages: i-xxviii
Subjects
advertisements:
artists:
artists:
artists:
artists:
artists:
subjects:
Illustrations
Attributed works:
Still Life: Vase with Twelve Sunflowers, by Vincent van Gogh. January 1889. 92 by 72.5 cm. (Philadelphia Museum of Art)
Attributed works:
[Achim Moeller fine Art. Exh. Salon Du Dessin, Salons Hoche, Paris, France] Edgar Degas: Three Nude Dancers 'en arabesque', c.1905-12. Signed. Pastel, 44.5 × 84.5 cm.
Attributed works:
[Agnew's, 43 Old Bond Street, London. Exh. Salon Du Dessin, Salons Hoche, Paris, France] Jean-Baptiste Marie Pierre: Triton and naiad [? Nereid]. Black and White Chalks on Blue Paper. 24.2 by 40.7 cm.
Attributed works:
[Arno Winterberg, D-69115 Heidelberg, Hildastr. 12, Germany] Attributed to Pietro Liberi, Female Prisoner in the Presence of the Roman Emperor. Pen and Ink with Wash in Brown. 23.2 by 29.8 cm.
Attributed works:
[Arno Winterberg, D-69115 Heidelberg, Hildastr. 12, Germany] Otto Mueller, Standing and Sitting Girl on the Shore. Lithograph 1921/22. Karsch 143, a (of b). Signed. Printed on Japanese Laid Paper. 38.8 by 28.7 cm.
Attributed works:
[Arno Winterberg, D-69115 Heidelberg, Hildastr. 12, Germany] Rembrandt, Landscape with a Cow Drinking. Etching, c. 1650. Bartsch 237. Nowell-Usticke 237, III (of VI). 10.5 by 13 cm.
Attributed works:
[Charles Ratton & Guy Ladriere, 14, rue de Marignan and 11, quai Voltaire, Paris, France] Niccolo Frangipane (1555-1600) A Lute Player Oil on Canvas, 72 × 54.5 cm.
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK. Exh. TEFAF Maastrich.] Anthony Van Dyck: Portrait of Sir Arthur Hopton. Canvas, 59 by 47.5 cm.
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] Sir Anthony Van Dyck Antwerp 1599 - London 1641 Portrait of Sir Anthony Hopton Oil on Oval Canvas: 59 × 47.5 cm
Attributed works:
[David Koetser Gallery, Zurich. Exh. TEFAF Maastrich.] Jan Brueghel the Younger: Horsemen and Waggons on a Country Road. Copper 7 by 9.3 cm.
Attributed works:
[De Jonkheere, Paris. Exh. TEFAF Maastrich.] Herri Met de Bles (1501-After 1555): Landscape with the Flight into Egypt. Signed. Panel, 44 by 74.3 cm.
Attributed works:
[Dover Street Art Gallery, 13 Dover Street, London, UK] Egon Schiele Male Nude (Self Portrait) I, 1912 Brush and Ink Lithograph in One Colour on Yellow Velin, 44.8 × 40 cm. Signed and Dated Lower Right.
Attributed works:
[Flavia Ormond Fine Arts, 24 Brechin Place, London, UK. Exh. Salon Du Dessin, Salons Hoche, Paris, France] Giovanni Domenico Tiepolo: Centaur on Its Back Teasing a Faun, c.1775. Pen and Brown Ink with Grey Wash over Black Chalk. 19.6 × 27.5 cm. Signed in Brown Ink at Bottom Left.
Attributed works:
[Galerie Antoine Laurentin. Exh. Salon Du Dessin, Salons Hoche, Paris, France] François-Marie Granet: Nun Holding a Book (Allegory of Time) with a View of the Pavillon de Flore. Signed and Dated 1844. 22.5 × 15 cm.
Attributed works:
[Hall & Knight Ltd., 15 Duke Street, London, UK. Exh. TEFAF Maastrich.] Peter Paul Rubens: Portrait of Isabella of Bourbon. Oak panel, 63.6 by 49.1 cm
Attributed works:
[Hall & Knight Ltd., 15 Duke Street, London, UK. Exh. TEFAF Maastright] Carlo Saraceni (1579-Venice-1620) Madonna and Child with Saint Ann and an Angel Oil on Copper, 11½ × 14¼ Inches (29.1 × 36 cm)
Attributed works:
[Hamptons International, Baverstock House, 93 High Street, Godalming, UK] Provencal Farm by Henry Herbert La Thangue. Signed. Oil on Canvas, 34 × 29½ in. (86.4 × 74.9 cm). Estimate: £25,000 - £40,000
Attributed works:
[Hamptons International, Baverstock House, 93 High Street, Godalming, UK] Under the Western Sun by Henry Scott Tuke, R. A. RWS. Signed and Dated 1918. Oil on Canvas, 59½ × 44 in. (151.2 × 112.4 cm). Estimate: £40,000 - £60,000
Attributed works:
[Jack Kilgore & Co., Inc. 154 East 71st Street, New York. Exh. TEFAF Maastrich.] Aelbert Cuyp: A Guard House along a River with Dordrecht in the Distance. Signed. Panel, 36.8 by 52.8 cm.
Attributed works:
[Jack Kilgore & Co., Inc. 154 East 71st Street, New York. Exh. TEFAF Maastrich.] Herman van der Mijn: Death of Sophonisba. Signed and Dated 1726. Panel, 84 by 67 cm.
Attributed works:
[Jack Kilgore & Co., Inc. 154 East 71st Street, New York] Joachim Beuckelaer circa 1530/33 - Antwerp - 1573/74 Christ Carrying the Cross Signed with Monogram & Dated 'JB 1562' Oil on Canvas, 38 by 31 Inches (96.5 by 78.7 cm.)
Attributed works:
[Johnny van Haeften, London. Exh. TEFAF Maastrich.] Dirck van Delen: A Church Interior with Elegant Figures. Signed and Dated 1629. Copper, 24.5 by 34 cm.
Attributed works:
[Kate de Rothschild, Exh. Salon Du Dessin, Salons Hoche, Paris, France] Pietro Testa: The Worship of the Cross. Pen and Brown Ink over Black Chalk. 37.4 × 24.3 cm.
Attributed works:
[Kate de Rothschild, Exh. Salon Du Dessin, Salons Hoche, Paris, France] Study of Santa Rosalia of Palermo by Ciro Ferri (1634-1689). Black Chalk, 204 × 185 cm.
Attributed works:
[Noortman, London and Maastricht. Exh. TEFAF Maastrich.] Pieter de Hooch: A Gentleman Reading a Letter to a Lady in an Interior. Signed. Canvas, 79 by 70 cm.
Attributed works:
[Otto Naumann, New York, New York. Exh. TEFAF Maastrich.] Cornelis de Man: A Gold Weigher, a Woman Seated at a Table and a Boy Preparing a Fire in an Interior. Canvas, 81.6 by 67.6 cm.
Attributed works:
[Paul Proute S. A., 74, rue de Seine, 75006, Paris, France] Jean Auguste Dominique Ingres (Montauban 1780 - Paris 1867). Pyrrhus and Glaucias. Pen and Ink with Grey Wash Touched with Black Chalk and Pen and Brown Ink. Signed in Brown Ink at Lower Right. 240 × 365 mm
Attributed works:
[Paul Proute, Exh. Salon Du Dessin, Salons Hoche, Paris, France] Guercino: St Anthony Tempted by Two Demons. Pen and Brown Ink with Brown Wash. 21.1 × 26.9 cm.
Attributed works:
[Piero Corsini, New York. Exh. TEFAF Maastrich.] Giovannni Battista Salvi, il Sassoferrato: St Cecilia. Canvas, 97 by 74 cm.
Attributed works:
[Rafael Valls Limited, 11 Duke Street and 6 Ryder Street, London, UK] Adriaen Cornelisz van Salm (1657-1720) Dutch School A Fleet of 'Bootschepen' Escorted by Dutch Men of War, One Being the Frigate 'T Wapen van Schiedam' Oil on Panel (Grisaille). 29 × 42½ Inches (74 × 108 cms). Indistinctly Signed
Attributed works:
[Rafael Valls Limited, 11 Duke Street and 6 Ryder Street, London, UK] Domenico Brandi - (1683-1736) Italian School Six Guinea Pigs Feeding with a Chicken and a Cockerel in the Background Oil on Canvas. 19 × $31frac{1}{8}$ Inches (48.3 × 79 cms) Signed, Inscribed and Dated 1732
Attributed works:
[Rafael Valls Limited, 11 Duke Street and 6 Ryder Street, London, UK] Jan Siberechts (1627-1703) Flemish School An Extensive English Country Landscape Oil on Canvas. 26 × 28 7/8 Inches (66.6 × 73.2 cms) Signed and Dated 1684
Attributed works:
[Rafael Valls Limited, 11 Duke Street and 6 Ryder Street, London, UK] Simon Kick - (1603-1652) Dutch School A Portrait of a Young Man Wearing a Wide Brimmed Felt hat Oil on Copper. 8 × 6½ Inches (20.5 × 16.5 cms)
Attributed works:
[Richard Green, 39 Dover Street, London, UK. Exh. TEFAF Maastrich.] Jan Miense Molenaer: A Tavern Interior (the 'fat kitchen'). Signed and Dated 1637. Canvas, 81.4 by 102.5 cm.
Attributed works:
[Richard L. Feign & Company, 49 East 68th Street, New york, New York] Anne-Louis Girodet-Trioson The Sermon of the Seven Chiefs before Thebes, Circa 1820 Black and White Chalk, 41 by 61 cm.
Attributed works:
[Simon C. Dickinson Ltd., 58 Jermyn Street, London, UK] Ferdinand Bol (1616-1680) An Allegory of Education Oil on Canvas; 72 × 54 Inches, 183.5 × 140 cm
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Visionary Heads by Blake, including Shakespeare's wife, Xanthippe, Pisistratus, Tom Nixon the idiot, Bothwell, Mary Queen of Scots, Ossian, Robert Bruce, Owen Glendower, Colonel Blood, Vortigern and many others. Eighty nine leaves with forty drawings by William Blake, seventeen by Varley. Estimate: £200,000-300,000
Attributed works:
[Stanza Del Borgo, Via Turati 7, Milano, Italy] Lorenzo de Ferrari (Genua 1680-1744), A Flying Angel. Black Chalk on Blue Paper, Squared. 528 by 393 mm.
Attributed works:
[Talabardon & Gautier, 44, Rue Sainte-Anne, 7002, Paris, France. Exh. Salon Du Dessin, Salons Hoche, Paris, France] Adam Elsheimer: Study of a Young Man. (Verso: Fragementary Study of a ?St Peter and a Turbaned Man) Pen and Brown Ink with Grey Wash, 11.3 × 6.5 cm.
Attributed works:
[Talabardon & Gautier, 44, Rue Sainte-Anne, 7002, Paris, France] Joseph Werner (1639 - 1710) Gouache on Parchment. 11.8 × 9.5 cm. The Bath of Diana Signed and Dated 1668
Attributed works:
[Thomas Williams Fine Art Ltd. Exh. Salon Du Dessin, Salons Hoche, Paris, France] Philips Koninck: The Anointing of a Queen. Signed and Dated 1664. Pen and Brown Ink with Wash. 36 × 20 cm.
Attributed works:
[Thomas Williams Fine Art Ltd., 10 Dalmeny Court, 8 Duke Street, London, UK] Ercole Lelli Bologna 1702 - 1766 Bologna. Head of a Man Red Chalk Heightened with White Inscribed in Gabburri's Hand: Originale / Di Ercole Lelli Pictor Bolognese / no. 1. (Verso) 376 × 270 mm; $14frac{3}{4}$ × 10½ in.
Non-western art unattributed:
[Vanderven & Vanderven, 's-Hertogenbosch. Exh. TEFAF Maastrich.] Head of a Bodhisattva. Chinese, Song Dynasty Stone, ht 38.5 cm.
Western art unattributed:
Console Table by Sébastien Youf. Paris, Signed and Dated 1830. Mahogany and Ormolu, 97 by 151 by 54 cm.
Western art unattributed:
[Buch- und Grafikantiquariat Falk + Falk Auktionen, Friedrich Falk Kirchgasse 28, CH-8001, Zurich, Switzerland] Napoleonica: The Library of Dr. Alfred Schaefer, Zürich Bibliophilia: Masterbindings by the Studio Stemmle, Zürich-Ascona and from the Wollisch Collection, Vienna Rare Books on Hunting, Fishing, Riding, Firearms and Natural History
Western art unattributed:
[Dr Jorn Gunther Antiquariat, Hamburg. Exh. TEFAF Maastrich.] The Seven Days of Creation, from a Biblia Latina. Paris, c.1240 Attributed to the Vie de Saint Denis Workshop
Western art unattributed:
[Heribert Tenschert, Switzerland. Exh. TEFAF Maastrich.] The Last Supper, an Extraordinary Miniature from a Franciscan Manuscript of the 'Meditationes Vitae Christi', Made in the Immediate Circle of Giotto di Bondone in Padua, Shortly after 1305. We Offer the Complete Manuscript Containing 27 Miniatures (3 Full Page), an Art Historical 'Find' par Excellence.
Western art unattributed:
[Heribert Tenschert, Switzerland. Exh. TEFAF Maastrich.] Two Double Page Illustrations Consisting of Full-Page Miniatures and Corresponding Text, Both with Borders of Solid Gold with Drolleries, Fruits and Flowers. The Most Important Manuscript Made for the Bridgettine Abbey of Marienwater (Near 'S-Hertogenbosch), c. 1480. The Manuscript, Which Is in the Finest Possible State of Preservation, Has 15 Large and Small Miniatures and Retains Its Original Binding.
Western art unattributed:
[Le Louvre des Antiquaires, 2, Place du Palais Royal, 75001, Paris, France] The Divine Metamorphoses of Alexander by François Antonovich
Western art unattributed:
[Les Enluminures, Paris. Exh. TEFAF Maastrich.] Flight into Egypt (fol. 61), from a Book of Hours. Amiens, c.1480-90
Western art unattributed:
[Phillips International, 101 New Bond Street, London, UK] A 17th Century Florentine Pietra Dura Table Cabinet, 106cm Wide. With Similarities to a Cabinet in the Metropolitan Museum, New York, Which Also Depicts Orpheus Surrounded by Animals. A George III Marquetry Commode, 144cm Wide. With Similarities to Commodes Illustrated and Discussed in "Catalogue of Commodes: The Lady Lever Art Gallery" by Lucy Wood.
Advertisements
Advertisements November 1986 (Front)
11/1986 | 1004 | 128
Pages: i-xl
Subjects
advertisements:
advertisements:
Illustrations
Attributed works:
Boy bitten by a Lizard, by Caravaggio. 66 by 49.5 cm. (National Gallery, London).
Attributed works:
[Agnew, 43 Old Bond Street, London] Sir Henry Raeburn. Sir William Maxwell of Calderwood. Canvas 96 × 60 ins
Attributed works:
[Alan Jacobs Gallery, 8 Duke Street, London] Jan Van Noordt. Active Amsterdam 1644-76 "The Labourer Offering Shelter to the Levite and His Concubine in Gibea". Oil on Canvas 65 × 90 cms
Attributed works:
[Bob P. Harboldt & Co., de Lairessestraat, Amsterdam] Willem van de Velde II (1633-1707). Pen and Brown Ink 169 × 259 mm
Attributed works:
[C.G. Boerner, Kasernenstraße 13, Dusseldorf] Michael Willmann (1630 Königsberg-Kloster Leubus 1706) The Virgin in Glory. Etching. 1675. Nagler 10 II. Wiese-Kloss (Breslau 1930) 142.
Attributed works:
[Central Museum, Agnietenstraat 1, Utrecht & Herzog Anton Ulrich-Museum, Museumstraße, Braunschweig] Dutch painting in a new light Hendrick ter Brugghen and his contemporaries. Centraal Museum Utrecht 14.11.1986-12.1.1987, Herzog Anton Ulrich-Museum 12.2-12.4.1987. The most comprehensive display yet seen of Hendrick ter Brugghen & the Utrecht Caravaggisti showing the new artistic tendencies in Utrecht during the early 17th century and a balanced selection of stylistically related paintings by other Dutch painter of that period.
Attributed works:
[Clarendon Gallery, 8 Vigo Street, London] John Devoto. (Fl. 1708-1752) Zeus Transforming Lycaon into a Wolf Oil on Canvas 44¼ × 35 in
Attributed works:
[Colnaghi, 14 Old Bond Street, London] Benedetto Gennari. Cento 1633-Bologna 1715 Toilet of Venus Canvas 182 × 146 cms.
Attributed works:
[David Koester Gallery, 37 Talstrasse, Zurich] Dirck van Delen. Oil on Copper: 26 × 34 cm, Signed + Dated 1629
Attributed works:
[Edition PVA, Pfälzische Verlagsanstalt, Postfach, Landau] Professor Dr. Werner Sumowski, University of Stuttgart, has attended to the art of Rembrandt, his pupils and his precursors for thirty years now. He enjoys an international reputation as a Rembrandt research worker of rank and as leading expert on the Rembrandt School. Besides books, his bibliography comprises numerous publications in specialized journals at home and abroad. Successive publication of the twelve volumes of his edition of drawings by the Rembrandt School began in 1979.
Attributed works:
[F. Dörling, Neuer Wall 40, Hamburg] Sheperds Group with Sheep and Dog by J. Ch. Haselmeyer. Ludwigsburg, about 1766. H. 22,6 cm.
Attributed works:
[Faustus Fine Art Ltd, 90 Jermyn Street, London] Rembrandt van Ryjn Self Portrait Leaning on a Stone Sill. 1639. Etching B21. The Second State with the Hat Band Completed.
Attributed works:
[Finarte, P.tta Bossi 4, Milan] G. B. Tiepolo, Iphigenia's Sacrifice, Pen-and-Ink Drawing, Brown Ink Washed, Pencil, 432 mm × 555 mm.
Attributed works:
[Foire Internationale L'estampille, La Conciergerie, Paris] Bleu de Nuit, par B. Louttre. Gravure sur bois. Tirage 60 ex. 1984.
Attributed works:
[Foire Internationale L'estampille, La Conciergerie, Paris] L'Echange, par Jean Miotte. Lithographie originale. 1953.
Attributed works:
[Foire Internationale L'estampille, La Conciergerie, Paris] Le miracle des Longues Aiguilles, par Leonor Fini, 45cm × 38cm. 1982.
Attributed works:
[Foire Internationale L'estampille, La Conciergerie, Paris] Les masques, par Michel Duport. Gravure sur bois.
Attributed works:
[Foire Internationale L'estampille, La Conciergerie, Paris] Profil Grec, par G. Braque. Ref Dora Vallier Page 298.
Attributed works:
[Foire Internationale L'estampille, La Conciergerie, Paris] Sam Francis. Lithographie originale. 76cm × 56cm.
Attributed works:
[Foire Internationale L'estampille, La Conciergerie, Paris] Suite Vollard 1933, par P. Picasso. Eau forte et aquatinte Ref Bloch No. 189 "Sculptures et vase de Fleurs".
Attributed works:
[Frau Theano Staehlin Kunsthandel in co-operation with Saddey & Ellenes Fine Art Ltd, Freiestrasse 110, Zurich] Carlo Maratta. 1625-1713 Madonna with Christchild Oil on Canvas 77 × 60 cm.
Attributed works:
[Galerie d'Arenberg, 14 rue aux Laines, Brussels] Léon Cogniet (Paris 1794-1880) Scène du Massacre des Innocents Signed and Dated 1824 Oil on Canvas, 265 × 225cm
Attributed works:
[Galerie Gerda Bassenge, Erdener Strasse, Berlin] Subtitle: Caspar David Friedrich (1774 Griefswald-1840 Dresden). The Ruins of the Monastery Heiligenkreuz near Meissen. Pen and Brown Ink, Brown Wash. 10.2 × 11.2 cm. Dated: 9th Sept. 1800.
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street, London] An Old Bearded Man (Probably St Jerome) Pen and Wash, 22 × 25 cm
Attributed works:
[Heim, 59 Jermyn Street, London] Ciro Ferri (Rome 1634-1689) Moses and the Daughters of Jethro Oil on Canvas 119 × 164.5 cm
Attributed works:
[Henry's Auktionshaus, An der Fohlenweiden 28-30, Mutterstadt] Paul Signac (1863 - 1935), "Scenery from Southern France", Oils/Wood, with Signature at Bottom on the Left Side, 34,5 × 44 cm. Origin: M. Knoedler Gallery, New York, Bernard M. Douglas Collection, New York. Rembrandt Harmensz van Rijn (1606-1669) "The Circumcision of Christ", oils/wood, 55 × 85,5 cm. Origin: Prince Zampiere Collection, Bologna, Reichsgraf von Kaunitz Collection. Expertises: Prof. Dr. Leo van Puyvelde, dated 19.9.63, Prof. Dr. H. Zimmermann, dated 1.12.63, Prof. Dr. Joseph Kronig, dated 4.5.64, Prof. Ed. Fischer, dated 11.5.63, Dr. Ernst Wengenmayr, dated 17.11.59, Adolf Bangel, dated 25.11.59. Henri de Toulouse-Lautrec (1864 - 1901), "Parisian Balloon-Salesgirl with Family", oils/canvas, with monogram at bottom of the right side, 117 × 81,5 cm. Origin: Maurice Joyant Collection, Paris, André Velmar Collection, New York. Evidence: Erik M. Von Buelow, dated 23.8.1976. Henri Matisse (1869 - 1954), "View out of the Window of Nizza Harbour", oils/canvas, with signature at bottom ot the right side, 48 × 51,4 cm, painted in 1938. Origin: André Maurice Gallery, Paris, Mont Cenis Gallery, Paris, Lyman Allen Museum, New London (Connecticut). This painting was exhibited to Francois Daulte, Paris.
Attributed works:
[IDC Microform Publishers, PO Box 11205, Leiden] A. Dürer, Vier Bücher von menschlicher Proportion. Nürnberg, 1528. 356 pp.
Attributed works:
[Johnny van Haeften, 13 Duke Street, London] Paulus Moreelse. (1571 - Utrecht - 1638) A Shepherdess Wearing a Straw Hat, Holding Flowers and a Crook. On Canvas. 28¼ × 23¼ Inches.
Attributed works:
[Marlborough Fine Art Ltd, 6 Albermarle Street, London] Portrait of Maximilien Luce 1890 Pen, Brush, Brown Ink and Pencil on Card 10⅝ x 8⅝in/22 × 27cm
Attributed works:
[Mes Audap-Godeau-Solanet, 32 rue Drouot, Paris] Gabriel de Saint Aubin "La récompense du poète". Canvas Signed and Dated 1759-0,96 m × 1,30 m.
Attributed works:
[Mes Laurin-Guilloux-Buffetaud-Tailleur, 12 rue Drouot, Paris] G. Caillebotte. Bateaux sur la Seine à Argenteuil. Oil on Canvas, Signed and Dated 1892. 73 × 60 cm.
Attributed works:
[Morton Morris & Company, 32 Bury Street, London] Rembrandt: A Sheet of Studies
Attributed works:
[Paul Mitchell Limited, 99 New Bond Street, London] Sir William Chambers Detail from Sheet of Four Neo-Classical Frame Designs
Attributed works:
[Phillips, 7 Blenheim Street, London] "Enfant au bord d'un bassin," by Henri Martin.
Attributed works:
[Phillips, 7 Blenheim Street, London] Pieter Brueghel III, 1589-1638/39, "The Feast of Saint Catherine", on Panel, 74 cm × 106 cm.
Attributed works:
[Richard L. Feigen & Company, 113 East 79th Street, New York] Cecco Bravo, "Balaam and the Ass" Oil on Canvas, 89.1 by 74.9 cm.
Attributed works:
[S Franses Ltd, 82 Jermyn Street, London] Le Sommeil de Renaud a Very Important Louis XV Gobelins Tapestry. Designed by Charles Antoine Coypel with Borders Designed by P. J. Perrot. Woven in the Atelier of Michel Audran between 1749 and 1753. Coloured Wools and Silks 20 Warp Threads to the inch. Dimensions: 21ft 9in × 13ft 7in (6.62m × 4.14m)
Attributed works:
[Sotheby's Place du Casino Monaco] Philippe de Champaigne, Saint Augustine, Oil on Canvas, 79 by 62.5cm. Estimate: £100,000-£120,000.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] An English White Marble Portrait Roundel, Probably of Sarah Brooke, Signed Chantrey 1821, In contemporary Marquetry Frame and Case, Roundel: 37.5cm. Estimate: £8,000-12,000.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] Christen Ko̵bke, A Portrait of Dr Kettil Henning (1812-44), Oil on Canvas, 33.5 by 25.5cm. Estimate: £40,000-60,000.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] Jean Honoré Fragonard, Sultana on an ottoman, Oil on Canvas, 103 by 80cm. Estimate: £80,000 - 100,000.
Attributed works:
[The Building Centre with the Lingard Gallery, 26 Store Street, London] William Walcot - Interior with Figure of Brittania 1925 Watercolour over Pencil 30 × 22½ Inches.
Attributed works:
[The Leicestershire Museum & Art Gallery, New Walk, Leicester] Renoir "Nude" on Loan from the Tate Gallery
Attributed works:
[Trafalgar Galleries, 35 Bury Street, London] Giacomo Cerutti. (Milan 1698 1767) A Young Man Wearing a Red and Blue Jacket and Tricorn Hat Oil on Canvas, 24 ¾ × 18¼in. (63 × 46cm.)
Attributed works:
[Wheelock & Whitney & Company, 123 East 62nd Street, New York] Studio of Daniel Rabel. Influences 1627 Pen and Ink and Watercolour 324 × 211 mm.
Western art unattributed:
[Mes Audap-Godeau-Solanet, 32 rue Drouot, Paris] Rare Gilted Wood Mirror of the Regence Period with Red and Gold Lacquer and Chinese Decor. H 1,94 m × W 1 m.
Book Review
Patterns in Late Medici Art Patronage
09/1985 | 990 | 127
Pages: 628-630
related names
Reviewer:
Chiarini, Marco (Chiarini, Marco)
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Reviewed Items
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Patterns in Late Medici Art Patronage | author: Goldberg, Edward L.
Short Notice
Another Sculpture by Ciro Ferri in Malta
01/1981 | 934 | 123
Pages: 26-29
related names
Author:
Kruft, Hanno-Walter (Kruft, Hanno-Walter)
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Illustrations
Attributed works:
47. Monument of Grandmaster Gregorio Carafa, by Ciro Ferri. (Co-Cathedral of St John, Valletta, Malta).
Attributed works:
48. Detail from the Reliquary, by Ciro Ferri. (Museum of the Co-Cathedral of St John, Valletta, Malta).
Attributed works:
49. Detail of Fig. 47. [Monument of Grandmaster Gregorio Carafa, by Ciro Ferri. (Co-Cathedral of St John, Valletta, Malta)].
Attributed works:
50. Detail of Fig. 47. [Monument of Grandmaster Gregorio Carafa, by Ciro Ferri. (Co-Cathedral of St John, Valletta, Malta)].
Attributed works:
51. Detail of Fig. 47. [Monument of Grandmaster Gregorio Carafa, by Ciro Ferri. (Co-Cathedral of St John, Valletta, Malta)].
Attributed works:
52. Detail of Fig. 47. [Monument of Grandmaster Gregorio Carafa, by Ciro Ferri. (Co-Cathedral of St John, Valletta, Malta)].
Exhibition Review
Current and Forthcoming Exhibitions:Italian Baroque Drawings
07/1978 | 904 | 120
Pages: 476+479
related names
Reviewer:
Blunt, Anthony (A. B.; A. F. B) (Blunt, Anthony (A. B.; A. F. B); Blunt, Anthony Frederick; Blunt, Professor; Blunt, A. F.; A. F. B.; B., A.)
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