• MENU
logo logo white logo sticky

Burlington Contemporary is the Burlington Magazine’s free online platform for reviews and research on international contemporary art.

Want to continue reading? Get 1 month digital access for only .

Subscribe now
By using this website you agree to our Cookie policy
  • MENU
logo logo white logo sticky

Search

content
A TO Z
clear all
7 articles
Article
Two music theory manuscripts reunited: book illumination in the circle of Matteo Giovannetti
01/2024 | 1450 | 166
Pages: 16–29
Buy / subscribe
related names
Author:
Manzari, Francesca (Manzari, Francesca)
Author:
Stoessel, Jason (Stoessel, Jason)
Subjects
artists:
Giovannetti, Matteo / circle of
dates:
1300-1349
places:
Avignon
sources:
Marchetto of Padua (fl. 1305 – 1319)
subjects:
Music / Illuminated manuscripts / Manuscripts / Patrons / Dating / Attribution / Workshops (Organisations) / Franciscans / Cardinals
Illustrations
Attributed works:
13. Leaf from the Milan manuscript. (Biblioteca Ambrosiana, Milan, MS D 5 inf., fol.52r; Veneranda Biblioteca Ambrosiana/Mondadori Portfolio Fotoriproduzione).
Attributed works:
18. Detail of Miracle of St Martial, by Matteo Giovannetti. 1344–45. Fresco. (Chapel of St Martial, Papal Palace, Avignon).
Attributed works:
20. Detail of Sacrifice of Zacharias, by Matteo Giovannetti. 1344–45. Fresco. (Chapel of St John, Papal Palace, Avignon).
Attributed works:
21. Angel of the Annunciation, by Matteo Giovannetti. c.1345. Oil on wood transferred to canvas. (Musée du Louvre, Paris; Scala, Florence).
Attributed works:
Emanuele III, Naples, MS V A 14, fol.49r).
Western art unattributed:
1. Leaves from the Naples manuscript, showing Lady Music and God in Majesty. (Biblioteca Nazionale Vittorio Emanuele III, Naples, MS V A 14, fols.46v–47r).
Western art unattributed:
10. Leaf from the Milan manuscript. (Biblioteca Ambrosiana, Milan, MS D 5 inf., fol.21v; Veneranda Biblioteca Ambrosiana/Mondadori Portfolio Fotoriproduzione).
Western art unattributed:
11. Leaf from the Milan manuscript. (Biblioteca Ambrosiana, Milan, MS D 5 inf., fol.31r; Veneranda Biblioteca Ambrosiana/Mondadori Portfolio Fotoriproduzione).
Western art unattributed:
12. Leaf from the Naples manuscript. (Biblioteca Nazionale Vittorio Emanuele III, Naples, MS V A 14, fol.88r).
Western art unattributed:
14. Leaf from the Milan manuscript. (Biblioteca Ambrosiana, Milan, MS D 5 inf., fol.78r; Veneranda Biblioteca Ambrosiana/Mondadori Portfolio Fotoriproduzione).
Western art unattributed:
15. Leaf from the Milan manuscript. (Biblioteca Ambrosiana, Milan, MS D 5 inf., fol.78v; Veneranda Biblioteca Ambrosiana/Mondadori Portfolio Fotoriproduzione).
Western art unattributed:
16. Leaf from the Milan manuscript. (Biblioteca Ambrosiana, Milan, MS D 5 inf., fol.110v; Veneranda Biblioteca Ambrosiana/Mondadori Portfolio Fotoriproduzione).
Western art unattributed:
17. Leaf from the Liber Regulae. (Archivio di Stato, Rome, MS 3193, fol.202v; MIC).
Western art unattributed:
19. Detail of Miracle of St Martial, by Matteo Giovannetti. 1344–45. Fresco. (Chapel of St Martial, Papal Palace, Avignon).
Western art unattributed:
2. Leaf from the Naples manuscript, showing a seated lion holding in its paws the head of an ox. (Biblioteca Nazionale Vittorio Emanuele III, Naples, MS V A 14, fol.48r).
Western art unattributed:
22. Our Lady of the Annunciation, by Matteo Giovannetti. c.1345. Oil on wood transferred to canvas. (Musée du Louvre, Paris; Scala, Florence).
Western art unattributed:
3. Detail of Fig.1, showing one of the lions supporting the throne of Lady Music. (Biblioteca Nazionale Vittorio Emanuele III, Naples, MS V A 14, fol.47r).
Western art unattributed:
4. Detail of Fig.1, showing the lion as a symbol for the Evangelist Mark. (Biblioteca Nazionale Vittorio Emanuele III, Naples, MS V A 14, fol.46v).
Western art unattributed:
5. Leaf from the Naples manuscript. (Biblioteca Nazionale Vittorio Emanuele III, Naples, MS V A 14, fol.1r).
Western art unattributed:
7. Leaf from the Milan manuscript. (Biblioteca Ambrosiana, Milan, MS D 5 inf., fol.1r; Veneranda Biblioteca Ambrosiana/Mondadori Portfolio Fotoriproduzione).
Western art unattributed:
8. Leaf from the Milan manuscript. (Biblioteca Ambrosiana, Milan, MS D 5 inf., fol.1v; Veneranda Biblioteca Ambrosiana/Mondadori Portfolio Fotoriproduzione).
Western art unattributed:
9. Leaf from the Naples manuscript. (Biblioteca Nazionale Vittorio Emanuele III, Naples, MS V A 14, fol.18v).
Advertisements
Advertisements (front)
01/2024 | 1450 | 166
Pages: i-xx
Buy / subscribe
Subjects
advertisements:
Giquello, Paris, France / Robilant and Voena, London, Great Britain / TEFAF (Maastricht) / Brimo de Laroussilhe, Paris, France / BRAFA Art Fair, Brussels, Belgium / Finch & Co., London, Great Britain / Christie's, London / Master Drawings New York / Christopher Bishop Fine Art, Milford, CT, United States / Abbott & Holder, London, Great Britain / Salon du Dessin de Collection, Paris / Sam Fogg (dealer), London, Great Britain / Harvey Miller Publishers, London, Great Britain / Print Quarterly, London / The Art News Press, London, Great Britain / Sloane Street Auctions, London, Great Britain / Peter Finer (antique arms), London, Great Britain / Alessandro Cesati, Milan, Italy / Trinity Fine Art Ltd, London, Great Britain / French and Company Art, New York, United States / Daniel Katz Ltd (dealers), London, Great Britain / The-saleroom.com / Day and Faber, London, Great Britain / Rafael Valls, London, Great Britain / Burlington Contemporary / Spanish Gallery, Bishop Auckland, Great Britain
advertisements:
Mearini Fine Art, Perugia, Italy
artists:
Borman, Jan, I, d. bef. 1498 / Gentileschi, Artemisia / Delvaux, Paul / Heyden, Pieter van der / Chirico, Giorgio de / Alsloot, Denys van / Rietveld, Gerrit Thomas / Utrecht, Adriaen van / Langetti, Giovanni Battista / Ernst, Max / Giambologna / Tiepolo, Lorenzo / Klimt, Gustav / Turner, Joseph Mallord William / Picasso, Pablo / Ferri, Ciro / Burne-Jones, Edward / Veronese, Paolo / circle of / Prouvost, Laure, b. 1978
artists:
Vanni, Lippo / Blomstedt, Väinö
Illustrations
Attributed works:
A farmyard scene, by Adriaen van Utrecht (1599–1652). 1647. Oil on canvas, 115 by 161 cm. [ARS ANTIQUA, MILAN/BRAFA]
Attributed works:
A sculpture of the Virgin of the Assumption Attributed to Alejo de Vahía, active in Palencia around 1473-1515 Gilt and polychromed wood, around 1509 Gift of Sir Michael Craig-Martin R.A. [Spanish Gallery, The Auckland Project]
Attributed works:
A young man wearing a studio cap, by Lorenzo Baldissera Tiepolo (1736–76). Black and red chalk, 41.2 by 28.5 cm. [NICHOLAS HALL, NEW YORK/Master Drawings New York]
Attributed works:
Artemisia Gentileschi (1593–after 1654), The Penitent Magdalene, c. 1625/30 [Robilant & Voena]
Attributed works:
Carnival at the bistrot, Paris, by Pablo Picasso (1881–1973). c.1908. Watercolour on paper, 22.5 by 21 cm. [PATRICK BOURNE & CO., LONDON/Master Drawings New York]
Attributed works:
CIRCLE OF PAOLO VERONESE Possibly a portrait of Isabella Andreini (1562 - 1604) Oil on canvas 85.25 in. (H) x 56 in. (W) [Sloane Street Auctions]
Attributed works:
Crucifix. Spain, c.1550. Silver gilt and rock crystal with polychrome, height 41 cm. [GALERIE BERNARD DE LEYE, BRUSSELS/BRAFA]
Attributed works:
Embroidery Workshop of the Monastery of the Escorial (Spanish, 16th Century) The Pharaoh’s Judgment, ca. 1585 Pen and brown ink with brown washes, highlighted in white on blue paper Extensively pricked for transfer throughout, 304 x 193 mm [Christopher Bishop Fine Art/Master Drawings New York]
Attributed works:
Envy (Invidia) from the seven deadly sins, engraved by Pieter van der Heyden (1530–72), after Pieter Bruegel the Elder (c.1525–69), published by Hieronymus Cock (1518–70). c.1558. Ink on paper, 29.7 by 22.6 cm. [CHAMBRE PROFESSIONNELLE BELGE DE LA LIBRAIRIE ANCIENNE ET MODERN (CLAM), BRUSSELS/BRAFA]
Attributed works:
Figures in a wooded landscape with mountains behind, by Denijs van Alsloot (1570–1626) and the workshop of Jan Brueghel the Elder (1568–1625). Early 17th century. Oil on panel, 117 by 173 cm. [DE JONCKHEERE, GENEVA AND PARIS/BRAFA]
Attributed works:
From ‘The smoking mother’, by Laure Prouvost. 2023. (Commissioned for Burlington Contemporary Journal 9).
Attributed works:
GIAMBOLOGNA (1529–1608) Mars cast before 1577, probably in the 1560s by Zanobi Portignani Estimate on request [Christie's]
Attributed works:
Horizon, by Max Ernst (1891–1976). 1926. Oil on panel, 24.2 by 18.5 cm. [GALERIE DE LA BÉRAUDIÈRE, BRUSSELS/BRAFA]
Attributed works:
La fin du voyage, by Paul Delvaux (1897–1994). 1968. Oil on canvas, 165.1 by 145 cm. [OPERA GALLERY, GENEVA/BRAFA]
Attributed works:
LIPPO VANNI. Sienese, active 1344-1376 A predella panel: the Marriage of the Virgin Siena, c.1345 Tempera on wood panel 24.6 x 28.5 cm Provenance:Collection of Walter Savage Landor (1775-1864), Villa Gherardesca, Fiesole. [Brimo de Laroussilhe]
Attributed works:
Piazza d’Italia con Arianna, by Giorgio de Chirico (1898–1978). 1950s. Oil on canvas, 70 by 100 cm.[REPETTO GALLERY, LUGANO/BRAFA]
Attributed works:
Prometheus, by Giovanni Battista Langetti (1625–76). c.1660. Oil on canvas, 88 by 114 cm. [GIAMMARCO CAPPUZZO FINE ART, LONDON/BRAFA]
Attributed works:
Red Blue Chair, designed by Gerrit Thomas Rietveld (1888–1964). Designed 1919–23, made in 1970. Beechwood and plywood with stain and paint, height 86 cm [GALERIE VAN DEN BRUINHORST, KAMPEN, OVERIJSSEL/BRAFA]
Attributed works:
Sir Edward Burne-Jones (1833-1898) Study for ‘The Nativity’ for St John’s, Torquay. Watercolour, gouache and gold paint. 1887. 14x21.5 inches. [Abbott and Holder]
Attributed works:
Study for the Sala di Apollo (Pitti Palace), by Ciro Ferri (1634–89). c.1659–61. Black chalk, heightened with white, on prepared blue-grey paper, 26.5 by 39 cm. CHRISTOPHER BISHOP FINE ART, NEW YORK/Master Drawings New York]
Attributed works:
The Grey Castle; a view on the Mosel or the Rhine, by J.M.W. Turner (1775–1851). c.1841. Pencil and watercolour, 15.9 by 23.5 cm. [ABBOTT & HOLDER, LONDON/Master Drawings New York]
Attributed works:
Two female nudes, by Gustav Klimt (1862–1918). c.1902. Black chalk on buff paper, 44.3 by 30.9 cm. [STEPHEN ONGPIN, LONDON/Master Drawings New York]
Attributed works:
Virgin and Child in oak, Brabant, Brussels, attributed to Jan Borman I and his workshop (active from 1479 to 1520), circa 1480/90H. 142.5 cm [Giquello]
Attributed works:
Winter landscape, by Väinö Blomstedt (1871–1947). 1904. Oil on board, 39 by 49.5 cm. [AMBROSE NAUMANN, NEW YORK/Master Drawings New York]
Non-western art unattributed:
A Fine and Rare Ancient Kushan Northern India Uttar Pradesh Monumental Red Sandstone Torso Fragment of the Buddha Wearing his Monastic Robe ‘Sanghati’ with Traces of a Lotus Halo the Body Well Defined with a Deeply Carved Navel 1st – 2nd Century AD [Finch & Co]
Non-western art unattributed:
Female figure, by Baule people. Ivory Coast, 19th century. Wood, height 60 cm.[ MONTAGUT GALLERY, BARCELONA/BRAFA]
Western art unattributed:
A pierced flamboyant Gothic canopy. Northern France, 15th century. Limestone, height 30 cm.[DEI BARDI ART, BRUSSELS/BRAFA]
Western art unattributed:
Pseudo-corinthian Capitals North Adriatic Late 11th – early 12th Century White marble, 47x40x40 cm [Mearini Fine Art/BRAFA]
Advertisements
Advertisements (front)
04/2018 | 1381 | 160
Pages: n.p.
Subscribe to read
Subjects
advertisements:
Moeller Fine Art Ltd, New York, United States / London Original Print Fair / Andrew Edmunds (dealer), London, Great Britain / Redfern Gallery, London, Great Britain / Print Quarterly, London / Sarah Sauvin. Old Masters and Modern Prints. Paris / Osborne Samuel Gallery, London, Great Britain / Karsten Schubert, London, Great Britain / Paragon Press, London, Great Britain / Elizabeth Harvey-Lee, Oxford, Great Britain / Pratt Contemporary Art, Sevenoaks, Great Britain / Peter Finer (antique arms), London, Great Britain / Sphinx Fine Art, London, Great Britain / Master Drawings (art periodical) / Yale University Press, London, Great Britain / Museo Nacional del Prado, Madrid, Spain / Im Kinsky (auction house), Vienna, Austria / Getty Trust Publications , Great Britain / Dorotheum (auction house), Vienna, Austria / Simon Dickinson, London, Great Britain / Alessandro Cesati, Milan, Italy / Day and Faber, London, Great Britain / Rafael Valls, London, Great Britain / Didier Aaron, Inc, New York, United States / Otto Naumann, New York, United States / Trinity Fine Art Ltd, London, Great Britain / Daniel Katz Ltd (dealers), London, Great Britain / Emanuel Von Baeyer, London, Great Britain / Timothy Newbery (frames), London, Great Britain / The-saleroom.com / Museum of the Order of St John, London, Great Britain / Irish Art Review / Caring for your Collection / The Art Newspaper, London, Great Britain / Hazlitt Holland-Hibbert, London, Great Britain / Chanel, firm / Burlington Magazine
advertisements:
Galerie Sismann, Paris, France
advertisements:
Flowers Gallery, London, Great Britain
advertisements:
Zuleika Gallery, London, Great Britain
advertisements:
Sir Denis Mahon Essay Prize
artists:
Liotard, Jean-Etienne / Nares, James / Gillray, James / Hockney, David / Bone, Muirhead / Pacheco, Ana Maria / Pissarro, Camille / Power, Cyril / Hogarth, William / Sutherland, Graham / Steinlen, Théophile Alexandre / Nicholson, Ben / Perry, Grayson / Vos, Maarten de / Vos, Maarten de / Currie, Ken / Freud, Lucian / Dujardin, Karel / Cassatt, Mary / Polidoro da Caravaggio / Picasso, Pablo / Rubens, Peter Paul / Donner, Georg Raphael / Rembrandt van Rijn / Szeemann, Harald / Brueghel, Pieter, the Younger / Bloch, Albert / Harper, Charles
artists:
circle of / Kern, Leonhard
artists:
Gracey, Rachel / Robertson, Carol / James, Ann-Marie / Vasconcelos, Joana
subjects:
Advertisements
Illustrations
Attributed works:
[Andrew Edmunds Prints & Drawings. James Gilray (1756–1815). The Plumb-pudding in danger. 1805. Etching & engraving 258 x 263 mm, with publisher’s watercolour]
Attributed works:
[Dorotheum. Pieter Brueghel II (1564/65-1637/38), The King Drinks (detail), signed, oil on panel, 75 x 105 cm, €700,000 – 900,000, Auction 24 April 2018]
Attributed works:
[Elizabeth Harvey-Lee. Martin de Vos (designer): The Four Seasons. The set of four engravings, c1590 (“Summer” illustrated) First state of two. With Phillips Galle’s address (“Winter” with a Gothic P watermark)]
Attributed works:
[Flowers Gallery. Ken Currie , Head in Profile, 2017]
Attributed works:
[Galerie Sismann. Circle of Leonhard Kern (1588-1622). Andromeda. Germany. First half of the 17th century. H. 45 cm; W. 33 cm; D. 25 cm]
Attributed works:
[Im Kinsky Auction House. Georg Raphael Donner. Venus, Vienna, c. 1738/39 lead-pewter-alloy, h. 40 cm € 50,000–100,000]
Attributed works:
[London Original Print Fair. After Dürer #26, by Ann-Marie James. 2017. Ink on paper, 35 by 27 cm. Karsten Schubert, London]
Attributed works:
[London Original Print Fair. Church and farm at Eragny, by Camille Pissarro (1830–1903). c.1890. Etching, 15.3 by 24.2 cm. Elizabeth Harvey-Lee, Oxfordshire]
Attributed works:
[London Original Print Fair. Cottage in Dorset: Wood End, by Graham Sutherland (1903–1980). 1929. Etching, 13 by 17 cm. Redfern Gallery, London]
Attributed works:
[London Original Print Fair. Eros (3), by Ana Maria Pacheco. 2018. Monotype heightened in mixed media, 28.5 by 35 cm. Pratt Contemporary, Sevenoaks]
Attributed works:
[London Original Print Fair. Free Fall #31, by Carol Robertson. 2018. Monoprint. Flowers Gallery, London and New York]
Attributed works:
[London Original Print Fair. Gin Lane, by William Hogarth (1697–1764). 1751. Etching and engraving, 38.3 by 32.4 cm. Andrew Edmunds, London]
Attributed works:
[London Original Print Fair. I’m Blue, James Nares, 2017 (detail). Screenprint printed and published by Durham Press.]
Attributed works:
[London Original Print Fair. Oxfordshire (on the Oxford canal), by Muirhead Bone (1876–1953). Drypoint, 15.1 by 22.9 cm. Gordon Cook, London]
Attributed works:
[London Original Print Fair. Pisa, by Ben Nicholson (1894–1992). 1951. Etching, 19.5 by 14.75 cm. Osborne Samuel, London]
Attributed works:
[London Original Print Fair. Reclining artist, by Grayson Perry. Etching, 70.3 by 102.7 cm. Paragon Press, London]
Attributed works:
[London Original Print Fair. Seated woman drying her feet, by Théophile Alexandre Steinlen (1859–1923). 1902. Etching and aquatint, 29.8 by 29.7 cm. Sarah Sauvin, Paris]
Attributed works:
[London Original Print Fair. South South-West 2, by Rachel Gracey. 2018. Lithograph, 26 by 26 cm. Zuleika Gallery, London]
Attributed works:
[Moeller Fine Art. Jean-Étienne Liotard 1702–1789. Portrait de Philibert Cramer, c. 1758. Pastel on blue paper mounted on canvas, 25 × 21 3 ⁄16 in. (63.5 × 53.8 cm). Original frame with period glass]
Attributed works:
[Osborne Samuel. Cyril Edward Power (1872– 1951) The Sunshine Roof c1934 Linocut 26 x 33 cm]
Attributed works:
[Paragon Press. Joana Vasconcelos. Ria Formosa. Colour etching with blockprinting 2017]
Attributed works:
[Pratt Contemporary. Ana Maria Pacheco, Study for Sculpture, 2018. Triptych Monotype (detail). Each sheet: 59 x 56 cm.]
Attributed works:
[Redfern Gallery. Rue de Seine, by David Hockney. 1972. Etching and aquatint, 53 by 45 cm.]
Attributed works:
[Sarah Sauvin. Jean-Étienne Liotard, Self-Portrait as a Young Man Etching, ca.1731 (Tilanus 1; Roethlisberger and Loche 18) Counterproof of an unknown 1st state (of 3). Only one other counterproof known (Fondation Custodia) Provenance: Soliman Lieutaud (Lugt 1682)] (p.v) [Osborne Samuel. Cyril Edward Power (1872– 1951) The Sunshine Roof c1934 Linocut 26 x 33 cm]
Attributed works:
[Sphinx Fine Art. Karel Dujardin, A Horseman Holding a Roemer of Wine with an Ostler Tending the Horses (Detail)]
Attributed works:
[Zuleika Gallery. Man posing, by Lucien Freud (1922–2011). 1982. Etching, 70 by 54 cm. Edition of 50 + 15 AP]
Non-western art unattributed:
[Peter Finer. A Saddle. 15th–17th century. Eastern Tibet or Chinese. Iron, gold, silver, wood, leather and textile. 57 cm / 22.75 inches. Provenance: Private Collection UK]
Book Review
Catalogue of drawings by Rembrandt and his school in the British Museum: online research catalogue, 2011
02/2013 | 1319 | 155
Pages: 102-104
Read now
related names
Reviewer:
Bevers, Holm (Bevers, Holm)
Subjects
artists:
Rembrandt van Rijn / circle of / school of / students of
museums and institutions:
British Museum, London, Great Britain
subjects:
Catalogues / Drawings / Collections, Public / Digital technology
subjects:
Attributions / Attribution
subjects:
Dutch
Illustrations
Attributed works:
34. Youth seated in a window, attributed to Abraham van Dijck (British Museum, London)
Article
Drawings by Rembrandt and his pupils
02/2011 | 1295 | 153
Pages: 97-102
Subscribe to read
related names
Reviewer:
Royalton-Kisch, Martin (Royalton-Kisch, Martin; Kisch, Martin Royalton-)
Subjects
artists:
Rembrandt van Rijn
artists:
followers of / school of / students of / circle of
dates:
2000-2009 / 2010-2019 / 1620-1629 / 1630-1639 / 1630-1669
museums and institutions:
J. Paul Getty Museum, Los Angeles, United States
places:
Los Angeles
print:
Rembrandt van Rijn
subjects:
Drawings / Dutch / Exhibitions
Reviewed Items
subjects:
Drawings by Rembrandt and His Pupils. Telling the Difference | institution: J. Paul Getty Museum
Illustrations
Attributed works:
24. Lot and his family departing from Sodom. School of Rembrandt van Rijn. c.1638–39. Pen and brown ink, brush and brown wash, 22 by 23.5 cm. (Albertina, Vienna).
Attributed works:
25. Bust of an old man looking left, here attributed to Rembrandt van Rijn. c.1629–30. Red and black chalk on paper, 13.7 by 11.6 cm. (Private collection, The Hague).
Attributed works:
26. Study of a man’s head and shoulders, by Jan Lievens. c.1630. Red and black chalk on paper, 17 by 13.5 cm. (British Museum, London).
Attributed works:
27. Christ as a gardener appearing to Mary Magdalene, by ?Carel Fabritius. c.1640. Pen and brown ink with white gouache, 15.4 by 14.6 cm. (Rijksmuseum, Amsterdam).
Attributed works:
28. Farmhouse and a haystack, by Rembrandt van Rijn. c.1652. Pen and brown ink, brush and grey-brown wash, gouache white heightening, 11.6 by 20.2. (Trustees of the Chatsworth Settlement, Chatsworth).
Attributed works:
29. Farmhouse and a haystack, by Rembrandt van Rijn. c.1652. Pen and brown ink, with brown wash and white heightening on grey-brown paper, 14.3 by 27 cm. (Lugt collection, Institut Néerlandais, Paris).
Attributed works:
30. Seated female nude. School of Rembrandt van Rijn. c.1661. Pen and brown ink, with wash, brown and white hightening on paper, 29.2 by 17.5 cm. (Rijks­museum, Amsterdam).
Attributed works:
31. Seated female nude, by Rembrandt van Rijn. c.1660. Pen and brown ink, brown wash and white gouache on paper, 21.1 by 17.7 cm. (Art Institute of Chicago, Clarence Buckingham collection).
Article
An unpublished miniature from the circle of Fra Angelico
08/2009 | 1277 | 151
Pages: 518-525
Subscribe to read
related names
Author:
Battaglia, Laura Alidori (Battaglia, Laura Alidori)
Subjects
artists:
Angelico, Fra / circle of
artists:
Sanguigni, Battista di Biagio
dates:
1430-1440
dates:
1450-1469
print:
Angelico, Fra
subjects:
Italian painting / Miniatures (paintings) / Manuscripts / Illuminated manuscripts
subjects:
Identification / Jerome, Saint / Initial letters / Attribution / Attributions, tentative
Illustrations
Attributed works:
10. Medallion with a prophet from a choirbook. Illumination by Fra Angelico and an artist of his workshop. After 1451. Tempera on parchment, 51 by 37.2 cm. (full folio). (Biblioteca Medicea Laurenziana, Florence, corale 43, fol.1r).
Attributed works:
11. Detail from the Last Judgment from the Silver Cupboard, by Fra Angelico and an artist of his workshop. c.1450–52. Tempera on wood, 38.5 by 37 cm. (Museo di S. Marco, Florence).
Attributed works:
12. Penitent St Jerome, by Fra Angelico. 1420–30(?). Tempera on panel, 57 by 41 cm. (Art Museum, Princeton University).
Attributed works:
13. Penitent St Jerome, by Giuliano Amidei. 1454. Polychromed terracotta, 135 cm. high. (Oratorio di S. Girolamo e S. Francesco Poverino, Florence).
Attributed works:
14. Detail of the penitent St Jerome from the Deposition (S. Trinita altarpiece), by Fra Angelico. 1432. Tempera on panel, 54 by 14 cm. (Museo di S. Marco, Florence).
Attributed works:
15. Virgin and Child with Sts Cosmas, Damian, Jerome, John the Baptist, Francis and Laurence, by Zanobi Strozzi. Here dated 1463–65. Tempera on panel, 220 by 257 cm. (overall dimensions). (Musée du Petit Palais, Avignon).
Attributed works:
16. Page from a missal showing Christ blessing and eight saints and the Pietà, by Fra Angelico or an artist of his circle? After 1448. Ink and tempera on parchment, 37.1 by 26.8 cm. (full folio) (Museo di S. Marco, Florence, inv.533, fol.1r).
Attributed works:
17. Initial ‘P’ with St Mark from a missal, by an artist of Fra Angelico’s circle. After 1448. Tempera on parchment, 37.1 by 26.8 cm. (full folio). (Museo di S. Marco, Florence, inv.533, fol.213r).
Attributed works:
18. Initial ‘S’ with Pentecost from a missal, by an artist of Fra Angelico’s circle. After 1448. Tempera on parchment, 37.1 by 26.8 cm. (full folio). (Museo di S. Marco, Florence, no.533, fol.147v).
Attributed works:
19. An Evangelist, by Fra Angelico? Second quarter of fifteenth century. Pen and brush on parchment, 11.4 by 3.8 cm. (full folio). (Gabinetto Disegni e Stampe degli Uffizi, Florence, no.95E).
Attributed works:
20. An Evangelist from a choirbook, by Fra Angelico or an artist of his circle? After 1451. Tempera on parchment, 51 by 37.2 cm. (full folio). (Biblioteca Medicea Laurenziana, Florence, corale 43, fol.168v).
Attributed works:
21. Medallion with a prophet from a choirbook, by Fra Angelico(?) and an artist of his circle. After 1451. Tempera on parchment, 51 by 37.2 cm. (Biblioteca Medicea Laurenziana, Florence, corale 43, fol.1r).
Attributed works:
22. St Mark, by an artist of Fra Angelico’s circle. 1448. Fresco. (Segment of the vault, Cappella Niccol­ina, Vatican City, Rome).
Attributed works:
5. Page with the initial ‘T’ and St Jerome from the Regula monachorum, fol.1. Miniature by a follower of Fra Angelico, decoration by Battista di Biagio Sanguigni. Before 1451. Tempera on parchment, 19 by 14 cm. (Private collection).
Attributed works:
6. Detail on St Jerome from Fig.5
Attributed works:
7. Initial ‘B’ with God the Father and David from a psalter. Illumination by Fra Angelico and Battista di Biagio Sanguigni. c.1449. Tempera on parchment, 38.5 by 26.7 cm. (full folio). (Museo di S. Marco, Florence, inv.531, fol.39r).
Attributed works:
8. Initial ‘D’ with King David from a psalter. Illumination by Fra Angelico and Battista di Biagio Sanguigni. c.1449. Tempera on parchment, 39.2 by 28 cm. (full folio). (Museo di S. Marco, Florence, inv.530, fol.86v).
Attributed works:
9. Medallion with St Paul from a choirbook. Illumination by Fra Angelico and an anonymous follower. After 1451. Tempera on parchment, 51 by 37.2 cm. (full folio). (Biblioteca Medicea Laurenziana, Florence, corale 43, fol.1r).
Article
Watteau's 'Flute Player' in the Uffizi
11/1905 | 32 | 8
Pages: 99-101
Subscribe to read
related names
Author:
Phillips, Claude (Phillips, Claude)
Subjects
artists:
Watteau, Antoine
dates:
1700-1799
museums and institutions:
Galleria degli Uffizi, Florence, Italy
places:
France
subjects:
French painting / Provenance / Attributions
works:
Watteau, Antoine / circle of / The Flautist (Uffizi, Firenze)
Illustrations
Attributed works:
The Flute Player; By Antoine Watteau. In the Uffizi Gallery, Florence. From a Photograph by Brogi