By using this website you agree to our Cookie policy

Search

36 articles
Advertisements
Advertisements (front)
03/2024 | 1452 | 166
Pages: i-xxxvi
Subjects
Illustrations
Attributed works:
A pair of light-blue baroque console tables with original alabaster fiorito marble tops, after the design of Filippo Juvarra (1678-1736) 163 x 89 x 63 cm, Turin, 1700 circa. Burzio/Tefaf]
Attributed works:
A superb example of Dutch Delft imitation of Wanli Kraak porcelain Delft. De Drie Proceleyne Flessies (the three porcelain bottles) Willem van der Kool 1702 - 1716 [Mazereeuw Antiquair]
Attributed works:
AGOSTINO BRUNIAS (1730–1796) Six Paintings of the People of Dominica and Saint Vincent Recently acquired by The Huntingdon Library and Museum, California [Robilant and Voena]
Attributed works:
ANTONIO NOVELLI ( 1599–1650) The Penitent Saint Mary Magdalene Ca. 1640–1650 Terracotta, h. 41 cm Signed ATO. NL . F. [Trinity Fine Art]
Attributed works:
Cockerel caster. by Michael Wissmar (d.1746). c.1720. Silver, cast, repoussé, pierced, engraved, flat-chased and parcelgilt, height 23.5 cm. [Kunstkammer Georg Laue, Munich/Tefaf]
Attributed works:
Comte de l’Empire Etienne Pierre Graf Méjan (Secretary of the Italian Kingdom), by Luigi Manfredini (1771–1840), after Joseph Chinard (1756–1813). Milan c.1811. Bronze, height 75 cm. [Burzio, London/Tefaf]
Attributed works:
Domenico Andrea Pelliccia, Carrara, 1736–1821, Portrait of Grand Duke Pietro Leopoldo of Tuscany, 117, Marble h. 80 x 65 cm [Walter Padovani]
Attributed works:
Françoise de la Rochefoucauld (c.1549–c.1580), by Prosper d’Épinay (1836–1914). c.1885. Polychrome terracotta, height 60.3 cm. [Stuart Lochhead, London/Tefaf]
Attributed works:
Gustav Klimt, “Portrait of Fräulein Lieser”, Estimate: € 30 Mio - 50 Mio 1917, oil on canvas; framed, 140 x 80 cm [Kinsky]
Attributed works:
Hendrick Avercamp (1585–1634), Winter landscape with skaters on the ice, (detail) oil on panel, 41 x 60.5 cm, €220,000 – 250,000, Auction 24 April 2024 [Dorotheum]
Attributed works:
Honey, from the Liechtenstein Tacuinum Sanitatis. c.1450. Illuminated manuscript on vellum, 160 by 170 cm. Dr Jörn Günther Rare Books/Tefaf]
Attributed works:
Infanta Catalina Micaela, Duchess of Savoy (1567–97), by Alonso Sánchez Coello (1532–88). c.1585. Oil on paper laid on panel, 8.3 by 6.8 cm. [Galeria Caylus, Madrid/Tefaf]
Attributed works:
Jean-Baptiste Carpeaux (1827–1875) Plaster model with original polychrome surface , c. 1868 Petite-Modèle, height 35 cm [Stuart Lockhead/Tefaf]
Attributed works:
Johan Zoffany (1733–1810) Edward Townsend singing the ‘Beggar’s Ballad’, 1796. Recently acquired by Staatliche Kunsthalle Karlsruhe Karlsruhe, Germany [Moretti]
Attributed works:
Johann Joachim Kaendler Harlequin and Columbine (1706–1775) with slapstick Model, 1739–1740 Manufacture and decoration, Meissen, c. 1740 H. 15.5 cm (6.1 in), w. 18.5 cm (7.3 in) [Robbig.Munchen, Wawel Royal Castle/Tefaf]
Attributed works:
LOUIS-CLAUDE VASSÉ (PARIS 1716-1772) Study for the funeral monument of Paul-Esprit Feydeau de Brou Estimate: €15,000-25,000 [Christie's]
Attributed works:
Mary Beale (1633-1699) Portrait of a Young Boy seated in a Landscape, 1680s Oil on canvas 50 x 40 in. (127 x 101.6 cm) [Philip Mould]
Attributed works:
MASTER OF THE CANESSO PEDDLER ACTIVE IN NORTHERN ITALY IN THE LATE 17th CENTURY A Book Peddler Oil on canvas, 67½ × 40¾ in (171.5 × 103.5 cm) 1670/1690 [Galerie Canesso, Paris/Tefaf]
Attributed works:
Meyer de Haan or Melancholy, by Paul Gauguin (1848–1903). c.1889. Ink and pencil on paper, 29.8 by 19.1 cm. [FRANÇOIS DELESTRE FINE ARTS, PARIS/Salon du Dessin]
Attributed works:
Nude woman leaning on her left forearm, by Amedeo Modigliani (1884–1920). c.1910. Pencil on wove paper, 43 by 26.7 cm. [Agnews Works on Paper, Brussels/Tefaf]
Attributed works:
Oblong table, by Martin-Guillaume Biennais (1764– 1843). Moulded, chased and gilded bronze, inlaid French scagliola top, 71 by 72 by 45 cm. [Artur Ramon Art, Madrid/ Tefaf]
Attributed works:
Peace and Justice (also known as Love and Justice), by Rosalba Carriera (1673–1757). Pastel on paper, 63 by 54 cm. [Brun Fine Art, London/Tefaf]
Attributed works:
PIER LEONE GHEZZI (1674–Rome–1755) A waiter with a tray Pen and brown ink, 31.2 x 21.5 cm.[Ratton and Ladrière]
Attributed works:
Pierre, by Mary Cassatt (1844–1926). 1906. Pastel on paper mounted on canvas, 58 by 48 cm. GALERIE ERIC COATALEM, PARIS/Salon du Dessin]
Attributed works:
Potted pansies, by Victoria Dubourg (1840–1926). c.1870s. Oil on canvas, in original frame, 21 by 26.8 cm. [Robilant+Voena/Tefaf]
Attributed works:
Rauch, by Franz West (1947–2012). 2008. Papier-mâché, acrylic paint, metal, wood, artist pedestal, 152 by 104 by 62 cm. [Tim Van Laere Gallery, Antwerp/Tefaf]
Attributed works:
Reclining lion and feline head, by Eugène Delacroix (1798–1863). Pen and brown ink and wash, 18 by 23 cm. [GALERIE DE BAYSER, PARIS/Salon du Dessin]
Attributed works:
Sir Anthony Van Dyck, Portrait of a Carmelite monk, (detail) c.1618. [Simon Dickinson/Tefaf]    
Attributed works:
Sir Horace Mann, by Prince Hoare (1755–1834). c.1749. Terracotta, height 51.5 cm. [Walter Padovani, Milan/Tefaf]
Attributed works:
Snow over Zojoji Temple, by Kawase Hasui (1883–1957). 1953. Woodblock print, 36.4 by 47.3 cm. [Galerie Tanakaya, Paris/Tefaf]
Attributed works:
Studio Talk, book cover project, by Sonia Delaunay (1885–1979). 1938. Gouache on paper, 27 by 21 cm. [GALERIE LAURENTIN, PARIS/Salon du Dessin]
Attributed works:
Study for a lion, by Edwin Landseer (1802– 73). c.1822. Oil on canvas, 92.5 by 72.5 cm. [Dickinson Fine Art, London/Tefaf]
Attributed works:
Study for ‘The Levenson Children’, by George Romney (1734–1802). 1777. Brush and brown wash over black chalk, 26 by 27 cm. [W.M. BRADY & CO., NEW YORK/Salon du Dessin]
Attributed works:
Study of a man’s head, by Pierre- Paul Prud’hon (1758–1823). 1819. Black crayon, stumping, and white chalk, 19 by 24 cm. [GALERIE TERRADES, PARIS/Salon du Dessin]
Attributed works:
Study of two characters, by Giovanni Battista Tiepolo (1696–1770). Pen and brown ink wash with traces of black crayon, 20 by 20.7 cm. [GALERIE TARANTINO, PARIS/Salon du Dessin]
Attributed works:
Terracotta group depicting Hercules with lion. Signed and dated: Bardi fecit 1790 68 x 46 x 37 cm[Brun/Tefaf]
Attributed works:
The fall of the damned and the seven-headed Hydra, by Federico Zuccari (1539–1609). Black chalk, pen, brown ink, red chalk and brown wash, 28.7 by 35 cm. [MAURIZIO NOBILE FINE ART, PARIS/Salon du Dessin]
Attributed works:
The fall of the damned and the seven-headed Hydra, by Federico Zuccari (1539–1609). Black chalk, pen, brown ink, red chalk and brown wash, 28.7 by 35 cm. [MAURIZIO NOBILE FINE ART, PARIS/Salon du Dessin]
Attributed works:
The Saccomazzone Players, after a model by Orazio Mochi (1571– 1625). Florence, 17th century. Bronze, 36.5 by 45 by 30 cm. [Tomasso, London/Tefaf]
Attributed works:
The unicorn passes over the sea, by Le Corbusier (1887–1965). 1962. Wool, 213 by 270 cm. [De Wit Fine Tapestries, Mechelen/Tefaf]
Attributed works:
Untitled, 1973, by Sam Francis (1923–94). 1973. Acrylic on paper, 15.2 by 23.1 cm. [GALERIE BÈRES, PARIS/Salon du Dessin]
Attributed works:
Waterfront. Aisnères, by Paul Signac (1863–1935). c.1900. Graphite and watercolour on paper, 12.5 by 17.5 cm. [GALERIE PAUL PROUTÉ, PARIS/Salon du Dessin]
Attributed works:
Winter landscape with fishermen and skaters on the ice, by Jan van Goyen (1596–1656). 1653. Black chalk and grey wash, 17.1 by 27.4 cm. [ONNO VAN SEGGELEN FINE ARTS, ROTTERDAM/Salon du Dessin]
Non-western art unattributed:
A Sind Indo-Portuguese extraordinary cabinet.       Teak, ebony, ivory, green-dyed bone, gilt copper fittings India, Sind (present-day Pakistan), ca.1580–1630.     Dim.: 182.0  ×  97 .0  ×  61.0  cm Provenance: Casa do Costeado, Portugal [São Roque/Tefaf]
Non-western art unattributed:
A Sinhalese Tabernacle Masterpiece, Ceylon, ca. 1590–1630. Dim. 22.8 x 9.8 x 9.8 cm. [São Roque/Tefaf]
Non-western art unattributed:
Gujarat casket. India, Gujarat, second half of the 16th century. Tortoiseshell with silver mounts, 14 by 29.5 by 18 cm. [São Roque, Lisbon/Tefaf]
Advertisements
Advertisements (front)
01/2024 | 1450 | 166
Pages: i-xx
Subjects
Illustrations
Attributed works:
A farmyard scene, by Adriaen van Utrecht (1599–1652). 1647. Oil on canvas, 115 by 161 cm. [ARS ANTIQUA, MILAN/BRAFA]
Attributed works:
A sculpture of the Virgin of the Assumption Attributed to Alejo de Vahía, active in Palencia around 1473-1515 Gilt and polychromed wood, around 1509 Gift of Sir Michael Craig-Martin R.A. [Spanish Gallery, The Auckland Project]
Attributed works:
A young man wearing a studio cap, by Lorenzo Baldissera Tiepolo (1736–76). Black and red chalk, 41.2 by 28.5 cm. [NICHOLAS HALL, NEW YORK/Master Drawings New York]
Attributed works:
Artemisia Gentileschi (1593–after 1654), The Penitent Magdalene, c. 1625/30 [Robilant & Voena]
Attributed works:
Carnival at the bistrot, Paris, by Pablo Picasso (1881–1973). c.1908. Watercolour on paper, 22.5 by 21 cm. [PATRICK BOURNE & CO., LONDON/Master Drawings New York]
Attributed works:
CIRCLE OF PAOLO VERONESE Possibly a portrait of Isabella Andreini (1562 - 1604) Oil on canvas 85.25 in. (H) x 56 in. (W) [Sloane Street Auctions]
Attributed works:
Crucifix. Spain, c.1550. Silver gilt and rock crystal with polychrome, height 41 cm. [GALERIE BERNARD DE LEYE, BRUSSELS/BRAFA]
Attributed works:
Embroidery Workshop of the Monastery of the Escorial (Spanish, 16th Century) The Pharaoh’s Judgment, ca. 1585 Pen and brown ink with brown washes, highlighted in white on blue paper Extensively pricked for transfer throughout, 304 x 193 mm [Christopher Bishop Fine Art/Master Drawings New York]
Attributed works:
Envy (Invidia) from the seven deadly sins, engraved by Pieter van der Heyden (1530–72), after Pieter Bruegel the Elder (c.1525–69), published by Hieronymus Cock (1518–70). c.1558. Ink on paper, 29.7 by 22.6 cm. [CHAMBRE PROFESSIONNELLE BELGE DE LA LIBRAIRIE ANCIENNE ET MODERN (CLAM), BRUSSELS/BRAFA]
Attributed works:
Figures in a wooded landscape with mountains behind, by Denijs van Alsloot (1570–1626) and the workshop of Jan Brueghel the Elder (1568–1625). Early 17th century. Oil on panel, 117 by 173 cm. [DE JONCKHEERE, GENEVA AND PARIS/BRAFA]
Attributed works:
From ‘The smoking mother’, by Laure Prouvost. 2023. (Commissioned for Burlington Contemporary Journal 9).
Attributed works:
GIAMBOLOGNA (1529–1608) Mars cast before 1577, probably in the 1560s by Zanobi Portignani Estimate on request [Christie's]
Attributed works:
Horizon, by Max Ernst (1891–1976). 1926. Oil on panel, 24.2 by 18.5 cm. [GALERIE DE LA BÉRAUDIÈRE, BRUSSELS/BRAFA]
Attributed works:
La fin du voyage, by Paul Delvaux (1897–1994). 1968. Oil on canvas, 165.1 by 145 cm. [OPERA GALLERY, GENEVA/BRAFA]
Attributed works:
LIPPO VANNI. Sienese, active 1344-1376 A predella panel: the Marriage of the Virgin Siena, c.1345 Tempera on wood panel 24.6 x 28.5 cm Provenance:Collection of Walter Savage Landor (1775-1864), Villa Gherardesca, Fiesole. [Brimo de Laroussilhe]
Attributed works:
Piazza d’Italia con Arianna, by Giorgio de Chirico (1898–1978). 1950s. Oil on canvas, 70 by 100 cm.[REPETTO GALLERY, LUGANO/BRAFA]
Attributed works:
Prometheus, by Giovanni Battista Langetti (1625–76). c.1660. Oil on canvas, 88 by 114 cm. [GIAMMARCO CAPPUZZO FINE ART, LONDON/BRAFA]
Attributed works:
Red Blue Chair, designed by Gerrit Thomas Rietveld (1888–1964). Designed 1919–23, made in 1970. Beechwood and plywood with stain and paint, height 86 cm [GALERIE VAN DEN BRUINHORST, KAMPEN, OVERIJSSEL/BRAFA]
Attributed works:
Sir Edward Burne-Jones (1833-1898) Study for ‘The Nativity’ for St John’s, Torquay. Watercolour, gouache and gold paint. 1887. 14x21.5 inches. [Abbott and Holder]
Attributed works:
Study for the Sala di Apollo (Pitti Palace), by Ciro Ferri (1634–89). c.1659–61. Black chalk, heightened with white, on prepared blue-grey paper, 26.5 by 39 cm. CHRISTOPHER BISHOP FINE ART, NEW YORK/Master Drawings New York]
Attributed works:
The Grey Castle; a view on the Mosel or the Rhine, by J.M.W. Turner (1775–1851). c.1841. Pencil and watercolour, 15.9 by 23.5 cm. [ABBOTT & HOLDER, LONDON/Master Drawings New York]
Attributed works:
Two female nudes, by Gustav Klimt (1862–1918). c.1902. Black chalk on buff paper, 44.3 by 30.9 cm. [STEPHEN ONGPIN, LONDON/Master Drawings New York]
Attributed works:
Virgin and Child in oak, Brabant, Brussels, attributed to Jan Borman I and his workshop (active from 1479 to 1520), circa 1480/90H. 142.5 cm [Giquello]
Attributed works:
Winter landscape, by Väinö Blomstedt (1871–1947). 1904. Oil on board, 39 by 49.5 cm. [AMBROSE NAUMANN, NEW YORK/Master Drawings New York]
Non-western art unattributed:
A Fine and Rare Ancient Kushan Northern India Uttar Pradesh Monumental Red Sandstone Torso Fragment of the Buddha Wearing his Monastic Robe ‘Sanghati’ with Traces of a Lotus Halo the Body Well Defined with a Deeply Carved Navel 1st – 2nd Century AD [Finch & Co]
Non-western art unattributed:
Female figure, by Baule people. Ivory Coast, 19th century. Wood, height 60 cm.[ MONTAGUT GALLERY, BARCELONA/BRAFA]
Western art unattributed:
A pierced flamboyant Gothic canopy. Northern France, 15th century. Limestone, height 30 cm.[DEI BARDI ART, BRUSSELS/BRAFA]
Western art unattributed:
Pseudo-corinthian Capitals North Adriatic Late 11th – early 12th Century White marble, 47x40x40 cm [Mearini Fine Art/BRAFA]
Advertisements
Advertisements (front)
01/2019 | 1390 | 161
Pages: i–xx
Subjects
subjects:
Illustrations
Attributed works:
[Bernard Quaritch Ltd, London. Master of the Brussels Initials, St John the Evangelist, very large initial ‘V’ cut from a gradual, Italy (Bologna), c. 1410–20.]
Attributed works:
[BRAFA, Brussels. Angel, circle of Guillaume Kerricx the Elder (1652–1719), c.1700. Painted wood, height 173 cm. Galerie Sismann, Paris]
Attributed works:
[BRAFA, Brussels. Floor lamp, by Poul Henningsen (1894–1967). 1927–28. Brass and lacquered metal, height 150 cm. Galerie Le Beau-Goklaere, Brussels]
Attributed works:
[BRAFA, Brussels. Forze Spazial, (Project for a lampshade), by Giacomo Balla (1871–1958). c.1925. Tempera on cardboard, 11.5 by 36.8 cm. Rosenberg & Co., New York]
Attributed works:
[BRAFA, Brussels. Pair of encoignures with Chinese export and European lacquer panels, attributed to Jacques Dubois (1694–1763). c.1750. Marble, bronze, oak, ormolu and lacquer with cherry and ebony veneer, height 94 cm. Röbigg, Munich]
Attributed works:
[BRAFA, Brussels. Psyche abandoned, by Piero Tenerani (1789–1867). 1845. Marble, height 120 cm. Brun Fine Art, London]
Attributed works:
[BRAFA, Brussels. Scenes from St Blas’s life, by The Riglos Master, (c.1434–60). c.1450–60. Panel, 188 by 52 cm. Galeria Bernat, Barcelona]
Attributed works:
[BRAFA, Brussels. The four elements, by Artus Wolffort (1581–1641). Canvas, 200 by 158 cm. Jan Muller Fine Art, Ghent]
Attributed works:
[Christopher Bishop Fine Art, New York. Bartholomeus Spranger (Antwerp 1546–Prague 1611). Saint Ursula 197 x 162 mm. Pen and brown ink over traces of black chalk with red and green washes. Squared for transfer. ca. 1583]
Attributed works:
[Découvert Fine Art, Rockport, MA. Compositional Study or Ricordo of Bottom Half of the Altar of St. George in Braida. Workshop of Paolo Veronese, with question of his hand. Verona, 1528 – 1588. Venice Pen, brown ink and brown wash, heightened with white on blue paper, 28.1 by 35.5 cm. From The Skippe Collection, Christie’s, 11/20 & 21/1958, lot 91, as Paolo Farinati]
Attributed works:
[Freeman's Auction, Philadelphia. Master of the Embroidered Foliage (Netherlandish, active Brussels, late 15th century). Nursing Madonna. Oil and tempera on cradled oak panel. 33 3/4 x 28 in. (85.7 x 71.1 cm). $150,000–250,000.]
Attributed works:
[Galerie J. Kugel, Paris. Léonard Limosin. Henri II, King of France, circa 1553. Polychrome enamel on copper, H. 7 in; L. 5.1 in. Ex. collection: Rosebery, Mentmore Towers]
Attributed works:
[Kunstkammer Georg Laue, Munich. Christ in the Garden of Gethsemane. Master of the St Sebastian's Martyrdoms. Vienna ca 1660. Wood. Height 20 cm, width 40.5 cm]
Attributed works:
[Master Drawings New York. A page from a sketchbook, belonging to Arshile Gorky (1904–48). 1931. Ink on paper, 31.5 by 23.8 cm. Pavel Zoubok Fine Art]
Attributed works:
[Master Drawings New York. Cupid dictating a letter to a young woman, by Jean-Baptiste Greuze (1725–1805). Pen and ink and grey wash heightened with white gouache on blue paper, 41 by 30.6 cm. Didier Aaron, Inc.]
Attributed works:
[Master Drawings New York. Girl leaning on her elbow, by Egon Schiele (1890–1918). 1915. Charcoal on paper, 50 by 33.3 cm. W&K – Wienerroither & Kohlbacher]
Attributed works:
[Master Drawings New York. In the courtroom (avant l’audience), by Honoré Daumier (1808–79). Pen and black ink and charcoal, 21.2 by 22.5 cm. Stephen Ongpin Fine Art]
Attributed works:
[Master Drawings New York. On the blue swamp, by Alexander Calder (1898–1976). 1966. Watercolour on paper, 78 by 58 cm. David Tunich, Inc.]
Attributed works:
[Master Drawings New York. Portrait of Nicolas, seigneur de Beurville et de Fresne, by Étienne Dumonstier (1540–1603). c.1581–83. Canvas, 187.3 by 107.3 cm. Galerie J. Kugel]
Attributed works:
[Master Drawings New York. Ruins of the Mithraic Mysteries, by Anthony Baus (b.1981). 2018. Pen and sepia ink and wash on toned paper, 30.5 by 38.1 cm. Robert Simon Fine Art]
Attributed works:
[Master Drawings New York. St John the Baptist, by Carlo Bononi (1569–1632). Pen, brown ink and wash, 15.2 by 6.9 cm. Découvert Fine Art]
Attributed works:
[Master Drawings New York. Study for the head of St John the Baptist, by Auguste Rodin (1840–1917). c.1885–90. Plaster, height 14 cm. Stuart Lochhead Sculpture]
Attributed works:
[Master Drawings New York. Venus at the forge of Vulcan, asking for arms for Cupid, by Biagio Pupini, called Biagio dalle Lame (active 1511–51). Pen and brown ink, heightened with a white, red and brown wash on paper, 29.3 by 20.5 cm. Hazlitt, Gooden & Fox (US) Ltd.]
Attributed works:
[Robert Simon Fine Art, New York. Anthony Baus (b.1981), Ruins of the Mithraic Mysteries. Pen and sepia ink and wash on toned paper, 30.4 x 38.1 cm]
Attributed works:
[Robert Simon Fine Art, New York. Giovanni Battista Tiepolo (Venice 1696–1770 Madrid), Allegory of Peace and Fortitude. One of five “secondo strappo” detached frescoes from the Palazzo Canossa, Verona, 185 x 138 cm]
Attributed works:
[Robert Simon Fine Art, New York. Jacob Jordaens (Antwerp, 1593–1678), Democritus. Colored chalk on paper, 14.3 x 11.3 cm]
Non-western art unattributed:
[BRAFA, Brussels. Moonflask. Chinese, Kangxi period (1662–1722). Porcelain, height 19.4 cm. Galerie Bertrand de Lavergne, Paris]
Non-western art unattributed:
[BRAFA, Brussels. Nimba shoulder mask. Republic of Guinea, Baga people, late 19th–early 20th century. Wood, height 120 cm. Charles-Wesley Hourdé, Paris]
Non-western art unattributed:
[Eurasian Arts Gallery, Brussels. Urartian Wingded Bull Cauldron Applique. Bronze, 17.5 cm wide; weight 900 grams. Provenance: UK private collection, purchased on the German art market before 1980.]
Non-western art unattributed:
[Peter Finer, London. A Fine Ottoman Dagger, Hancer and Scabbard, 19th century Turkey. Steel, rubies, emeralds, sapphire, silver, gold, jade shagreen and wood. Overall length: 46.5 cm / 18.3 in. Provenance: Private collection, United Kingdom]
Western art unattributed:
[BRAFA, Brussels. Anna Selbdritt. Southern Germany, Ulm, or Switzerland, Lucerne, c.1520. Limewood, with original polychrome and gilding, height 104 cm. Mullany Haute Epoque Fine Art, London]
Western art unattributed:
[BRAFA, Brussels. Hercules with the horn of the river-god Achelous, Roman, 4th century BC. Marble, height 56.2 cm. Phoenix Ancient Art, Geneva]
Western art unattributed:
[BRAFA, Brussels. The Virgin surrounded by saints, (The Königschlager Epitaph), Nuremberg, Germany. c.1450–60. Tempera on linen on wood, 138 by 206 cm. De Backker Medieval Art, Hoogstraten]
Western art unattributed:
[De Backker Medieval Art, Hoogstraten. Virgin and Child (detail) Paris, 3rd quarter of the 13th century, h: 27 cm]
Western art unattributed:
[Joanna Booth, London. English, circa 1450. Three figures probably from a choir stall. Oak with traces of colour. Height: 12½ ins (32 cm).]
Western art unattributed:
[Marc du Ry Limited, Marlborough. 'The Gothic Smile'. Northwest France, late thirteenth century. Fine-grained limestone, 25 cm high. Wooden stand by Kichizo Inagaki, Paris, c.1920–30, with his monogram]
Western art unattributed:
[Master Drawings New York. Laocoön and his sons. Italian, late 17th–early 18th century. Bronze, height 52 cm. Tomasso Brothers Fine Art]
Western art unattributed:
[Mullany Haute Epoque Fine Art, London. Anna Selbdritt. Oak, with traces of original polychrome and gilding. Flemish, Brabant, c. 1500 – 1520 H. 36 x W. 29 x D. 18 cm]
Western art unattributed:
[Robert Simon Fine Art, New York. Spanish Colonial, Cuzco School (Eighteenth Century), Baptism Dish. Silver, 22.9 cm high x 43.2 cm wide]
Advertisements
Advertisements (front)
02/2018 | 1379 | 160
Pages: n.p.
Subjects
artists:
subjects:
Illustrations
Attributed works:
[Galerie Lowet de Wotrenge, Antwerp. Travellers in a landscape with ruins (detail), by Gillis Neyts.]
Attributed works:
[Hazlitt Holland-Hibbert, London. Loe Bar, by Peter Lanyon. 1962. Oil on board.]
Attributed works:
[Rubenshuis, Antwerp. Portrait of a Lady and her Daughter, by Titian. c.1550. Canvas, 88.3 by 80.6 cm. (Metropolitan Museum of Art, New York).]
Attributed works:
[Sphinx Fine Art, London. A horseman holding a roemer of wine with an ostler tending the horses (detail), by Karel Dujardin.]
Attributed works:
[TEFAF Maastricht. A maid setting a table, by Vilhelm Hammershøi. 1895. Canvas, 97 by 70 cm. (Daxer & Marschall, Munich).]
Attributed works:
[TEFAF Maastricht. Abstract composition, by Serge Poliakoff. c.1930. Canvas, 96 by 130 cm. (Galerie de la Béraudière, Geneva).]
Attributed works:
[TEFAF Maastricht. Apocalypsis cum figuris (second Latin edition in book form), by Albrecht Dürer. 1511. Engraving, 39.4 by 28 cm. (Dr Jörn Günther Rare Books AG, Basel).]
Attributed works:
[TEFAF Maastricht. Reclining nudes with heads turned left, by Gustav Klimt. Pencil, 363 by 562 cm. (W&K – Wienerroither & Kohlbacher, Vienna).]
Attributed works:
[TEFAF Maastricht. Roses, by Graham Sutherland. 1972. Gouache, pastel, pen and collage, 66.5 by 48 cm. (Christopher Kingzett Fine Art, London).]
Attributed works:
[TEFAF Maastricht. Study of a figure for the painting Le Conteur, by Jean-Antoine Watteau. Black and red chalk, 22.7 by 16.8 cm. (Jean-Luc Baroni Ltd, London).]
Attributed works:
[TEFAF Maastricht. The corn harvest, by Joos de Momper and Jan Breughel the Elder. Panel, 69 by 105.6 cm. (Arnoldi-Livie, Munich).]
Attributed works:
[TEFAF Maastricht. The Golden Lion at anchor by Willem van de Velde the Younger. c.1680. Canvas, 82 by 65 cm. (Galerie Sanct Lucas, Vienna).]
Attributed works:
[TEFAF Maastricht. The governesses of the lepers’ asylum, Amsterdam, by Ferdinand Bol. c.1668. Canvas, 170 by 208 cm. (Rijksmuseum, Amsterdam).]
Attributed works:
[TEFAF Maastricht. Various birds, a hare and a basket of fruit, by Jan Weenix. Canvas, 123 by 99.8 cm. (Adam Williams Fine Arts Ltd, New York).]
Attributed works:
[Trafalgar Galleries, London. The Emperor Claudius I on a white horse, by Giulio Romano. Oil on panel, 83 by 54 cm.]
Attributed works:
[Walter Padovani, Milan. Female head, by Giovanni Marchiori. c.1750. Terracotta on its original carved wooden base, 38 by 36 cm., height 52 cm.]
Western art unattributed:
[Peter Finer, London. A close helmet (Burgonet). Germany. c.1550. Steel and leather, 33 by 25.4 cm. ]
Western art unattributed:
[TEFAF Maastricht. Portrait of a Knight of the Order of St John of Jerusalem. German school. Late 15th century. Panel, 28 by 18.8 cm. (Galerie de Jonckheere, Geneva and Monaco).]
Western art unattributed:
[TEFAF Maastricht. Reliquary casket with The Crucifixion and Christ in Majesty and Apostles. Limoges, France. c.1195–1200. Champlevé enamel on copper gilt, 17.6 by 21.7 cm. (Brimo de Laroussilhe, Paris).]
Exhibition Review
Women in the work of Klimt, Schiele and Kokoschka
01/2016 | 1354 | 158
Pages: 065–066
related names
Reviewer:
Clegg, Elizabeth (Clegg, Elizabeth)
Subjects
dates:
places:
subjects:
Illustrations
Attributed works:
86. Portrait of Eugenia Primavesi, by Gustav Klimt. 1913/14 (Toyota Municipal Museum of Art; exh. Österreichische Galerie Belvedere, Vienna)
Attributed works:
87. Seated woman in violet stockings, by Egon Schiele. 1917 (Private collection, courtesy of Richard Nagy Ltd., London; exh. Österreichische Galerie Belvedere, Vienna)
Attributed works:
88. The slave girl, by Oskar Kokoschka. 1921 (Saint Louis Art Museum; exh. Österreichische Galerie Belvedere, Vienna)
Publication Received
Art & Textiles: Fabric as Material and Concept in Modern Art from Klimt to the Present. Edited by Markus Brüderlin.
06/2014 | 1335 | 156
Pages: 401
related names
Reviewer:
Mackrell, Alice (Mackrell, Alice)
Subjects
artists:
dates:
museums and institutions:
Book Review
Gustav Klimt: Sämtliche Gemälde
07/2013 | 1324 | 155
Pages: 495-496
related names
Reviewer:
Clegg, Elizabeth (Clegg, Elizabeth)
Subjects
artists:
Illustrations
Attributed works:
47. Elisabeth Lederer, by Gustav Klimt (Private collection, New York)
Article
War and peace at the Stockholm ‘Austrian Art Exhibition’ of 1917
10/2012 | 1315 | 154
Pages: 676-688
related names
Author:
Clegg, Elizabeth (Clegg, Elizabeth)
Subjects
dates:
museums and institutions:
places:
Illustrations
Attributed works:
1. Liljevalchs Konsthall, Stockholm, designed by Carl Bergsten. 1913–16. Northern façade: main entrance and high windows of Room 4. Granite column bearing a black granite Eagle and bronze Archer (1916/19) by Carl Milles. Photograph by C.G. Rosenberg. (Arkitektur, Stockholm, September–October 1919; image copyright Kungliga Biblioteket, Stockholm).
Attributed works:
10. Three paintings from the Egon Schiele Room at the 1917 Stockholm ‘Austrian Art Exhibition’. From left to right: Stein an der Donau, seen from the south (1913), Resurrection (Graves) (1913), Stein an der Donau, seen from the north (1913). Anonymous photograph. Modern print from original glass negative. (Stadsmuseum, Stockholm).
Attributed works:
11. Émigrés, by Oskar Kokoschka. 1916-17. Canvas, 95 by 146 cm. (Pinakothek der Moderne, Munich; copyright DACS 2012; image copyright BPK, Berlin, and Bayerische Staatsgemäldesammlungen, Munich)
Attributed works:
12. On the terrace, by Otto Lendecke. 1917. Offset reproduction, of watercolour original, on paper, 26 by 20.6 cm. (Die Damenwelt, Vienna, June 1917; image copyright MAK, Vienna).
Attributed works:
14. Baby, by Gustav Klimt. 1917. Canvas, 110.9 by 110.4 cm. (National Gallery of Art, Washington, gift of Otto and Franciska Kallir with the help of the Carol and Edwin Fullwinder Fund).
Attributed works:
15. Death and Life, by Gustav Klimt. 1910/15. Canvas, 180.5 by 200.5 cm. (Leopold Museum, Vienna).
Attributed works:
3. Poster advertising the Österrikisk Konst­utställning, at the Liljevalchs Konsthall, Stockholm, designed by Anton Faistauer. 1917. Colour lithograph on paper, 100 by 70 cm. (Kungliga Biblioteket, Stockholm).
Attributed works:
4. The Austrian Emperor Karl. 1917. Photograph by Hermann Clemens Kosel. Postcard. (Private collection).
Attributed works:
6. Anton Hanak Room at the 1917 Stockholm ‘Austrian Art Exhibition’. Seven larger visible figures, from left to right: Prayer (1911), Child above the quotidian (1912), Transfigured (1913/14), Youth (1909), The fanatic (1916–17), The last man (1916–17), Voices from above (1917). Anonymous photograph. Modern print from original glass negative. (Stadsmuseum, Stockholm).
Attributed works:
7. Gustav Klimt Room at the 1917 Stockholm ‘Austrian Art Exhibition’. Top row (north wall): Leda (1917), Barbara Flöge (1915), Baby (1917). Second row (principal, east wall): Elisabeth Lederer (1914–16), Death and Life (1910/15), Friederike Maria Beer (1916). Third row (south wall): The fur collar (1916), Mäda Primavesi (1913), The polecat fur (1916/17). Bottom row (west wall, with two pairs of pictures flanking entrance from Room 1): The park (1909), Forrester’s house at Weissenbach II (1914), Church at Unterach am Attersee (1915/16), Italian garden landscape (1913). Anonymous photographs. Modern prints from original glass negatives. (Stadsmuseum, Stockholm).
Attributed works:
8. Three paintings from the Albin Egger-Lienz Room at the 1917 Stockholm ‘Austrian Art Exhibition’. From left to right: Man and wife (preliminary version of central couple in The Ages of Man) (1910), Early spring (1906), The sower and the devil I (1908/09). Anonymous photograph. Modern print from original glass negative. (Stadsmuseum, Stockholm).
Attributed works:
9. Principal, south wall of the Anton Faistauer Room at the 1917 Stockholm ‘Austrian Art Exhibition’. From left to right: Portrait of a woman (1913), unidentified Still life, Young woman on a red sofa (1913), Still life with rolls and a jug (1914), Seated lady in a blue blouse with a jewel casket (1912/13). Anonymous photograph. Modern print from original glass negative. (Stadsmuseum, Stockholm).
Western art unattributed:
13. Main display of applied arts at the 1917 Stockholm 'Austrian Art Exhibition'. Anonymous photograph. Modern print from original glass negative. (Stadsmuseum, Stockholm).
Western art unattributed:
2. Team installing the 1917 Stockholm ‘Austrian Art Exhibition’ assembled for a press conference at the Liljevalchs Konsthall on 4th September. From left to right: Anton Hanak, Erwin Hanslik, Josef Hoffmann, Ernst Wagner, Hans Boehler, Anton Faistauer. Photograph by Erik Holmén. (Hvar 8 Dag, Stockholm, 16th September 1917; image copyright Kungliga Biblioteket, Stockholm).
Western art unattributed:
5. Plan of the Liljevalchs Konsthall, Stockholm (with north to the right), showing its thirteen exhibiting rooms. Anonymous diagram. (Liljevalchs Konsthall Katalog No. 8: Österrikiska Konstutställningen, Stockholm 1917).
Article
Klimt 2012: the 150th anniversary exhibitions in Vienna
08/2012 | 1313 | 154
Pages: 570-577
related names
Author:
Clegg, Elizabeth (Clegg, Elizabeth)
Subjects
artists:
dates:
places:
places:
print:
Reviewed Items
subjects:
Beethoven Frieze | institution: Secession Pavilion
subjects:
Erwartung und Erfüllung: Entwürfe zum Mosaikfries im Palais Stoclet | institution: Österreichisches Museum für angewandte Kunst
subjects:
Gegen Klimt: Die ‘Nuda Veritas’ und ihr Verteidiger Hermann Bahr | institution: Österreichisches Theater­museum
subjects:
Gustav Klimt | institution: Kunsthistorisches Museum
subjects:
Gustav Klimt | institution: Künstlerhaus Wien
subjects:
Gustav Klimt / Josef Hoffmann: Pioniere der Moderne | institution: Museo Correr , institution: Österreichische Galerie Belvedere
subjects:
Gustav Klimt: Die Zeichnungen | institution: Albertina , institution: J. Paul Getty Museum
subjects:
Klimt persönlich: Bilder – Briefe – Einblicke | institution: Leopold Museum
subjects:
Klimt. Die Sammlung des Wien Museums | institution: Wien Museum
Illustrations
Attributed works:
41. The auditorium at the Altes Burgtheater, by Gustav Klimt. 1888/89. Watercolour and gouache with gold highlighting on paper, 91.2 by 103 cm. (Wien Museum, Vienna).
Attributed works:
42. Portrait of a lady in cape and hat, by Gustav Klimt. 1897/98. Black and red chalk on paper, 44.6 by 31.8 cm. (Albertina, Vienna).
Attributed works:
43. Standing dancer in profile with head turned to the left, by Gustav Klimt. 1916/17. Graphite on paper, 49.6 by 32.4 cm. (Albertina, Vienna).
Attributed works:
45. The park at Schönbrunn, by Gustav Klimt. 1916. Canvas, 110 by 110 cm. (Private collection, Graz; exh. Leopold Museum, Vienna).
Attributed works:
46. Hermann Bahr in his study with Klimt’s ‘Nuda Veritas’, by Aura Hert­wig. 1906. Silver gelatin print on cardboard, 16.5 by 10.5 cm. (Öster­reichisches Theatermuseum, Vienna).
Attributed works:
47. Rosebush and butterflies, by Gustav Klimt. One of seven segments of the cartoon for the mosaic frieze for the western wall of the dining room of the Palais Stoclet, Brussels. 1910–11. Black chalk, graphite, red crayon, gouache, platinum, gold, silver and bronze leaf, gold, silver and bronze powder and zinc white on tracing paper, 195 by 120 cm. (MAK – Museum für angewandte Kunst/Gegenwartskunst, Vienna).
Western art unattributed:
44. Postcard showing interior of the basilica of S. Vitale, Ravenna, with message in pencil, sent by Gustav Klimt to Emilie Flöge, 2nd December 1903. 14 by 9 cm. (Private collection; exh. Leopold Museum, Vienna).
load more