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62 articles
Editorial
Fashionistas
05/2025 | 1466 | 167
Pages: 417
Exhibition Review
Jugendstil: Made in Munich
03/2025 | 1464 | 167
Pages: 281–4
related names
Reviewer:
Wieber, Sabine (Wieber, Sabine)
Subjects
dates:
museums and institutions:
places:
styles:
Reviewed Items
subjects:
Jugendstil: Made in Munich Kunsthalle, Munich 25th October 2024–23rd March 2025 | :
Illustrations
Attributed works:
19. Wall hanging with cyclamen motif (Whiplash), designed by Hermann Obrist and embroidered by Berthe Ruchet. 1895. Wool fabric with silk embroidery, 119 by 183 cm. (Stadtmuseum, Munich; exh. Kunsthalle, Munich).
Attributed works:
20. Installation view of Jugendstil: Made in Munich at the Kunsthalle, Munich, 2024–25. (Courtesy Munich Kunsthalle).
Attributed works:
21. Façade of the Hof-Atelier Elvira, Munich, c.1900, by Philipp Kester. Photograph, 18 by 13 cm. (Stadtmuseum, Munich; exh. Kunsthalle, Munich).
Book Review
Style & Society: Dressing the Georgians
11/2024 | 1460 | 166
Pages: 1178–1180
related names
Reviewer:
Griffey, Erin (Griffey, Erin)
Subjects
art literature:
dates:
Reviewed Items
subjects:
Style & Society: Dressing the Georgians By Anna Reynolds. 344 pp. incl. 300 col. ills. (Royal Collection Trust, London, 2023), £30. ISBN 978–1–909741–85–0. | :
Illustrations
Attributed works:
23. Needlework pocketbook, by Queen Charlotte. 1781. Satin, coloured silks and enamelled gold, width 27.7 cm. (Royal Collection Trust; © Royal Collection Enterprises Limited 2024).
Attributed works:
24. Queen Charlotte with Charlotte, Princess Royal, Benjamin West. 1776. Oil on canvas, 168.2 by 205.7 cm. (Royal Collection Trust; © Royal Collection Enterprises Limited 2024)
Exhibition Review
Sargent and Fashion
06/2024 | 1455 | 166
Pages: 637–639
related names
Reviewer:
McKever, Rosalind (McKever, Rosalind)
Subjects
dates:
Reviewed Items
subjects:
Sargent and Fashion. Edited by Erica E. Hirschler, with Caroline Corbeau-Parsons, James Finch and Pamela A. Parmal. 248 pp. incl. numerous col. ills. (Tate Publishing, 2024), £32. ISBN 978–1–84976–859–7. | :
subjects:
Sargent and Fashion Tate Britain, London 22nd February–7th July | :
Illustrations
Attributed works:
18. Lady Helen Vincent, Viscountess d’Abernon, by John Singer Sargent. 1904. Oil on canvas, 158.8 by 108 cm. (Birmingham Museum of Art, Birmingham AL; exh. Tate Britain, London).
Attributed works:
19. Dr Pozzi at Home, by John Singer Sargent. 1881. Oil on canvas, 201.6 by 102.2 cm. (Hammer Museum, Los Angeles; exh. Tate Britain, London).
Attributed works:
20. Madame X, by John Singer Sargent. 1883–84. Oil on canvas, 208.6 by 109.9 cm. (Metropolitan Museum of Art, New York; exh. Tate Britain, London).
Exhibition Review
Sonia Delaunay: Living Art
06/2024 | 1455 | 166
Pages: 639–641
related names
Reviewer:
Cooke, Lynne (Cooke, Lynne)
Subjects
artists:
dates:
Reviewed Items
subjects:
Sonia Delaunay: Living Art. Edited by Waleria Dorogova and Laura Microulis. 540 pp. incl. numerous col. ills. (Bard Graduate Center, New York, 2024), $75. ISBN 978–0–30027–576–6. | :
subjects:
Sonia Delaunay: Living Art Bard Graduate Center, New York 23rd February–7th July | :
Illustrations
Attributed works:
21. Detail of La prose du Transsibérien et de la Petite Jehanne de France, by Sonia Delaunay and Blaise Cendrars. 1913. Gouache pochoir, type and lithography on paper and handpainted parchment wrapper. (© Pracusa; Spencer Collection, New York Public Library; exh. Bard Graduate Center, New York).
Attributed works:
22. Cloche and scarf, by Sonia Delaunay. 1924–24. Felted wool (cloche) and felted appliqué on silk (scarf), 62.9 by 129.5 cm (scarf). (© Pracusa; private collection; exh. Bard Graduate Center, New York).
Attributed works:
23. Rythmes couleurs ou panneau F 1898, by Sonia Delaunay. 1975. Wool tapestry, 260 by 343 cm. (© Pracusa; Mobilier national, Paris; exh. Bard Graduate Center, New York).
Book Review
Merchants of Style: Art and Fashion After Warhol
04/2024 | 1453 | 166
Pages: 435–436
related names
Reviewer:
McKenzie, Louisa (McKenzie, Louisa)
Subjects
subjects:
Reviewed Items
subjects:
Merchants of Style: Art and Fashion After Warhol By Natasha Degen. 288 pp. incl. 40 col. + 15 b. & w. ills. (Reaktion Books, London, 2023), £20. ISBN 978–1–78914–669–1 | :
Exhibition Review
Colour Revolution: Victorian Art, Fashion and Design
02/2024 | 1451 | 166
Pages: 193–196
related names
Reviewer:
Baker, Christopher (Baker, Christopher)
Subjects
dates:
museums and institutions:
subjects:
Reviewed Items
subjects:
Colour Revolution: Victorian Art, Fashion and Design Ashmolean Museum, Oxford 21st September 2023–18th February 2024 | :
Illustrations
Attributed works:
17. Study of a Kingfisher with dominant reference to colour, by John Ruskin. 1871. Watercolour on paper, 60.4 by 45 cm. (Ashmolean Museum, Oxford).
Attributed works:
18. La morphinomane (The morphine addict), by Eugene Grasset. 1897. Colour lithograph, 57.6 by 42.5 cm. (Victoria and Albert Museum, London; Bridgeman Images; exh. Ashmolean Museum, Oxford).
Attributed works:
19. The great bookcase, designed by William Burges. 1859–62. Painted wood and pietra dura, 317 by 174 by 49.5 cm. (Ashmolean Museum, Oxford).
Article
A sartorial portrait of Ottaviano Ubaldini della Carda by Piero della Francesca
07/2023 | 1444 | 165
Pages: 720–737
related names
Author:
Brüggen Israëls, Machtelt (Brüggen Israëls, Machtelt)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Flagellation of Christ with figures here identified as Joseph of Arimathea and an assistant asking Pilate for the body of Christ, by Piero della Francesca. c.1456–57. Egg tempera and oil on panel, 67.5 by 91 cm. (Galleria Nazionale delle Marche, Urbino; Bridgeman Images).
Attributed works:
10. Detail of the Communion of the Apostles, by Justus of Ghent, showing the donor figures. 1473–74. Oil on panel. (Galleria Nazionale delle Marche, Urbino; Scala Archives; courtesy the Ministero Beni e Attività Culturali e del Turismo).
Attributed works:
11. Horsewoman of Coins, by the workshop of Bonifacio Bembo. Before 1447. Paint and tooled gold on paper, 18.9 by 9 cm. (Beinecke Rare Book and Manuscript Library, Yale University Library, New Haven CT).
Attributed works:
12. Detail from St Gregory the Great and St Matthias, by Masolino, showing the cope of St Gregory the Great. c.1428–29. Tempera and oil on panel, transferred to fibreboard. (National Gallery, London; Bridgeman Images).
Attributed works:
2. Ottaviano Ubaldini della Carda and Federico di Montefeltro, by Ambrogio Barocci. 1470s. Cesane stone, 50 by 110 cm. (Galleria Nazionale delle Marche, Urbino).
Attributed works:
3. Detail of Fig.4, showing the donor figures, Guidubaldo di Montefeltro, Count Federico di Montefeltro and Ottaviano Ubaldini della Carda.
Attributed works:
4. The Lamentation of Christ, by Francesco di Giorgio. c.1473. Bronze, 85 by 58 cm. (S. Maria del Carmelo, Venice; Scala Archives).
Attributed works:
5. Medal of Duke Filippo Maria Visconti (obverse), by Pisanello. c.1441. Bronze, diameter 10.3 cm. (National Gallery of Art, Washington).
Attributed works:
6. Detail of an altar frontal with the Visconti device of the dove and motto ‘à bon droit’. Italy, c.1450–60. Red velvet with a single-height pile with a design in gold pattern wefts and silver brocaded wefts, 98 by 241 cm. (Museo Poldi Pezzoli, Milan; Scala Archive).
Attributed works:
7. Federico di Montefeltro, Duke of Urbino, and his son Guidubaldo, by Pedro Berruguete. c.1476. Oil on panel, 138 by 82.5 cm. (Galleria Nazionale delle Marche, Urbino).
Attributed works:
8. Luca Pacioli and Guidubaldo di Montefeltro, attributed to Jacopo de’ Barbari. 1495. Oil on panel, 99 by 120 cm. (Museo di Capodimonte, Naples; Photo Scala, Florence).
Attributed works:
9. Detail of Fig.1, showing the figures here identified as Joseph of Arimathea and an assistant asking Pilate for the body of Christ.
Western art unattributed:
13. Detail of a cope with the Medici coat of arms and devices. Italy, 1470s or 1480s. Red velvet with single-height cut pile with a design in gold bouclé pattern wefts and allucciolato effect, 278 by 152 cm. (Museo d’arte sacra dell’Abbazia di Vallombrosa).
Western art unattributed:
14. Detail of the cope shown in Fig.13 with the motif of the Medici coat of arms covered by a roundel of St Giovanni Gualberto embroidered in silk and gold. Italy, c.1494.
Exhibition Review
Fuseli and the Modern Woman: Fashion, Fantasy, Fetishism
01/2023 | 1438 | 165
Pages: 79-81
related names
Reviewer:
Salatino, Kevin (Salatino, Kevin)
Subjects
artists:
dates:
Reviewed Items
subjects:
Fuseli and the Modern Woman: Fashion, Fantasy, Fetishism Courtauld Gallery, London 14th October 2022–8th January 2023 | :
Illustrations
Attributed works:
16. Sophia Fuseli, her hair in large rolls, with pink gloves, in front of a brown curtain, by Henry Fuseli. 1790. Graphite, brush and watercolour, heightened with white opaque watercolour on paper, 31.6 by 19.7 cm. (Kunsthaus Zürich; exh. Courtauld Gallery, London).
Attributed works:
17. Woman in a sculpture gallery, by Henry Fuseli. 1798. Pen and black ink, brush and watercolour on paper, over graphite, heightened with white opaque watercolour, 41 by 24.7 cm. (Kupferstichkabinett, Staatliche Kunstsammlungen Dresden; exh. Courtauld
Attributed works:
18. Kallipyga, by Henry Fuseli. c.1790–92? Pen and brown ink, 16.3 by 9.4 cm. (Private collection; exh. Courtauld Gallery, London).
Book Review
Time, Media, and Visuality in Post- Revolutionary France
04/2022 | 1429 | 164
Pages: 423-424
related names
Reviewer:
Wrigley, Richard (Wrigley, Richard)
Subjects
dates:
Reviewed Items
subjects:
Time, Media, and Visuality in Post- Revolutionary France Edited by Iris Moon and Richard Taws. 280 pp. incl. 32 col. + 61 b. & w. ills. (Bloomsbury, London, 2021), £85. ISBN 978–1–5013–4839–6. | :
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