Hersilia’s Sisters: Jacques-Louis David,
Women, and the Emergence of Civil
Society in Post-Revolution France
By Norman Bryson. 352 pp. incl. 168 col. ills.
(Getty Research Institute, Los Angeles, 2023),
£65. ISBN 978–1–60606–771–0. |
:
Illustrations
Attributed works:
6. Henriette de Verninac, by Jacques-Louis
David. 1798–99. Oil on canvas, 145.5 by 112 cm.
(Musée du Louvre, Paris).
Book Review
Time, Media, and Visuality in Post- Revolutionary France
Time, Media, and Visuality in Post-
Revolutionary France
Edited by Iris Moon and Richard Taws. 280 pp.
incl. 32 col. + 61 b. & w. ills. (Bloomsbury, London,
2021), £85. ISBN 978–1–5013–4839–6. |
:
Article
Post tenebras lux: J.M.W. Turner, James Wyatt and the importance of stained glass
17. North-west view of Fonthill Abbey. Office of James Wyatt. 1798. Watercolour, 67 by 105 cm. (Yale Center for British Art, New Haven).
Attributed works:
18. East view of the Gothic Abbey (Noon) now building at Fonthill, the seat of W. Beckford, Esq, by J.M.W. Turner. 1800. Watercolour, 68.5 by 103.5 cm. (National Trust for Scotland, Brodick Castle, Isle of Arran).
Attributed works:
19. The interior of the Pantheon, Oxford Street the morning after the fire, by J.M.W. Turner. 1792. Watercolour, 29.5 by 23.9 cm. (Turner Bequest, Tate, London).
Attributed works:
20. The interior of New College Chapel, Oxford, with the Reynolds window and Wyatt’s organ screen,
by J.M.W. Turner. c.1800. Pencil and watercolour, 75.4 by 54 cm. (Turner Bequest, Tate, London)
Attributed works:
21. The east end of Merton College Chapel, Oxford, by J.M.W. Turner. 1801. Pencil and watercolour with scraping-out, 31.8 by 44.4 cm. (Ashmolean Museum, Oxford).
Attributed works:
22. Christ Church Hall from the staircase, by J.M.W. Turner. c.1799–1800. Pencil and watercolour, 22 by 32.2 cm. (Leeds City Art Galleries).
Attributed works:
23. Choir of Salisbury Cathedral, by J.M.W. Turner. 1797. Pencil and watercolour, 64.8 by 50.8 cm. (Salisbury and South Wiltshire Museum).
Attributed works:
24. Interior of the Brocklesby Mausoleum, by J.M.W. Turner. c.1818. Pencil and watercolour, 63.5 by 48.2 cm. (Turner Bequest, Tate, London).
Attributed works:
25. Light and Colour (Goethe’s Theory) – the morning after the Deluge – Moses writing the Book of Genesis, by J.M.W. Turner. 1843. Canvas, 78.5 by 78.5 cm. (Turner Bequest, Tate, London).
Attributed works:
26. The Elevation of the Brazen Serpent in the Wilderness, by Robert Blyth after John Hamilton Mortimer. 1783. Etching, 50.6 by 41.1 cm. (British Museum, London).
Publication Received
Viaggio in Italia. Künstler auf Reisen 1770–1880: Werke aus der Sammlung der Staatlichen Kunsthalle Karlsruhe