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01/2024 | 1450 | 166
Pages: i-xx
Subjects
Illustrations
Attributed works:
A farmyard scene, by Adriaen van Utrecht (1599–1652). 1647. Oil on canvas, 115 by 161 cm. [ARS ANTIQUA, MILAN/BRAFA]
Attributed works:
A sculpture of the Virgin of the Assumption Attributed to Alejo de Vahía, active in Palencia around 1473-1515 Gilt and polychromed wood, around 1509 Gift of Sir Michael Craig-Martin R.A. [Spanish Gallery, The Auckland Project]
Attributed works:
A young man wearing a studio cap, by Lorenzo Baldissera Tiepolo (1736–76). Black and red chalk, 41.2 by 28.5 cm. [NICHOLAS HALL, NEW YORK/Master Drawings New York]
Attributed works:
Artemisia Gentileschi (1593–after 1654), The Penitent Magdalene, c. 1625/30 [Robilant & Voena]
Attributed works:
Carnival at the bistrot, Paris, by Pablo Picasso (1881–1973). c.1908. Watercolour on paper, 22.5 by 21 cm. [PATRICK BOURNE & CO., LONDON/Master Drawings New York]
Attributed works:
CIRCLE OF PAOLO VERONESE Possibly a portrait of Isabella Andreini (1562 - 1604) Oil on canvas 85.25 in. (H) x 56 in. (W) [Sloane Street Auctions]
Attributed works:
Crucifix. Spain, c.1550. Silver gilt and rock crystal with polychrome, height 41 cm. [GALERIE BERNARD DE LEYE, BRUSSELS/BRAFA]
Attributed works:
Embroidery Workshop of the Monastery of the Escorial (Spanish, 16th Century) The Pharaoh’s Judgment, ca. 1585 Pen and brown ink with brown washes, highlighted in white on blue paper Extensively pricked for transfer throughout, 304 x 193 mm [Christopher Bishop Fine Art/Master Drawings New York]
Attributed works:
Envy (Invidia) from the seven deadly sins, engraved by Pieter van der Heyden (1530–72), after Pieter Bruegel the Elder (c.1525–69), published by Hieronymus Cock (1518–70). c.1558. Ink on paper, 29.7 by 22.6 cm. [CHAMBRE PROFESSIONNELLE BELGE DE LA LIBRAIRIE ANCIENNE ET MODERN (CLAM), BRUSSELS/BRAFA]
Attributed works:
Figures in a wooded landscape with mountains behind, by Denijs van Alsloot (1570–1626) and the workshop of Jan Brueghel the Elder (1568–1625). Early 17th century. Oil on panel, 117 by 173 cm. [DE JONCKHEERE, GENEVA AND PARIS/BRAFA]
Attributed works:
From ‘The smoking mother’, by Laure Prouvost. 2023. (Commissioned for Burlington Contemporary Journal 9).
Attributed works:
GIAMBOLOGNA (1529–1608) Mars cast before 1577, probably in the 1560s by Zanobi Portignani Estimate on request [Christie's]
Attributed works:
Horizon, by Max Ernst (1891–1976). 1926. Oil on panel, 24.2 by 18.5 cm. [GALERIE DE LA BÉRAUDIÈRE, BRUSSELS/BRAFA]
Attributed works:
La fin du voyage, by Paul Delvaux (1897–1994). 1968. Oil on canvas, 165.1 by 145 cm. [OPERA GALLERY, GENEVA/BRAFA]
Attributed works:
LIPPO VANNI. Sienese, active 1344-1376 A predella panel: the Marriage of the Virgin Siena, c.1345 Tempera on wood panel 24.6 x 28.5 cm Provenance:Collection of Walter Savage Landor (1775-1864), Villa Gherardesca, Fiesole. [Brimo de Laroussilhe]
Attributed works:
Piazza d’Italia con Arianna, by Giorgio de Chirico (1898–1978). 1950s. Oil on canvas, 70 by 100 cm.[REPETTO GALLERY, LUGANO/BRAFA]
Attributed works:
Prometheus, by Giovanni Battista Langetti (1625–76). c.1660. Oil on canvas, 88 by 114 cm. [GIAMMARCO CAPPUZZO FINE ART, LONDON/BRAFA]
Attributed works:
Red Blue Chair, designed by Gerrit Thomas Rietveld (1888–1964). Designed 1919–23, made in 1970. Beechwood and plywood with stain and paint, height 86 cm [GALERIE VAN DEN BRUINHORST, KAMPEN, OVERIJSSEL/BRAFA]
Attributed works:
Sir Edward Burne-Jones (1833-1898) Study for ‘The Nativity’ for St John’s, Torquay. Watercolour, gouache and gold paint. 1887. 14x21.5 inches. [Abbott and Holder]
Attributed works:
Study for the Sala di Apollo (Pitti Palace), by Ciro Ferri (1634–89). c.1659–61. Black chalk, heightened with white, on prepared blue-grey paper, 26.5 by 39 cm. CHRISTOPHER BISHOP FINE ART, NEW YORK/Master Drawings New York]
Attributed works:
The Grey Castle; a view on the Mosel or the Rhine, by J.M.W. Turner (1775–1851). c.1841. Pencil and watercolour, 15.9 by 23.5 cm. [ABBOTT & HOLDER, LONDON/Master Drawings New York]
Attributed works:
Two female nudes, by Gustav Klimt (1862–1918). c.1902. Black chalk on buff paper, 44.3 by 30.9 cm. [STEPHEN ONGPIN, LONDON/Master Drawings New York]
Attributed works:
Virgin and Child in oak, Brabant, Brussels, attributed to Jan Borman I and his workshop (active from 1479 to 1520), circa 1480/90H. 142.5 cm [Giquello]
Attributed works:
Winter landscape, by Väinö Blomstedt (1871–1947). 1904. Oil on board, 39 by 49.5 cm. [AMBROSE NAUMANN, NEW YORK/Master Drawings New York]
Non-western art unattributed:
A Fine and Rare Ancient Kushan Northern India Uttar Pradesh Monumental Red Sandstone Torso Fragment of the Buddha Wearing his Monastic Robe ‘Sanghati’ with Traces of a Lotus Halo the Body Well Defined with a Deeply Carved Navel 1st – 2nd Century AD [Finch & Co]
Non-western art unattributed:
Female figure, by Baule people. Ivory Coast, 19th century. Wood, height 60 cm.[ MONTAGUT GALLERY, BARCELONA/BRAFA]
Western art unattributed:
A pierced flamboyant Gothic canopy. Northern France, 15th century. Limestone, height 30 cm.[DEI BARDI ART, BRUSSELS/BRAFA]
Western art unattributed:
Pseudo-corinthian Capitals North Adriatic Late 11th – early 12th Century White marble, 47x40x40 cm [Mearini Fine Art/BRAFA]
Supplement
Recent acquisitions at The Spanish Gallery, Bishop Auckland
04/2022 | 1429 | 164
Pages: 429-440
related names
Author:
Ruffer, Jonathan (Ruffer, Jonathan)
Subjects
subjects:
Illustrations
Attributed works:
1. Corpus Christi. Catalan, 12th–13th century. Walnut with traces of polychrome and gilding, 202.5 by 138 by 310 cm.
Attributed works:
10. St Philip, by Diego Velázquez (1599–1660) and studio. 1617–23. Oil on canvas, 96 by 76 cm. Inscribed upper left and upper centre right: S. PHILIPP VS
Attributed works:
11. St Ferdinand, by Bartolomé Esteban Murillo (1617–82). c.1671. Oil on canvas, 170 by 114 cm.
Attributed works:
12. Descent from the Cross, by Juan de Valdés Leal (1622–90). 1657–60. Oil on canvas, 208 by 144 cm.
Attributed works:
13. Portrait of a royal page, by Juan van der Hamen y León (1596–1631). c.1625. Oil on canvas, 136 by 93 cm. (Purchased with support from the Art Fund).
Attributed works:
14. Christ on the Cross, by El Greco (1541–1614). 1600–10. Oil on canvas, 179.4 by 103.5 cm. (Purchased with support from Art Fund, with a contribution from the Wolfson Foundation).
Attributed works:
15. Ecce Homo, by Mateo Cerezo (1636–66). 1660–64. Oil on canvas, 76.5 by 64 cm.
Attributed works:
16. Copatronazgo, by Juan Bautista Maíno (1581–1649). c.1627. Oil on canvas, 145 by 103 cm.
Attributed works:
17. St Anthony of Padua with the Christ Child, by Juan Bautista Maíno (1581–1649). c.1608. Oil on canvas, 184 by 147 cm.
Attributed works:
18. The Penitent Magdalene, Juan Bautista Maíno (1581–1649). c.1609. Oil on canvas, 117.5 by 89.2 cm.
Attributed works:
19. Mary Magdalene and her pot of ointment, by Juan Martín Cabezalero (c.1634–73). Late 1660s. Oil on canvas, 66.5 by 52.5 cm.
Attributed works:
2. The Lamentation, by Arnao de Bruselas (active 1536–64). 1536–64. Polychrome and gilded oak, 800 by 810 by 220 cm.
Attributed works:
20. St Ildephonsus receiving the chasuble from the Virgin Mary, Juan Martín Cabezalero (c.1633–73). c.1667. Oil on canvas, 191 by 135 cm.
Attributed works:
21. The Virgin of the Immaculate Conception, by Juan Martín Cabezalero (c.1634–73). Late 1660s. Oil on canvas, 191 by 135 cm.
Attributed works:
21. The Virgin of the Immaculate Conception, by Juan Martín Cabezalero (c.1634–73). Late 1660s. Oil on canvas, 191 by 135 cm.
Attributed works:
22. Still life with a basket of fruit, by Mateo Cerezo (1637–66). 1660–64. Oil on canvas, 46.5 by 113 cm. Inscribed with inventory number 157.
Attributed works:
23. Still life with a basket of fruit, artichokes and a bunch of asparagus, by Mateo Cerezo (1637–66). 1660–64. Oil on canvas, 46.4 by 113.7 cm. Inscribed with inventory number 163.
Attributed works:
24. Still life with vegetables and a copper vessel, by Mateo Cerezo (1637–66). 1660–64. Oil on canvas, 63.5 by 117 cm.
Attributed works:
25. Still life with game and other foodstuffs, by Mateo Cerezo (1637–66). 1660–64. Oil on canvas, 48.1 by 103.7 cm. Inscribed with inventory number 143.
Attributed works:
26. Still life with a large array of flowers in a glass vase on a stone pedestal, by Juan de Arellano (1614–67). 1665–70. Oil on canvas, unlined, 82.5 by 62.8 cm. Signed lower right: Juan de Arellano.
Attributed works:
27. Still life with apples, grapes and acorns, attributed to Antonio de Pereda (1611–78). c.1647. Oil on canvas, 58.3 by 45 cm.
Attributed works:
28. Still life with song birds and a chocolate service, by Francisco Barranco (active Seville, mid-17th century). 1647. Oil on oak panel, 30.5 by 50.8 cm. Signed and dated lower right: Fco Barranco fac/1647 .
Attributed works:
29. Portrait of a Spanish officer, circle of Diego Velázquez. c.1629. Oil on canvas, 84.5 by 78 cm. Inscribed lower left with inventory number: 2.
Attributed works:
3. The Holy Family, by Juan de Juanes (c.1503–79). c.1545. Oil on panel, 74.5 by 57 cm.
Attributed works:
30. La Perra de Graus, by Francisco Bayeu y Subías (1734–95). c.1788. Oil on canvas, 43.3 by 72.7 cm. Signed lower left: Franco Bayeu.
Attributed works:
4. Jesus is stripped of his garments, by Juan de Correa de Vivar (c.1510–66). Mid-1540s. Oil on panel, 154.5 by 125 cm.
Attributed works:
5. The Crucifixion, by Juan de Juanes (c.1503–79). 1578. Oil on panel, 129 by 80 cm.
Attributed works:
6. The return of the Holy Family with a view of Segovia, by Juan Fernández de Navarrete (c.1538–79). c.1570–77. Oil on panel, 57.5 by 43 cm.
Attributed works:
7. Crucifixion, by Pedro de Campaña, also known as Pieter de Kempeneer (1503–c.1580). 1570–80. Oil on oak panel, 28.3 by 23.6 cm.
Attributed works:
8. Philip II of Spain (1527–98), by the workshop of Anthonis Mor (1516/20–1576?). 1558–70. Oil on canvas, 185 by 102 cm.
Attributed works:
9. Prince Don Carlos, by the workshop of Alonso Sánchez Coello (c.1531–88), after Sofonisba Anguissola (c.1532–1625). 1567. Oil on canvas, 112.5 by 88.2 cm.
Attributed works:
Entrance to the Seville Gallery. (Photograph House of Hues).
Article
The Spanish Gallery, Bishop Auckland
03/2022 | 1428 | 164
Pages: 276-283
related names
Author:
Kent, Isabelle (Kent, Isabelle )
Subjects
patrons:
Illustrations
Attributed works:
1. The Copatronazgo, by Juan Bautista Maíno. c.1627. Oil on canvas, 145 by 103 cm. (Courtesy Jonathan Ruffer).
Attributed works:
10. The Cardinal Tavera Room, The Spanish Gallery, Bishop Auckland. (Photograph © James Morris for Factum Foundation).
Attributed works:
2. The Long Dining Room at Auckland Castle, Bishop Auckland, with Jacob and his twelve sons, by Francisco de Zurbarán. (Photograph House of Hues).
Attributed works:
3. The ‘Cabbages and Kings’ Room, The Spanish Gallery, Bishop Auckland. (Photograph House of Hues).
Attributed works:
4. Benjamin, by Francisco de Zurbarán. Oil on canvas, 199.2 by 103 cm. (The Grimsthorpe and Drummond Castle Trust; © Grimsthorpe and Drummond Castle Trust; photograph Robert LaPrelle).
Attributed works:
5. The ‘Eternal Devotion’ Room, The Spanish Gallery, Bishop Auckland. (Photograph House of Hues).
Attributed works:
6. Cardinal Astalli Pamphili, by Diego Velázquez. 1650–51. Oil on canvas, 61 by 48.5 cm. (Hispanic Society of America, New York).
Attributed works:
7. St Ferdinand, by Bartolomé Esteban Murillo. c.1671. Oil on canvas, 170 by 114 cm. (The Zurbarán Trust).
Attributed works:
8. Christ on the Cross, by Doménikos Theotokópoulos, known as El Greco. c.1600–10. Oil on canvas, 179.4 by 103.5 cm. (The Zurbarán Trust).
Attributed works:
9. The Casa de Pilatos Room, The Spanish Gallery, Bishop Auckland. (Photograph © James Morris for Factum Foundation).
Editorial
Art in the age of digital reproduction
03/2022 | 1428 | 164
Pages: 227
Subjects
museums and institutions:
subjects: