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124 articles
Article
Rediscovered drawings by Bartolomeo Spani for sculpture and goldsmithery
10/2023 | 1447 | 165
Pages: 1082–1093
related names
Author:
Calogero, Marcello (Calogero, Marcello)
Subjects
dates:
media:
subjects:
Illustrations
Attributed works:
1. Detail of Fig.3, showing the angels and God the Father. (Photograph Archivio Franco Cosimo Panini Editore S.p.a. – Arcidiocesi di Modena-Nonantola).
Attributed works:
10. Detail of Fig.2, showing a prophet.
Attributed works:
11. Reliquary bust of St Daria, by Bartolomeo Spani. 1533–38. Cast, chiselled and gilded silver, approximately 70 by 60 cm. (Cathedral of S. Maria Assunta, Reggio Emilia; photograph Diocesi di Reggio Emilia e Guastalla).
Attributed works:
12. Reliquary bust of St Crisanto, by Bartolomeo Spani. 1533–38. Cast, chiselled and gilded silver, approximately 70 by 60 cm. (Cathedral of S. Maria Assunta, Reggio Emilia; photograph Diocesi di Reggio Emilia e Guastalla).
Attributed works:
13. Design for a funerary monument, here attributed to Bartolomeo Spani. c.1510–20. Pen and grey-brown ink, grey-brown wash over stylus indentations, on paper, 28.3 by 19.3 cm. (Morgan Library & Museum, New York).
Attributed works:
14. Grotesque ornament from the Domus Aurea, by the Master of the Codex Escurialensis (fol.14r). c.1490. Pen and brown ink on paper, 33 by 23.5 cm. (Real Monasterio de San Lorenzo de El Escorial, Madrid).
Attributed works:
15. Funerary monument of Bishop Bonfrancesco Arlotti, by Bartolomeo Spani. c.1509. White, pink and polychromed marble, approximately 520 by 230 cm. (Cathedral of S. Maria Assunta, Reggio Emilia; photograph Diocesi di Reggio Emilia e Guastalla).
Attributed works:
16. Design for a funerary monument, here attributed to Bartolomeo Spani. c.1510–20. Pen and brown ink, brown wash, on paper, 19.9 by 15.2 cm. (Musée du Louvre, Paris; RMN-Grand Palais; Thierry Le Mage).
Attributed works:
17. Design for a tabernacle, here attributed to Bartolomeo Spani. c.1510–20. Pen and brown ink and wash, over stylus indentations, on paper, 25.5 by 16.5 cm. (Morgan Library & Museum, New York).
Attributed works:
18. Funerary monument of Lucia Rusca, by Antonio da Morbegno and ‘Maestro Anzelini’, after a drawing here attributed to Bartolomeo Spani. c.1515. White, pink and black marble, approx. 500 by 250 cm. (Cathedral of S. Maria Assunta, Reggio Emilia; photograph Archivio Franco Cosimo Panini Editore S.p.a. – Arcidiocesi di Modena-Nonantola).
Attributed works:
19. Baptism of Christ, by Francesco Caprioli (?). 1497. Fresco, approx. 400 cm. (Baptistry, Reggio Emilia; photograph Diocesi di Reggio Emilia e Guastalla).
Attributed works:
2. Design for a funerary monument, here attributed to Bartolomeo Spani. c.1510–20. Pen and brown ink and wash, with light pink wash over stylus indentations, on paper, 39 by 27.4 cm. (Morgan Library & Museum, New York).
Attributed works:
20. Monstrance (now forming a reliquary of St Concordia), by the workshop of Bartolomeo Spani. 1517. Cast, chiselled and gilded silver, 44 by 17 cm. (SS. Donnino and Biagio, Rubiera; photograph Diocesi di Reggio Emilia e Guastalla).
Attributed works:
21. Design for a pax, here attributed to Bartolomeo Spani. c.1510–20. Pen and brown ink on paper, 20.2 by 14.3 cm. (Morgan Library & Museum, New York).
Attributed works:
3. Funerary monument of Francesco Molza, by Bartolomeo Spani. 1516. White, pink and polychrome marble, approximately 540 by 270 cm. (Cathedral of SS. Maria Assunta and Geminiano, Modena; photograph Archivio Franco Cosimo Panini Editore S.p.a. – Arcidiocesi di Modena-Nonantola).
Attributed works:
4. Processional cross, by Bartolomeo Spani. 1508–09. Cast, chiselled and gilded silver, 76 by 63 cm. (Cathedral of S. Maria Assunta, Reggio Emilia; photograph Diocesi di Reggio Emilia e Guastalla).
Attributed works:
5. Detail of Fig.4, showing the figure of God the Father on the reverse.
Attributed works:
6. St Simeon of Polirone in Jerusalem, exorcising demons from men possessed, by Bartolomeo Spani. c.1516 (model, later cast, perhaps nineteenth century). Bronze, 6.14 by 18.5 cm. (National Gallery of Art, Washington).
Attributed works:
7. Detail of Fig.6, showing a soldier.
Attributed works:
8. Detail of Fig.2, showing a prophet.
Attributed works:
9. Detail of Fig.6, showing a monk.
Publication Received
Figure & Lettering: Sepulchral Sculpture of the Jagiellonian Period in Bohemia. By Jan Chlíbec and Jiří Rohácěk
06/2017 | 1371 | 159
Pages: 486
related names
Reviewer:
Gajdošova, Jana (Gajdošova, Jana)
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dates:
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Article
Giovanni Angelo Frumenti and his tomb in S. Maria Maggiore: a proposed new work by Gian Lorenzo Bernini
07/2016 | 1360 | 158
Pages: 518-528
related names
Author:
Ostrow, Steven F. (Ostrow, Steven F.)
Subjects
dates:
Illustrations
Attributed works:
2. Cenotaph of Giovanni Angeli Frumenti, attributed to the workshop of Carlo Maderno (with bust attributed to Gian Lorenzo Bernini). 1621 (S. Maria Maggiore, Rome; photograph: Alessandro Vasari)
Attributed works:
3. Plan of S. Maria Maggiore (the arrow indicates the original location of the Frumenti cenotaph), from P. De Angelis: Basilicae S. Mariae Maioris de Urbe a Liberio Papa I usque ad Paulum V Pont. Max. Descriptio et Delineato, Rome 1621, p.94
Attributed works:
4. Bust of Giovanni Angelo Frumenti, attributed to Gian Lorenzo Bernini. c.1615-17 (S.Maria Maggiore, Rome; photograph: Alessandro Vasari)
Attributed works:
5. Bust of Giovanni Vigevano, by Gian Lorenzo Bernini.c.1620 (S. Maria sopra Minerva, Rome)
Attributed works:
6. Bust of Pedro de Foix Montoya, by Gian Lorenzo Bernini. c.1622 (S. Maria Monserrato, Rome)
Attributed works:
7. Bust of Monsignor Carlo Antonio dal Pozzo, by Gian Lorenzo Bernini. c.1623 (National Galleries of Scotland, Edinburgh)
Attributed works:
8. Bust of Cardinal Alessandro Damasceni Peretti Montalto, by Gian Lorenzo Bernini. c.1623 (Kunsthalle, Hamburg; photograph: bpk, Berlin/Hamburger Kunsthalle/Elke Walford/Art Resource, NY)
Attributed works:
9. Detail of Aeneas and Anchises, by Gian Lorenzo Bernini. 1618-19 (Galleria Borghese, Rome; photograph: Livio Pestilli)
Western art unattributed:
1. Baptistery of S. Maria Maggiore, Rome. (Photograph: Livio Pestilli)
Publication Received
Funerary Arts and Tomb Cult. Living with the Dead in France, 1750–1870
05/2013 | 1322 | 155
Pages: 340
related names
Reviewer:
Ward-Jackson, Philip (Ward-Jackson, Philip; Ward-Jackson, Phillip; Jackson, Philip Ward; Ward-Jackon, Philip)
Subjects
dates:
places:
Article
Peter Mathias Van Gelder’s monument to Mary, 3rd Duchess of Montagu, in St Edmund’s, Warkton, Northamptonshire
04/2013 | 1321 | 155
Pages: 220-229
related names
Author:
Lindley, Phillip (Lindley, Phillip)
Subjects
dates:
Illustrations
Attributed works:
1. Monument to Mary, 3rd Duchess of Montagu, by Peter Mathias Van Gelder. 1777-82. (St Edmund's, Warkton, Northamptonshire).
Attributed works:
10. Detail of the monument illustrated in Fig.1 showing the funerary urn.
Attributed works:
11. Detail of the monument illustrated in Fig.1 showing marble repair to the rear of the figure of the widow.
Attributed works:
12. Detail of the monument illustrated in Fig.1 showing the inscription.
Attributed works:
13. Detail of the monument illustrated in Fig.1 showing the addition to the rear of the main sculptural group and the carved inscription 'I. Bentjes' and date '10 November 1781'.
Attributed works:
15. Monument to Catherine Jekyll at St Andrew's, Arthingworth, by Peter Mathias Van Gelder. c.1775. Inscribed 'Van Gelder fecit'.
Attributed works:
16. Detail of the monument illustrated in Fig.2 showing the section of drapery added by Peter Mathias Van Gelder to Roubiliac's statue of the 2nd Duchess of Montagu.
Attributed works:
17. Section of marble representing the garter sash from the monument illustrated in Fig.2.
Attributed works:
2. Monument to John, 2nd Duke of Montagu, by Louis François Roubiliac. 1749-55. (St Edmund's, Warkton, Northamptonshire).
Attributed works:
3. Monument to Mary, 2nd Duchess of Montagu, by Louis François Roubiliac. 1753-55. (St Edmund's, Warkton, Northamptonshire).
Attributed works:
4. Monument to Elizabeth, Duchess of Buccleuch, by Thomas Campbell. 1830-43. (St Edmund's, Warkton, Northamptonshire).
Attributed works:
5. Detail of the monument illustrated in Fig.1 showing relief of mourning woman with an easel and palette, representing Painting.
Attributed works:
6. Detail of the monument illustrated in Fig.1 showing the weeping boy at the feet of the dying Duchess.
Attributed works:
7. Detail of the monument illustrated in Fig.1 showing the figure representing the widow.
Attributed works:
8. Detail of the monument illustrated in Fig.1 showing the angel in the main sculptural group.
Attributed works:
9. Detail of the monument illustrated in Fig.1 showing the dying Duchess.
Western art unattributed:
14. Marble altar steps, chancel, St Edmund's, Warkton, Northamptonshire.
Book Review
Römische Grabmäler der Hochrenaissance. Typologie – Ikonographie – Stil
08/2012 | 1313 | 154
Pages: 581
related names
Reviewer:
Jong, Jan de (Jong, Jan de)
Subjects
dates:
places:
Reviewed Items
subjects:
Römische Grabmäler der Hochrenaissance. Typologie – Ikonographie – Stil | author: Götzmann, Jutta
Article
Decorum and celebration of the family line: Robert Adam’s monuments to the 1st Duchess of Northumberland
05/2010 | 1286 | 152
Pages: 288-296
related names
Author:
Aymonino, Adriano (Aymonino, Adriano)
Subjects
artists:
dates:
Illustrations
Attributed works:
1. Project for the monument to the 1st Duchess of Northumberland in Westminster Abbey, from Robert Adam’s office. 1778. Pen with grey wash, 59.2 by 42.9 cm. (Sir John Soane’s Museum, London).
Attributed works:
10. Monument to Samuel Egerton, St Mary’s church, Rostherne, Cheshire, by John Bacon. 1792. White marble.
Attributed works:
2. Monument to the Duchess of Northumberland, St Nicholas chapel, West­minster Abbey, by Robert Adam and Nicholas Read. 1778–82. White and black marble.
Attributed works:
3. Sketch for a sarcophagus for the Duchess of Northumberland at Alnwick Castle, by Robert Adam. c.1778. Pencil with grey wash, 17.5 by 24.6 cm. (Sir John Soane’s Museum, London).
Attributed works:
5. Project for the monument to John Sheffield, 1st Duke of Buckingham, in Westminster Abbey, by James Gibbs. From J. Gibbs: A Book of Architecture, London 1728, pl.116.
Attributed works:
7. Detail of Fig.1.
Attributed works:
8. Detail of Fig.2.
Western art unattributed:
4. Plan of Westminster Abbey. From Central London Atlas-Guide. Designed by Bartholomew, Edinburgh 1951, p.35.
Western art unattributed:
6. Monument to Anne Seymour, Duchess of Somerset, St Nicholas chapel, Westminster Abbey. After 1587. Mixed materials.
Western art unattributed:
9. Coat of arms of the Percy family. From A. Collins: The Peerage of England . . ., London 1779, II, p.280, pl.25.
Book Review
English Church Monuments in the Middle Ages: History and Representation
05/2010 | 1286 | 152
Pages: 327-328
related names
Reviewer:
Lindley, Phillip (Lindley, Phillip)
Subjects
places:
Reviewed Items
subjects:
English Church Monuments in the Middle Ages: History and Representation | author: Saul, Nigel
Illustrations
Western art unattributed:
35. Tomb of William Longespée, Earl of Salisbury. Died 1226. Doulting stone on a (later) wooden chest, 205 cm. long. (Salisbury Cathedral, Wiltshire; photograph by John Crook).
Article
‘Love, Sympathy and Tenderness’: Bertram Mackennal’s monument to Lord and Lady Curzon
11/2009 | 1280 | 151
Pages: 755-762
related names
Author:
Stocker, Mark (Stocker, Mark)
Subjects
dates:
places:
Illustrations
Attributed works:
23. Monument to Mary Victoria and George Nathaniel Curzon, by Bertram Mackennal. 1907–13. Seravezza marble on black marble plinth, c.200 by 160 by 130 cm. (All Saints’ Church, Kedleston, Derbyshire).
Attributed works:
25. Wrought-iron grille in the Curzon Memorial Chapel, by Barkentin & Krall.
Attributed works:
27. Detail of Fig.23.
Attributed works:
28. Detail of Fig.23.
Attributed works:
29. Purity and Beauty, detail of Fig.23.
Attributed works:
30. Contemplation, detail of Fig.23.
Attributed works:
31. Government, detail of Fig.23.
Attributed works:
32. Detail of side relief of Fig.23.
Attributed works:
33. Detail of side relief of Fig.23.
Attributed works:
34. Detail of Fig.23.
Western art unattributed:
24. Curzon Memorial Chapel, 1907–13. All Saints’ Church, Kedleston, Derbyshire. (Photograph courtesy of the Churches Conservation Trust).
Western art unattributed:
26. Bertram Mackennal in his studio, working on a model for a monument to Gainsborough, with the bronze Circe behind. Photograph, c.1910. (La Trobe Picture Collection, State Library of Victoria, Melbourne).
Publication Received
Lutyens and the Great War
11/2009 | 1280 | 151
Pages: 787
related names
Reviewer:
Trumble, Angus (Trumble, Angus)
Subjects
dates:
dates:
Reviewed Items
subjects:
Lutyens and the Great War | author: Gliddon, Gerald , author: Skelton, Tim , introduction by: Stamp, Gavin
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