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132 articles
Article
Raphael’s Villa Madama: a document of 1519
01/2021 | 1414 | 163
Pages: 22-27
related names
Author:
Davies, Paul (Davies, Paul)
Subjects
dates:
places:
Illustrations
Attributed works:
1. The unfinished circular courtyard of Villa Madama, Rome, by Raphael. Designed 1518. (Photograph © Raffaello Bencini; Bridgeman Images).
Attributed works:
2. Plan of Villa Madama, Rome, showing the reconstructed final scheme, including the gardens: A – Road leading to the Vatican; B – New land purchased in 1519; C – Facade towards Vatican; and D – Terrace in front of the stables. Drawn by the author, after D.R. Coffin: ‘The plans of Villa Madama’, Art Bulletin 49 (1967).
Attributed works:
3. Project for the south east part of the Villa Madama incorporating the newly purchased land, by Antonio da Sangallo the Younger. 1519. Pen-and-ink over incised lines on paper, 56.3 by 43.2 cm. (Galleria degli Uffizi, Florence, GDSA 179A).
Attributed works:
4. Detail of a large project for the Villa Madama, Rome, showing the south-east corner of the villa and the area designated for the new gardens, by Antonio da Sangallo the Younger. 1519. Pen-and-ink on paper, max. 60.1 by 125.8 cm. (Galleria degli Uffizi, Florence, GDSA 314A).
Attributed works:
5. Elevation and section of the Villa Madama, Rome, with survey details of the land designated for the garden, by Antonio da Sangallo the Younger. 1519. Pen-and-ink over incised lines on paper, max. 38.5 by 59.4 cm. (Galleria degli Uffizi, Florence, GDSA 1518A).
Attributed works:
6. Project for a terraced garden at Villa Madama, Rome, by Raphael. 1519. Pen and ink over incised lines on paper, 53.1 by 39.5 cm. (Galleria degli Uffizi, Florence, GDSA 1356A).
Article
Architectural history after Summerson
08/2020 | 1409 | 162
Pages: 686-693
related names
Author:
Brindle, Steven (Brindle, Steven)
Subjects
museums and institutions:
Illustrations
Attributed works:
1. John Summerson in Sir John Soane's Museum, London. Photograph by Stephen Hyde, 1984. (National Portrait Gallery, London).
Attributed works:
4. Design for the Banqueting House, Whitehall, by Inigo Jones. c.1619. Pen and ink with wash over graphite, 36.6 by 43.7 cm. (Chatsworth House, Derbyshire; photograph © The Devonshire Collections.)
Attributed works:
5. The Midland Grand Hotel, St Pancras Station, London, by George Gilbert Scott. 1867–76. Photograph by Bedford Lemere, 1881. (Bridgeman Images).
Western art unattributed:
2. The Great Hall, Hampton Court Palace, London. c.1532–35. (Historic Royal Palaces).
Western art unattributed:
3. Swakeleys, Hillingdon, London. 1638. (Wikimedia Commons).
Book Review
South-East Marylebone (Survey of London, 51 and 52). Edited by Philip Temple, Colin Thom and Andrew Saint
02/2019 | 1391 | 161
Pages: 171-172
Book Review
Die Stadt von der Neuzeit bis zum 19. Jahrhundert: Urbane Entwürfe in Europa und Nordamerika. By Vittorio Magnago Lampugnani
01/2019 | 1390 | 161
Pages: 92-93
Book Review
Cottages Ornés: The Charms of the Simple Life. By Roger White
01/2019 | 1390 | 161
Pages: 89-90
Book Review
Agostino Zoppo. By Luca Siracusano
01/2019 | 1390 | 161
Pages: 84-85
related names
Reviewer:
Warren, Jeremy (Warren, Jeremy)
Subjects
collectors and dealers:
dates:
places:
Illustrations
Attributed works:
1. The mountain of Hell, by Agostino Zoppo. 1550–60. Bronze, height 26 cm. (Victoria and Albert Museum, London.)
Article
The ‘Martinoff Drawings’: a quest for Russian art at the South Kensington Museum
12/2018 | 1389 | 160
Pages: 1006-1015
related names
Author:
Hardiman, Louise (Hardiman, Louise)
Subjects
Illustrations
Attributed works:
1. Copy of decoration in a sixteenth-century manuscript of the Gospels in the Patriarchal Library, Moscow, by Nikolai Martynov. c.1880–81. Watercolour and pencil on paper, 39.3 by 26.7 cm. (Victoria and Albert Museum, London, no.M.10.b: 8881).
Attributed works:
10. Detail of The mitre of the Patriarch Job (1586–1605) in the treasury of the Patriarch, Moscow, by Nikolai Martynov. c.1880–81. Watercolour and pencil on paper, 30.5 by 21.6 cm. (Victoria and Albert Museum, London; no.M.10.b: 8854).
Attributed works:
11. Detail of Two pairs of eyeglasses, and cases for same, of the Patriarch Nikon (1652–1658) in the treasury of the Patriarch, Moscow, by Nikolai Martynov. c.1880–81. Watercolour and pencil on paper, 35.5 by 25.4 cm. (Victoria and Albert Museum, London; no.M.10.a: 8858).
Attributed works:
12. A saccos (dalmatic) of the Metropolitan Dionysy, made by order of Tsar Ivan Vasilievich (1530–1584) in the treasury of the Patriarch, Moscow, 16th century (second half), by Nikolai Martynov. c.1880–81. Watercolour and pencil on paper, 38 by 26.8 cm. (Victoria and Albert Museum, London; no.M.10.b: 8873).
Attributed works:
2. Detail of Church of the Holy Trinity, Ostankino, near Moscow, by Nikolai Martynov. c.1880–81. Watercolour and pencil on paper, 36.9 by 24.2 cm. (Victoria and Albert Museum, London; no.M.10.a: 8845).
Attributed works:
4. Detail of The Panagia of the Patriarch Job (1586–1605) in the treasury of the Patriarch, Moscow, by Nikolai Martynov. c.1880–81. Watercolour and pencil on paper, 25.4 by 36.3 cm. (Victoria and Albert Museum, London; no.M.10.a: 8842).
Attributed works:
5. Detail of A halo from the image of the Virgin in the sacristy of the Convent of the Transfiguration of Our Lord, Staraya Russa, Novgorod, by Nikolai Martynov. c.1880–81. Watercolour and pencil on paper, 35.5 by 28.5 cm. (Victoria and Albert Museum; London; no.M.10.a: 8861).
Attributed works:
6. Detail of The Pastoral Staff of the Patriarch Nikon (1652–1658), in the treasury of the Patriarch, Moscow, by Nikolai Martynov. c.1880–81. Watercolour and pencil on paper, 28.5 by 35.5 cm. (Victoria and Albert Museum, London; no.M.10.a: 8855).
Attributed works:
7. A censer at the Convent of the Blessed Virgin, Serpukhov, Province of Moscow, by Nikolai Martynov. c.1880–81. Watercolour and pencil on paper, 37 by 28.5 cm. (Victoria and Albert Museum, London, no.M.10.a: 8849).
Attributed works:
8. Detail of The klobouk (headdress of the Greek friars), of the Patriarch Nikon (1652–1658), in the treasury of the Patriarch, Moscow, by Nikolai Martynov. c.1880–81. Watercolour and pencil on paper, 33 by 22.9 cm. (Victoria and Albert Museum, London; no.M.10.b: 8853).
Attributed works:
9. A sash of the Patriarchs, in the treasury of the Patriarch, Moscow, by Nikolai Martynov. c.1880–81. Watercolour and pencil on paper, 36.8 by 22.9 cm. (Victoria and Albert Museum, London; no.M.10.b: 8877).
Non-western art unattributed:
3. Reliquary or triple cross, after a seventeenth-century original at the Cathedral of the Dormition, Moscow, at the time of reproduction. c.1881. Electrotype, 32.4 by 16.5 by 3.2 cm. (Metropolitan Museum of Art, New York).
Publication Received
Sculpture on the Move 1946–2016. Edited by Bernhard Mendes Bürgi
11/2018 | 1388 | 160
Pages: 987
related names
Reviewer:
Vernon, Jonathan (Vernon, Jonathan ; V., J.)
Subjects
media:
museums and institutions:
places:
Book Review
Subject Matter in Italian Renaissance Art: A Study of Early Sources. By Joseph Manca
10/2018 | 1387 | 160
Pages: 877-878
Book Review
Thai Art: Currencies of the Contemporary. By David Teh
10/2018 | 1387 | 160
Pages: 875
related names
Reviewer:
Godfrey, Tony (Godfrey, Tony)
Subjects
places:
Illustrations
Attributed works:
8. Installation view of Breast stupa cookery, by Pinaree Sanpitak. 2005–ongoing. Project documentation from Fukuoka Asian Art Museum, 2012. (Courtesy the artist; photograph Kiyoyuki Sawai).
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