By using this website you agree to our Cookie policy

Search

142 articles
Article
A rediscovered ‘Pietà’ by Andrea del Sarto
03/2024 | 1452 | 166
Pages: 236–243
related names
Author:
Franklin, David (Franklin, David)
Subjects
art literature:
artists:
dates:
Illustrations
Attributed works:
1. Infra-red image of Fig.2. (Courtesy Institute of Fine Arts, New York).
Attributed works:
2. Pietà, by Andrea del Sarto. c.1515. Oil on panel, 76.8 by 59 cm. (Private collection).
Attributed works:
3. Christ the Redeemer, by Andrea del Sarto. c.1511–12. Oil on panel, 47 by 27 cm. (SS. Annunziata, Florence; Bridgeman Images).
Attributed works:
4. Pietà, by Perugino. c.1494–98. Oil on panel, 71.8 by 92.6 cm. (Clark Art Institute, Williamstown MA).
Attributed works:
5. Pietà with three angels, by Agostino Veneziano after Andrea del Sarto. 1516. Engraving on paper, 28.8 by 21.9 cm. (Metropolitan Museum of Art, New York).
Attributed works:
6. Two studies of a right hand, by Andrea del Sarto. c.1515. Red chalk on paper, 8 by 18.9 cm. (Gallerie degli Uffizi, Florence).
Attributed works:
7. Baptism of the multitudes, by Andrea del Sarto. 1515–16. Fresco, 192 by 205 cm. (Chiostro del Scalzo, Florence; Bridgeman Images).
Short Notice
A panel painting of Our Lady with the Child by Leonardo
04/2023 | 1441 | 165
Pages: 412-413
related names
Author:
Spallanzani, Marco (Spallanzani, Marco)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Virgin and Child enthroned with Sts Dionysius the Aeropagite, Domenic, Clement and Thomas Aquinas, by Domenico Ghirlandaio. 1481–83. Oil on panel, 168 by 197 cm. (Gallerie degli Uffizi, Florence; photograph Nicolò Orsi Battaglini; Bridgeman Images).
Article
A drawing by Michelangelo for the ‘Worship of the Brazen Serpent’
03/2023 | 1440 | 165
Pages: 220-25
related names
Author:
Joannides, Paul (Joannides, Paul; J., P.; Joannides, P. E. A.)
Subjects
artists:
dates:
subjects:
subjects:
Illustrations
Attributed works:
1. The backing sheet of Fig.2, showing the collector’s stamps of Chambers Hall (bottom left) and Robert Mond (centre), and the inscription by J.C. Robinson.
Attributed works:
10. Study for an ignudo on the ceiling of the Sistine Chapel, by Michelangelo. c.1511. Red chalk with white highlights and lead pen on paper, 27.9 by 21.4 cm. (Teylers Museum, Haarlem).
Attributed works:
2. Study for a figure in the Worship of the Brazen Serpent, by Michelangelo. Probably 1512. Red chalk on paper, 15.7 by 19.3 cm. (Private collection).
Attributed works:
3. Detail of Fig.2, showing the partial watermark.
Attributed works:
4. Detail of the backing sheet of Fig.2, showing the watermark.
Attributed works:
5. Detail of Fig.2, rotated 90 degrees clockwise and showing folds in the sheet caused by excessive paste.
Attributed works:
6. Worship of the Brazen Serpent, by Michelangelo. Fresco. 1508–12. (Sistine Chapel, Vatican; The Picture Art Collection; Alamy Stock Photo).
Attributed works:
7. Study for Adam in the Creation of Adam, by Michelangelo. 1511. Red chalk over stylus on paper, 19.3 by 25.9 cm. (British Museum, London).
Attributed works:
8. Detail of Fig.2, showing the irregular shapes on the figure’s left thigh.
Attributed works:
9. Detail of Fig.2, showing the orientation lines at the bottom right of the sheet.
Article
Raphael’s Villa Madama: a document of 1519
01/2021 | 1414 | 163
Pages: 22-27
related names
Author:
Davies, Paul (Davies, Paul)
Subjects
dates:
places:
Illustrations
Attributed works:
1. The unfinished circular courtyard of Villa Madama, Rome, by Raphael. Designed 1518. (Photograph © Raffaello Bencini; Bridgeman Images).
Attributed works:
2. Plan of Villa Madama, Rome, showing the reconstructed final scheme, including the gardens: A – Road leading to the Vatican; B – New land purchased in 1519; C – Facade towards Vatican; and D – Terrace in front of the stables. Drawn by the author, after D.R. Coffin: ‘The plans of Villa Madama’, Art Bulletin 49 (1967).
Attributed works:
3. Project for the south east part of the Villa Madama incorporating the newly purchased land, by Antonio da Sangallo the Younger. 1519. Pen-and-ink over incised lines on paper, 56.3 by 43.2 cm. (Galleria degli Uffizi, Florence, GDSA 179A).
Attributed works:
4. Detail of a large project for the Villa Madama, Rome, showing the south-east corner of the villa and the area designated for the new gardens, by Antonio da Sangallo the Younger. 1519. Pen-and-ink on paper, max. 60.1 by 125.8 cm. (Galleria degli Uffizi, Florence, GDSA 314A).
Attributed works:
5. Elevation and section of the Villa Madama, Rome, with survey details of the land designated for the garden, by Antonio da Sangallo the Younger. 1519. Pen-and-ink over incised lines on paper, max. 38.5 by 59.4 cm. (Galleria degli Uffizi, Florence, GDSA 1518A).
Attributed works:
6. Project for a terraced garden at Villa Madama, Rome, by Raphael. 1519. Pen and ink over incised lines on paper, 53.1 by 39.5 cm. (Galleria degli Uffizi, Florence, GDSA 1356A).
Short Notice
A newly discovered painting of Adam and Eve by Pontormo
09/2020 | 1410 | 162
Pages: 779-781
related names
Author:
Franklin, David (Franklin, David)
Subjects
artists:
dates:
media:
Illustrations
Attributed works:
5. Adam and Eve after the Fall of Man, by Jacopo Carucci, called Il Pontormo. c.1518. Oil on canvas, 46 by 35.5 cm. (Private collection).
Attributed works:
6. Joseph with Jacob in Egypt, by Jacopo Carucci, called Il Pontormo. c.1518. Oil on panel, 96.5 by 109.5 cm. (National Gallery, London).
Article
Identifying Hans Baldung Grien’s colour printer, c.1511–12
10/2019 | 1399 | 161
Pages: 830-839
related names
Author:
Savage, Elizabeth (Savage, Elizabeth)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Preparation for the witches’ sabbath, by Hans Baldung Grien. 1510. Woodcut (two blocks: grey, black), 38.9 by 27 cm. (Metropolitan Museum of Art, New York).
Attributed works:
10. Tabula prima Europae, by Martin Waldseemüller, from Ptolemy: Geography, transl. by M. Ringmann and ed. by J. Aesler and G. Übelin. Woodcut (two blocks: green, black), sheet approx. 45 by 31 cm. (Library of Congress, Washington).
Attributed works:
11. Border with Fates and Judgment of Paris, from Ptolemy: Geography, transl. by M. Ringmann and ed. by J. Aesler and G. Übelin, with maps by Martin Waldseemüller, printed by Johann Schott. Strasbourg 1520. Woodcut (two blocks: yellow-brown, black), red letterpress, borders 33.7 by 25.5 cm. (Bayerische Staatsbibliothek, Munich).
Attributed works:
12. Border with wild men and the imperial eagle, from Ovid: Metamorphoses Book XV, printed by Johann Schott. Strasbourg 1515. Woodcut (two blocks: red, black), 15.1 by 21.1 cm. (Bayerische Staatsbibliothek, Munich).
Attributed works:
2. Fall of man, by Hans Baldung Grien. 1511. Woodcut (two blocks: greybrown, black), 38 by 25.8 cm. (Metropolitan Museum of Art, New York).
Attributed works:
3. Border with animals behind a fence, from Walter of Châtillon: Alexandreis, printed by Reinhard Beck, Strasbourg 1513. Woodcut (two blocks: pink, black), 14 by 11.3 cm. (Bayerische Staatsbibliothek, Munich).
Attributed works:
4. Border with garlands, from J. Geiler von Kaisersberg: Evangelia mit Auslegung, ed. J. Pauli, printed by Johann Grüninger, Strasbourg 1517. Woodcut (one block: red, black), binding 21.3 by 31.5 cm. (Bayerische Staatsbibliothek, Munich).
Attributed works:
5. Border with wild family, signed E.F., G.W. and V.A., from L. Fries: Spiegel der Arznei, printed by Johann Grüninger, Strasbourg 1518. Woodcut (eight blocks: red, black), sheet 19.3 by 28.2 cm. (Bayerische Staatsbibliothek, Munich).
Attributed works:
6. Border with wild men and the imperial eagle, from J. Cochlaeus: Grammatices rudimenta, printed by Johann Knobloch, Strasbourg 1519. Woodcut (two blocks: red, black). (Zentralbibliothek, Zürich).
Attributed works:
7. Border with vines and imperial eagle, from N. de Tudeschis (Panormitanus): Lectura aurea, printed by Johann Schott for Georgius Maxillus (Georg Übelin). Strasbourg, 5th November 1510. Woodcut (two blocks: brown, black), sheet 9.2 by 20.5 cm. (Herzog August Bibliothek, Wolfenbüttel).
Attributed works:
8. Border with wrestling putti, from J. López: De libertate ecclesiastica tractatus, printed by Johann Schott. Strasbourg 1511. Woodcut (two blocks: red, black), sheet 21.5 by 14.8 cm. (Bayerische Staatsbibliothek, Munich).
Attributed works:
9. Chorographia Lotharingie, from Ptolemy: Geography, transl. by M. Ringmann and ed. by J. Aesler and G. Übelin, with maps by Martin Waldseemüller, printed by Johann Schott. Strasbourg 12th or 15th March 1513. Woodcut (three formes, including woodblocks and moveable type: red, green, black), borders 36.3 by 26.2 cm. (Herzog August Bibliothek, Wolfenbüttel).
Article
Correggio’s reclining ‘Magdalen’ rediscovered
07/2019 | 1396 | 161
Pages: 556-561
related names
Author:
Ekserdjian, David (Ekserdjian, David; E., D.)
Subjects
dates:
media:
places:
Illustrations
Attributed works:
1. St Mary Magdalen, here attributed to Correggio. c.1519. Panel, 22.5 by 28 cm. (Private collection).
Attributed works:
2. St Mary Magdalen, here identified as a painting after Correggio. Before 1609. Copper, 29 by 39.5 cm. (Formerly Gemäldegalerie, Dresden).
Attributed works:
3. Infra-red reflectogram of Fig.1.
Attributed works:
4. St Mary Magdalen, by Cristofano Allori after Correggio. c.1600. Copper, 29.6 by 43 cm. (Palazzo Pitti, Florence; Bridgeman Images).
Attributed works:
5. Detail of Fig.1, showing a seascape and a monastic building.
Attributed works:
6. St Mary Magdalen, by Raffaello Morghen (1758–1833), after Correggio. Engraving, 15.6 by 20.4 cm. (British Museum, London).
Attributed works:
7. St Mary Magdalen, by Correggio. c.1518–19. Canvas, 38.1 by 30.5 cm. (National Gallery, London).
Short Notice
The patron of Raphael’s ‘Madonna of the candelabra’ and its medieval sources
06/2019 | 1395 | 161
Pages: 491-493
related names
Author:
Cavazzini, Patrizia (Cavazzini, Patrizia)
Subjects
dates:
museums and institutions:
Illustrations
Attributed works:
5. The Madonna of the candelabra, by Raphael and his workshop. c.1514. Panel, 65.7 by 64 cm. (The Walters Art Museum, Baltimore).
Attributed works:
6. Virgin and Child, attributed to the circle of Jacopo Torriti. Mosaic, thirteenth century. (S. Maria in Aracoeli, Rome).
Attributed works:
7. Virgin and Child between St John the Baptist and St John the Evangelist, by the workshop of Pietro Cavallini. Fresco, end of the thirteenth century. (S. Maria in Aracolei, Rome).
Article
Meynnart Wewyck and the portrait of Lady Margaret Beaufort in the Master’s Lodge, St John’s College, Cambridge
04/2019 | 1393 | 161
Pages: 314-319
related names
Author:
BOLLAND, Charlotte (BOLLAND, Charlotte)
Author:
Chen, Andrew (Chen, Andrew)
Subjects
dates:
Illustrations
Attributed works:
1. Lady Margaret Beaufort, by Meynnart Wewyck. c.1510. Panel, 180 by 122 cm. (St John’s College, Cambridge; courtesy the Master and Fellows of St John’s College, Cambridge).
Attributed works:
2. Detail of Fig.1, showing the lower edge of the engaged frame. (Courtesy National Portrait Gallery, London).
Attributed works:
3. Detail of Fig.6, showing the lower edge of the engaged frame. (Courtesy Hamilton Kerr Institute, Cambridge).
Attributed works:
4. Right Reverse of Fig.1. (Courtesy Hamilton Kerr Institute, Cambridge).
Attributed works:
5. Lady Margaret Beaufort, by Rowland Lockey, after Meynnart Wewyck. 1596. Panel, 180.1 by 115.9 cm. (St John’s College, Cambridge; courtesy the Master and Fellows of St John’s College, Cambridge).
Attributed works:
6. Henry VII, here attributed to Meynnart Wewyck. c.1501–09. Panel, 38 by 24.5 cm. (Society of Antiquaries, London).
Attributed works:
7. Margaret Beauchamp, Duchess of Somerset [?], installed by Simon Symondes and Thomas Peghe. c.1510. Stained glass. (Christ’s College, Cambridge).
Article
Signorelli in Rome
06/2017 | 1371 | 159
Pages: 440-441
related names
Author:
Henry, Tom (Henry, Tom)
Subjects
artists:
dates:
places:
Illustrations
Attributed works:
1. The rebellious slave, by Michelangelo. 1513 (Musée du Louvre, Paris)
load more