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20 articles
Article
The Bayeux Tapestry photographed
05/2023 | 1442 | 165
Pages: 494-501
related names
Author:
Ravilious, Ella (Ravilious, Ella)
Subjects
museums and institutions:
Illustrations
Attributed works:
11. Detail from a copy of the Bayeux Tapestry, showing Edward the Confessor, by the Leek Embroidery Society. 1885. Linen embroidered with wool, height 66 cm. (Reading Museum).
Attributed works:
12. Detail from the Bayeux Tapestry, showing Harold and Edward the Confessor, by Percy Hennell. 1956. Colour transparency reproduced as a tipped-in etched print made by John Swain and Son Ltd., 25.5 by 23.5 cm. (From F. Stenton: The Bayeux Tapestry, London, 1957; Victoria and Albert Museum, London).
Attributed works:
14. The Bayeux Tapestry being photographed in storage, Bayeux, 2017. (La Fabrique de patrimoines en Normandie 2017; photograph Antoine Cazin and Guillaume Debout).
Attributed works:
6. Glass-plate negative of a detail from the Bayeux Tapestry, showing a brass joint of the display case with another section of the Tapestry in the background, by Edward Dossetter. 1872. 30.5 by 30.5 cm. (Victoria and Albert Museum Archive, London, MA/90/9727).
Attributed works:
7. Glass internegative of a section of the Bayeux Tapestry wrapped round the edge of the display mount, marked up for cropping, probably by Joseph Cundall. 1872. 66 by 58.4 cm. (Victoria and Albert Museum Archive, London, MA/90/9727NO).
Attributed works:
8. Detail from the Bayeux Tapestry, showing a house being burned. Hand-coloured photograph made from a negative by Edward Dossetter. 1872. Probably Albertype. (Victoria and Albert Museum, London, acc. no.E.573:1 to 25-2005).
Attributed works:
9. Complete version of a hand-coloured photograph of the Bayeux Tapestry published by the Arundel Society, on its original stand. Probably Albertype, height 140 cm. (Courtesy Bonhams).
Western art unattributed:
1. Detail from the Bayeux Tapestry, showing news brought to William about Harold. England, 11th century. Wool embroidery on linen, height 50 cm. (Courtesy City of Bayeux, Direction régionale des affaires culturelles (DRAC) Normandie, Caen, University of Caen Normandie, Centre national de la recherche scientifique (CNRS), Paris, and École nationale supérieure d’ingénieurs de Caen (ENSICAEN), Caen; photograph La Fabrique de patrimoines en Normandie 2017).
Western art unattributed:
10. Lantern slide of a detail from the Bayeux Tapestry showing the speaker’s notes above the scene. c.1899. 9.3 by 30.5 cm. (Victoria and Albert Museum Archive, London, MA90/20078 to 20084).
Western art unattributed:
13. Detail from the Bayeux Tapestry, showing Harold and his soldiers riding to Bosham. England, 11th century. Wool embroidery on linen, height 50 cm. (Courtesy City of Bayeux, Direction régionale des affaires culturelles (DRAC) Normandie, Caen, University of Caen Normandie, Centre national de la recherche scientifique (CNRS), Paris, and École nationale supérieure d’ingénieurs de Caen (ENSICAEN), Caen; photograph La Fabrique de patrimoines en Normandie 2017).
Western art unattributed:
2. Detail from the Bayeux Tapestry, showing news brought to William about Harold, a hand-coloured photograph made from a negative by Edward Dossetter. 1872. Probably Albertype. (Victoria and Albert Museum, London, acc. nos.E.573:1 to 25-2005)
Western art unattributed:
3. Detail from the Bayeux Tapestry, showing news brought to William about Harold, by James Basire, after Charles Alfred Stothard. 1816–19. Hand-coloured engraving, 35 by 76 cm. (Society of Antiquaries of London).
Western art unattributed:
4. Detail from the Bayeux Tapestry, showing news brought to William about Harold, by Josef Albert after a drawing commissioned by John Collingwood Bruce. Salt print, 15.4 by 13.2 cm. (From The Conquest of England, From Wace’s Poem of the Roman de Rou, transl. A. Malet, London 1860; J. Paul Getty Museum, Los Angeles).
Western art unattributed:
5. The Bayeux Tapestry on display in the Galerie Mathilde, Bayeux. Postcard, c.1904. (Musée de la Tapisserie de Bayeux).
Article
‘Goethe’s house is severely wrecked’: Lee Miller at Buchenwald and Weimar
05/2023 | 1442 | 165
Pages: 502-512
related names
Author:
Günther, Katharina (Günther, Katharina)
Subjects
artists:
museums and institutions:
museums and institutions:
places:
Illustrations
Attributed works:
1. Lee Miller with the essentials of life, by David E. Scherman. 1945. Scan from a vintage negative, 6.1 by 6.1 cm. (Lee Miller Archives, East Sussex).
Attributed works:
10. An Allied flag (probably French) flies in the central courtyard of the Buchenwald concentration camp following liberation, by John M. Stix. April 1945. (United States Holocaust Memorial Museum, courtesy of Judith Saul Stix).
Attributed works:
11. Buidings in Weimar, by Lee Miller. 1945. Schiller’s House is shown in frames 50 and 51. Detail of a vintage contact sheet, 25.4 by 20.2 cm. (Lee Miller Archives, East Sussex).
Attributed works:
2. Buildings in Weimar, showing Goethe’s House in frames 8–12, by Lee Miller. 1945. Vintage contact sheet, 25.4 by 20.2 cm. (Lee Miller Archives, East Sussex).
Attributed works:
3. Released prisoners in striped prison dress beside a heap of bones from bodies burned in the crematorium at Buchenwald, by Lee Miller. Vintage negative, 5.7 by 5.5 cm. (Lee Miller Archives, East Sussex).
Attributed works:
4. The Deputy Bürgermeister’s daughter (Regina Lisso), by Lee Miller. 1945. Scan from a vintage negative, 5.7 by 5.6 cm. (Lee Miller Archives, East Sussex).
Attributed works:
5. Lee Miller in the bathtub in Hitler’s apartment, Munich, by Lee Miller with David E. Scherman. 1945. Vintage gelatin silver print, 11.4 by 10.8 cm. (Lee Miller Archives, East Sussex).
Attributed works:
6. Released prisoner, Buchenwald, by Lee Miller. 1945. Scan from a vintage negative, 5.7 by 5.5 cm. (Lee Miller Archives, East Sussex).
Attributed works:
7. Horrors of a concentration camp, unforgettable, unforgivable, by Lee Miller. 1945. Vintage contact print, 5.8 by 5.6 cm. (Lee Miller Archives, East Sussex).
Attributed works:
8. First funeral procession, Buchenwald, by Lee Miller. 1945. Vintage contact sheet, 25.7 by 20.2 cm. (Lee Miller Archives, East Sussex).
Attributed works:
9. First funeral procession, Buchenwald, by Lee Miller. 1945. Vintage contact print 5.9 by 5.6 cm. (Lee Miller Archives, East Sussex).
Book Review
Rethinking Guernica
11/2021 | 1424 | 163
Pages: 1088-1090
related names
Reviewer:
Laniado-Romero, Bernardo (Laniado-Romero, Bernardo)
Subjects
artists:
Reviewed Items
works:
Rethinking Guernica guernica.museoreinasofia.es (Museo Nacional Centro de Arte Reina Sofía, Madrid). | :
Illustrations
Attributed works:
6. Unrolling ‘Guernica’. 1981. Photograph. (Instituto del Patrimonio Cultural de España).
Article
The Ludovisi Tondo: a rediscovered sculpture by Jacopo della Quercia
01/2021 | 1414 | 163
Pages: 5-14
related names
Author:
Cova, Paolo (Cova, Paolo)
Subjects
dates:
places:
Illustrations
Attributed works:
1. The central courtyard of Rocchetta Mattei. 2019. The Ludovisi Tondo is above the doorway on the right. (Photograph G. Castellani).
Attributed works:
10. Detail of Original sin, by Jacopo della Quercia. 1425–28. Candoglia marble, 91 by 89 cm. (Porta Magna, S. Petronio, Bologna; photograph A. Ventura).
Attributed works:
11. Detail of Expulsion from the Garden of Eden, by Jacopo della Quercia. 1425–28. Candoglia marble, 91 by 89 cm. (Porta Magna, S. Petronio, Bologna; photograph A. Ventura).
Attributed works:
12. Detail of the Drunkenness of Noah, by Jacopo della Quercia. 1425–28. Candoglia marble, 91 by 89 cm. (Porta Magna, S. Petronio, Bologna; photograph A. Ventura).
Attributed works:
13. Detail of the Sacrifice of Isaac, by Jacopo della Quercia, showing Abraham and the angel. 1425–28. Candoglia marble, 91 by 97 cm. (Porta Magna, S. Petronio, Bologna; photograph A. Ventura).
Attributed works:
14. Detail of Fig.5, showing the horse’s legs.
Attributed works:
15. Detail of The flight into Egypt, by Jacopo della Quercia, showing the donkey’s legs. 1432–34. Candoglia marble, 71 by 100 cm. (Porta Magna, S. Petronio, Bologna; photograph A. Ventura).
Attributed works:
16. Detail of Fig.5, showing the horse’s muzzle.
Attributed works:
17–19. Detail of Fig.5, showing traces of polychromy on the armour; detail of Fig.19, showing painted decoration on the border of the Virgin’s cloak; and Virgin and Child, by Jacopo della Quercia. c.1430. Polychromed wood, height 178 cm. (Musée du Louvre, Paris).
Attributed works:
2. Corbels from the tomb of Giovanni da Legnano, by Jacobello and Pierpaolo Dalle Masegne. 1383. Istrian stone, left corbel 75 by 30 by 76 cm.; right corbel 75 by 30 by 76.5 cm. (Rocchetta Mattei; photograph G. Castellani).
Attributed works:
20. The murder of Buondelmonte Buondelmonti at Ponte Vecchio, by Pacino di Buonaguida. c.1340. Tempera on parchment. (From Nuova Cronica by Giovanni Villani, Biblioteca Apostolica Vaticana, Rome, MS L VIII 296).
Attributed works:
21. Detail of Fig.5, showing the armour.
Attributed works:
22. Detail of Virgin and Child with saints, by Jacopo della Quercia, showing St George. 1435–37. Marble, 102 by 98 cm. (Museo Civico Medievale, Bologna; photograph M. Berardi).
Attributed works:
23. Detail of the Horses of St Mark. 2nd or 3rd century AD. Gilt copper, 238 by 252 cm. (St Mark’s, Venice).
Attributed works:
24. Detail of Fig.5, showing the horse’s head.
Attributed works:
3. The central courtyard of Rocchetta Mattei. Photograph, c.1865. (Archivio A. Rapparini, Camugnano; photograph P. Poppi).
Attributed works:
4. The memorial to Niccolò and Giovanni Ludovisi, by Marcello Oretti. Pen and ink on paper. (Biblioteca Comunale dell’Archiginnasio, Bologna; MS B.114, c.261, fol.261).
Attributed works:
5. The Ludovisi Tondo, here attributed to Jacopo della Quercia. Here dated c.1428–32. Istrian stone, diameter 85 cm. (Rocchetta Mattei; photograph G. Castellani).
Attributed works:
6 and 7. Details of Fig.5 and Fig.9, showing the heads of Niccolò Ludovisi and Adam.
Attributed works:
8. Creation of Eve, by Jacopo della Quercia. 1425–28. Candoglia marble, 91 by 89 cm. (Porta Magna, S. Petronio, Bologna; photograph A. Ventura).
Attributed works:
9. Creation of Adam, by Jacopo della Quercia. 1425–28. Candoglia marble, 91 by 97 cm. (Porta Magna, S. Petronio, Bologna; photograph A. Ventura).
Book Review
Phönix aus der Asche: Bildwerdung der Antike – Druckgrafiken bis 1869 / L’Araba Fenice: l’Antico visualizzato nella grafica a stampa fino al 1869
07/2020 | 1408 | 162
Pages: 632-634
related names
Reviewer:
Heinemann, Alexander (Heinemann, Alexander)
Subjects
art literature:
collectors and dealers:
Reviewed Items
subjects:
Phönix aus der Asche: Bildwerdung der Antike – Druckgrafiken bis 1869 / L’Araba Fenice: l’Antico visualizzato nella grafica a stampa fino al 1869 Edited by Ulrich Pfisterer and Cristina Ruggero. 440 pp. with 381 col. ills. (Michael Imhof Verlag, Petersberg, 2019), £53. ISBN 978–3–7319–0771–8. | :
Illustrations
Attributed works:
6. Reclining woman with a putto, from a second century AD funerary monument in the Giustiniani collection, by Cornelis Bloemart (also known as Bloemart II) after Giovanni Citosibio Guidi. 1635. Etching on paper, approx. 23 by 31 cm. (University Library, Heidelberg).
Article
Meynnart Wewyck and the portrait of Lady Margaret Beaufort in the Master’s Lodge, St John’s College, Cambridge
04/2019 | 1393 | 161
Pages: 314-319
related names
Author:
BOLLAND, Charlotte (BOLLAND, Charlotte)
Author:
Chen, Andrew (Chen, Andrew)
Subjects
dates:
Illustrations
Attributed works:
1. Lady Margaret Beaufort, by Meynnart Wewyck. c.1510. Panel, 180 by 122 cm. (St John’s College, Cambridge; courtesy the Master and Fellows of St John’s College, Cambridge).
Attributed works:
2. Detail of Fig.1, showing the lower edge of the engaged frame. (Courtesy National Portrait Gallery, London).
Attributed works:
3. Detail of Fig.6, showing the lower edge of the engaged frame. (Courtesy Hamilton Kerr Institute, Cambridge).
Attributed works:
4. Right Reverse of Fig.1. (Courtesy Hamilton Kerr Institute, Cambridge).
Attributed works:
5. Lady Margaret Beaufort, by Rowland Lockey, after Meynnart Wewyck. 1596. Panel, 180.1 by 115.9 cm. (St John’s College, Cambridge; courtesy the Master and Fellows of St John’s College, Cambridge).
Attributed works:
6. Henry VII, here attributed to Meynnart Wewyck. c.1501–09. Panel, 38 by 24.5 cm. (Society of Antiquaries, London).
Attributed works:
7. Margaret Beauchamp, Duchess of Somerset [?], installed by Simon Symondes and Thomas Peghe. c.1510. Stained glass. (Christ’s College, Cambridge).
Article
Simone Martini's last documented work
01/2017 | 1366 | 159
Pages: 4-13
related names
Author:
Capron, Emma (Capron, Emma)
Subjects
artists:
dates:
places:
subjects:
Illustrations
Attributed works:
1. The Virgin of Humility, by Simone Martini. 1341 (Musée du Palais des Papes, Avignon; formerly in the porch of the cathedral, Notre-Dame-des-Doms, Avignon)
Attributed works:
10. High altar in Arras Cathedral. Engraving after a sixteenth-century painting of the Miracle of the Holy Candle (From E.-E. Viollet-le-Duc: Dictionnaire raisonné de l'architecture française du XIe au XVIe siècle, Paris 1854, II)
Attributed works:
2. The adoraton of the Cross (The Pérussis altarpiece), by an artist in the circle of Nicolas Froment. 1480 (Metropolitan Museum of Art, New York)
Attributed works:
3. Manuscript written by Luigi di Ridolfo Peruzzi. 1470s, showing fol.49v. (Biblioteca Medicea Laurenziana, Florence)
Attributed works:
5. The murder of L'Escuyer in the church of the Cordeliers at Avignon on 16th October 1791, by Pierre-Gabriel Berthault after Jean-Louis Prieur (Bibliothèque nationale de France, Paris)
Attributed works:
8. Maestà, attributed to Lippo and Tederigo Memmi. 1347(?) (Berenson Collection, Villa I Tatti, Florence)
Attributed works:
9. S. Caterina polyptych, by Simone Martini. 1319-20 (Museo Nazionale di S. Matteo, Pisa)
Western art unattributed:
4. Ruspi coat of arms, from Raccolta Ceramelli Papiani, fasc.4144 (Archivio di stato, Florence)
Western art unattributed:
6. The ruins of the Cordeliers church, Avignon
Western art unattributed:
7. Luigi Peruzzi's epitaph. 1480 (Musée du Petit Palais, Avignon; formerly on the north wall of the choir of the Cordeliers church, Avignon)
Article
New documentation for Duke Albrecht V of Bavaria's tapestries of 'The seven planets' and 'The life of St Paul'
10/2016 | 1363 | 158
Pages: 777-783
related names
Author:
Buchanan, Iain (Buchanan, Iain)
Subjects
collectors and dealers:
dates:
Illustrations
Attributed works:
1. Hercules and the centaurs, from The labours of Hercules, from the workshop of Michiel de Bos, after a painting by Frans Floris. Antwerp, 1565-66 (Bayerische Verwaltung der staatlichen Schlösser, Gärten und Seen, Munich, BSV, WA 0067)
Attributed works:
10. The martyrdom of St Paul, cartoon, by Pieter Coecke van Aelst and workshop. c.1535 (Musée de la Ville, Brussels)
Attributed works:
2. Hercules and the Hydra of Lerna, from The labours of Hercules, from the workshop of Michiel de Bos, after a painting by Frans Floris. Antwerp, 1565-66 (Bayerische Verwaltung der staatlichen Schlösser, Gärten und Seen, Munich, BSV, WA 0067)
Attributed works:
3. Sol, from The seven planets, unknown weaver's mark, after a design attributed to Michiel Coxcie. Brussels, 1560-63 (Bayerisches Nationalmuseum, Munich, T3848)
Attributed works:
4. Venus, from The seven planets, unknown weaver's mark, after a design attributed to Michiel Coxcie. Brussels, 1560-63 (Bayerisches Nationalmuseum, Munich, T3853)
Attributed works:
5. The stoning of St Stephen, from the life of St Paul, from the workshop of Frans van den Bossche(?), after a design by Pieter Coecke van Aelst. Brussels, 1560-63 (Bayerisches Nationalmuseum, Munich, T71/8)
Attributed works:
6. The conversion of Saul, from the life of St Paul, from the workshop of Frans van den Bossche(?), after a design by Pieter Coecke van Aelst. Brussels, 1560-63 (Bayerisches Nationalmuseum, Munich, T3844.1)
Attributed works:
7. The burning of the heathen books, from the life of St Paul, from the workshop of Frans van den Bossche(?), after a design by Pieter Coecke van Aelst. Brussels, 1560-63 (Bayerisches Nationalmuseum, Munich, T71/10)
Attributed works:
8. The martyrdom of St Paul, from the life of St Paul, from the workshop of Frans van den Bossche(?), after a design by Pieter Coecke van Aelst. Brussels, 1560-63 (Bayerisches Nationalmuseum, Munich, T3856)
Attributed works:
9. The martyrdom of St Paul, by Pieter Coecke van Aelst. c.1529-30 (Kunsthalle, Hamburg, 921544)
Publication Received
A Bit of Matter and a Little Bit More. The Collection and Archives of Herman and Nicole Daled 1966–1978
02/2013 | 1319 | 155
Pages: 111
related names
Reviewer:
Geerts, Ton (Geerts, Ton)
Subjects
collectors and dealers:
subjects:
Article
New documents for Cigoli’s ‘Jacob’s dream’ and Baglione’s ‘St John the Baptist’
09/2012 | 1314 | 154
Pages: 612-615
related names
Author:
Loskoutoff, Yvan (Loskoutoff, Yvan)
Subjects
dates:
print:
Illustrations
Attributed works:
1. Jacob’s dream, by Cigoli. 1593. Panel transferred to canvas, 173 by 134 cm. (Musée des Beaux-Arts, Nancy).
Attributed works:
2. Jacob’s dream, by Cigoli. 1610–13. Canvas, 150.5 by 130 cm. (Burghley House, Lincolnshire).
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