By using this website you agree to our Cookie policy

Search

14 articles
Article
‘An Antiquity of Piety’
11/2022 | 1436 | 164
Pages: 1078-1087
related names
Author:
Marsden, Jonathan (Marsden, Jonathan)
Subjects
collectors and dealers:
places:
subjects:
Illustrations
Attributed works:
6. Cimon and Pero, by Sebald Beham. 1544. Engraving, 7.1 by 4.8 cm. (Metropolitan Museum of Art, New York).
Attributed works:
8. Cleopatra, by Pier Jacopo Alari Bonacolsi, known as Antico. c.1525. Bronze with gilding, height 64.4 cm. (Photograph © 2022 Museum of Fine Arts, Boston).
Attributed works:
9. Ariadne, by Pier Jacopo Alari Bonacolsi, known as Antico. c.1520–22. Bronze with gilding and silver inlays, height 50 cm. (Kunsthistorisches Museum, Vienna; KHM-Museumsverbad).
Western art unattributed:
1. Pietas. North Italian, probably early sixteenth century. Bronze, height 50.8 cm. (Photograph Royal Collection Trust / © His Majesty King Charles III 2022).
Western art unattributed:
10. The back of the bust illustrated in Fig.1.
Western art unattributed:
11. The back of the bust illustrated in Fig.4.
Western art unattributed:
12. Detail of the bust illustrated in Fig.1, showing the top of the head.
Western art unattributed:
13. Detail of the bust illustrated in Fig. 4, showing the top of the head.
Western art unattributed:
2. The bust illustrated in Fig.1 on display in the Privy Chamber, Kensington Palace, London. (© Historic Royal Palaces).
Western art unattributed:
3. Detail of the bust illustrated in Fig.1, showing the flange along the truncation. (Photograph Jonathan Marsden).
Western art unattributed:
4. Cinamon. North Italian, probably early sixteenth century. Bronze, height 57 cm. (Bayerisches Nationalmuseum, Munich; photograph Bastian Krack).
Western art unattributed:
5. Cimon and Pero (Roman Charity). North Italian, sixteenth century. Bronze, diameter 6.35 cm. (Victoria and Albert Museum, London).
Western art unattributed:
7. Detail of the bust illustrated in Fig.1, showing the condition of the surface.
Article
A bronze after Michelangelo’s model for ‘Earth’
06/2018 | 1383 | 160
Pages: 462-469
related names
Author:
Krahn, Volker (Krahn, Volker)
Subjects
dates:
media:
patrons:
places:
Illustrations
Attributed works:
1. Earth, after a model here attributed to Michelangelo. Probably c.1600. Bronze, height 28.8 cm. (Bayerishes Nationalmuseum, Munich; photograph Walter Haberland).
Attributed works:
10. Nude female figure, by Michelangelo. c.1530. Unfired clay, height 35 cm. (Casa Buonarroti, Florence).
Attributed works:
2–4. Fig.1 from alternate angles.
Attributed works:
5. Studies of a model of a standing nude woman, by Guglielmo della Porta. 1540–50. Pen and brown ink on paper, 15.4 by 11.2 cm. (Museum of Fine Arts, Budapest).
Attributed works:
6. Earth, by Tommaso Arrighetti after a marble by Niccolò Tribolo. Before 1759. Pen and ink on paper, height 12 cm. (Galleria degli Uffizi, Florence).
Attributed works:
7. Tomb of Giuliano de'Medici, New Sacristy, S. Lorenzo, Florence, by Michelangelo. 1521–34. Marble. (Bridgeman Images).
Attributed works:
8. Studies of bases for the New Sacristy, S. Lorenzo, Florence, by Michelangelo. 1524. Red chalk and pen on paper, 28.3 by 21.4 cm. (Casa Buonarroti, Florence; Scala Images).
Attributed works:
9. Study after an antique torso, by Michelangelo. c.1523–26. Black chalk on paper, 25.6 by 18 cm. (British Museum, London).
Western art unattributed:
11. Venus with a mirror, Antique torso with later additions. Marble, height 39 cm. (Villa Corsini, Castello).
Western art unattributed:
12. Vanitas, Florence. Mid-sixteenth century. Engraving, 35.8 by 25 cm. (Kupferstichkabinett, Staatliche Museen, Berlin).
Article
New documentation for Duke Albrecht V of Bavaria's tapestries of 'The seven planets' and 'The life of St Paul'
10/2016 | 1363 | 158
Pages: 777-783
related names
Author:
Buchanan, Iain (Buchanan, Iain)
Subjects
collectors and dealers:
dates:
Illustrations
Attributed works:
1. Hercules and the centaurs, from The labours of Hercules, from the workshop of Michiel de Bos, after a painting by Frans Floris. Antwerp, 1565-66 (Bayerische Verwaltung der staatlichen Schlösser, Gärten und Seen, Munich, BSV, WA 0067)
Attributed works:
10. The martyrdom of St Paul, cartoon, by Pieter Coecke van Aelst and workshop. c.1535 (Musée de la Ville, Brussels)
Attributed works:
2. Hercules and the Hydra of Lerna, from The labours of Hercules, from the workshop of Michiel de Bos, after a painting by Frans Floris. Antwerp, 1565-66 (Bayerische Verwaltung der staatlichen Schlösser, Gärten und Seen, Munich, BSV, WA 0067)
Attributed works:
3. Sol, from The seven planets, unknown weaver's mark, after a design attributed to Michiel Coxcie. Brussels, 1560-63 (Bayerisches Nationalmuseum, Munich, T3848)
Attributed works:
4. Venus, from The seven planets, unknown weaver's mark, after a design attributed to Michiel Coxcie. Brussels, 1560-63 (Bayerisches Nationalmuseum, Munich, T3853)
Attributed works:
5. The stoning of St Stephen, from the life of St Paul, from the workshop of Frans van den Bossche(?), after a design by Pieter Coecke van Aelst. Brussels, 1560-63 (Bayerisches Nationalmuseum, Munich, T71/8)
Attributed works:
6. The conversion of Saul, from the life of St Paul, from the workshop of Frans van den Bossche(?), after a design by Pieter Coecke van Aelst. Brussels, 1560-63 (Bayerisches Nationalmuseum, Munich, T3844.1)
Attributed works:
7. The burning of the heathen books, from the life of St Paul, from the workshop of Frans van den Bossche(?), after a design by Pieter Coecke van Aelst. Brussels, 1560-63 (Bayerisches Nationalmuseum, Munich, T71/10)
Attributed works:
8. The martyrdom of St Paul, from the life of St Paul, from the workshop of Frans van den Bossche(?), after a design by Pieter Coecke van Aelst. Brussels, 1560-63 (Bayerisches Nationalmuseum, Munich, T3856)
Attributed works:
9. The martyrdom of St Paul, by Pieter Coecke van Aelst. c.1529-30 (Kunsthalle, Hamburg, 921544)
Exhibition Review
European bronze sculpture in southern Germany
04/2015 | 1345 | 157
Pages: 288-290
related names
Reviewer:
Scholten, Frits (Scholten, Frits)
Subjects
dates:
places:
Illustrations
Attributed works:
67. Mercury, by Hubert Gerhard (Bayerisches Nationalmuseum, Munich)
Attributed works:
68. Flagellation of Christ, by Giambologna and workshop (Bayerisches Nationalmuseum, Munich)
Attributed works:
69. Vulcan's forge, by Adriaen de Vries (Bayerisches Nationalmuseum, Munich)
Exhibition Review
Conrat Meit. Munich
05/2007 | 1250 | 149
Pages: 349-350
related names
Reviewer:
Jopek, Norbert (Jopek, Norbert)
Subjects
artists:
dates:
places:
print:
subjects:
Reviewed Items
subjects:
Conrat Meit: Bildhauer der Renaissance | institution: Bayerisches Nationalmuseum
Illustrations
Attributed works:
53. Judith with the head of Holofernes, by Conrat Meit. c.1525. Alabaster, 29.5 cm. high. (Exh. Bayerisches Nationalmuseum, Munich).
Attributed works:
54. Adam and Eve, by Conrat Meit. After 1530. Boxwood, 25.5 and 24 cm. high. (Kunsthistorisches Museum, Vienna; exh. Bayerisches Nationalmuseum, Munich).
Attributed works:
55. Virgin and Child (‘Nôtre Dame de Lorette’), by Conrat Meit and workshop. c.1531–34. Marble, 62 cm. high. (Church of Sts Michael and Gudula, Brussels; exh. Bayerisches Nationalmuseum, Munich).
Exhibition Review
Augsburg Silver and Gold. Munich
05/1994 | 1094 | 136
Pages: 331-332
related names
Reviewer:
Glanville, Philippa (Glanville, Philippa; G., P.)
Subjects
dates:
places:
subjects:
subjects:
Illustrations
Attributed works:
88. Chair, by Philipp Jakob VI Drentwett. c.1729-30. Silver with Wood and Red Satin, 118.1 by 59.5 by 59.8 cm. (S. K. H. Ernst August Prinz von Hannover; Exh. Bayerisches Nationalmuseum, Munich).
Attributed works:
89. Horse, Detail of Mirror Frame, by Philipp Jakob VI Drentwett. Silver, 328 cm. (whole Mirror) (S. K. H. Ernst August Prinz von Hannover; Exh. Bayerisches Nationalmuseum, Munich).
Attributed works:
90. Display Platter, by Erhard or Isaak Warnberger. Silver, 82 by 71 cm. (Kremlin Armoury, Moscow; Exh. Bayerisches Nationalmuseum, Munich).
Attributed works:
91. Covered Dish, by Johann Ludwig II Biller. Silver, 17 by 35.2 by 32.2 cm. (Dish), 11.5 by 31 by 31.2 cm. (Plate) (Exh. Bayerisches National-Museum, Munich).
Exhibition Review
Medieval Painted Enamels. Munich, Bayerisches Nationalmuseum
09/1992 | 1074 | 134
Pages: 618-619
related names
Reviewer:
Stratford, Neil (Stratford, Neil)
Subjects
dates:
places:
subjects:
Illustrations
Western art unattributed:
34. Casket. Franco-Flemish, c. 1410-20. Painted Enamel on Silver with Gold Foil Insets (Angle Colonettes Modern), 34 by 30 by 18.5 cm. (Domschatz, Regensburg; Exh. Bayerisches Nationalmuseum, Munich).
Western art unattributed:
35. Detail of Fig.34 before Restoration, 1987. [Casket. Franco-Flemish, c. 1410-20. Painted Enamel on Silver with Gold Foil Insets (Angle Colonettes Modern), 34 by 30 by 18.5 cm. (Domschatz, Regensburg; Exh. Bayerisches Nationalmuseum, Munich).]
Western art unattributed:
36. Fig.34, before 1908. [Casket. Franco-Flemish, c. 1410-20. Painted Enamel on Silver with Gold Foil Insets (Angle Colonettes Modern), 34 by 30 by 18.5 cm. (Domschatz, Regensburg; Exh. Bayerisches Nationalmuseum, Munich).]
Western art unattributed:
37. Ara Coeli. Franco-Flemish, c. 1430. Painted Enamel on Silver, Gilded. 5.2 cm. diam. (Walters Art Gallery, Baltimore; Exh. Bayerisches Nationalmuseum, Munich).
Book Review
Peter Paul Rubens. Altare fur Bayern
10/1991 | 1063 | 133
Pages: 717-719
related names
Reviewer:
McGrath, Elizabeth (McGrath, Elizabeth; McG., E.)
Subjects
dates:
Reviewed Items
subjects:
Peter Paul Rubens. Altare fur Bayern | author: Renger, Konrad
Illustrations
Attributed works:
60. Birth of the Virgin, by Pietro Castelli, after Peter Paul Rubens. (Church of Our Lady, Neuburg).
Attributed works:
61. Birth of the Virgin, by Peter Paul Rubens. Pen, Brown Ink and Brown Wash, 31 by 20.7 cm. (Private Collection).
Supplement
Recent Ceramic Acquisitions by Major Museums: Supplement
05/1985 | 986 | 127
Pages: 337-346
Subjects
dates:
museums and institutions:
museums and institutions:
museums and institutions:
museums and institutions:
museums and institutions:
museums and institutions:
Illustrations
Attributed works:
10. Vase, Decorated in Blue and White in the Style of Kangxi Porcelain, Ansbach, 1728. Faience, Height 37 cm. Marked I U 1728 (Johann Leonhard Uz, Painter at the Faience Factory in Ansbach, 1723-47). (Museum für Kunst und Gewerbe, Hamburg).
Attributed works:
11. Coffee Set, Meissen c.1905. Porcelain Painted in Underglaze Colours, Height of Coffee Pot 15.8 cm. Blue Grey and Blue on White Ground. Designed by Theodor Grust (1857-1919). (Bayerisches Nationalmuseum, Munich).
Attributed works:
12. Tile Panel, William de Morgan, 1880. Height 163.5 cm. Designed by William Morris. (Kunstgewerbemuseum, Cologne).
Attributed works:
13. Cock, Arthur Storch. Älteste Volkstedter Porzellanmanufaktur, c. 1921-23. Porcelain, Height 98 cm. (Kunstgewerbemuseum, Cologne).
Attributed works:
14. Pot-Pourri 'vaisseau', Sèvres, 1760. Soft Paste Porcelain, in Pink, Blue and Green, Height 37 cm. The Cartouche Was Probably Painted by Dodin. (Musée du Louvre, Paris).
Attributed works:
15. Clock, Sèvres, 1762(?) Soft-Paste Porcelain, Decorated in 'petit verd', Height 39 cm. From the Collection of Madame de Pompadour at the château de Ménars. (Musée du Louvre, Paris).
Attributed works:
16. Tile, Delft (Greek A Factory), between 1686 and 1701. Tin Glazed Earthenware, Decorated at High Temperature in Monochrome Blue, Height 62 cm. In the Central Medallion, William III on Horseback. This Tile Originates from the Dairy at Hampton Court, and the Design Is Derived from Engravings by Daniel Marot. (Musée National de Ceramique, Sèvres).
Attributed works:
17. One of Two Table Decorations, Representing Fountains, Delft, (Ascribed to the Greek A Factory) c. 1700; Earthenware with Blue Decoration, Height 52 cm. (Rijksmuseum Paleis Het Loo, Apeldoorn).
Attributed works:
19. Dish, Delft, c. 1680. Earthenware Decorated in Blue with Chinoiserie Designs, Diam. 30.5 cm. From the Pottery De Metalen Pot, under Lambertus Cleffius, Marked with the Monogram LC. (Rijksmuseum, Amsterdam).
Attributed works:
2. Jug with Trilobate Opening, Cafaggiolo, c. 1515. Polychrome Maiolica, Height 35 cm. On the Front, Portrait of Pope Leo X. (Museo Internazionale Delle Ceramiche, Faenza).
Attributed works:
20. Ewer, Delft, Ascribed to the Greek A Factory, c. 1690. Glazed Earthenware, with Blue Decorations. (Rijksmuseum Paleis Het Loo, Apeldoorn).
Attributed works:
21. Shepherd and Shepherdess in an Arbour, Frankenthal, c. 1760. Porcelain, with Polychrome and Gold Decoration, and Bright Blue for the Rocailles, Height 32.1 cm. Marked with a Lion in Underglaze Blue, Model of Johann Wilhelm Lanz. (Rijksmuseum, Amsterdam).
Attributed works:
22. Bowl, Lucie Rie, 1978. Stoneware with Engraved Line Decoration, Light Grey/Green Glaze, Height 29.6 cm. (Museum Boymans-van Beuningen, Rotterdam).
Attributed works:
23. Teapot, Tournai, c. 1765-70. Porcelain, Decorated with Landscapes in Monochrome Crimson Attributed to Duvivier, and Gold cul-de-lampe, Height 12.5 cm. (Musée de Mariemont, Morlanwelz).
Attributed works:
24. Two Figures, Marieberg, Early 1770s. Hybrid Porcelain with Painted Decoration. (National Swedish Art Museum, Stockholm).
Attributed works:
25. Drug Jar, Naples 1717. Maiolica, Height 8.2 cm. Painted by Francesco Antonio Xaverio Grue. Inscribed within the Rim Nicolaus Ferrara Iatrotechnis Neapolitanus (British Museum).
Attributed works:
26. Underside of Fig.25: Inscribed near the Foot Raphethichol and Beneath the Foot MD CCXVII VII KAL XBRIS D Grue f Neap [Drug Jar, Naples 1717. Maiolica, Height 8.2 cm. Painted by Francesco Antonio Xaverio Grue. Inscribed within the Rim Nicolaus Ferrara Iatrotechnis Neapolitanus (British Museum).]
Attributed works:
27. Plate, Wedgwood, c.1773. Creamware, Diam. 22.5 cm. View of 'Westcowes Castle in the Isle of Wight' from a Drawing by Francis Grose, 1761. This May be a 'Trial Piece' for the 'Frog Service' Commissioned from Wedgwood and Bentley by Catherine the Great. (British Museum).
Attributed works:
28. Tea Jar, Staffordshire, c.1690-98. Red Stoneware, Height 11.5 cm. Attributed to John and David Elers, Bradwell Wood, Newcastle-under-Lyme. This Is the Earliest Form of Tea Jar or Caddy in Western Europe. (Hampshire County Museum, Winchester).
Attributed works:
29. Wall Plaque, Wedgwood, 1878. Creamware, Decorated by Thomas Allen in the Egyptian Style, Diam 38.5 cm. (British Museum).
Attributed works:
3. Gourd, Siegburg (Rhineland), 1573. Stoneware with Reliefs, Height 40 cm. Workshop of Anno Knütgen. (Hetjens-Museum, Düsseldorf).
Attributed works:
30. Figure of Minerva, Wiener Keramik Werkstätte, c.1910. Hard Paste Porcelain, Decorated in Black, Height 33.6 cm. Probably Designed by Michael Powolny. Marks: WW (City Art Gallery, Manchester).
Attributed works:
31. River God, Probably Southwark, c.1680. Tin Glazed Buff Earthenware Decorated in High Temperature Oxide Colours, Height 13.5 cm. (Hampshire County Museum, Winchester).
Attributed works:
32. Cabaret Set, Vienna, 1801-09. Hard Paste Porcelain, Height of Jug 21.5 cm. Decorated in Gilt on a Lavender-Blue Ground. Marks: Banded Shield in Underglaze Blue. (City Art Gallery, Manchester).
Attributed works:
33. La France as Goddess of War, Vincennes c. 1752. Glazed White Soft Paste Porcelain, Height 21.1 cm. The Only Recorded Example of This Model, Which Forms a Pendant to the Victoria and Albert Museum's Vincennes Figure of La France as Goddess of Peace. (Victoria and Albert Museum).
Attributed works:
34. Harlequin Family, Meissen, c.1740-45. Hard Paste Porcelain with Enamelled Decoration, from a Model by J. J. Kändler, Height 8.5 cm. (Mrs Jose Finney Bequest, Victoria and Albert Museum).
Attributed works:
35. Vase, Gustavsberg, Sweden, c.1930-40. 'Argenta'ware, Stoneware with Applied Silver Decoration, Height 20.5 cm. Designed by Wilhelm Håge (1889-1960). Wilhelm Håge Was Head of the Art Studio at Gustavsberg, 1917-49. (Victoria and Albert Museum).
Attributed works:
37. Tureen, Cover and Stand, Chelsea, c.1755. Soft Paste Porcelain Moulded and Painted in Pinkish-Orange, Purple, Yellow-Green and Greyish-Bluish-Green Enamel Colours, Height 22.9 cm. Marks: A Red Anchor Painted in Enamel on the Tureen and Stand; 'w' Incised on the Stand. (Royal Scottish Museum, Edinburgh).
Attributed works:
39. Dessert Plate, Nantgarw, 1818. Porcelain, Diam. 24.2 cm. London Decorated. Part of a Service Presented by the Prince Regent to His Younger Brother, Adolphus, Duke of Cambridge, (National Museum of Wales, Cardiff).
Attributed works:
4. Bowl on high foot with outward curling lip, painted in orange, yellow, green, deep blue, dark red, grey with white highlights, Faenza, 1529. Maiolica ('berettina') blue, height 11.5 cm, diam. 27 cm. Workshop of Piero Bergantini. Recto: Sacrifice of Marcus Curtius and small medallions with heads between trophies. Verso: grouped motives of vines, festoons, fruit, grotesques and trophies. On the inside of the foot, inscribed FATA. IN FAENZA. I(N). LABOTEGA/DE. Mo. PIERE. BERGA(N) TIN(N)O. M. CCCCC/1529 adi 17 di zugno. (Museo Internazionale delle Ceramiche, Faenza).
Attributed works:
40. Skillet, Meissen, c.1735. Hard Paste Porcelain Decorated in Underglaze Blue and Overglaze Enamels, with a Design of Crayfish and Foliage Copied from Chinese Famille Verte. Height Approx. 10.5 cm (National Museum of Wales, Cardiff).
Attributed works:
41. Coffee Pot, Meissen, 1710-15. Red Stoneware with Dark Brown Glaze, Enamelled in Red and Yellow, Height 16 cm. Oriental in Inspiration, This Is among the Earliest Examples of Böttger's so Called Jasper Porcelain. (Nelson-Atkins Museum of Art, Kansas City).
Attributed works:
42. Columbine, Kloster Veilsdorf, 1764-65. Hard Paste Porcelain, with Enamel Colours Height 15.9 cm. Modelled by Wenzel Neu. (Nelson-Atkins Museum of Art, Kansas City).
Attributed works:
43. Sundial, Sèvres, 1793. Hard Paste Porcelain, Height 3.8 cm. Diam. 28.6 cm. Painted by Pfeiffer (Active 1771-1800). (Museum of Fine Arts, Boston).
Attributed works:
44. Ecuelle, Cover and Stand, Sèvres, 1782. Hard Paste Porcelain, Height of écuelle and Cover 13 cm. Painted by Jean-Jacques Dieu. (John and Ernestine Payne Fund, Museum of Fine Arts, Boston).
Attributed works:
45. The Mouse Catchers, Capodimonte, c. 1745. Soft Paste Porcelain, Height 14.9 cm. (Gift of Douglas Dillon, Metropolitan Museum of Art, New York).
Attributed works:
46. Satyr, Mennecy, c. 1740. Soft Paste Porcelain, Height 18 cm. Mark: D. V. in Blue Enamel. (Metropolitan Museum of Art, New York).
Attributed works:
47. Bragget Pot and Cover, Staffordshire, Late Seventeenth Century. Lead Glazed Earthenware, Height 28.6 cm. Decoration: Five Birds in Tones of Olive Green, with Stylised Floral Motifs. Covered Overall with Brilliant Lead Glaze of Honey Tones. (Fine Arts Museum of San Francisco).
Attributed works:
48. Tureen in Form of a Hen and Her Chicks, Bow, c.1755. Soft Paste Porcelain, Naturalistically Decorated in Shades of Yellow, Grey, Brown, Rust and Black, Height 17.1 cm. (Fine Arts Museum of San Francisco).
Attributed works:
49. Tureen in Form of a Basket of Game, Sceaux, c. 1760. Faience, Height 20 cm. (Cleveland Museum of Art).
Attributed works:
5. Bowl, Florence, Medici Factory, c. 1580. Porcellaneous Frit, Height 4.76 cm, Diam. 13.02 cm. (Kunstgewerbemuseum, Berlin).
Attributed works:
50. Figure Seated on a Lion, Chantilly, c.1750. Soft Paste Porcelain, Height 18.2 cm. (Cleveland Museum of Art).
Attributed works:
51. Hot Water Jug and Shaving Basin, St Cloud, 1730-50. Soft Paste Porcelain, Jug with Silver Mounts. Height of Jug 20.3 cm. (Gift of Florence Scott Libbey, Toledo Museum of Art).
Attributed works:
52. Pair of Perfume Burners, Tournai, c. 1760. Soft Paste Porcelain, Height: Spring 29 cm., Autumn 27.5 cm. (Gift of Florence Scott Libbey, Toledo Museum of Art).
Attributed works:
53. Three Lidded Vases, Sèvres, 1781. Soft Paste Porcelain with bleu nouveau Ground Colour, Height of Central Vase 51.2 cm. These Formed the Central Part of a Garniture of Five Vases des Âges. The Mythological Subjects Painted on the Front Reserves Are Taken from Engravings Published in 1773 by Jean-Baptiste Tilliard after Designs by Charles Monnet (1732-1808), and Illustrate Fénelon's Aventures de Télémaque. (J. Paul Getty Museum, Malibu).
Attributed works:
54. Louis XV, Mennecy, c.1750-55. Soft Paste Porcelain, Height 42.5 cm. The Bust Was Fired in Two Parts, as the Kilns at Mennecy Could Not Hold Objects of More Than 22.5 cm. (J. Paul Getty Museum, Malibu).
Attributed works:
55. Ewer and Basin, Sèvres, 1757. Soft Paste Porcelain, Height of Ewer 19.2 cm. The Ewer Incised T. m. The Basin Bears an Unidentified Painter's Mark of a Spray of Flowers and Is Incised C. N. (J. Paul Getty Museum, Malibu).
Attributed works:
56. Peacock, Minton, c.1874. Maiolica, with Polychrome Decoration, Modelled by Paul Comolera (1818-1897), Height 144 cm. (Power House Museum, Haymarket, New South Wales).
Attributed works:
57. Stool, Wedgwood, c. 1880. Earthenware, Height 42 cm. (National Gallery of Victoria, Melbourne).
Attributed works:
58. Sugar Bowl, Derby, 1800-10. Soft Paste Porcelain with Gilt Decoration of Hieroglyphics, Orange, Black and Gold Borders, Height 8.8 cm. This Unusual Derby Pattern Was Very Likely Inspired by the Battle of the Nile and the Discovery of the Rosetta Stone. (Gift of Mrs Estelle Morris, Royal Ontario Museum, Toronto).
Attributed works:
59. Teapot, English, Impressed 'Turner' c.1800-05. Fine White Stoneware, Smear-Glazed and Trimmed in Blue with Polychrome Scenic Vignettes on the Sides, Height 14 cm. (Gift of Mrs Brown, Royal Ontario Museum, Toronto).
Attributed works:
6. Mark from Base of Fig. 5: Dome of Florence Cathedral with 'F' (In Centre of Foot). [Bowl, Florence, Medici Factory, c. 1580. Porcellaneous Frit, Height 4.76 cm, Diam. 13.02 cm. (Kunstgewerbemuseum, Berlin).
Attributed works:
61. Scaramouche, Würzburg, c.1775. Hard Paste Porcelain, Height 13.5 cm. Costume Partially Coloured with Black Enamel and Gilded. (George R. Gardiner Museum of Ceramic Art, Toronto).
Attributed works:
62. Watering can, Vincennes, 1753. Soft Paste Porcelain, Banded with 'bleu lapis' and Gilded, Floral Sprays in Polychrome Enamel, Height 20 cm. (George R. Gardiner Museum of Ceramic Art, Toronto).
Attributed works:
7. Tureen in Shape of a Turkey, Hoechst (Near Frankfurt) C. 1750. Faience with Overglaze Painting, Height 38 cm. (Hetjens-Museum, Düsseldorf).
Attributed works:
8. Augustus-Rex Vase, Meissen, c.1726-28. Porcelain, with Relief Decoration and Painted in the Style of Famille Verte, Height 66 cm. (Museum für Kunst und Gewerbe, Hamburg).
Attributed works:
9. Teapot, Nymphenburg, c. 1765-70. Hard Paste Porcelain, Polychrome and Gilt, Height 26 cm. Bacchanalian Scenes and Decoration Attributed to Cajetan Purtscher (1740-1813). (Bayerisches Nationalmuseum, Munich).
Non-western art unattributed:
1. Ovoid Vase, Decorated in Underglaze Blue and Black. Syria, Fourteenth Century. Fritware, Height 31.5 cm. (Museo Internazionale Delle Ceramiche, Faenza).
Non-western art unattributed:
18. Vase, China, Eighteenth Century. Porcelain, for Export, with Polychrome and Gold Decoration, Height Without Stand 128 cm. (Museum Boymans-van Beuningen, Rotterdam).
Non-western art unattributed:
36. Three Teapots, Yixing Kilns (China, Jiangsu Province), Contemporary. Coloured Stoneware Clays, Height of Teapot in Water Chestnut form 5 cm (By Jiang Rong), of the Larger Teapot 6.5 cm (By Xu Xiutang), and of the Smaller Teapot 5.8 cm (By Jin Zhixu). (Victoria and Albert Museum).
Western art unattributed:
38. Mug, English (York), Late Seventeenth Century. Fine Grey Stoneware Covered with a Grey Glaze Sparsely Streaked Greenish-Blackish-Brown, Height 6.7 cm. By Francis Place. (Royal Scottish Museum, Edinburgh).
Western art unattributed:
60. Effigy Vessel, Teotihuacan, Mexico, c. A. D. 250-650. 'Thin Orange' Ware, Height 22.8 cm. (George R. Gardiner Museum of Ceramic Art, Toronto).
Supplement
Museum Acquisitions (1980-82) of Twentieth-Century Art: Supplement
09/1982 | 954 | 124
Pages: xii
Subjects
artists:
artists:
artists:
artists:
artists:
artists:
artists:
artists:
artists:
artists:
artists:
artists:
artists:
artists:
artists:
artists:
artists:
dates:
dates:
museums and institutions:
museums and institutions:
museums and institutions:
museums and institutions:
museums and institutions:
museums and institutions:
subjects:
Illustrations
Attributed works:
Fig. 55. The Artist's Garden at Durbins, by Roger Fry (1866-1934). c. 1915. Oil on Canvas, 46.5 by 76 cm. (Purchase 1982).
Attributed works:
Fig. 56. Untitled No. 21 (Second Theme), by Burgoyne Diller (1906-65). 1943-45. Oil on Canvas, 106.8 by 106.6 cm. (Purchase 1981).
Attributed works:
Fig.57. Natural History Part 1 (Mushrooms), by Cy Twombly (b. 1929). 1974. Lithograph, 75.8 by 55.8 cm. (Purchase 1982).
Attributed works:
Fig.58. Study for 'Salutat', by Thomas Eakins (1844-1916). c. 1898. Oil on Canvas, 51.1 by 40.9 cm. (Gift 1981).
Attributed works:
Fig.59. Firebird, by Henri Gaudier-Brzeska (1891-1915). 1912. Original Plaster, Height 61 cm. (Purchase).
Attributed works:
Fig.60. La Giuseppina, by Walter Richard Sickert (1860-1942). 1903. Oil on Canvas, 62 by 53.2 cm. (Purchase 1982).
Attributed works:
Fig.61. PC 77, by Edward Wolfe (1897-1982). c. 1927. Oil on Canvas, 107.6 by 78.1 cm. (Chantrey Purchase 1981).
Attributed works:
Fig.62. Shaker Barn, by Charles Sheeler (1883-1965). 1934. Tempera on Gesso Panel, 25.1 by 35.4 cm. (Gift 1980).
Attributed works:
Fig.63. Twin Lights, Purple Rocks, by John Sloan (1871-1951). 1915. Oil on Canvas, 66 by 81.2 cm.
Attributed works:
Fig.64. Homesickness of an Engineer, by Giorgio de Chirico (1888-1978). 1916. Oil on Canvas, 33.5 by 26 cm. (Gift 1982).
Attributed works:
Fig.65. Retrospective Column, Part One, by Robert Graham (b. 1938). 1981. Wax Maquette. (Gift 1982).
Attributed works:
Fig.66. The Pont Neuf, Wrapped (Project for Paris), by Christo (b. 1935). 1980. Pastel, Charcoal and Pencil. (Gift 1980).
Attributed works:
Fig.67. Trees Beside River, by Edward Wadsworth (1889-1949). 1913. Water-Colour, 26 by 34.9 cm. (Purchase 1982).
Attributed works:
Fig.68. Guitare, Bec à Gaz et Flacon, by Pablo Picasso (1881-1973). c. 1912-13. Oil on Canvas, 70.4 by 55.3 cm. (Purchase 1982).
Attributed works:
Fig.69. The First Cry, by Constantin Brancusi (1876-1957). Bronze, Edition of Three, Length 17.3 cm. (Purchase 1981).
Attributed works:
Fig.70. The Hostesses, by Edward Burra (1905-1976). 1932. Gouache, 60.3 by 46.3 cm. (Purchase 1982).
Attributed works:
Fig.71. Zwei Frauen auf der Strasse (Two Women in the Street), by Ernst Ludwig Kirchner (1880-1938). 1914. Oil on Canvas, 120.5 by 91 cm. (Purchase 1982).
Attributed works:
Fig.72. Courageous Boys at Work, by Sandro Chia (b. 1946). 1981. Oil and Oil Pastel on Canvas, 168 by 158 cm. (Purchase 1982).
Attributed works:
Fig.73. King's Cookham Rise, by Stanley Spencer (1891-1959). 1947. Oil on Canvas, 50.7 by 76.2 cm. (Purchase 1981).
Attributed works:
Fig.74. Untitled, by Pier Paolo Calzolari (b. 1943). 1981. Tempera and Oil, 160 by 320 cm. (Purchase 1982).
Attributed works:
Fig.75. L'Enigme du Désir, by Salvador Dali (b. 1904). 1929. Oil on Canvas, 110 by 150 cm. (Purchase 1982).
Attributed works:
Fig.76. Merzbild 21 B 'Das Haar-Nabel-Bild', by Kurt Schwitters (1887-1948). 1920. Collage and Mixed Media, 91 by 73 cm. (Purchase 1981).
Attributed works:
Fig.77. Skeletons in the Studio, by James Ensor (1860-1949). 1900. Oil on Canvas, 111 by 79.5 cm. (Purchase 1981).
Attributed works:
Fig.78. Holiday, by Harry Morley (1881-1943). Exh. R. A. 1935. (No.321). Oil on Canvas, 101.5 by 127 cm. (Purchase 1982).
Attributed works:
Fig.79. Hiralga II, by Frank Stella (b. 1936). 1970. Acrylic on Canvas, 10 by 20 ft. (Purchase 1981).
load more