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5 articles
Article
Rediscovered drawings by Bartolomeo Spani for sculpture and goldsmithery
10/2023 | 1447 | 165
Pages: 1082–1093
related names
Author:
Calogero, Marcello (Calogero, Marcello)
Subjects
dates:
media:
subjects:
Illustrations
Attributed works:
1. Detail of Fig.3, showing the angels and God the Father. (Photograph Archivio Franco Cosimo Panini Editore S.p.a. – Arcidiocesi di Modena-Nonantola).
Attributed works:
10. Detail of Fig.2, showing a prophet.
Attributed works:
11. Reliquary bust of St Daria, by Bartolomeo Spani. 1533–38. Cast, chiselled and gilded silver, approximately 70 by 60 cm. (Cathedral of S. Maria Assunta, Reggio Emilia; photograph Diocesi di Reggio Emilia e Guastalla).
Attributed works:
12. Reliquary bust of St Crisanto, by Bartolomeo Spani. 1533–38. Cast, chiselled and gilded silver, approximately 70 by 60 cm. (Cathedral of S. Maria Assunta, Reggio Emilia; photograph Diocesi di Reggio Emilia e Guastalla).
Attributed works:
13. Design for a funerary monument, here attributed to Bartolomeo Spani. c.1510–20. Pen and grey-brown ink, grey-brown wash over stylus indentations, on paper, 28.3 by 19.3 cm. (Morgan Library & Museum, New York).
Attributed works:
14. Grotesque ornament from the Domus Aurea, by the Master of the Codex Escurialensis (fol.14r). c.1490. Pen and brown ink on paper, 33 by 23.5 cm. (Real Monasterio de San Lorenzo de El Escorial, Madrid).
Attributed works:
15. Funerary monument of Bishop Bonfrancesco Arlotti, by Bartolomeo Spani. c.1509. White, pink and polychromed marble, approximately 520 by 230 cm. (Cathedral of S. Maria Assunta, Reggio Emilia; photograph Diocesi di Reggio Emilia e Guastalla).
Attributed works:
16. Design for a funerary monument, here attributed to Bartolomeo Spani. c.1510–20. Pen and brown ink, brown wash, on paper, 19.9 by 15.2 cm. (Musée du Louvre, Paris; RMN-Grand Palais; Thierry Le Mage).
Attributed works:
17. Design for a tabernacle, here attributed to Bartolomeo Spani. c.1510–20. Pen and brown ink and wash, over stylus indentations, on paper, 25.5 by 16.5 cm. (Morgan Library & Museum, New York).
Attributed works:
18. Funerary monument of Lucia Rusca, by Antonio da Morbegno and ‘Maestro Anzelini’, after a drawing here attributed to Bartolomeo Spani. c.1515. White, pink and black marble, approx. 500 by 250 cm. (Cathedral of S. Maria Assunta, Reggio Emilia; photograph Archivio Franco Cosimo Panini Editore S.p.a. – Arcidiocesi di Modena-Nonantola).
Attributed works:
19. Baptism of Christ, by Francesco Caprioli (?). 1497. Fresco, approx. 400 cm. (Baptistry, Reggio Emilia; photograph Diocesi di Reggio Emilia e Guastalla).
Attributed works:
2. Design for a funerary monument, here attributed to Bartolomeo Spani. c.1510–20. Pen and brown ink and wash, with light pink wash over stylus indentations, on paper, 39 by 27.4 cm. (Morgan Library & Museum, New York).
Attributed works:
20. Monstrance (now forming a reliquary of St Concordia), by the workshop of Bartolomeo Spani. 1517. Cast, chiselled and gilded silver, 44 by 17 cm. (SS. Donnino and Biagio, Rubiera; photograph Diocesi di Reggio Emilia e Guastalla).
Attributed works:
21. Design for a pax, here attributed to Bartolomeo Spani. c.1510–20. Pen and brown ink on paper, 20.2 by 14.3 cm. (Morgan Library & Museum, New York).
Attributed works:
3. Funerary monument of Francesco Molza, by Bartolomeo Spani. 1516. White, pink and polychrome marble, approximately 540 by 270 cm. (Cathedral of SS. Maria Assunta and Geminiano, Modena; photograph Archivio Franco Cosimo Panini Editore S.p.a. – Arcidiocesi di Modena-Nonantola).
Attributed works:
4. Processional cross, by Bartolomeo Spani. 1508–09. Cast, chiselled and gilded silver, 76 by 63 cm. (Cathedral of S. Maria Assunta, Reggio Emilia; photograph Diocesi di Reggio Emilia e Guastalla).
Attributed works:
5. Detail of Fig.4, showing the figure of God the Father on the reverse.
Attributed works:
6. St Simeon of Polirone in Jerusalem, exorcising demons from men possessed, by Bartolomeo Spani. c.1516 (model, later cast, perhaps nineteenth century). Bronze, 6.14 by 18.5 cm. (National Gallery of Art, Washington).
Attributed works:
7. Detail of Fig.6, showing a soldier.
Attributed works:
8. Detail of Fig.2, showing a prophet.
Attributed works:
9. Detail of Fig.6, showing a monk.
Exhibition Review
Vi o Reino Renovar: Arte no Tempo de D. Manuel I
04/2022 | 1429 | 164
Pages: 407-409
related names
Reviewer:
Delaforce, Angela (Delaforce, Angela)
Subjects
art literature:
dates:
Reviewed Items
subjects:
Vi o Reino Renovar: Arte no Tempo de D. Manuel I Edited by Ana Sousa and Miguel Soromenho. 288 pp. incl. 210 col. ills. (Museu Nacional de Arte Antiga and Imprensa Nacional – Casa da Moeda, Lisbon, 2021), €35. ISBN 978–972–27– 2946–8. | :
Illustrations
Attributed works:
7. Frontispiece of Leitura Nova 31, Misticos 2, attributed to António de Holanda. 1511. Illumination on vellum, 52.7 by 39.5 (Arquivo Nacional da Torre do Tombo, Lisbon; Cód. Ref. PT/TT/LN0031).
Attributed works:
8. Arrival of the relics of St Auta, by Cristovão de Figueiredo. 1522–25. Oil on panel, 68 by 73 cm. (Museu Nacional de Arte Antiga, Lisbon).
Attributed works:
9. Monstrance of Belém, attributed to Gil Vicente. 1506. Gold, enamels and glass, 73 by 32 by 26 cm. (Museu Nacional de Arte Antiga, Lisbon).
Article
A ‘splendid and probably Unique Pebble’: the ‘Benetier de Charlemagne’
06/2012 | 1311 | 154
Pages: 388-393
related names
Reviewer:
Hall, Michael (Hall, Michael)
Subjects
dates:
print:
subjects:
subjects:
Illustrations
Attributed works:
6. Detail of the base of St Lawrence trampling the heretic king, by Francesco Alfieri. Trapani, Sicily, mid-sixteenth century. Coral, gilt-bronze and enamel, diameter approx. 14 cm. (San Lorenzo, El Escorial).
Western art unattributed:
1. The Benetier of Charlemagne. Sardonyx bowl. Byzantine mid-tenth century, mounted on a gold and enamel monstrance foot, Spanish or Italian, before 1571, 23.2 by 26.1 cm. (Private collection; on loan to the National Museums of Scotland).
Western art unattributed:
2. Detail of the sardonyx bowl in Fig.1.
Western art unattributed:
3. The Chalice of the Emperor Charles IV. Sardonyx bowl. Byzantine, mid-tenth century, mounted in Germany in 1350. Gold, enamel and pearls, 21.2 by 14.8 cm. (Treasury of St Vitus Cathedral, Prague).
Western art unattributed:
4. The Chalice of the Emperor Romanos I. Byzantine, before 944. Sardonyx, gold, enamel and pearls, 23.7 by 18.1 cm. (Treasury, St Mark’s, Venice).
Western art unattributed:
5. Detail of the gold and enamel mount in Fig.1.
Western art unattributed:
7. Photograph of the Red Room, Halton, Buckinghamshire. 1884. (Private collection).
Book Review
Las Custodias Espanolas
12/1953 | 609 | 95
Pages: 402-403
related names
Reviewer:
Oman, Charles (Oman, Charles; Oman, Charles Chichele; O., C. C.; Oman, C. C.; Oman, Charles C.)
Subjects
places:
Reviewed Items
subjects:
Las Custodias Espanolas | author: Trens, Manuel
Article
A Fragment of an Early Flemish Monstrance
01/1930 | 322 | 56
Pages: 38-39+41
related names
Author:
Oman, Charles (Oman, Charles; Oman, Charles Chichele; O., C. C.; Oman, C. C.; Oman, Charles C.)
Subjects
artists:
dates:
dates:
subjects:
Illustrations
Western art unattributed:
A-Silver Penny of Jean d'Avesnes, Count of Hainault; B-Stem and Base, Probably of a Monstrance; Flemish; Silver Gilt with Nielloed Silver Plaques. (Victoria and Albert Museum). A Fragment of an Early Flemish Monstrance
Western art unattributed:
C-Detail of the Top of the Monstrance Stem; D-Detail of the Base, Showing Nielloed Plaques. A Fragment of an Early Flemish Monstrance