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3 articles
Article
Rediscovered drawings by Bartolomeo Spani for sculpture and goldsmithery
10/2023 | 1447 | 165
Pages: 1082–1093
related names
Author:
Calogero, Marcello (Calogero, Marcello)
Subjects
dates:
media:
subjects:
Illustrations
Attributed works:
1. Detail of Fig.3, showing the angels and God the Father. (Photograph Archivio Franco Cosimo Panini Editore S.p.a. – Arcidiocesi di Modena-Nonantola).
Attributed works:
10. Detail of Fig.2, showing a prophet.
Attributed works:
11. Reliquary bust of St Daria, by Bartolomeo Spani. 1533–38. Cast, chiselled and gilded silver, approximately 70 by 60 cm. (Cathedral of S. Maria Assunta, Reggio Emilia; photograph Diocesi di Reggio Emilia e Guastalla).
Attributed works:
12. Reliquary bust of St Crisanto, by Bartolomeo Spani. 1533–38. Cast, chiselled and gilded silver, approximately 70 by 60 cm. (Cathedral of S. Maria Assunta, Reggio Emilia; photograph Diocesi di Reggio Emilia e Guastalla).
Attributed works:
13. Design for a funerary monument, here attributed to Bartolomeo Spani. c.1510–20. Pen and grey-brown ink, grey-brown wash over stylus indentations, on paper, 28.3 by 19.3 cm. (Morgan Library & Museum, New York).
Attributed works:
14. Grotesque ornament from the Domus Aurea, by the Master of the Codex Escurialensis (fol.14r). c.1490. Pen and brown ink on paper, 33 by 23.5 cm. (Real Monasterio de San Lorenzo de El Escorial, Madrid).
Attributed works:
15. Funerary monument of Bishop Bonfrancesco Arlotti, by Bartolomeo Spani. c.1509. White, pink and polychromed marble, approximately 520 by 230 cm. (Cathedral of S. Maria Assunta, Reggio Emilia; photograph Diocesi di Reggio Emilia e Guastalla).
Attributed works:
16. Design for a funerary monument, here attributed to Bartolomeo Spani. c.1510–20. Pen and brown ink, brown wash, on paper, 19.9 by 15.2 cm. (Musée du Louvre, Paris; RMN-Grand Palais; Thierry Le Mage).
Attributed works:
17. Design for a tabernacle, here attributed to Bartolomeo Spani. c.1510–20. Pen and brown ink and wash, over stylus indentations, on paper, 25.5 by 16.5 cm. (Morgan Library & Museum, New York).
Attributed works:
18. Funerary monument of Lucia Rusca, by Antonio da Morbegno and ‘Maestro Anzelini’, after a drawing here attributed to Bartolomeo Spani. c.1515. White, pink and black marble, approx. 500 by 250 cm. (Cathedral of S. Maria Assunta, Reggio Emilia; photograph Archivio Franco Cosimo Panini Editore S.p.a. – Arcidiocesi di Modena-Nonantola).
Attributed works:
19. Baptism of Christ, by Francesco Caprioli (?). 1497. Fresco, approx. 400 cm. (Baptistry, Reggio Emilia; photograph Diocesi di Reggio Emilia e Guastalla).
Attributed works:
2. Design for a funerary monument, here attributed to Bartolomeo Spani. c.1510–20. Pen and brown ink and wash, with light pink wash over stylus indentations, on paper, 39 by 27.4 cm. (Morgan Library & Museum, New York).
Attributed works:
20. Monstrance (now forming a reliquary of St Concordia), by the workshop of Bartolomeo Spani. 1517. Cast, chiselled and gilded silver, 44 by 17 cm. (SS. Donnino and Biagio, Rubiera; photograph Diocesi di Reggio Emilia e Guastalla).
Attributed works:
21. Design for a pax, here attributed to Bartolomeo Spani. c.1510–20. Pen and brown ink on paper, 20.2 by 14.3 cm. (Morgan Library & Museum, New York).
Attributed works:
3. Funerary monument of Francesco Molza, by Bartolomeo Spani. 1516. White, pink and polychrome marble, approximately 540 by 270 cm. (Cathedral of SS. Maria Assunta and Geminiano, Modena; photograph Archivio Franco Cosimo Panini Editore S.p.a. – Arcidiocesi di Modena-Nonantola).
Attributed works:
4. Processional cross, by Bartolomeo Spani. 1508–09. Cast, chiselled and gilded silver, 76 by 63 cm. (Cathedral of S. Maria Assunta, Reggio Emilia; photograph Diocesi di Reggio Emilia e Guastalla).
Attributed works:
5. Detail of Fig.4, showing the figure of God the Father on the reverse.
Attributed works:
6. St Simeon of Polirone in Jerusalem, exorcising demons from men possessed, by Bartolomeo Spani. c.1516 (model, later cast, perhaps nineteenth century). Bronze, 6.14 by 18.5 cm. (National Gallery of Art, Washington).
Attributed works:
7. Detail of Fig.6, showing a soldier.
Attributed works:
8. Detail of Fig.2, showing a prophet.
Attributed works:
9. Detail of Fig.6, showing a monk.
Exhibition Review
Piero della Francesca and the science of painting
07/2015 | 1348 | 157
Pages: 505-506
related names
Reviewer:
Dabell, Frank (Dabell, Frank)
Subjects
dates:
museums and institutions:
places:
subjects:
Illustrations
Attributed works:
79. Detail of heads from De Prospectiva Pingendi, by Piero della Francesca. c.1470s (Biblioteca Palatina, Parma; exh. Palazzo Magnani, Reggio Emilia)
Attributed works:
80. St Louis of Toulouse, designed by Piero della Francesca. 1460 (Museo Civico, Sansepolcro; exh. Palazzo Magnani, Reggio Emilia)
Article
Inventing in Bernini's shop in the late 1660s: projects for Cardinal Rinaldo d'Este
07/2002 | 1192 | 144
Pages: 409-419
related names
Author:
Jarrard, Alice (Jarrard, Alice)
Subjects
dates:
places:
places:
places:
Illustrations
Attributed works:
22. Villa Rospigliosi at Lamporecchio near Pistoia, by Mattia de' Rossi. (Photograph: Bibliotheca Hertziana, Rome).
Attributed works:
23. Project (Ground Plan) for the Este Palace in Rome, by Mattia de' Rossi. 1668. Pen and Ink. (Archivio di Stato, Modena, Mappe e Disegni, Serie generale 75/3).
Attributed works:
24. Perspective Elevation, Ground Plan and Section of the Villa Rospigliosi at Lamporecchio near Pistoia, by Mattia de' Rossi. 1669. Pen and Ink and Black Chalk. (Archivio di Stato, Modena, CD, AE Roma 271).
Attributed works:
25. Drawing for Bernini's Silver Altar Frontal at the Cathedral of Reggio Emilia, by Mattia de' Rossi. Pen and Ink over Black Chalk. (Archivio di Stato, Modena, Disegni, Fabbriche 59/16).
Attributed works:
27. View up the Nave of the Cathedral of Reggio Emilia Showing the Present-Day Setting of the Altar. (Photograph: Biblioteca Panizzi).
Attributed works:
28. The Blood of Christ, by François Spierre after a Drawing by Gianlorenzo Bernini. Engraving. (Bibliothèque nationale, Paris).
Western art unattributed:
26. A Stone Plaque in the Sacristy of the Cathedral of Reggio Emilia Recording Bernini's Design of the Altar Frontal. (Photograph: Ciambecchini).