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2 articles
Article
Supplementing the eye: the technical analysis of Frans Hals’s paintings – ii
12/2019 | 1401 | 161
Pages: 996-1003
related names
Author:
de Keyser, Nouchka (de Keyser, Nouchka)
Author:
Tummers, Anna (Tummers, Anna)
Author:
Wallert, Arie (Wallert, Arie)
Subjects
dates:
Illustrations
Attributed works:
1. Two fisherboys, by Frans Hals. c.1634–37. Oil on canvas, 74.3 by 65.8 cm. (The Phoebus Foundation).
Attributed works:
10. Detail of Fig.2.
Attributed works:
11. Detail of Portrait of a man, possibly Nicolaes Pietersz Duyst van Voorhout, by Frans Hals. c.1636–38. Oil on canvas, 80.6 by 66 cm. (Metropolitan Museum of Art, New York), showing highlights on the face of the sitter.
Attributed works:
12. Detail of Pekelharing, by Frans Hals. c.1628–30. Oil on canvas, 75 by 61.5 cm. (Gemäldegalerie Kassel).
Attributed works:
13. Calcium map of Fig.1, showing boneblack in shadows and calcium carbonate in-fillings.
Attributed works:
14. Calcium map of Fig.2, showing boneblack in shadows.
Attributed works:
15. MA-XRF map of Fig.1, showing the element mercury (Hg), indicating the presence of vermilion.
Attributed works:
16. MA-XRF map of Fig.1, showing the element potassium (K) and indicating the presence of red glazes and smalt.
Attributed works:
17. Detail of Fig.1, showing the hat of the boy on the left.
Attributed works:
18. Detail of Young man with a skull, by Frans Hals. c.1626–28. Oil on canvas, 92.2 by 80.8 cm. (National Gallery, London).
Attributed works:
19. Detail of Fig.1, taken with a dino-lite microscope (x65), showing indigo blue on top of the red hat.
Attributed works:
2. Fisherboy, by Frans Hals. c.1630–32. Oil on canvas, 74 by 61 cm. (Royal Museum of Fine Arts, Antwerp).
Attributed works:
20. Detail of Officers and sergeants of the St George Civic Guard, by Frans Hals. 1639. Oil on canvas, 218 by 421 cm. (Frans Hals Musem, Haarlem). Micrograph taken with dino-lite microscope (x65), showing detail of the blue sash of the third figure from the right.
Attributed works:
3. Detail of Fig.2, taken with a dino-lite microscope (x65), showing craquelure over Hals’s monogram and surrounding areas.
Attributed works:
4. Malle Babbe, by Han van Meegeren. 1930–40. Oil on canvas, 76 by 60 cm. (Rijksmuseum, Amsterdam).
Attributed works:
5. Graph plotting the distribution of paint samples taken from nine reference paintings by Frans Hals against Two fisherboys (FH2K-2); Fisherboy (FH1K-1); and Van Meegeren’s Malle Babbe (MB Van Meegeren A’dam).
Attributed works:
6. Detail of Fig.1, taken with a dino-lite microscope (x65), showing the so-called ‘ribbon touches’.
Attributed works:
7. Detail of Fig.1, taken with a dino-lite microscope (x65), showing a brushstroke with raised edges.
Attributed works:
8. Detail of Fig.2, taken with a dino-lite microscope (x65), showing evidence of a ‘ribbon touch’.
Attributed works:
9. Detail of Fig.1.
Article
The patron of Hieronymus Bosch’s ‘Last Judgment’ triptych in Vienna
02/2018 | 1379 | 160
Pages: 106-111
related names
Author:
de Keyser, Nouchka (de Keyser, Nouchka)
Author:
Hoogstede, Luuk (Hoogstede, Luuk)
Author:
Ilsink, Matthijs (Ilsink, Matthijs)
Author:
Janssens, Koen (Janssens, Koen)
Author:
Klein Gotink, Rik (Klein Gotink, Rik)
Author:
Koldeweij, Jos (Koldeweij, Jos)
Author:
Legrand, Stijn (Legrand, Stijn)
Author:
Nauhaus, Julia M. (Nauhaus, Julia M.)
Author:
Spronk, Ron (Spronk, Ron)
Author:
van der Snickt, Geert (van der Snickt, Geert)
Subjects
dates:
media:
places:
Illustrations
Attributed works:
1. Sts James the Greater and Hippolytus, panels from Last Judgment (closed triptych) by Hieronymus Bosch. c.1500–05. Panel, each 163 y 60 cm., excluding frames. (Paintings Gallery of the Academy of Fine Arts, Vienna; photograph Rik Klein Gotink for BRCP).
Attributed works:
2. Last Judgment (open triptych), by Hieronymus Bosch. c.1500–05. Panel, c.163 by 60 cm. (left panel), 163 by 127 cm. (central panel), 163 by 60 (right panel). (Paintings Gallery of the Academy of Fine Arts, Viennal photograph Rik Klein Gotink for BRCP).
Attributed works:
3. Detail of the escutcheons beneath Sts James (left) and Hippolytus (right) on the outer wings of the Vienna Last Judgment, in X-radiography (top), visible light photography (centre) and infra-red photography. (Photograph Rik Klein Gotink for BRCP and the Academy of Fine Arts, Vienna, FWF project P23849-G2 (XR)).
Attributed works:
4. Micrograph (67.5 times) showing red pigment on the borders of a paint loss. (Photograph Luuk Hoogstede for BRCP).
Attributed works:
5. Micrograph (40 times) showing remnants of gold and abraded bole. (Photograph Luuk Hoogstede for BRCP).
Attributed works:
6. (a-i). MA-XRF mappings from the zone of the escutcheon beneath St Hippolytus. The bairum, titanium and zinc maps show nineteenth-century retouchings. (photograph AXES Group, University of Antwerp. Image processing: Luuk Hoogstede for BRCP).
Attributed works:
7. Sts Charlemagne, Hippolytus, Elisabeth and Margaret (closed triptych), by Dirk Bouts and Aert van den Bossche. c.1470–75 and 1503–08. Panel, 92.5 by 143 cm. (Cathedral, Bruges; photograph Lukas – Art in Flanders VZ / Hugo Maertens).
Western art unattributed:
8. A bishop saint and Sts Catherine, Hippolytus and Elisabeth (closed triptych), attributed to an anonymous Brussels painter. c.1490–1500. Panel, each 88 by 60 cm. (Museum of Fine Arts, Brussels).