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2 articles
Article
The patron of Hieronymus Bosch’s ‘Last Judgment’ triptych in Vienna
02/2018 | 1379 | 160
Pages: 106-111
related names
Author:
de Keyser, Nouchka (de Keyser, Nouchka)
Author:
Hoogstede, Luuk (Hoogstede, Luuk)
Author:
Ilsink, Matthijs (Ilsink, Matthijs)
Author:
Janssens, Koen (Janssens, Koen)
Author:
Klein Gotink, Rik (Klein Gotink, Rik)
Author:
Koldeweij, Jos (Koldeweij, Jos)
Author:
Legrand, Stijn (Legrand, Stijn)
Author:
Nauhaus, Julia M. (Nauhaus, Julia M.)
Author:
Spronk, Ron (Spronk, Ron)
Author:
van der Snickt, Geert (van der Snickt, Geert)
Subjects
dates:
media:
places:
Illustrations
Attributed works:
1. Sts James the Greater and Hippolytus, panels from Last Judgment (closed triptych) by Hieronymus Bosch. c.1500–05. Panel, each 163 y 60 cm., excluding frames. (Paintings Gallery of the Academy of Fine Arts, Vienna; photograph Rik Klein Gotink for BRCP).
Attributed works:
2. Last Judgment (open triptych), by Hieronymus Bosch. c.1500–05. Panel, c.163 by 60 cm. (left panel), 163 by 127 cm. (central panel), 163 by 60 (right panel). (Paintings Gallery of the Academy of Fine Arts, Viennal photograph Rik Klein Gotink for BRCP).
Attributed works:
3. Detail of the escutcheons beneath Sts James (left) and Hippolytus (right) on the outer wings of the Vienna Last Judgment, in X-radiography (top), visible light photography (centre) and infra-red photography. (Photograph Rik Klein Gotink for BRCP and the Academy of Fine Arts, Vienna, FWF project P23849-G2 (XR)).
Attributed works:
4. Micrograph (67.5 times) showing red pigment on the borders of a paint loss. (Photograph Luuk Hoogstede for BRCP).
Attributed works:
5. Micrograph (40 times) showing remnants of gold and abraded bole. (Photograph Luuk Hoogstede for BRCP).
Attributed works:
6. (a-i). MA-XRF mappings from the zone of the escutcheon beneath St Hippolytus. The bairum, titanium and zinc maps show nineteenth-century retouchings. (photograph AXES Group, University of Antwerp. Image processing: Luuk Hoogstede for BRCP).
Attributed works:
7. Sts Charlemagne, Hippolytus, Elisabeth and Margaret (closed triptych), by Dirk Bouts and Aert van den Bossche. c.1470–75 and 1503–08. Panel, 92.5 by 143 cm. (Cathedral, Bruges; photograph Lukas – Art in Flanders VZ / Hugo Maertens).
Western art unattributed:
8. A bishop saint and Sts Catherine, Hippolytus and Elisabeth (closed triptych), attributed to an anonymous Brussels painter. c.1490–1500. Panel, each 88 by 60 cm. (Museum of Fine Arts, Brussels).
Article
An intrusive portrait by Goya
10/2011 | 1303 | 153
Pages: 668-673
related names
Author:
Alfeld, Matthias (Alfeld, Matthias)
Author:
Bull, Duncan (Bull, Duncan; B., D.)
Author:
Dik, Joris (Dik, Joris)
Author:
Janssens, Koen (Janssens, Koen)
Author:
Krekeler, Anna (Krekeler, Anna)
Subjects
dates:
museums and institutions:
Illustrations
Attributed works:
32. Portrait of Ramón Satué, by Francisco Goya. 1823. Canvas, 107 by 83.5 cm. (Rijksmuseum, Amsterdam).
Attributed works:
33. Diagram of the image underlying that of Satué in Fig.32, compiled by Anna Krekeler: composite of the scans mapping the various distributions of trace elements as determined by XRF spectrometry superimposed onto the radiograph and the colours flowed in as appropriate.
Attributed works:
34. X-radiograph of Fig.32.
Attributed works:
35. XRF scan mapping the distribution of mercury in Fig.32.
Attributed works:
36. Portrait of General Nicolas Guye, by Francisco Goya. 1810. Canvas, 106 by 84.7 cm. (Virginia Museum of Fine Arts, Richmond).
Attributed works:
37. Portrait of Manuel Romero, by Francisco Goya. c.1810. Canvas, 105.4 by 87.6 cm. (Art Institute of Chicago).
Attributed works:
38. Portrait of Joseph Bonaparte as king of Spain, by François-Joseph Kinsoen. Canvas, 64.1 by 53.4 cm. (Bowes Museum, Barnard Castle).
Attributed works:
39. Portrait of José Martínez de Hervás, marqués de Almenara, by Vicente López. 1812. Canvas, 69 by 58.7 cm. (Meadows Museum, Dallas).