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9 articles
Article
An intrusive portrait by Goya
10/2011 | 1303 | 153
Pages: 668-673
related names
Author:
Alfeld, Matthias (Alfeld, Matthias)
Author:
Bull, Duncan (Bull, Duncan; B., D.)
Author:
Dik, Joris (Dik, Joris)
Author:
Janssens, Koen (Janssens, Koen)
Author:
Krekeler, Anna (Krekeler, Anna)
Subjects
dates:
museums and institutions:
Illustrations
Attributed works:
32. Portrait of Ramón Satué, by Francisco Goya. 1823. Canvas, 107 by 83.5 cm. (Rijksmuseum, Amsterdam).
Attributed works:
33. Diagram of the image underlying that of Satué in Fig.32, compiled by Anna Krekeler: composite of the scans mapping the various distributions of trace elements as determined by XRF spectrometry superimposed onto the radiograph and the colours flowed in as appropriate.
Attributed works:
34. X-radiograph of Fig.32.
Attributed works:
35. XRF scan mapping the distribution of mercury in Fig.32.
Attributed works:
36. Portrait of General Nicolas Guye, by Francisco Goya. 1810. Canvas, 106 by 84.7 cm. (Virginia Museum of Fine Arts, Richmond).
Attributed works:
37. Portrait of Manuel Romero, by Francisco Goya. c.1810. Canvas, 105.4 by 87.6 cm. (Art Institute of Chicago).
Attributed works:
38. Portrait of Joseph Bonaparte as king of Spain, by François-Joseph Kinsoen. Canvas, 64.1 by 53.4 cm. (Bowes Museum, Barnard Castle).
Attributed works:
39. Portrait of José Martínez de Hervás, marqués de Almenara, by Vicente López. 1812. Canvas, 69 by 58.7 cm. (Meadows Museum, Dallas).
Letter
Caravaggio and Pietro Aretino
09/2011 | 1302 | 153
Pages: 607
related names
Author:
Bull, Duncan (Bull, Duncan; B., D.)
Subjects
art literature:
subjects:
Illustrations
Attributed works:
60. Penitent Magdalene, by Caravaggio. c.1596–97. Canvas, 122.5 by 98.5 cm. (Palazzo Doria Pamphilj, Rome).
Attributed works:
61. Conversion of the Magdalene, by (or after) Caravaggio. c.1598. Canvas, 100 by 134.5 cm. (Detroit Institute of Arts).
Article
A double-portrait attributable to Marietta Tintoretto
10/2009 | 1279 | 151
Pages: 678-681
related names
Author:
Bull, Duncan (Bull, Duncan; B., D.)
Subjects
dates:
museums and institutions:
Illustrations
Attributed works:
22. Portrait of a man and a boy, possibly by Marietta Tintoretto. ?1565. Canvas, 103 by 83 cm. (Kunsthistorisches Museum, Vienna).
Attributed works:
24. Portrait of Ottavio Strada, by Jacopo Tintoretto. 1567–68. Canvas, 129.3 by 103.6 cm. (Rijksmuseum, Amsterdam).
Attributed works:
25. Head and drapery studies, from the workshop of Tintoretto. Black and white chalk on blue paper, 43.3 by 27.3 cm. (Museum Boijmans Van Beuningen, Rotterdam).
Attributed works:
26. X-radiograph of Fig.24.
Attributed works:
27. Tracing from Fig.26, showing the underlying composition.
Attributed works:
28. Portrait of Jacopo Strada, by Titian. 1567–58. Canvas, 123 by 95 cm. (Kunst­historisches Museum, Vienna).
Attributed works:
29. Double-portrait, here tentatively identified as a self-portrait with Jacopo Strada, by Marietta Tintoretto. 1567–68. Canvas, 99.5 by 121 cm. (Gemäldegalerie, Dresden).
Attributed works:
30. Detail of Fig.27 in reverse.
Western art unattributed:
23. Portrait of a woman (called a self-portrait of Marietta Tintoretto). Veneto school, c.1560. Canvas, 93.5 by 91.5 cm. (Gallerie degli Uffizi, Florence).
Article
Princess, countess, lover or wife? Liotard’s ‘lady on a sofa’
09/2008 | 1266 | 150
Pages: 592-602
related names
Author:
Bull, Duncan (Bull, Duncan; B., D.)
Subjects
museums and institutions:
subjects:
subjects:
Illustrations
Attributed works:
12. Woman in a Turkish interior (here identified as a portrait of the artist’s wife, Marie Fargues), by Jean-Etienne Liotard. 1756–58. Pastel on vellum, 104.2 by 79.8 cm. (Rijksmuseum Amsterdam).
Attributed works:
13. ‘The Right Hon.ble Maria Countess of Coventry’, by Richard Houston. Mezzotint, 42.2 by 31.2 cm. (Rijksprentenkabinet, Amsterdam).
Attributed works:
15. Woman in a Turkish interior (entitled ‘Mimica’ by the artist), by Jean-Etienne Liotard. 1749. Pastel on vellum, 23.5 by 19 cm. (Musée d’Art et d’Histoire, Geneva).
Attributed works:
16. Woman in a Turkish interior, by Jean-Etienne Liotard. Counterproof taken by the artist of a red- and black-chalk drawing of c.1738–42, 21.2 by 15.2 cm. (Musée du Louvre, Paris).
Attributed works:
17. Frankish woman seated on a sofa, by Jean-Etienne Liotard. 1738–42. Red and black chalk, 20.6 by 17 cm. (Musée du Louvre, Paris).
Attributed works:
18. Inscription, in Liotard’s hand, on the backing-board of the frame of the pastel here illustrated as Fig.15.
Attributed works:
19. Karoline Luise of Hesse-Darmstadt, later Markgräfin of Baden-Dürlach, by Jean-Etienne Liotard. 1745–46. Pastel on vellum, 62 by 48.5 cm. (Staatliche Kunsthalle, Karlsruhe).
Attributed works:
20. Woman in a Turkish interior (possibly a portrait of Maria Gunning, Countess of Coventry, but more probably of Lolotte Gaucher, later comtesse d’Hérouville), by Jean-Etienne Liotard. c.1749–55. Pastel over red-chalk underdrawing, on vellum, 58.5 by 47.2 cm. (Wrightsman Collection, New York).
Attributed works:
21. Nancy Parsons, later Viscountess Maynard, by George Willison. c.1767–71. Oil on copper, 57 by 47.5 cm. (Yale Center for British Art, Paul Mellon Collection, New Haven).
Attributed works:
22. Maria Gunning, later Countess of Coventry, by Francis Cotes. 1751. Pastel on paper, 59.8 by 44.5 cm. (H.G. The Duke of Argyll, Inverary Castle).
Attributed works:
23. Maria Gunning, Countess of Coventry, by Gavin Hamilton. 1752. Canvas, 66 by 54.5 cm. (H.G. The Duke of Argyll, Inverary Castle).
Attributed works:
24. Detail of Fig.13, in reverse.
Attributed works:
25. ‘La Liseuse’ (Mlle Lavergne in Lyonnaise costume), by Jean-Etienne Liotard. 1746. Pastel on vellum, 54.5 by 43 cm. (Rijksmuseum, Amsterdam).
Attributed works:
26. The artist’s wife, Marie Fargues, by Jean-Etienne Liotard. 1757. Pastel, 43 by 40.5 cm. (Musée des Beaux-Arts, La Chaux-de-Fonds).
Attributed works:
27. Marie Fargues and her son, Jean-Etienne Liotard Jr, by Jean-Etienne Liotard. Dated 1760, but presumably c.1761–64. Red and black chalk, with watercolour, 24.5 by 19.6 cm. (Musée d’Art et d’Histoire, Geneva).
Western art unattributed:
14. Woman in Levantine costume, anonymous copy after Fig.13. Canvas, dimensions unknown. (Private collection, Great Britain).
Article
Francesco Trevisani’s ‘St Felicity’, a gift from Cardinal Ottoboni to the marquis de Torcy
01/2008 | 1258 | 150
Pages: 4-14
related names
Author:
Bull, Duncan (Bull, Duncan; B., D.)
Subjects
dates:
museums and institutions:
Illustrations
Attributed works:
1. Cardinal Pietro Ottoboni, by Francesco Trevisani. c.1705. Canvas, 134 by 98.5 cm. (Bowes Museum, Barnard Castle)
Attributed works:
10. Martyrdom of the seven brothers, by Jan Luyken. 1685. Etching, 12 by 14.5 cm. (Rijksprentenkabinet, Amsterdam).
Attributed works:
11. St Phocas thrown into the limekiln, by Jan Luyken. 1685. Etching, 12 by 14.5 cm. (Rijksprentenkabinet, Amsterdam).
Attributed works:
12. Self-portrait, by Francesco Trevisani. c.1712. Black and white chalk on prepared tan paper, 36.5 by 26.2 cm. (Nationalmuseum, Stockholm).
Attributed works:
13. Decollation of St John the Baptist, by Francesco Trevisani. c.1685. Canvas, 67.3 by 55.8 (Hood Museum, Dartmouth NH).
Attributed works:
14. Susanna and the elders, by Francesco Trevisani. c.1704. Copper, 28 by 20.5 cm. (formerly Staatsgalerie, Stuttgart; stolen 1945).
Attributed works:
15. Joseph and Potiphar’s wife, by Francesco Trevisani. c.1704. Copper, 28 by 20.5 cm. (Staatsgalerie, Stuttgart).
Attributed works:
16. Deliverance of St Peter, by Noel Chasteau after Antoine Coypel. 1709. Engraving, 44.9 by 32.3 cm. (Bibliothèque nationale, Paris).
Attributed works:
17. Entrance into Venice of Abbé Charles-Henri Arnauld de Pomponne as French Ambassador, by Luca Carlevarijs. 1706. Canvas, 130 by 260 cm. (Rijksmuseum, Amsterdam).
Attributed works:
2. Detail of Jean-Baptiste Colbert, marquis de Torcy, indicating the portrait of his uncle, by François de Troy. c.1701–05. Canvas, 175 by 89 cm. (Musée de Château, Versailles).
Attributed works:
3. Apollo, by Jean-Baptiste de Poilly. Engraving; plate CII of Raccolta di statue antiche e moderne data in luce sotto i gloriosi auspici della Santita di N.S. Papa Clemente XI, da Domenico de Rossi, Rome 1704 (Rijksmuseum, Amsterdam).
Attributed works:
4. Martyrdom of the seven brothers, the sons of St Felicity, by Francesco Trevisani. 1709. Canvas, 75 by 64.6 cm. (Rijksmuseum, Amsterdam).
Attributed works:
5. Martyrdrom of the four crowned saints, by Francesco Trevisani. c.1698. Canvas, 50.8 by 35.5 cm. (Burghley House, Stamford).
Attributed works:
6. Baptism by blood, by Francesco Trevisani. 1709–40. Canvas, each 575 by 750 cm. (S. Maria degli Angeli, Rome).
Attributed works:
7. St Lucy defying her removal to a brothel through the exercise of her faith, by Francesco Trevisani. c.1695. Canvas, 49 by 37 cm. (Galleria Nazionale di Palazzo Corsini, Rome).
Attributed works:
8. Martyrdom of St Felicity, by Marcantonio Raimondi. c.1520. Engraving, 23.5 by 40.5 cm. (Bartsch 117; Rijksprentenkabinet, Amsterdam).
Attributed works:
9. Cain and Abel, by Francesco Trevisani. Canvas, 18.5 by 28.5 cm. (Galleria Nazionale di Palazzo Corsini, Rome).
Letter
The Companion of the 'Rokeby Venus'
08/1994 | 1097 | 136
Pages: 555
related names
Author:
Bull, Duncan (Bull, Duncan; B., D.)
Author:
Harris, Enriqueta (E. H; E. E. H) (Harris, Enriqueta (E. H; E. E. H); Frankfort, Enriqueta Harris; H., E.; Frankfort, Enriqueta; H., E. E.)
Subjects
dates:
places:
Illustrations
Western art unattributed:
81. Reclining Nude in a Landscape. Venetian School, 16th Century. 122.5 by 175.5 cm. (Private Collection, Belgium).
Obituary
Hugh Macandrew (1931-1993)
08/1994 | 1097 | 136
Pages: 553-554
related names
Author:
Bull, Duncan (Bull, Duncan; B., D.)
Subjects
art literature:
dates:
Obituary
Lawrence Turčić
05/1988 | 1022 | 130
Pages: 373
related names
Author:
Bull, Duncan (Bull, Duncan; B., D.)
Subjects
art literature:
dates:
Article
The Companion of Velázquez's Rokeby Venus and a Source for Goya's Naked Maja
09/1986 | 1002 | 128
Pages: 643-654
related names
Author:
Bull, Duncan (Bull, Duncan; B., D.)
Author:
Harris, Enriqueta (E. H; E. E. H) (Harris, Enriqueta (E. H; E. E. H); Frankfort, Enriqueta Harris; H., E.; Frankfort, Enriqueta; H., E. E.)
Subjects
dates:
dates:
museums and institutions:
places:
Illustrations
Attributed works:
2. The Toilet of Venus (The Rokeby Venus), by Diego Velázquez. 122.5 by 171 cm. (National Gallery, London).
Attributed works:
4. Venus Reclining in a Landscape. by Richard Cooper. c.1767-69. Pencil, Squared in Brown Ink, the Verso Chalked for Transfer. Copy after the Painting Then Attributed to Pordenone. 29.9 by 41.8 cm. (National Gallery of Scotland, Edinburgh).
Attributed works:
5. The Naked Maja, by Francisco Goya. 98 by 91 cm. (Museo del Prado, Madrid).
Attributed works:
6. The School of Love, by Richard Cooper. c.1767-69. Black Chalk with Pencil and Stump, on Vellum. Copy after the Painting by Correggio. 24.7 by 16.4 cm. (National Gallery of Scotland, Edinburgh).
Attributed works:
7. Portrait of a boy, by Richard Cooper. c.1767-69. Pencil on Oiled Tracing Paper. Copy after an Unknown Painting by Velázquez Then in the Alba Collection, Madrid. 41 by 33.4 cm. (National Gallery of Scotland, Edinburgh).
Attributed works:
8. The Toilet of Venus (The Rokeby Venus), by Richard Cooper. c.1767-69. Pencil, Squared in Brown Ink, the Verso Chalked for Transfer. Copy after the Painting by Velázquez. 32.1 by 43.4 cm. (National Gallery of Scotland, Edinburgh).
Western art unattributed:
3. Venus Reclining in a Landscape. Venetian School. 121 by 175 cm. (Present Whereabouts Unknown; Reproduced from the Sale Catalogue, Galerie Fievez, Brussels, 21.12.1925, pl. XX).