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Article
The patron of Hieronymus Bosch’s ‘Last Judgment’ triptych in Vienna
02/2018 | 1379 | 160
Pages: 106-111
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related names
Author:
de Keyser, Nouchka (de Keyser, Nouchka)
Author:
Hoogstede, Luuk (Hoogstede, Luuk)
Author:
Ilsink, Matthijs (Ilsink, Matthijs)
Author:
Janssens, Koen (Janssens, Koen)
Author:
Klein Gotink, Rik (Klein Gotink, Rik)
Author:
Koldeweij, Jos (Koldeweij, Jos)
Author:
Legrand, Stijn (Legrand, Stijn)
Author:
Nauhaus, Julia M. (Nauhaus, Julia M.)
Author:
Spronk, Ron (Spronk, Ron)
Author:
van der Snickt, Geert (van der Snickt, Geert)
Subjects
artists:
Bosch, Hieronymus
dates:
1500-1509
media:
Paintings
museums and institutions:
Akademie der bildenden Künste Wien, Vienna, Austria
places:
Netherlands
subjects:
Netherlandish painting / Triptychs / Conservation / Technical analysis / Scientific analysis / Patronage / Commissions / House of Burgundy / Iconography
Illustrations
Attributed works:
1. Sts James the Greater and Hippolytus, panels from Last Judgment (closed triptych) by Hieronymus Bosch. c.1500–05. Panel, each 163 y 60 cm., excluding frames. (Paintings Gallery of the Academy of Fine Arts, Vienna; photograph Rik Klein Gotink for BRCP).
Attributed works:
2. Last Judgment (open triptych), by Hieronymus Bosch. c.1500–05. Panel, c.163 by 60 cm. (left panel), 163 by 127 cm. (central panel), 163 by 60 (right panel). (Paintings Gallery of the Academy of Fine Arts, Viennal photograph Rik Klein Gotink for BRCP).
Attributed works:
3. Detail of the escutcheons beneath Sts James (left) and Hippolytus (right) on the outer wings of the Vienna Last Judgment, in X-radiography (top), visible light photography (centre) and infra-red photography. (Photograph Rik Klein Gotink for BRCP and the Academy of Fine Arts, Vienna, FWF project P23849-G2 (XR)).
Attributed works:
4. Micrograph (67.5 times) showing red pigment on the borders of a paint loss. (Photograph Luuk Hoogstede for BRCP).
Attributed works:
5. Micrograph (40 times) showing remnants of gold and abraded bole. (Photograph Luuk Hoogstede for BRCP).
Attributed works:
6. (a-i). MA-XRF mappings from the zone of the escutcheon beneath St Hippolytus. The bairum, titanium and zinc maps show nineteenth-century retouchings. (photograph AXES Group, University of Antwerp. Image processing: Luuk Hoogstede for BRCP).
Attributed works:
7. Sts Charlemagne, Hippolytus, Elisabeth and Margaret (closed triptych), by Dirk Bouts and Aert van den Bossche. c.1470–75 and 1503–08. Panel, 92.5 by 143 cm. (Cathedral, Bruges; photograph Lukas – Art in Flanders VZ / Hugo Maertens).
Western art unattributed:
8. A bishop saint and Sts Catherine, Hippolytus and Elisabeth (closed triptych), attributed to an anonymous Brussels painter. c.1490–1500. Panel, each 88 by 60 cm. (Museum of Fine Arts, Brussels).
Short Notice
The reconstruction of a triptych by Jan Provoost for the Jerusalem Chapel in Bruges
02/2005 | 1223 | 147
Pages: 109-111
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related names
Author:
Spronk, Ron (Spronk, Ron)
Subjects
artists:
Provost, Jan, the younger, 1465-1529
buildings:
Jerusalem Church, Bruges, Belgium
dates:
1500-1519
places:
Bruges / Belgium
print:
Provost, Jan, the younger, 1465-1529
subjects:
Triptychs / Altarpieces / Reliquaries / Holy Cross / Reconstructions / Netherlandish painting
Illustrations
Attributed works:
43. Triptych of the Crucifixion with scenes from the life of St Catherine of Alexandria, by Jan Provoost. c.1505-10. L to r: a. The disputation of St Catherine of Alexandria. Panel, 105.2 by 70.3 cm. (Museum Boijmans Van Beuningen, Rotterdam); b. Crucifixion. Panel, 117 by 172.5 cm. (Groeningemuseum, Bruges); c. The beheading of St. Catherine of Alexandria. Panel, 95.2 by 70.2 cm. (Koninklijk Museum voor Schone Kunsten, Antwerp). The areas in grey indicated how the wings were cropped.