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8 articles
Article
Supplementing the eye: the technical analysis of Frans Hals’s paintings – ii
12/2019 | 1401 | 161
Pages: 996-1003
related names
Author:
de Keyser, Nouchka (de Keyser, Nouchka)
Author:
Tummers, Anna (Tummers, Anna)
Author:
Wallert, Arie (Wallert, Arie)
Subjects
dates:
Illustrations
Attributed works:
1. Two fisherboys, by Frans Hals. c.1634–37. Oil on canvas, 74.3 by 65.8 cm. (The Phoebus Foundation).
Attributed works:
10. Detail of Fig.2.
Attributed works:
11. Detail of Portrait of a man, possibly Nicolaes Pietersz Duyst van Voorhout, by Frans Hals. c.1636–38. Oil on canvas, 80.6 by 66 cm. (Metropolitan Museum of Art, New York), showing highlights on the face of the sitter.
Attributed works:
12. Detail of Pekelharing, by Frans Hals. c.1628–30. Oil on canvas, 75 by 61.5 cm. (Gemäldegalerie Kassel).
Attributed works:
13. Calcium map of Fig.1, showing boneblack in shadows and calcium carbonate in-fillings.
Attributed works:
14. Calcium map of Fig.2, showing boneblack in shadows.
Attributed works:
15. MA-XRF map of Fig.1, showing the element mercury (Hg), indicating the presence of vermilion.
Attributed works:
16. MA-XRF map of Fig.1, showing the element potassium (K) and indicating the presence of red glazes and smalt.
Attributed works:
17. Detail of Fig.1, showing the hat of the boy on the left.
Attributed works:
18. Detail of Young man with a skull, by Frans Hals. c.1626–28. Oil on canvas, 92.2 by 80.8 cm. (National Gallery, London).
Attributed works:
19. Detail of Fig.1, taken with a dino-lite microscope (x65), showing indigo blue on top of the red hat.
Attributed works:
2. Fisherboy, by Frans Hals. c.1630–32. Oil on canvas, 74 by 61 cm. (Royal Museum of Fine Arts, Antwerp).
Attributed works:
20. Detail of Officers and sergeants of the St George Civic Guard, by Frans Hals. 1639. Oil on canvas, 218 by 421 cm. (Frans Hals Musem, Haarlem). Micrograph taken with dino-lite microscope (x65), showing detail of the blue sash of the third figure from the right.
Attributed works:
3. Detail of Fig.2, taken with a dino-lite microscope (x65), showing craquelure over Hals’s monogram and surrounding areas.
Attributed works:
4. Malle Babbe, by Han van Meegeren. 1930–40. Oil on canvas, 76 by 60 cm. (Rijksmuseum, Amsterdam).
Attributed works:
5. Graph plotting the distribution of paint samples taken from nine reference paintings by Frans Hals against Two fisherboys (FH2K-2); Fisherboy (FH1K-1); and Van Meegeren’s Malle Babbe (MB Van Meegeren A’dam).
Attributed works:
6. Detail of Fig.1, taken with a dino-lite microscope (x65), showing the so-called ‘ribbon touches’.
Attributed works:
7. Detail of Fig.1, taken with a dino-lite microscope (x65), showing a brushstroke with raised edges.
Attributed works:
8. Detail of Fig.2, taken with a dino-lite microscope (x65), showing evidence of a ‘ribbon touch’.
Attributed works:
9. Detail of Fig.1.
Exhibition Review
Van Meegeren. Rotterdam
10/2010 | 1291 | 152
Pages: 697-699
related names
Reviewer:
Weber, Gregor (Weber, Gregor)
Subjects
dates:
subjects:
Reviewed Items
subjects:
The fake Vermeers of Van Meegeren | institution: Museum Boijmans Van Beuningen
Article
Dirk Hannema and the rediscovery of a painting by Vincent van Gogh
06/2010 | 1287 | 152
Pages: 393-405
related names
Author:
Hendriks, Ella (Hendriks, Ella)
Author:
Tilborgh, Louis van (Tilborgh, Louis van)
Subjects
collectors and dealers:
dates:
print:
Illustrations
Attributed works:
39. The Blute-fin mill, by Vincent van Gogh. 1886. Canvas, 55.2 by 38 cm. (Museum de Fundatie, Heino and Zwolle).
Attributed works:
40. Béla and Rickel Hein, by Jules Pascin. 1923. Ink, 24.5 by 20 cm. (Private collection).
Attributed works:
41. The Blute-fin mill, by Vincent van Gogh. 1886. Pencil in a sketchbook, 11.0 by 19.7 cm. (Van Gogh Museum, Amsterdam; Vincent van Gogh Foundation).
Attributed works:
42. The Blute-fin mill, by Vincent van Gogh. 1886. Pen and ink, graphite on laid paper, 42.5 by 56.5 cm. (Phillips Collection, Washington).
Attributed works:
43. The Blute-fin mill, by Vincent van Gogh. 1886. Canvas, 46.5 by 38 cm. (Formerly in a private collection; lost in a fire in 1967).
Attributed works:
44. Guinguette, by Vincent van Gogh. 1886. Canvas, 49 by 64 cm. (Musée d’Orsay, Paris).
Attributed works:
45. Bois de Boulogne with people walking, by Vincent van Gogh. 1886. Canvas, 37.5 by 45.5 cm. (Noro Foundation).
Attributed works:
46. Detail of the reverse of Fig.39.
Attributed works:
47. (Right). Automated weave map generated from high-resolution X-ray scans of Fig.39, revealing characteristic banding from subtle variations in warp thread density.
Attributed works:
48. (Far right). Infra-red detail of Fig.39 showing a diagonal line of underdrawing traced from a perspective frame.
Attributed works:
49. Photomicrograph of Fig.39 revealing traces of a purple sketch behind the handrail.
Attributed works:
50. Photomicrograph of Fig.39 showing the stringy nature of the impasto mixed with zinc white.
Attributed works:
51. Photomicrograph of Fig.39 showing final touches of green added to the dress.
Attributed works:
52. Photomicrograph of Fig.39 showing how the pink face was obliterated by a final touch of dull green.
Attributed works:
53. Vase with gladioli and Chinese asters, by Vincent van Gogh. 1886. Canvas, 48.5 by 40 cm. (Vincent van Gogh Foundation, Van Gogh Museum, Amsterdam).
Western art unattributed:
35. Dirk Hannema (on the right) and the restorer H.G. Luitwieler looking at ‘The supper at Emmaus’ after its restoration. 1938. Photograph. (Museum Boijmans Van Beuningen, Rotterdam).
Western art unattributed:
36. Still life with peonies. Anonymous. Canvas on plywood, 35.7 by 27.4 cm. (Museum de Fundatie, Heino and Zwolle).
Western art unattributed:
37. Landscape with a quarry. Anonymous. Canvas, 37.6 by 54 cm. (Museum de Fundatie, Heino and Zwolle).
Western art unattributed:
38. Still life with a jug and shells. Anonymous. Canvas, 49 by 57 cm. (Museum de Fundatie, Heino and Zwolle).
Editorial
Bastianini to Bolton
06/2010 | 1287 | 152
Pages: 363
Book Review
The Man Who Made Vermeers: Unvarnishing the Legend of Master Forger Han van Meegeren
02/2009 | 1271 | 151
Pages: 110-111
related names
Reviewer:
Goodison, Nicholas (Goodison, Nicholas)
Subjects
dates:
subjects:
subjects:
Reviewed Items
subjects:
The Man Who Made Vermeers: Unvarnishing the Legend of Master Forger Han van Meegeren | author: Lopez, Jonathan
Illustrations
Western art unattributed:
34. Pages 210-11 from the November 1937 issue of THE BURLINGTON MAGAZINE showing the article 'A new Vermeer', by Abraham Bredius
Editorial
The Truth about Fakes
09/1990 | 1050 | 132
Pages: 615+625+630-631
Subjects
dates:
museums and institutions:
subjects:
Illustrations
Western art unattributed:
10. Fragmentary Kouros. Italian Forgery, c.1980. 65 cm. High. (J. Paul Getty Museum, Malibu).
Western art unattributed:
11. Reverse of Fig.10. [Fragmentary Kouros. Italian Forgery, c.1980. 65 cm. High. (J. Paul Getty Museum, Malibu).]
Western art unattributed:
12. Reverse of Fig.9 [Kouros. Italian Forgery, c.1980. Marble, 200 cm. High. (J. Paul Getty Museum, Malibu).]
Western art unattributed:
6. Head of a Tetrarch. Italian Forgery, c.1970. Porphyry, 43 cm. High. (British Museum, London).
Western art unattributed:
9. Kouros. Italian Forgery, c.1980. Marble, 200 cm. High. (J. Paul Getty Museum, Malibu).
Book Review
Een Vroege Vermeer uit 1937
04/1980 | 925 | 122
Pages: 263-264
related names
Reviewer:
Schrijver, Elka (Schrijver, Elka)
Subjects
dates:
places:
Reviewed Items
subjects:
Een Vroege Vermeer uit 1937 | author: Brandhof, Marijke van den
Editorial
Forgery on Television
11/1960 | 692 | 102
Pages: 465
Subjects
dates: