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18 articles
Article
Alonso Cano’s rediscovered ‘Immaculate Conception’ for San Alberto, Seville
12/2023 | 1449 | 165
Pages: 1290–1299
related names
Author:
Prieto Navarrete, Benito (Prieto Navarrete, Benito)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Immaculate Conception, here attributed to Alonso Cano. c.1628–29. Oil on canvas, 148.7 by 96 cm. (Private collection).
Attributed works:
10. Detail of Fig.6, showing the Immaculate Conception.
Attributed works:
11. Immaculate Conception with Miguel Cid, by Francisco Pacheco. 1619. Oil on canvas, 160 by 110 cm. (Cathedral of St Mary, Seville).
Attributed works:
12 and 13. Details of Fig.1 showing cherubs painted over angels in the top corners.
Attributed works:
14. Mary Magdalene de’ Pazzi, by Alonso Cano. c.1628–29. Oil on canvas, 116 by 55 cm. (Museum of Fine Arts, Seville).
Attributed works:
15. The drawing shown in Fig.6 with the surviving paintings from the altarpiece superimposed.
Attributed works:
2. St Francis of Borja, by Alonso Cano. 1624. Oil on canvas, 186 by 120 cm. (Museum of Fine Arts, Seville).
Attributed works:
3. The Crucified Christ appears to St Teresa, by Alonso Cano. c.1628–29. Oil on canvas, 99 by 43.5 cm. (Museo Nacional del Prado, Madrid).
Attributed works:
4. Christ the Saviour appears to St Teresa, by Alonso Cano. c.1628–29. Oil on canvas, 99 by 43.5 cm. (Museo Nacional del Prado, Madrid).
Attributed works:
5. Christ bearing the Cross (Via Dolorosa), by Alonso Cano. c.1628–29. Oil on canvas, 166.5 by 101 cm. (Worcester Art Museum, Worcester MA).
Attributed works:
6. Preparatory drawing for an altarpiece with Christ bearing the Cross (Via Dolorosa) and the Immaculate Conception, by Alonso Cano. c.1628– 29. Pencil, pen and brown ink on paper, 38.9 by 27.9 cm. (Félix Palacios Remondo collection, Zaragoza).
Attributed works:
7. Detail of Fig.9, showing the upper part of the body and head.
Attributed works:
8. Detail of Fig.1, showing the upper part of the body and head.
Attributed works:
9. Immaculate Conception, by Diego Velázquez. c.1622. Oil on canvas, 142 by 98.2 cm. (Fundación Focus, Seville).
Article
The Italian Renaissance altarpiece
04/2022 | 1429 | 164
Pages: 380-385
related names
Author:
Penny, Nicholas (Penny, Nicholas)
Subjects
Illustrations
Attributed works:
1. Mystic winepress, by Mainardi, called Il Chiaveghino. 1594. Oil on canvas, approx. 500 by 300 cm. (S. Agostino, Cremona; Bridgeman Images).
Attributed works:
2. Vision of St Thomas Aquinas, by Santi di Tito. 1593. Oil on panel. (S. Marco, Florence; Bridgeman Images).
Attributed works:
3. Marriage of the Virgin, by Rosso Fiorentino. 1538. Oil on panel, 325 by 250 cm. (S. Michele Visdomini, Florence; Bridgeman Images).
Attributed works:
4. Detail of Crucifixion, by Lorenzo Lotto. 1534. Oil on panel. (S. Maria della Pietà in Telusiano, Monte San Giusto, Macerata; Scala Archives).
Attributed works:
5. Madonna della Misericordia, by Fra Bartolommeo. 1515. Oil on panel, 407.5 by 262 cm. (Museo Nazionale di Villa Guinigi, Lucca; Bridgeman Images).
Article
The meanings of Domenico Beccafumi’s ‘Nativity’ in S. Martino, Siena
08/2021 | 1421 | 163
Pages: 706-717
related names
Author:
Medicus, Gustav (Medicus, Gustav)
Subjects
dates:
Illustrations
Attributed works:
1. The Marsili Chapel, S. Martino, Siena, showing the Nativity by Domenico Beccafumi, set in a marble frame by Lorenzo di Mariano (‘Il Marrina’). 1522–23. (Bridgeman Images).
Attributed works:
10. Study for St Joseph in the Nativity, by Domenico Beccafumi. c.1522. Pen and brown ink on paper, 18.6 by 16.3 cm. (Gabinetto Disegni e Stampe, Galleria degli Uffizi, Florence; inv. no.10748 F).
Attributed works:
11. Detail of Fig.1, showing the stemma of the Ugolini family.
Attributed works:
12. Detail of Fig.1, showing the stemma of the Marsili family.
Attributed works:
13. Detail of Fig.3, showing the relief on the triumphal arch.
Attributed works:
14. Drawing of Sodoma’s Nativity on the Porta Pispini, Siena, by Johann Anton Ramboux. 1832–42. Pencil on paper, 19.1 by 14.3 cm. (Städelsches Kunstinstitut, Frankfurt).
Attributed works:
15. Nativity, by Bartolomeo Neroni (Il Riccio) and Arcangelo Salimbeni. 1565–79. Oil on panel, 348 by 215 cm. (S. Niccolò al Carmine, Siena).
Attributed works:
16. Detail of Adoration of the shepherds, by Alessandro Casolani. 1591. Oil on canvas, 414 by 190 cm. (Collegiata dei Santi Simone e Giuda, Radicondoli).
Attributed works:
17. Adoration of the shepherds, by Cosimo Gamberucci. 1618. Oil on canvas, 412 by 294 cm. (S. Maria Maddalena de’Pazzi, Florence).
Attributed works:
18. Adoration of the Magi, by Baldassare Peruzzi. 1522–23. Pen and ink and brown wash on paper, 112.5 by 107 cm. (British Museum, London).
Attributed works:
2. Nativity, by Francesco di Giorgio. 1485–90. Tempera and oil on canvas, 204 by 239 cm., without the lunette by Matteo di Giovanni or the predella by Bernardino Fungai (S. Domenico, Siena; Scala Archives).
Attributed works:
3. Nativity by Domenico Beccafumi. 1522–23. Oil on panel, 390 by 235 cm. (S. Martino, Siena; Scala Archives).
Attributed works:
4. The stigmatisation of St Catherine, by Domenico Beccafumi. c.1515. Oil on panel, 212 by 162 cm. (Pinacoteca Nazionale, Siena; Scala Archives).
Attributed works:
5. Detail of Fig.3, showing the lamb and Christ Child.
Attributed works:
6. Detail of Fig.3, showing shepherds.
Attributed works:
7. Detail of the shepherds in the Portinari Altarpiece, by Hugo van der Goes. 1474–76. Tempera and oil on canvas, 253 by 304 cm. (Galleria degli Uffizi, Florence; Scala Archives).
Attributed works:
8. Madonna of the blue diadem, by Raphael or Gianfrancesco Penni. 1510–12. Oil on panel, 68 by 48.2 cm. (Musée du Louvre, Paris; Bridgeman Images).
Attributed works:
9. Detail of Fig.3, showing the trellis with a vine and sheaves of wheat.
Article
A newly discovered ‘Immaculate Conception’ by Diego Velázquez
12/2020 | 1413 | 162
Pages: 1028-1037
related names
Author:
Cherry, Peter (Cherry, Peter)
Subjects
places:
Illustrations
Attributed works:
1. The Immaculate Conception, by Diego Velázquez. c.1618–19. Oil on canvas, 57.5 by 44 cm. (Private collection).
Attributed works:
2. The painting in Fig.1, photographed before cleaning in 2017.
Attributed works:
3. The Immaculate Conception, by Diego Velázquez. c.1618–19. Oil on canvas, 135 by 101.6 cm. (National Gallery, London).
Attributed works:
4. The Immaculate Conception, by Diego Velázquez. c.1617–18. Oil on canvas, 142 by 98.2 cm. (Fundación Focus, Seville).
Attributed works:
5. X-radiograph of the painting in Fig.1 (Private collection).
Attributed works:
6. X-radiograph of the painting in Fig.3. (National Gallery, London).
Attributed works:
7. X-radiograph of the painting in Fig.4. (Fundación Focus, Seville).
Attributed works:
8. The Immaculate Conception with donor, by Francisco Pacheco. Signed and dated 1619. Oil on canvas, 160 by 110 cm. (Courtesy the Cathedral Chapter, Seville).
Attributed works:
9. Education of the Virgin, here attributed to Diego Velázquez. c.1617–18. Oil on canvas, 168 by 137 cm. (Yale University Art Gallery, New Haven).
Article
A sculpture of the Virgin Annunciate by Jean Guillaumet, called Jehan de Chartres
11/2020 | 1412 | 162
Pages: 922-927
related names
Author:
Ainsworth, Maryan W. (Ainsworth, Maryan W.; Ainsworth, Maryan)
Subjects
dates:
media:
Illustrations
Attributed works:
1. Madeleine of Burgundy presented by St Mary Magdalene, by Jean Hey. c.1490. Oil on panel, 56 by 40 cm. (Musée du Louvre, Paris).
Attributed works:
10. Detail of Fig.6, showing the head of St Susanna.
Attributed works:
2. Virgin Annunciate, by Jean Guillaumet (Jehan de Chartres). c.1500–10. Limestone, 96.5 by 33 by 24 cm. (The Hearn Family Trust and Charles Hack; on loan to the Metropolitan Museum of Art, New York; © Sam Fogg Ltd.).
Attributed works:
3. Annunciation, by Jean Hey. c.1490–95. Oil on panel, 72 by 50.2 cm. (The Art Institute of Chicago, Mr and Mrs Martin A. Ryerson Collection).
Attributed works:
4. Detail of Fig.3, showing the Virgin.
Attributed works:
5. Detail of Fig.2, showing the upper torso.
Attributed works:
6. St Susanna, by Jean Guillaumet. c.1500–03. Limestone, 183 by 78 by 50 cm. (Musée du Louvre, Paris).
Attributed works:
7. St Peter, by Jean Guillaumet. c.1500–03. Limestone, 184.5 by 66 by 43 cm. (Musée du Louvre, Paris).
Attributed works:
8. St Anne, by Jean Guillaumet. c.1500–03. Limestone, 192 by 78 by 49 cm. (Musée du Louvre, Paris).
Attributed works:
9. Detail of Fig.2, showing the head of the Virgin.
Book Review
Parmigianino’s ‘Madonna of the Long Neck’: A Grace beyond the Reach of Art, E.J. Olszewski
10/2015 | 1351 | 157
Pages: 711-712
related names
Reviewer:
Franklin, David (Franklin, David)
Subjects
artists:
dates:
museums and institutions:
Publication Received
Ave Eva: Ein wiederentdecktes Hauptwerk des Renaissance-meisters Guillaume de Marcillat. Edited by Alessandra ­Galizzi Kroegel and Roberto Contini.
12/2014 | 1341 | 156
Pages: 828
related names
Reviewer:
Franklin, David (Franklin, David)
Subjects
dates:
museums and institutions:
Publication Received
The Immaculate Conception in Spanish Art
03/1995 | 1104 | 137
Pages: 192
related names
Reviewer:
Harris, Enriqueta (E. H; E. E. H) (Harris, Enriqueta (E. H; E. E. H); Frankfort, Enriqueta Harris; H., E.; Frankfort, Enriqueta; H., E. E.)
Subjects
Reviewed Items
subjects:
The Immaculate Conception in Spanish Art | author: Stratton, Suzanne L.
Letter
The Serlupi Chapel in S. Maria in Aracoeli
06/1983 | 963 | 125
Pages: 362
related names
Author:
Silber, Evelyn (Silber, Evelyn)
Subjects
artists:
dates:
places:
Article
The Chapel of the Immaculate Conception (Or the Serlupi Chapel) and the Paintings by Francesco Pichi in S. Maria in Aracoeli in Rome
01/1983 | 958 | 125
Pages: 4-15
related names
Author:
Heideman, Johanna E. L. (Heideman, Johanna E. L.; Heideman, Johanna)
Subjects
artists:
dates:
patrons:
places:
subjects:
subjects:
subjects:
Illustrations
Attributed works:
2. Antithesis between Eve and the Virgin Mary; Lunette: The Virgin as the Woman of the Apocalypse; By Francesco Pichi. Fresco. (Left Wall, Chapel of the Immaculate Conception, S. Maria in Aracoeli, Rome).
Attributed works:
3. Antithesis between Adam and Eve and Christ and the Virgin; Lunette: Adoration of the Virgin; By Francesco Pichi. Fresco. (Right Wall, Chapel of the Immaculate Conception, S. Maria in Aracoeli, Rome).
Attributed works:
Chapel of the Immaculate Conception, S. Maria in Aracoeli, Rome. 4. Pendentive. 5. Pendentive. 6. Ceiling. 7. Pendentive. 8. Pendentive.
Attributed works:
Details of Ceiling, Chapel of the Immaculate Conception, S. Maria in Aracoeli, Rome. 9. Solomon Receiving the Queen of Sheba. 10. Solomon with the King's Bride. 11. Esther before Ahasuerus. 12. Bathsheba Pleading with David (?).
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