1. Philosopher with an open book, or Euclid, by Jusepe de Ribera.
c.1630. Oil on canvas, 125 by 92 cm. (J. Paul Getty Museum, Los
Angeles; Bridgeman Images).
Attributed works:
10. Detail of Fig.7, showing Ribera’s signature.
Attributed works:
11. Apollonius of Perga, by Jusepe de Ribera. 1612–14. Oil on canvas,
100 by 75.5 cm. (Private collection).
Attributed works:
2. At the auction sale of the Aguado collection, 1843. From L’Illustration,
Journal universel (1st April 1843, p.68; private collection).
Attributed works:
3. Philosopher with a staff, here identified as Dioscorides, after Jusepe
de Ribera. c.1625–31. Oil on canvas, 125 by 92 cm. (Art Gallery of New
South Wales, Sydney).
Attributed works:
4. Detail of Fig.2, showing the position of the two Ribera paintings.
Attributed works:
5. Philosopher with a staff, here identified as Dioscorides,
by Jusepe de Ribera. c.1630. Oil on canvas, 123 by 92 cm.
(Private collection; photograph Christophe Janet).
Attributed works:
6. Apollo and Marsyas, by Jusepe de Ribera. 1637. Oil on canvas,
202 by 256 cm. (Musées Royaux des Beaux-Arts de Belgique, Brussels)
Attributed works:
7. Drunken Silenus, by Jusepe de Ribera. 1626. Oil on canvas,
185 by 229 cm. (Museo Nazionale di Capodimonte, Naples).
1. Detail of Fig.10, showing Carlo Dolci’s self-portrait within
a self-portrait, inscribed 1674.
Attributed works:
10. Self-portrait, by Carlo Dolci. 1674. Oil on canvas, 74.5 by 60.5 cm.
(Galleria degli Uffizi, Florence).
Attributed works:
11. Inscription on the strainer of the painting illustrated in Fig.13.
Attributed works:
12. Christ Child with a garland of flowers, by Carlo Dolci. 1674. Canvas,
96.5 by 76.5 cm. (Kunsthistorisches Museum, Vienna).
Attributed works:
13. David with the head of Goliath, by Carlo Dolci. 1680. Canvas,
131.5 by 106 cm. (Museum of Fine Arts, Boston).
Attributed works:
2. Ecce Homo, by Carlo Dolci. 1681. Oil on canvas, 49 by 39 cm.
(Galleria Corsini, Florence).
Attributed works:
3. Inscription on the strainer of the painting illustrated in Fig.5.
Attributed works:
4. St Agatha, by Carlo Dolci. 1664–65. Oil on canvas, 73 by 41 cm.
(Private collection).
Attributed works:
5. St Philip Neri, by Carlo Dolci. 1645. Oil on canvas, 44.5 by 36.2 cm.
(Metropolitan Museum of Art, New York).
Attributed works:
6 and 7. Inscriptions on the strainer of the painting illustrated in Fig.4.
Attributed works:
8. Inscription on a wooden frame behind St John the Evangelist on
Patmos, by Carlo Dolci. 1656. Oil on copper, 38 by 49 cm. (Palazzo
Pitti, Florence).
Attributed works:
9. Luigi Gualtieri at the age of three, by Carlo Dolci. 1674. Black, red
and blue chalk with blue watercolour on white paper, 20.8 by 14.2 cm.
(Galleria degli Uffizi, Florence).
Book Review
La Griffe du peintre: La valeur de l’art (1730–1820). By Charlotte Guichard
La Griffe du peintre: La valeur de l’art
(1730–1820)
By Charlotte Guichard. 368 pp. incl. numerous
col. + b. & w. ills. (Seuil, Paris, 2018), £52.
ISBN 978–2–02–140231–5. |
:
Illustrations
Attributed works:
5. Young student drawing, by Jean-Siméon
Chardin. 1738. Oil on panel, 21 by 17.1 cm.
(Kimbell Art Museum, Fort Worth).