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7 articles
Book Review
Monet: The Restless Vision Monet’s Minutes: Impressionism and the Industrialization of Time
10/2024 | 1459 | 166
Pages: 1088–9
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Reviewer:
Thomson, Richard (Thomson, Richard)
Subjects
art literature:
Biographies / Social history
artists:
Monet, Claude
subjects:
French painting / Impressionism / Time
Reviewed Items
subjects:
Monet: The Restless Vision By Jackie Wullschläger. 576 pp. incl. 50 col. + 113 b. & w. ills. (Allen Lane, London, 2023), £35. ISBN 978–0–241–18830–9. | :
subjects:
Monet’s Minutes: Impressionism and the Industrialization of Time By André Dombrowski. 264 pp. incl. 91 col. + 41 b. & w. ills. (Yale University Press, New Haven and London, 2023), £50. ISBN 978–0–300–27066–2. | :
Book Review
About Time: Fashion and Duration
05/2021 | 1418 | 163
Pages: 486
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Reviewer:
Mackrell, Alice (Mackrell, Alice)
Subjects
museums and institutions:
Metropolitan Museum of Art, New York, United States
subjects:
Fashion / Dress / Time
Reviewed Items
subjects:
About Time: Fashion and Duration By Andrew Bolton. 400 pp. incl. 240 b. & w. ills. (Metropolitan Museum of Art, New York, 2020),  50. ISBN 978–1–58839–688–4. | :
Illustrations
Attributed works:
11. (Left) Walking dress. Probably American, c.1885; and (right) coat, by Yohji Yamamoto. Fall/winter collection 1986–87. (Metropolitan Museum of Art, New York; photographs Nicholas Alan Cope).
Exhibition Review
Shadows of Time: Giambologna, Michelangelo and the Medici Chapel. The Sculpture Collection, Dresden
10/2018 | 1387 | 160
Pages: 854-856
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Reviewer:
Avery, Charles (Avery, Charles)
Subjects
artists:
Michelangelo / Giambologna / Zuccaro, Federico / Bisschop, Jan de / Rubens, Peter Paul / Broecke, Willem van der
dates:
2010-2019
media:
Sculpture / Alabaster carvings / Bronzes / Drawings / Sketches / Prints / Engravings / Reliefs
museums and institutions:
Albertinum, Dresden, Germany
patrons:
Cosimo I, Grand Duke of Tuscany, 1519-1574 / Christian I, Elector of Saxony, 1560–1591
places:
Germany / Dresden
subjects:
Italian sculpture / Statues / Statuettes / Patronage / Gifts / Medici family / Sarcophagi / Unfinished works / Attribution / Iconography / Time / Mars / Nightmare / Copies / Casts (sculpture) / Carving (processes)
Illustrations
Attributed works:
7. Detail of Day, attributed to Giambologna, after Michelangelo. Before 1574. Alabaster, 44.5 by 48.5 by 14.7 cm. (Staatliche Kunstsammlung, Dresden; photograph Hans-Peter Klut; exh. The Sculpture Collection, Dresden).
Attributed works:
8. Day, attributed to Giambologna, after Michelangelo. Before 1574. Alabaster, 44.5 by 48.5 by 14.7 cm. (Staatliche Kunstsammlung, Dresden; photograph Hans-Peter Klut; exh. The Sculpture Collection, Dresden).
Attributed works:
9. Allegory of Francesco I de’Medici, by Giambologna. c.1560–61. Alabaster, 32 by 45.8 cm. (Museo Nacional del Prado, Madrid; exh. The Sculpture Collection, Dresden).
Book Review
Anachronic Renaissance
03/2012 | 1308 | 154
Pages: 205
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Reviewer:
Lippincott, Kristen (Lippincott, Kristen)
Subjects
print:
Renaissance art
subjects:
Iconography / Time / Renaissance / Historical context / Paintings / Art / Art theory
Reviewed Items
subjects:
Anachronic Renaissance | author: Nagel, Alexander , author: Wood, Christopher
Short Notice
Daniel Seiter's 'Truth unveiled by Time'
03/2004 | 1212 | 146
Pages: 168
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Author:
Riccòmini, Marco (Riccòmini, Marco)
Subjects
artists:
Seiter, Daniel
dates:
1650-1749
places:
Austria
print:
Seiter, Daniel
subjects:
Austrian painting / Allegories / Truth / Time
Illustrations
Attributed works:
29. Truth unveiled by Time, by Daniel Seiter. Late 1680s. 50 by 40 cm. (Musee de l'Hotel Lallemont, Bourges).
Attributed works:
30. Truth unveiled by Time, by Daniel Seiter. Late 1680s. Fresco. (Palazzo Reale, Turin).
Letter
Another Clock Painted by Baciccio?
12/1976 | 885 | 118
Pages: 852+854-855
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Author:
Clifford, Timothy (Clifford, Timothy)
Subjects
artists:
Gaulli, Giovanni Battista, called Il Baciccio
artists:
Callin, Giovanni Pietro
artists:
Bernini, Gian Lorenzo
dates:
1650-1699
places:
Italy / Rome
subjects:
Italian painting / Clocks
subjects:
Iconography / Time
subjects:
Visual sources
subjects:
Truth
Illustrations
Attributed works:
100. Truth Unveiled, by G. L. Bernini. 1646 52. Marble; Height, 280 cm. (Galleria Borghese, Rome).
Attributed works:
97. Table Clock, Signed by Giovan Pietro Callin of Genoa. c.1675. Height, 73 cm. (Museo Poldi-Pezzoli, Milan).
Attributed works:
98. Allegory of Justice, by G. B. Gaulli Called 'Il Baciccio'. Pen and Brown Ink, Brown Wash over Black Chalk Indications, 22.9 by 19.6 cm. (Royal Library, Windsor Castle). Reproduced by Gracious Permission of H. M. the Queen.
Attributed works:
99. Detail of Painted Dial of Table Clock Illustrated in Fig.67, Here Attributed to G. B. Gaulli Called 'Il Baciccio'.
Article
A Late Antique Religious Symbol in Works by Holbein and Titian
10/1926 | 283 | 49
Pages: 177-181
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related names
Author:
Panofsky, Erwin (Panofsky, Erwin)
Author:
Saxl, Fritz (Saxl, Fritz; Saxl, F.; Saxl)
Subjects
artists:
Titian
artists:
Holbein, Hans the Younger, ca. 1497-1543
dates:
1500-1599
places:
England / Italy / Venice
sources:
Ripa, Cesare
subjects:
Late Antique / Iconography / Symbolism (artistic concept)
subjects:
German painting / Italian painting / Visual sources
subjects:
Allegories / Allegorical figures / Prudence / Time
Illustrations
Western art unattributed:
Fig. 1. Prudentia. Pavement of Duomo, Siena. (Ann. Archéol, 1856, p. 132)
Western art unattributed:
Fig. 2. Prudentia. Cod. Casanat, 1404, Fol. 10.
Western art unattributed:
Fig. 3. Saturn with three heads. Cod. Vindob. 2372, fol. 46 v. Fig. 4. Representation of Sarapis, interpreted as "Sun." (Pierio Valeriano, Hieroglyphica.) Fig. 5. The "Signum triciput" of Sarapis (Hypnerotomachia Polyphili, 1499, fol. y 1 r).
Western art unattributed:
Fig. 6. "Il Consiglio" (Cesare Ripa, Iconologia, Rome, 1603). Fig. 7. Holbein (?) Allegory of the three Forms of Time, from J. Eck De Primatu Petri, libri tres, Paris, 1521. Fig. 8. "Signum triciput" of Sarapis, from L. Bergerus, Lucernœ veterum sepulchrales iconicœ, 1702, II, pl. 7. Fig. 9. Mithraic Chronos, Villa Albani, Rome (Cumont, II, No. 40).